The Roaring Twenties (1939)

Director:

Raoul Walsh

Writers:

Jerry Wald (screenplay) &
Richard Macaulay (screenplay) ...
(more)

Release Date:

23 October 1939 (USA)

Genre:

Crime | Drama | Thriller

Tagline:

The land of the free gone wild! The heyday of the hotcha! The shock-crammed days G-men took ten whole years to lick!

Plot:

After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging...

Plot Keywords:

Prohibition | Lawyer | 1920s | WWI | Murder

US TV Schedule:

Mon. Nov. 16

8:00 PM

TCM

Cast

James Cagney	...	Eddie Bartlett
Priscilla Lane	...	Jean Sherman
Humphrey Bogart	...	George Hally
Gladys George	...	Panama Smith
Jeffrey Lynn	...	Lloyd Hart
Frank McHugh	...	Danny Green
Paul Kelly	...	Nick Brown
Elisabeth Risdon	...	Mrs. Sherman (as Elizabeth Risdon)
Edward Keane	...	Henderson (as Ed Keane)
Joe Sawyer	...	The Sergeant
Joseph Crehan	...	Michaels
George Meeker	...	Masters
John Hamilton	...	Judge
Robert Elliott	...	First Detective
Eddy Chandler	...	Second Detective (as Eddie Chandler)
Abner Biberman	...	Henchman
Vera Lewis	...	Mrs. Gray
John Deering	...	Narrator (voice)
rest of cast listed alphabetically:
Eddie Acuff	...	Cabdriver (uncredited)
Murray Alper	...	Fletcher's Garage Mechanic (uncredited)
Robert Armstrong	...	Passerby with hat in front of Edddie's nightclub (uncredited)
Raymond Bailey	...	Second Ex-Con (uncredited)
Brooks Benedict	...	Nightclub Extra (uncredited)
James Blaine	...	Club Doorman (uncredited)
Wade Boteler	...	Policeman in Speakeasy (uncredited)
Harry C. Bradley	...	Restaurant customer (uncredited)
Al Bridge	...	Ship's Captain (uncredited)
Paul Bryar	...	Gangster (uncredited)
Nat Carr	...	Waiter (uncredited)
Glen Cavender	...	Nightclub Patron (uncredited)
Clay Clement	...	Bramfield, the broker (uncredited)
Ann Codee	...	Saleswoman (uncredited)
James Conaty	...	Nightclub Extra (uncredited)
Ray Cooke	...	Orderly (uncredited)
Charles Corrigan	...	Bit Part (uncredited)
Maurice Costello	...	Bit Part (uncredited)
Kernan Cripps	...	Cop (uncredited)
Alan Davis	...	Vermont Man in Speakeasy (uncredited)
Sayre Dearing	...	Nightclub Extra (uncredited)
Joe Devlin	...	Order-taker (uncredited)
James Flavin	...	Bit Part (uncredited)
Bess Flowers	...	Night Club Extra (uncredited)
Fred Graham	...	Henchman (uncredited)
Creighton Hale	...	Customer (uncredited)
Bert Hanlon	...	Piano player (uncredited)
Carl Harbaugh	...	Street Cleaner (uncredited)
Sam Harris	...	Man in Club (uncredited)
John Harron	...	Soldier (uncredited)
Eddie Hart	...	Store Doorman (uncredited)
Lew Harvey	...	Third Ex-Con (uncredited)
Oscar 'Dutch' Hendrian	...	First Mate (uncredited)
Al Herman	...	Gorman Gin Taster (uncredited)
Herbert Heywood	...	Pop, Speakeasy Doorman (uncredited)
Al Hill	...	First Ex-Con (uncredited)
Adolf Hitler	...	Himself (archive footage) (uncredited)
Harry Hollingsworth	...	Bit Part (uncredited)
Stuart Holmes	...	Taxi Customer (uncredited)
George Humbert	...	Luigi, the proprietor (uncredited)
Lloyd Ingraham	...	Official in Montage (uncredited)
Jane Jones	...	Singing Trio Member (uncredited)
Mel Kalish	...	Singing Trio Member (uncredited)
Donald Kerr	...	Cabdriver (uncredited)
Don Thaddeus Kerr	...	Bobby Hart (uncredited)
Milton Kibbee	...	Cabdriver (uncredited)
Reid Kilpatrick	...	Announcer (uncredited)
Mike Lally	...	Gangster (uncredited)
Alfred Linder	...	Foreman (uncredited)
George Lloyd	...	Singing Trio Member (uncredited)
Arthur Loft	...	Proprietor of still (uncredited)
Charles Marsh	...	Timid Man (uncredited)
Frank Mayo	...	Bit Part (uncredited)
Philip Morris	...	Policeman (uncredited)
Jack Mower	...	Guard (uncredited)
Benito Mussolini	...	Himself (archive footage) (uncredited)
Wendell Niles	...	Announcer (uncredited)
Jack Norton	...	Drunk at Henderson Club (uncredited)
Wedgwood Nowell	...	Nightclub Patron (uncredited)
Pat O'Malley	...	Jailer (uncredited)
Oscar O'Shea	...	Bit Part (uncredited)
Emory Parnell	...	Bit Part (uncredited)
William Pawley	...	Cabdriver (uncredited)
Lee Phelps	...	Bailiff (uncredited)
Paul Phillips	...	Mike (uncredited)
Jack Richardson	...	Sleeping Train Passenger (uncredited)
John Ridgely	...	Cabdriver at Grand Central (uncredited)
Cyril Ring	...	Charlie, Clerk (uncredited)
Warren Rock	...	Gangster (uncredited)
Franklin Delano Roosevelt	...	Himself (archive footage) (uncredited)
Don Rowan	...	Gangster (uncredited)
Hector Sarno	...	Warehouse Boss (uncredited)
Cliff Saum	...	Train Conductor (uncredited)
Jeffrey Sayre	...	Order-taker (uncredited)
John St. Clair	...	Bit Part (uncredited)
Charles Sullivan	...	Freighter Crew Member (uncredited)
Elliott Sullivan	...	Eddie's Cellmate (uncredited)
Max Wagner	...	Undetermined Role (uncredited)
Billy Wayne	...	Cabdriver at Grand Central (uncredited)
Ben Welden	...	Tavern Proprietor (uncredited)
Dick Wessel	...	Fletcher's Garage Mechanic (uncredited)
Leo White	...	Nightclub Patron (uncredited)
Frank Wilcox	...	Cab Driver at Grand Central (uncredited)
Lottie Williams	...	Restaurant customer (uncredited)
Norman Willis	...	Bootlegger (uncredited)
Charles C. Wilson	...	Policeman (uncredited)

