67
Metascore
7 reviews · Provided by Metacritic.com
- 90The New York TimesFrank S. NugentThe New York TimesFrank S. NugentA beautifully told story, with sincere and vigorous performances, and with a solid and richly atmospheric production to lend its interest and fascination.
- 70Time OutTime OutAbly welding dance numbers and plot, courtesy of light comedy director Potter, it overcomes its lack of '30s snap and crackle with lavish doses of elegance and charm to a tango or foxtrot rhythm.
- 70The Observer (UK)The Observer (UK)Astaire and Rogers in their last pre-war monochrome musical, a touching cinebiography of the celebrated American dancers of the pre-First World War era whose partnership ended with his death as a pilot in the war. The dance routines are more numerous, though less spectacular, than in the previous movies. [04 Jan 2004, p.8]
- 63Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonMusical bio of the early 20th Century dance team; their weakest. [03 Nov 2006, p.C5]
- 60The New YorkerPauline KaelThe New YorkerPauline KaelThe re-creations of the Castles' dances are painstakingly authentic, and most of them are fun to watch, but the movie is cursed with the dullness of big bios--especially those produced when some of the key figures are alive.
- 38LarsenOnFilmJosh LarsenLarsenOnFilmJosh LarsenIf joy and liberation bursts from the best Astaire-Rogers films, The Story of Vernon and Irene Castle is defined by restriction.