The Wizard of Oz (1939)

Dorothy Gale is swept away to a magical land in a tornado and embarks on a quest to see the Wizard who can help her return home.

Director:

Victor Fleming

Writers:

Noel Langley (screenplay), Florence Ryerson (screenplay),

Stars:

Judy Garland, Frank Morgan, Ray Bolger

Top 250 #150 | Won 2 Oscars. Another 6 wins & 11 nominations.

Cast

Complete credited cast:
Judy Garland	...	Dorothy
Frank Morgan	...	Professor Marvel / The Wizard of Oz / The Gatekeeper / The Carriage Driver / The Guard
Ray Bolger	...	'Hunk' / The Scarecrow
Bert Lahr	...	'Zeke' / The Cowardly Lion
Jack Haley	...	'Hickory' / The Tin Man
Billie Burke	...	Glinda
Margaret Hamilton	...	Miss Gulch / The Wicked Witch of the West
Charley Grapewin	...	Uncle Henry
Pat Walshe	...	Nikko
Clara Blandick	...	Auntie Em
Terry	...	Toto (as Toto)
The Singer Midgets	...	The Munchkins (as The Munchkins)

Storyline

In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage.

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Plot Keywords:

Witch | Dog | Wizard | Home | Heart | 

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Taglines:

Let's go "Over the Rainbow" with Judy in her greatest hit! (1955 re-release)

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Genres:

Adventure | Family | Fantasy | Musical

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Certificate:

G

Details

Official Sites:

Warner Bros. (1998 rerelease)

Country:

USA

Language:

English

Release Date:

25 August 1939 (USA)

Also Known As:

El mago de Oz

Filming Locations:

Culver City, California, USA

Box Office

Budget:

$2,777,000 (estimated)

Opening Weekend:

$5,354,311 (USA) (6 November 1998)

Gross:

$14,792,232 (USA) (1 January 1999)

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM), Loew's

Technical Specs

Runtime:

101 min

Sound Mix:

Mono (Western Electric Sound System: The Voice of Action)

Color:

Black and White (Sepiatone) Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

A reference to something in the book not included in the script can be seen in the movie. It is the kiss Glinda gives Dorothy on the forehead that protects her from the Wicked Witch, as none dare harm someone who bears the kiss of the Good Witch.

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Goofs

When Dorothy falls asleep in the poppy field, Toto is laying somewhere else. When she wakes up, Toto is laying in her arms.

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Quotes

[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.

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Crazy Credits

Toto is listed in the end credits as being played by Toto, when he was actually played by a dog named Terry.

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Connections

Referenced in True Blood: And When I Die (2011)
"Ding dong, the witch is dead"

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Soundtracks

"In the Shade of the Old Apple Tree"
(1905) (uncredited)
Written by Egbert Van Alstyne
Heard as background music during apple tree scene
Played by The MGM Symphony Orchestra

User Reviews

A true cinematic milestone

Where to begin? MGM's elaborate adaptation of L. Frank Baum's 1900 fantasy classic THE WONDERFUL WIZARD OF OZ not only became an institution among itself (and practically defined the concept of modern popular culture), but is reported to be the most viewed film ever made. A sharp screenplay effectively condenses the novel's text into a workable film, and director Victor Fleming (along with countless other behind-the-scenes technicians) craft a visually stimulating fantasy world that surpasses the expectations of even the most imaginative viewers. Brimming with stunning visual effects (the film's fierce tornado is an FX feat that has yet to be surpassed by CGI), witty dialogue, and eye-popping Technicolor, THE WIZARD OF OZ truly lives up to it's reputation as a once-in-a-lifetime film where every element comes together flawlessly.

The cast could not be improved upon. The quivery-voiced, solemn-faced Judy Garland will always be Dorothy, the little lost farm girl on the road to Oz, clutching her beloved Toto (impressively portrayed himself by the female canine performer Terry, the terrier). It seems inconceivable that MGM had originally wished to cast Shirley Temple in the role, as Temple's doe-eyed, cutesy-voiced shtick would have been a catastrophic ill-fit for the tone of this picture. Conversely, Garland is perhaps the screen's quintessential woman/child; always seemingly just one step away from reaching full emotional maturity. It is her sadness that transfixes viewers to the screen, the exact same quality that made the film's most memorable Harold Arlen/E. Y. Harburg number "Over the Rainbow" into one of the most exquisite marriages between artist and song ever to be recorded.

The remainder of the cast is similarly exceptional, many of whom perform perfectly even under the most debilitating make-up and costumes. Frank Morgan is marvelously versatile in no less than five roles, the insanely energetic Bert Lahr mugs brilliantly, the handsome Jack Haley swoons sweetly, Billie Burke lends the film an ornate ethereality, and Ray Bolger's gravity-defying physical presence nearly steals the entire picture on several occasions. Perhaps most notable is former schoolteacher Margaret Hamilton's transformation into the wickedest of wicked witches, which certainly remains among the vilest and most terrifying portrayals of full-throttle evil ever to be seen. No matter how it is analyzed, scrutinized, or satirized, the 1939 production of THE WIZARD OF OZ is a top-notch example of how to turn a great story into a fabulous, milestone of a film.