Stars: Andrew Lee Potts, Jean Paul Ly, James Warren, Steven Blades, Spencer Collings | Written and Directed by Tom Paton
It seems like just 57 days ago that I was writing my review of G-Loc, starring the ever so awesome Casper Van Dien and I wondered for the most briefest of moments how long it would be before Paton was back on set. Turns out that ship had sailed and 400 Bullets was coming out! After making the move from the potato fields to an actual physical soundstage with Goldfinch Studios, Tom and his Dop (and soulmate) George Burt decided to put bricks and mortar to the relationship that had been building with producer Steve Mosley as they built their own studio.
We have seen this team tackle post apocalyptic, vampires, elder gods, a timey-wimey staircase and space colonization… So I guess it was high time we added some all out butt-kicking action to the repertoire with 400 Bullets.
It seems like just 57 days ago that I was writing my review of G-Loc, starring the ever so awesome Casper Van Dien and I wondered for the most briefest of moments how long it would be before Paton was back on set. Turns out that ship had sailed and 400 Bullets was coming out! After making the move from the potato fields to an actual physical soundstage with Goldfinch Studios, Tom and his Dop (and soulmate) George Burt decided to put bricks and mortar to the relationship that had been building with producer Steve Mosley as they built their own studio.
We have seen this team tackle post apocalyptic, vampires, elder gods, a timey-wimey staircase and space colonization… So I guess it was high time we added some all out butt-kicking action to the repertoire with 400 Bullets.
- 3/19/2021
- by Kevin Haldon
- Nerdly
Stars: Stephen Moyer, Tala Gouveia, Casper Van Dien, John Rhys-Davies, Mike Beckingham, Alana Wallace, Shayne Ward, Spencer Collings, Toby Osmond | Written and Directed by Tom Paton
It’s pretty obvious by now that I am a fan of this man and his crew… I always look forward to seeing what he has cooked up in his labyrinthian mind and knowing that this time he had a well known studio (Goldfinch and Lionsgate) and some pretty big names onboard I was somewhat excited to check out G-loc… Oh and did I mention we were treading on some straight up sci-fi territory this time! of course I say straight up but when has Paton ever let his movies be confined to just one genre.
Of course this time we have what looks to be more of a tastier budget than we are used to and with that comes some bigger names and...
It’s pretty obvious by now that I am a fan of this man and his crew… I always look forward to seeing what he has cooked up in his labyrinthian mind and knowing that this time he had a well known studio (Goldfinch and Lionsgate) and some pretty big names onboard I was somewhat excited to check out G-loc… Oh and did I mention we were treading on some straight up sci-fi territory this time! of course I say straight up but when has Paton ever let his movies be confined to just one genre.
Of course this time we have what looks to be more of a tastier budget than we are used to and with that comes some bigger names and...
- 8/13/2020
- by Kevin Haldon
- Nerdly
Stars: Shayne Ward, Bentley Kalu, Piotr Baumann, Simon Meacock, Toby Osmond, Samantha Schnitzler, Matt Malecki, Spencer Collings, Phoebe Robinson-Galvin, Alana Wallace, Sophie Austin | Written and Directed by Tom Paton
[Note: With the film now out digitally in the UK and in the Us (under the title Black Ops), here’s a reposting of our review of Tom Paton’s The Ascent – from the films debut at Frightfest last August]
As someone who reviews a Lot of movies, who grew up in the era of the video shop, its fun to see people clearly raised on the same types of films I enjoyed as a teenager now stepping behind the camera and making films of their own. Films that, as the filmmakers peers, I can recognise as having been influenced by the very same films I know, and in a lot of cases, love. Case in point, Tom Paton.
Paton’s last film, Black Site, clearly wore its inspirations on its sleeve, the John Carpenter-esque action-horror hybrid was just that.
[Note: With the film now out digitally in the UK and in the Us (under the title Black Ops), here’s a reposting of our review of Tom Paton’s The Ascent – from the films debut at Frightfest last August]
As someone who reviews a Lot of movies, who grew up in the era of the video shop, its fun to see people clearly raised on the same types of films I enjoyed as a teenager now stepping behind the camera and making films of their own. Films that, as the filmmakers peers, I can recognise as having been influenced by the very same films I know, and in a lot of cases, love. Case in point, Tom Paton.
Paton’s last film, Black Site, clearly wore its inspirations on its sleeve, the John Carpenter-esque action-horror hybrid was just that.
- 6/15/2020
- by Phil Wheat
- Nerdly
Stars: Shayne Ward, Bentley Kalu, Piotr Baumann, Simon Meacock, Toby Osmond, Samantha Schnitzler, Matt Malecki, Spencer Collings, Phoebe Robinson-Galvin, Alana Wallace, Sophie Austin | Written and Directed by Tom Paton
As someone who reviews a Lot of movies, who grew up in the era of the video shop, its fun to see people clearly raised on the same types of films I enjoyed as a teenager now stepping behind the camera and making films of their own. Films that, as the filmmakers peers, I can recognise as having been influenced by the very same films I know, and in a lot of cases, love. Case in point, Tom Paton.
Paton’s last film, Black Site, clearly wore its inspirations on its sleeve, the John Carpenter-esque action-horror hybrid was just that. A John Carpenter inspired film that the genre maestro could have easily made back in his 80s heyday, probably around...
As someone who reviews a Lot of movies, who grew up in the era of the video shop, its fun to see people clearly raised on the same types of films I enjoyed as a teenager now stepping behind the camera and making films of their own. Films that, as the filmmakers peers, I can recognise as having been influenced by the very same films I know, and in a lot of cases, love. Case in point, Tom Paton.
Paton’s last film, Black Site, clearly wore its inspirations on its sleeve, the John Carpenter-esque action-horror hybrid was just that. A John Carpenter inspired film that the genre maestro could have easily made back in his 80s heyday, probably around...
- 8/28/2019
- by Phil Wheat
- Nerdly
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