Directed by
Raoul Walsh

Writing credits
Jerry Wald		(screenplay) &
Richard Macaulay		(screenplay) and
Robert Rossen		(screenplay)
Mark Hellinger		(story "The World Moves On")

Produced by
Samuel Bischoff	....	associate producer
Hal B. Wallis	....	executive producer

Original Music by
Ray Heindorf		(uncredited)
Heinz Roemheld		(uncredited)

Cinematography by
Ernest Haller		(director of photography) (as Ernie Haller)

Film Editing by
Jack Killifer

Art Direction by
Max Parker

Makeup Department
Perc Westmore	....	makeup artist

Production Management
Jack L. Warner	....	in charge of production

Second Unit Director or Assistant Director
Richard Maybery	....	assistant director (uncredited)

Sound Department
Everett A. Brown	....	sound (as E.A. Brown)

Special Effects by
Edwin B. DuPar	....	special effects (as Edwin Du Par)
Byron Haskin	....	special effects

Stunts
Fred Graham	....	stunts (uncredited)
Mike Lally	....	stunts (uncredited)
Harvey Parry	....	stunts (uncredited)
Charles Sullivan	....	stunts (uncredited)

Costume and Wardrobe Department
Milo Anderson	....	wardrobe

Editorial Department
Don Siegel	....	montage (uncredited)

Music Department
Leo F. Forbstein	....	musical director
Ray Heindorf	....	orchestrator
Max Steiner	....	composer: stock music (uncredited)

Other crew
Hugh Cummings	....	dialogue director
Virginia Moore	....	script girl (uncredited)

Production Companies

• Warner Bros. Pictures

Distributors

• Warner Bros. Pictures (1939) (USA) (theatrical)
• CBS/Fox Home Video (1984) (USA) (VHS)
• Key Video (1984) (USA) (VHS)
• MGM Home Entertainment (198?) (USA) (VHS)
• Warner Home Video (2005) (USA) (DVD)
• Living Colour Entertainment (2008) (Netherlands) (DVD)
• Warner Home Video (2005) (Netherlands) (DVD)
• Warner Home Vídeo (2005) (Brazil) (DVD)

Also Known As:

The World Moves On (USA) (working title)

Runtime:

104 min

Country:

USA

Language:

English

Colour:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Australia:PG (TV rating) | Canada:PG (video rating) | Norway:16 | Sweden:15 | USA:Approved (PCA #5576) | Australia:G

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company:

Warner Bros. Pictures

Trivia:

This marked the end of James Cagney's cycle of gangster films for Warner Bros. Cagney wanted to diversify his roles and would not play a gangster again until White Heat (1949), ten years later.

Goofs:

Continuity: At the Panama Club, Eddie's glass of milk and the other two drinks disappear from the table just before the table gets flipped over and the brawl sequence begins.

Quotes:

Panama Smith: I think you're a pretty decent guy. I like to talk to decent guys. They're hard to find.

Movie Connections:

Referenced in Film Geek (2005)

Soundtrack:

I'm Forever Blowing Bubbles

A Chronicle of the causes and effects of National Prohibition of Alcoholic Beverages following World War I. "National Temperance" becomes parent of Organized Crime.

