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King Kong (1933)
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Overview
User Rating:
Release Date:
7 April 1933 (USA) moreTagline:
A Monster of Creation's Dawn Breaks Loose in Our World Today! morePlot:
A film crew goes to a tropical island for an exotic location shoot and discovers a colossal giant gorilla who takes a shine to their female blonde star. full summary | full synopsisAwards:
2 wins & 3 nominations moreNewsDesk:
(17 articles)
Top Five Movie Screamers (From Alternative Film Guide. 30 October 2009, 7:09 PM, PDT)
Producers Guild of America to Honor John Lasseter with the David O. Selznick Achievement Award; Up’s Oscar Chances Go Up
(From Collider.com. 21 October 2009, 9:42 PM, PDT)
User Comments:
They weren't just making a film when they made this one.... they were inventing rules and ideas that would be followed for decades to come. more (299 total)Cast
(Complete credited cast)| Fay Wray | ... | Ann Darrow | |
| Robert Armstrong | ... | Carl Denham | |
| Bruce Cabot | ... | John Driscoll | |
| Frank Reicher | ... | Captain Englehorn | |
| Sam Hardy | ... | Charles Weston | |
| Noble Johnson | ... | Native Chief | |
| Steve Clemente | ... | Witch King (as Steve Clemento) | |
| James Flavin | ... | Second Mate Briggs | |
| King Kong | ... | The Eighth Wonder of the World |
Additional Details
Also Known As:
King Ape (USA) (working title)Kong (USA) (working title)
The Ape (USA) (working title)
The Beast (USA) (working title)
The Eighth Wonder
The Eighth Wonder of the World
more
Parents Guide:
View content advisory for parentsRuntime:
100 min | 104 min (restored version)Country:
USALanguage:
EnglishColour:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (RCA Photophone System)Certification:
Canada:A (Nova Scotia) (video rating) | Canada:G (Nova Scotia) (cut) | Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Denmark:15 | USA:Approved (certificate not issued at release) | USA:Not Rated (video release) | Brazil:Livre | Finland:(Banned) (1933) (uncut) | Finland:K-16 (1933) (cut) | South Korea:12 (2003) | USA:Passed (National Board of Review) | USA:TV-PG (TV rating) | Argentina:Atp | Australia:PG | Chile:TE | France:U | Germany:6 | Norway:11 | Spain:T | Sweden:15 | UK:PGFilming Locations:
Backlot, Culver Studios - 9336 W. Washington Blvd., Culver City, California, USA moreFun Stuff
Trivia:
Fay Wray claimed that she personally insisted that her character be a blond, and personally chose her wig at the Max Factor shop in Los Angeles. moreGoofs:
Continuity: When Kong escapes from his bonds in the theater in New York, he leaves the right cuff of his shackles on his wrist. During the subsequent rampage through the city, the cuff is missing in several scattered shots, and in the entirety of the sequence in which Kong destroys the elevated train. That sequence was reportedly conceived, designed, and filmed when the picture came from the editing room at thirteen reels in length, to which producer-director Merian C. Cooper objected superstitiously. It is easy to see how the cuff would be forgotten in such a situation, but the other disappearances remain a mystery. moreQuotes:
Carl Denham: [warning Jack about women] Some big, hardboiled egg gets a look at a pretty face and bang, he cracks up and goes sappy! moreSoundtrack:
St. Louis Blues moreFAQ
On what island was Kong living?How much sex, violence, and profanity are in this movie?
Is "King Kong" based on a book?
more
more (299 total)
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How many films can truly be said to be definitive? The answer is probably "not many", but the original 1933 version of King Kong is certainly one of them. For its time, every aspect is innovative. First-of-their-kind special effects, first-of-its-kind plot, famous performances and a final sequence that remains unequalled as an eye-popping cinematic experience. The quality of cinematography and visual trickery has progressed a long way since 1933 - so the special effects obviously look rather primitive to 21st Century eyes - but anyone with a shred of common sense will still be astounded by what they see. This is movie history in the making. Had this never been made, the whole history of films may have taken a different course.
Ace film director Carl Denham (Robert Armstrong) hires an unemployed, attractive New York woman Ann Darrow (Fay Wray) to star in his new picture. He takes her by boat to remote Skull Island where, according to legend, there lives an awesome god-like beast named Kong. Denham's plan is to shoot a variation of the Beauty and the Beast story, using Ann as his beauty and Kong as his beast. Everyone involved gets more than they bargained for when Ann is kidnapped by the island natives and offered as a sacrifice to Kong. She is kidnapped by a gigantic prehistoric ape and saved only by the courage of ship's mate Jack Driscoll (Bruce Cabot). But Denham has one more trick up his sleeve when he captures Kong and takes the beast back to New York. You don't really think those chains will hold him, do you?
Virtually every monster movie ever made owes something to King Kong - even colossal modern hits like Jurassic Park, The Lost World and Godzilla (not to mention thousands of small scale homages such as The Land Unknown and Gorgo). It is arguably the most influential film of all-time. I genuinely envy people who were lucky enough to experience this film during its 1933 opening week - what must they have thought? Did they realize they were witnessing something utterly extraordinary? I could go on all day giving reasons why you should see it, but it would be pointless. It can all be summed up in one sentence: if you have even the slightest interest in movies SEE THIS FILM!