The latter part of William "Wild Bill" Wellman's distinguished career is a little patchy, as much due to studio interference as anything else, but a fair bit of positive attention has focused on Track of the Cat (1954) a sweaty family melodrama about the hunt for a rapacious wildcat in the snowy wilds near Aspen, daringly filmed in color but with almost no actual color (the snow was crucial here).We've been looking at the wrong film. An almost exact opposite of Track of the Cat exists, one which trades that film's showy ambition for a quieter, but equally radical aesthetic. Where Robert Mitchum and his kin snarl at each other in Track of the Cat, in Good-bye, My Lady all is peaceful between old-timer Walter Brennan and his young nephew Brandon DeWilde (the kid from Shane). Where Track of the Cat uses a daring palette and widescreen compositions, Goodbye, My...
- 9/1/2016
- MUBI
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