We may just be able to chalk it all up to "Nostalgia", but there's no denying that the Gangster Era, Prohibition, Speak Easies and Thompson Sub-Machine guns all seem to have a place in the hearts of most Americans. Libraries and Book Stores, be they one of those big chain shops or a small, independent Out offprint dealer, all prosper if they have an ample sized shelf of those Crime related volumes on hand.

So too it is with the motion picture with the Gangsters always seems to "pack 'em in." Down through the years we've seen an evolution of the Gangster Genre; with the changes in both storyline and stark "realism" all coming along in direct corresponding degrees to the changes of the mores of the times. Hence we would see many different attitudes portrayed in LITTLE CEASAR with Edward G. Robinson (Warner Bros., 1931), THE PUBLIC ENEMY starring James Cagney (Warners, 1931) and Paul Muni in SCARFACE (Caddo Co./United Artists. 1932) than we would see represented in AL CAPONE with Rod Steiger (Allied Artists, 1959), THE BROTHERHOOD starring Kirk Douglas (Brotherhood Co./Paramount Pictures, 1968), Robert Mitchum in THE FRIENDS OF EDDIE COYLE (Paramount Pictures, 1973), just to name a few.

When the great gangster pics are discussed and disgusted, it seems that Director Raoul Walsh's THE ROARING TWENTIES (Warner Brothers, 1939) seems to get the also ran treatment of a "B" Picture or something. It is a rap that is undeserved and should have a "Mass Media Pardon"from any such a shoddy reputation.

We watched it last night on Turner Classic Movies and got the pleasure of having the "kids" over, who were never exposed to it before. As for the wife and meself, it had been such a long time that it was almost like a brand new experience. The fact that TCM, like so many Cable/Satellite channels shows a picture start to finish, no commercials or interruptions whatsoever. And that alone proves to be most helpful in screening a picture.

It wasn't so long ago that the best we could do was to see a movie like this on the nightly movie. That meant our tolerating umpteen commercial breaks and many a film sans some of its footage, left out in order to fit the movie into a particular time slot and still being able to get in all those "Messages of Interest and Importance." We recall that our local Channel, WGN TV had presented THE ROARING 20's by starting the story with Cagney and Frank McHugh's ride out to Mineola, Long Island, New York to visit the young girl who corresponded during the World War, Jean Shepherd (Priscilla Lane). This meant that the scenes of battle in the trenches with James Cagney, Humphrey Bogart, Jeffrey Lynn and their nasty Sergeant, Joe Sawyer were never seen, that night. Bogie doesn't appear until about the halfway point. The conversations between the men made no sense without having benefit of seeing the prior encounters.

And now, it's Time for our Feature Review! OUR STORY……..THE ROARING TWENTIES is the film principally written by New York Broadway Columnist, Mark Hellinger. Like so many successful writers of great fiction, he took real people and situations and adapted them to a story, with fictitious names and made up places in New York City. Mr. Hellinger was well known as a writer about crime and was fascinated with those Damon Runyonesque Con Men, Hoods, High and Low ranking Gangsters, Hangers-on and Wannabees. He was also an incurable apologist for The Great White Way, Bagdad on the Trolley, the Big Apple, etc.

The story is one of real significance to countless thousands of our "Doughboys" of the American Expeditionary Force (or A.E.F.) to war weary Europe in 1917-18. You see, this was to be "a War to end all Wars", or a "War to make the World safe for Democracy." Those who survived combat in the trenches returned home to a short lived Hero's Welcome only to find out that the Country had voted itself dry in their absence. A popular song of the times asked, "How you gonna keep 'em down on the Farm now that they've seen Paris? (Pronounced Pair-ee!).

Lost jobs, an almost universal contempt for Prohibition and the general let down over the Wars failed mission ushered in "the Jazz Age", Flappers, Hip Flasks, Speak Easies and "Bath Tub Gin." The otherwise Law Abiding were corrupted with a giant case of "When in Rome…" or "Everybody's doing it" logic. As time passed, what had started out as a seemingly harmless participation in a highly unpopular, unfair and even Un-Constitutional Prohibition Law in the Volstead Act, became an Urban Civil War over sales and control of Booze in the various designated territories.

Some fortunes were made and some were lost as the decade came to nearing its end with the Great Stock Market Crash, on "Black Tuesday", October 29, 1929. The trumpeting herald had sounded as the signal of the beginning of some years of Economic Hardship of the Grerat Depression.

Mr. Hellinger's characters vividly portray the convulsions that the Country faced. Those, who once again were based on real life Bootleggers, Rum Runners, etc. were handily portrayed by the Warner Brothers stock company of players headed up by Mr. Cagney, Bogie, Jeffrey Lynn, Priscilla Lane, Gladys George, Frank McHugh, Elizabeth Risdon, Joe Sawyer, Dick Wessel, Ben Welden, Paul Kelly, John Hamilton, Abner Biberman and a cast of thousands! Mark Hellinger's story served as a fictionalized kaleidoscope of the bizarre events of American History during a 13 year period of time sandwiched into those years between the two great World Wars. By way of the drama, Hellinger tries his best to offer us perhaps not any excuses for the bad behaviour, but rather the reasons.