Down Argentine Way (1940)

User Rating:

6.7/10   

Director:

Irving Cummings

Writers:

Rian James (story)
Ralph Spence (story)

Release Date:

11 October 1940 (USA)

Genre:

Comedy | Romance | Musical | Drama

Plot:

American girl (Grable) on vacation in Argentina falls for wealthy racehorse owner (Ameche). Lots of scenery and musical entertainment...

Plot Keywords:

Argentina | New York City | Male Female Relationship | Love | Racing

Awards:

Nominated for 3 Oscars.

Cast

Don Ameche	...	Ricardo Quintana
Betty Grable	...	Glenda Crawford, aka Glenda Cunningham
Carmen Miranda	...	Herself, Carmen Miranda
Charlotte Greenwood	...	Binnie Crawford
J. Carrol Naish	...	Casiano
Henry Stephenson	...	Don Diego Quintana
Kay Aldridge	...	Helen Carson (as Katharine Aldridge)
Leonid Kinskey	...	Tito Acuna
Chris-Pin Martin	...	Esteban
Robert Conway	...	Jimmy Blake
Gregory Gaye	...	Sebastian, the Headwaiter
Bobby Stone	...	Panchito
Charles Judels	...	Dr. Arturo Padilla, the Ambassador
Fayard Nicholas	...	Specialty Dancer (as The Nicholas Brothers)
Harold Nicholas	...	Specialty Dancer (as The Nicholas Brothers)

Runtime:

89 min

Country:

USA

Language:

English

Colour:

Colour (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

UK:U | Argentina:Atp | Finland:S | Sweden:Btl | USA:Approved (PCA #6471)

Filming Locations:

Argentina

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Alice Faye was set to play the role of Glenda, but she fell ill with appendicitis and was replaced by Betty Grable. Although Miss Grable was making films for 10 years, this was the role that made her a star. Cesar Romero contracted para-typhoid and was replaced by Leonid Kinskey.

Quotes:

Glenda Crawford, aka Glenda Cunningham: Excuse me, I've got to go see a man about a horse.

Movie Connections:

Featured in 20th Century-Fox: The First 50 Years (1997) (TV)

Soundtrack:

Nenita

I hate musicals....but somehow I liked this!

Although as of today I have reviewed more films on IMDb, very, very few of them have been musicals. It just happens to be a genre that I don't particularly like, though I am not saying they are bad movies--it just isn't my favorite type of film. Sure, I have a few exceptions, but by and large, I am NOT a musical fan. Because of this, that makes my giving DOWN ARGENTINE WAY very special indeed for me to give it an 8--almost a 9. There is just so much energy and so much to love with this film I couldn't help myself.

First, before jumping into the review, you've gotta admit that the casting in the film is very strange! If you read on IMDb about it, you will learn that some other actors (including some Hispanics) were originally scheduled to be in this production but odd things kept happening to force them to pick other actors. While much of the film is set in Argentina, Don Ameche and Henry Stephenson are cast as Argentinians!! While Ameche is able to do a credible accent and they very effectively dubbed someone else singing his songs in Spanish, Stephenson doesn't exactly look South American. Sure, there are plenty of light-skinned folks down there, but his accent came and went like the wind!! Often he forgot it entirely. Now some of the other actors did a better job, such as J. Carroll Naish--who always had a knack for playing almost any ethnicity. Russian-born Leonid Kinskey also did a credible job. Also, while she came by her accent quite naturally, why did they put a Brazilian (Carmen Miranda) in the film? Argentina is NOT the same as Brazil and the languages are very, very different. Now I am not complaining about her amazing singing--just how odd it was to see her in a movie set in a Hispanic nation.

As for the singing, I didn't mind the songs because some were especially nice. Carmen Miranda's two songs were catchy and cool, the Nicholas Brothers' dancing was amazing (though in one, they were singing in another language that I assume was dubbed) and the songs with Ameche and co-star Betty Grable were very nice as well.

The plot involves Don coming to America and almost selling a prize horse to Grable. However, when he learns that she is the daughter of a man who his own father hates, he calls off the deal and heads back home. He really wanted to sell it to her--after all, she's one hot tomato (that's "pretty" in 1940s lingo), but it's a point of honor and he must obey his father. However, Betty isn't to be ignored and travels to Argentina with her older and very hot-blooded aunt (who is awfully funny and does some amazing dancing at the end). Naturally, Betty and Don fall in love, but the father is still standing in their way to happiness. What ever will they do?! The film gets high marks for excellence all around. What I particularly liked is what Leonard Maltin described as the "picture postcard" look of the film. The Technicolor is wonderful and the set designers outdid themselves to introduce lots of great complementary colors (including a lot of pastels) to make the picture practically pop off the screen.