- Born
- Nickname
- Big Boy Bass
- Height5′ 11″ (1.80 m)
- Raphael Olympio Guilherme Moran, p.g.s, (born May 30, 1998, in Haywards Heath, West Sussex, England) is a photographer, voice-over artist, musician, podcaster, entrepreneur and multi-award winning filmmaker. He is a fifth generation entrepreneur. He is the Founder/CEO of Moran Enterprises, a company that entertains, informs and inspires people through the power of entertainment and storytelling. He has been the Festival Film and Photography Producer/Director for the Byline Festival from 2017 till 2021. Raphael went to Michael Hall School in Forest Row, East Sussex. From a young age, Raphael worked with his parents in their puppet shows. Since that time his aim has been to create an experience that audiences would enjoy, which motivated him to learn the disciplines and skills which are needed to succeed in the entertainment industry. Raphael was a board member of the radio station 107 Meridian FM (2019-2020), where he hosted a weekly radio show, and he has recorded several commercials for them. He also has a podcast focusing on film on Spotify and Apple Podcasts. He is the grandson of Olympio Guilherme, a Brazilian journalist, actor and director.- IMDb Mini Biography By: Moran Enterprises
- Gender / Gender identityMale
- Frequently wears a Baker Boy Flat Cap
- He is also a DJ, aka Big Boy Bass.
- Presenter of his own radio show playing Music from the Movies, on 107 Meridian FM.
- Raphael has dual nationality, the UK and Brazil.
- Raphael is the grandson of Olympio Guilherme , a Brazilian journalist, actor and director.
- At Michael Hall he was taught by: 1) Sally Schweizer, who wrote influential books on child development ("Well, I Wonder," Rudolf Steiner Press, 2006; "Under the Sky," Rudolf Steiner Press, 2009). She is the niece of the composer, Benjamin Britten. 2) Alastair Smith (stage management, lighting and sound). His West End credits as a technical stage manager included A Chorus Line (Theatre Royal, Drury Lane, 1976) and Annie (Victoria Palace, 1978), before he moved into management with Andrew Treagus Associates. His love of theatre was based around the production period, solving problems and "getting the show on the road". Those shows included big musicals such as Starlight Express (Apollo Victoria, 1984), Time (Dominion Theatre, 1986) and Sunset Boulevard (Adelphi Theatre, 1993), alongside dramas like St Mark's Gospel with Alec McCowen (Comedy Theatre, 1978) - for which he also designed the set - and the Royal Shakespeare Company's Les Liaisons Dangereuses (Ambassadors Theatre, 1986). After the 1987-88 Australasian tour of Starlight Express, he worked for the Really Useful Group, including many Andrew Lloyd Webber tryouts at the Sydmonton Festival. In 1999, he moved to Disney as general manager for the opening of The Lion King (Lyceum Theatre, 1999). 3) Simon Jessel (set design and building). 4) Daniele Gaillemin (directing). She is a senior teacher at Michael Hall School, Great Britain and has been practicing theatre for over 4 decades. She has mastered various art forms and has directed over 100 plays during this time.
- Get up early, work hard, learn from the greats, exceed your limits, and never stop trying.
- When I first became aware of movies, I couldn't help asking myself the question, "How did they do that?" My own experiments with animation and the family camera began the process of answering that question, a process which continues to this day. I put my discoveries into practice by making films with family and friends. Smoke machines, lighting effects and piles of old clothes were all sucked into the teenage movie production line which was the predecessor of Moran Films. Filming school plays taught me discipline; filming my own stories gave an outlet to my creativity that I continue to pour into the films of my clients.
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