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The Wizard of Oz
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The Wizard of Oz (1939)

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User Rating: 8.3/10 (76,588 votes)
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IMDb Coverage of Comic-Con 2008

Overview

Director:
Victor Fleming
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Writers:
Noel Langley (screenplay) and
Florence Ryerson (screenplay) ...
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Release Date:
25 August 1939 (USA) more view trailer
Tagline:
"The Wizard" Musical Returns By Unprecedented Demand! [UK re-release] more
Plot:
Dorothy Gale is swept away to a magical land in a tornado and embarks on a quest to see the Wizard who can help her return home. full summary | full synopsis (warning! may contain spoilers)
Awards:
Won 2 Oscars. Another 4 wins & 8 nominations more
NewsDesk:
(41 articles)
Fiennes Trumps Ledger As Top Movie Villain (From WENN. 15 July 2008, 11:59 AM, PDT)
AFI Picks Top Films By Genre (From Studio Briefing. 18 June 2008, 10:35 AM, PDT)
User Comments:
A true cinematic milestone more

Cast

 (Cast overview, first billed only)
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Additional Details

Runtime:
101 min | USA:112 min (preview)
Country:
USA
Language:
English
Colour:
Black and White (Sepiatone) | Colour (Technicolor)
Aspect Ratio:
1.33 : 1 more
Sound Mix:
DTS (re-release) | Dolby Digital (re-release) | Mono (Western Electric Sound System) | SDDS (re-release)
Certification:
Iceland:L | South Korea:All | Philippines:G | New Zealand:G | Canada:F (Ontario) | Canada:G (video rating) | Singapore:G | USA:G (re-rating) (1970) | Portugal:M/6 (DVD rating) | Brazil:Livre | Canada:G (Manitoba/Nova Scotia/Quebec) | USA:Passed | USA:Approved (certificate #5364) (original rating) | Argentina:Atp | Australia:G | Chile:TE | Finland:S | France:U | Germany:o.Al. | Hong Kong:I | Netherlands:AL (video rating) | Norway:A | Peru:PT | Portugal:M/4 | Spain:T | Sweden:Btl | UK:U
MOVIEmeter: ?
V 6% since last week why?

Fun Stuff

Trivia:
The steam shooting from the Tin Man's cap startles Toto, who runs out of the shot. more
Goofs:
Continuity: After being joined by the Tin Man, as the three start back down the Yellow Brick Road, the negative is flipped. Refer to orientation of buttons on Scarecrow's shirt, rivets on Tin Man's torso, and orientation of Tin Man's funnel cap. This was probably done to compensate for continuity error in characters' positioning. more
Quotes:
[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
more
Movie Connections:
Referenced in The Heartbreak Kid (2007) more
Soundtrack:
If I Were King of the Forest more

FAQ

How was the shift from black and white to color accomplished?
Is this movie based on a novel?
In the Tin Man sequence, can we see a stagehand on the set; or an actor hanging himself; or someone falling out of a tree?
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14 out of 16 people found the following comment useful:-
A true cinematic milestone, 7 May 2006
10/10
Author: robb_772 from United States

Where to begin? MGM's elaborate adaptation of L. Frank Baum's 1900 fantasy classic THE WONDERFUL WIZARD OF OZ not only became an institution among itself (and practically defined the concept of modern popular culture), but is reported to be the most viewed film ever made. A sharp screenplay effectively condenses the novel's text into a workable film, and director Victor Fleming (along with countless other behind-the-scenes technicians) craft a visually stimulating fantasy world that surpasses the expectations of even the most imaginative viewers. Brimming with stunning visual effects (the film's fierce tornado is an FX feat that has yet to be surpassed by CGI), witty dialogue, and eye-popping Technicolor, THE WIZARD OF OZ truly lives up to it's reputation as a once-in-a-lifetime film where every element comes together flawlessly.

The cast could not be improved upon. The quivery-voiced, solemn-faced Judy Garland will always be Dorothy, the little lost farm girl on the road to Oz, clutching her beloved Toto (impressively portrayed himself by the female canine performer Terry, the terrier). It seems inconceivable that MGM had originally wished to cast Shirley Temple in the role, as Temple's doe-eyed, cutesy-voiced shtick would have been a catastrophic ill-fit for the tone of this picture. Conversely, Garland is perhaps the screen's quintessential woman/child; always seemingly just one step away from reaching full emotional maturity. It is her sadness that transfixes viewers to the screen, the exact same quality that made the film's most memorable Harold Arlen/E. Y. Harburg number "Over the Rainbow" into one of the most exquisite marriages between artist and song ever to be recorded.

The remainder of the cast is similarly exceptional, many of whom perform perfectly even under the most debilitating make-up and costumes. Frank Morgan is marvelously versatile in no less than five roles, the insanely energetic Bert Lahr mugs brilliantly, the handsome Jack Haley swoons sweetly, Billie Burke lends the film an ornate ethereality, and Ray Bolger's gravity-defying physical presence nearly steals the entire picture on several occasions. Perhaps most notable is former schoolteacher Margaret Hamilton's transformation into the wickedest of wicked witches, which certainly remains among the vilest and most terrifying portrayals of full-throttle evil ever to be seen. No matter how it is analyzed, scrutinized, or satirized, the 1939 production of THE WIZARD OF OZ is a top-notch example of how to turn a great story into a fabulous, milestone of a film.

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