The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the Deep South at the turn of the twentieth century.The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the Deep South at the turn of the twentieth century.The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the Deep South at the turn of the twentieth century.
- Nominated for 9 Oscars
- 3 wins & 10 nominations total
Jessica Grayson
- Addie
- (as Jessie Grayson)
Hooper Atchley
- Party Guest
- (uncredited)
Storyline
Did you know
- TriviaBette Davis and William Wyler fought a great deal during filming. Disagreements ranged from Davis's interpretation of the character (Wyler thought she should be more sympathetic) to the appearance of the house (Davis thought it was far too opulent for a family struggling financially), to her appearance (Wyler thought her white makeup made her look like a Kabuki performer.) Davis eventually walked out of production, but returned when she heard rumors she was going to be replaced by Katharine Hepburn or Miriam Hopkins.
- GoofsAt the end, just before Alexandra leaves Regina, when Regina climbs the stairs and asks Zan if she would "like to sleep in her room tonight", there is a chair in the background (which earlier Regina had been sitting in). There is nothing on the chair. Two shots later, when Alexandra goes to collect her hat and coat to leave, they are on the chair.
- Quotes
Regina Giddens: I hope you die! I hope you die soon! I'll be waiting for you to die!
- Crazy creditsOpening credits prologue:
"Take us the foxes, The little foxes, that spoil the vines:
For our vines have tender grapes." The Song of Solomon 2:15
Little foxes have lived in all times, in all places. This family happened to live in the deep South in the year 1900.
- ConnectionsEdited into Myra Breckinridge (1970)
- SoundtracksNever Too Weary to Pray
(1941) (uncredited)
Music and Lyrics by Meredith Willson
Sung off-screen by an unidentified group during the opening and closing credits
Featured review
Carefully-Crafted Drama With Many Subtleties
Besides a very strong cast and an interesting story, this carefully crafted drama also has many subtleties that make it satisfying to watch, and even more so on repeat viewings. It is still among the better movie depictions of the effects of greed and materialism, and it has lost none of its effectiveness or believability.
Several things work together to make "The Little Foxes" a worthwhile classic. The cast could hardly be improved upon, with the great Bette Davis taking center stage with a role that has her in her element, Herbert Marshall in a role ideal for him, and the supporting roles filled by talented performers who are themselves, in most cases, very well-cast.
The script, likewise, is a well-conceived and well-paced adaptation of the Lillian Hellman play. Finally, William Wyler and his crew piece everything together effectively. Wyler might not be the kind of director who draws a lot of raves for innovation or experimentation, but when he has a good cast and good material, he knows how to make it work.
One of the movie's several noteworthy features is the pace. Much of the first half seems to move quite slowly, and much later the pace of events begins to build steadily. The first part contains many less obvious touches that fit together well, so it is worth watching carefully, even if parts of it seem slow. In the second part, the characters' cat-and-mouse games and attempts to outwit each other come to a head, resulting in some compelling moments.
It might be even more satisfying to watch after you have already seen the movie once, because the numerous subtle points that help to establish the characters then come out more clearly, and the way that things fit together is also easier to see. In any case, it is a classic that has held up well.
Several things work together to make "The Little Foxes" a worthwhile classic. The cast could hardly be improved upon, with the great Bette Davis taking center stage with a role that has her in her element, Herbert Marshall in a role ideal for him, and the supporting roles filled by talented performers who are themselves, in most cases, very well-cast.
The script, likewise, is a well-conceived and well-paced adaptation of the Lillian Hellman play. Finally, William Wyler and his crew piece everything together effectively. Wyler might not be the kind of director who draws a lot of raves for innovation or experimentation, but when he has a good cast and good material, he knows how to make it work.
One of the movie's several noteworthy features is the pace. Much of the first half seems to move quite slowly, and much later the pace of events begins to build steadily. The first part contains many less obvious touches that fit together well, so it is worth watching carefully, even if parts of it seem slow. In the second part, the characters' cat-and-mouse games and attempts to outwit each other come to a head, resulting in some compelling moments.
It might be even more satisfying to watch after you have already seen the movie once, because the numerous subtle points that help to establish the characters then come out more clearly, and the way that things fit together is also easier to see. In any case, it is a classic that has held up well.
helpful•202
- Snow Leopard
- Jan 10, 2005
- How long is The Little Foxes?Powered by Alexa
Details
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 1.37 : 1
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