| Gary Cooper | ... | Peter Ibbetson | |
| Ann Harding | ... | Mary, Duchess of Towers | |
| John Halliday | ... | The Duke of Towers | |
| Ida Lupino | ... | Agnes | |
| Douglass Dumbrille | ... | Col. Forsythe | |
| Virginia Weidler | ... | Mimsey (Mary, age 6) | |
| Dickie Moore | ... | Gogo (Peter, age 8) | |
| Doris Lloyd | ... | Mrs. Dorian | |
| Gilbert Emery | ... | Wilkins | |
| Donald Meek | ... | Mr. Slade | |
| Christian Rub | ... | Major Duquesnois | |
| Elsa Buchanan | ... | Madame Pasquier | |
| rest of cast listed alphabetically: | |||
| Jack Adair | ... | Guard (uncredited) | |
| Robert Adair | ... | Prisoner (uncredited) | |
| Stanley Andrews | ... | Judge (uncredited) | |
| Ambrose Barker | ... | Clerk (uncredited) | |
| Theresa Maxwell Conover | ... | Sister of Mercy (uncredited) | |
| Marcelle Corday | ... | Maid (uncredited) | |
| Harry Cording | ... | Guard (uncredited) | |
| Blanche Craig | ... | The Countess (uncredited) | |
| Adrienne D'Ambricourt | ... | Nun (uncredited) | |
| Herbert Evans | ... | (uncredited) | |
| Ferdinand Gottschalk | ... | (uncredited) | |
| Leonid Kinskey | ... | Prisoner (uncredited) | |
| Cyril McLaglen | ... | Captain of Guards (uncredited) | |
| Thomas Monk | ... | Clerk (uncredited) | |
| Clive Morgan | ... | Clerk (uncredited) | |
| Marguerite Namara | ... | Madame Ginghi (uncredited) | |
| Elsa Prescott | ... | Katherine (uncredited) | |
| Gerald Rogers | ... | Warden (uncredited) | |
| Colin Tapley | ... | Clerk (uncredited) | |
Directed by | |||
| Henry Hathaway | |||
Writing credits | ||
| George L. Du Maurier | (novel) (as George du Maurier) | |
| John Nathaniel Raphael | (play) | |
| Constance Collier | adaptation | |
| Vincent Lawrence | writer | |
| Edwin Justus Mayer | additional scenes | |
| John Meehan | additional scenes | |
| Waldemar Young | adaptation | |
Produced by | |||
| Louis D. Lighton | .... | producer | |
| Henry Herzbrun | .... | executive producer (uncredited) | |
Original Music by | |||
| Ernst Toch | |||
| Hugo Friedhofer | (uncredited) | ||
| W. Franke Harling | (uncredited) | ||
| Heinz Roemheld | (uncredited) | ||
Cinematography by | |||
| Charles Lang | |||
Film Editing by | |||
| Stuart Heisler | |||
Art Direction by | |||
| Hans Dreier | |||
| Robert Usher | |||
Second Unit Director or Assistant Director | |||
| Ray Lissner | .... | second unit director (uncredited) | |
Sound Department | |||
| Frank Goodwin | .... | sound recordist | |
| Don Johnson | .... | sound recordist | |
| Harry D. Mills | .... | sound recordist (as Harry Mills) | |
Special Effects by | |||
| Gordon Jennings | .... | special photographic effects | |
Music Department | |||
| Ernst Toch | .... | musical director | |
| Nat W. Finston | .... | musical director (uncredited) | |
| Bernhard Kaun | .... | orchestrator (uncredited) | |
Other crew | |||
| Adolph Zukor | .... | presenter | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Romance section | IMDb USA section | Add this title to MyMovies |
Sometimes you watch a film which is so good that you wonder why it isn't better known. Peter Ibbetson is such a film. It takes a concept which is highly original but undoubtedly 'out there' and makes you believe in it for just under an hour and a half. It also manages to be a truly moving love story whose basic concept,a man and a woman who are apart for most of their lives meet in their dreams,and it's message,that love does indeed conquer all, should warm the hearts {and shed the tears}of die hard romantics everywhere.
It's a bit stilted as many 30s films are,especially at first,but Charles Lang's expressionistic photography immediately creates a fairy tale feeling. The growing love between the young boy and girl is extremely touching. When they meet again as adults,it seems like the film is going to settle down into being a conventional love triangle tale {she's married}. Then the film suddenly changes,and although separated the two lovers carry out their relationship in their dreams. The film is quite subtle is depicting the dream world,although there are wonderful touches,such as the fairy tale castle that she creates with her imagination,only for it to crumble when he fails to believe in it. As for the ending,well,you would have to be very strong not to shed a tear. Like much of the film,it's almost underplayed,and is all the more moving for not being over the top.
Gary Cooper shows once again what a great actor he was in his early days {as in A Farewell To Arms},really making us feel his character's pain and joy,although Ann Harding is perhaps a bit too earthy for her role. Director Henry Hathaway was generally a solid craftsman,but here he shows real engagement in his story.A great deal of attention is paid to set design,look at the way for instance the pair are often separated by bars of some sort in the 'real'world. Also notable is the music score by Ernest Toch,suitably romantic,but quite low key and sparse-Max Steiner would have plastered the film with music,but would it have really been as effective?
Peter Ibbetson is a wonderful movie, and deserves to be ranked with some of the more better known fantasy romances of Hollywood's Golden Age. I'd actually like to see a remake of this,as it's such an amazing idea. But before that let's have a DVD release,please!