If December is a relatively quiet month for Netflix, perhaps that’s because they want you to spend the holidays scaling the seemingly infinite mountain of content they’ve released this year. Good luck with that. But the streaming giant’s latest batch of new releases, however scarce, offer a wild variety of things to see. From an under-the-radar family drama that some critics believe is the best movie the year, to a demented Michael Shannon Christmas movie that some critics don’t even believe is a real thing, these are the seven best films coming to Netflix this December.
Read More:7 New Netflix Shows to Binge in December, and The Best Episodes of Each 7. “Pottersville” (2017)
Okay, so “Pottersville” is a very, very bad movie. It still wouldn’t really be one of the seven best movies coming to Netflix this month if there were only six movies coming to Netflix this month.
Read More:7 New Netflix Shows to Binge in December, and The Best Episodes of Each 7. “Pottersville” (2017)
Okay, so “Pottersville” is a very, very bad movie. It still wouldn’t really be one of the seven best movies coming to Netflix this month if there were only six movies coming to Netflix this month.
- 12/1/2017
- by David Ehrlich
- Indiewire
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Detroit (Kathryn Bigelow)
Late into Detroit, Kathryn Bigelow’s docudrama recounting the racial terrorism that took place at the Algiers hotel during the 1967 Detroit riots, one of the innocent, young black men who’s been tortured for nearly the entirety of the movie is given a chance at escape. The camera follows him in his moment of triumph as the man weaves around corners, back alleys, and under a...
Detroit (Kathryn Bigelow)
Late into Detroit, Kathryn Bigelow’s docudrama recounting the racial terrorism that took place at the Algiers hotel during the 1967 Detroit riots, one of the innocent, young black men who’s been tortured for nearly the entirety of the movie is given a chance at escape. The camera follows him in his moment of triumph as the man weaves around corners, back alleys, and under a...
- 12/1/2017
- by Jordan Raup
- The Film Stage
With the light-shining power of journalism, the scourge of sexual impropriety, and the privileged status of old white men at the forefront of the nation’s consciousness these days, the documentary “Voyeur” arrives at an ideal time. Filmmakers Myles Kane and Josh Koury shadowed octogenarian”New Journalism” god Gay Talese — author of the famous Esquire profile “Frank Sinatra Has a Cold” and a handful of acclaimed non-fiction books — as he puts the finishing touches on a story he’d been following in some form or another for 30 years: the strange case of Colorado motel owner Gerald Foos, who secretly, proudly,...
- 11/30/2017
- by Robert Abele
- The Wrap
With character driven films such as Journey to Planet X and We are Wizards, duo Josh Koury and Myles Kane have carved out a reputation as observational filmmakers. Their Voyeur — which premiered at Nyff and is now streaming on Netflix — explores the unique relationship between famed writer Gay Talese and former motel owner/self declared voyeur Gerald Foos. Foos, who claims to have secretly watched guests having sex at his Colorado motel for several decades, sent Talese an anonymous handwritten letter detailing his “secret life” back in 1980. Intrigued by the subject matter, the writer agreed to fly up to […]...
- 11/30/2017
- by Cliff Benfield
- Filmmaker Magazine - Blog
Once upon a time, somewhere in the span between F. Scott Fitzgerald and Hunter S. Thompson, a dapper posse of aristocrat journalists thrived by combining pre-war sophistication with post-war sexuality. Belonging neither to the old world or the new, they were prophets of their present moment, a transitional group that helped lay the foundation for a culture that wouldn’t be able to accommodate them.
Gay Talese was perhaps the most notable of the group. The godfather of indulgent celebrity profiles, Talese elevated an entire medium by fleshing a routine portrait into a genuine piece of literature; published in the April 1966 issue of Esquire, “Frank Sinatra Has a Cold” might well outlive the magazine that paid for it. Talese became almost as famous as the people featured in his work, and his reputation protected him from the rest of the 20th century; it seemed unthinkable that someone who could write...
Gay Talese was perhaps the most notable of the group. The godfather of indulgent celebrity profiles, Talese elevated an entire medium by fleshing a routine portrait into a genuine piece of literature; published in the April 1966 issue of Esquire, “Frank Sinatra Has a Cold” might well outlive the magazine that paid for it. Talese became almost as famous as the people featured in his work, and his reputation protected him from the rest of the 20th century; it seemed unthinkable that someone who could write...
- 11/30/2017
- by David Ehrlich
- Indiewire
When historians look back at the cosmic coincidences that made up the annus miserablis that was 2017, they will likely skip over the fact Netflix released a movie named Bright and a German horror series titled Dark within mere days of one another. We, however, are happy to celebrate such a glorious irony right here and now. The streaming service is also dropping a pair of stand-up specials from heavyweight talents (and supposedly the new season of Black Mirror, which is scheduled for "late 2017" ... so, um, soon?). Meanwhile Amazon is keeping...
- 11/29/2017
- Rollingstone.com
It’s that time of year again. With fall festivals like Tiff and Venice now in the rear view mirror, the film world is focused squarely on the Mecca that is New York City, for arguably the year’s most interesting festival, Nyff. Running, this year, from September 28-October 15, the lineup includes not only the 25 Main Slate releases, but numerous others spread over sections ranging from experimental features to groundbreaking shorts and even a Robert Mitchum retrospective.
So how does one go about processing all of these films, or even where to begin when setting your own viewing schedule? Well, you could stick to the well known directors or the highly buzzed about properties that are making a stop on their long festival journey from as early as Cannes or Berlin of this year. But where’s the fun in that? How about a few genuine discoveries? That’s where...
So how does one go about processing all of these films, or even where to begin when setting your own viewing schedule? Well, you could stick to the well known directors or the highly buzzed about properties that are making a stop on their long festival journey from as early as Cannes or Berlin of this year. But where’s the fun in that? How about a few genuine discoveries? That’s where...
- 9/28/2017
- by Joshua Brunsting
- CriterionCast
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