The Columbine massacre happened in 1999. It’s crazy to think it’s been over twenty years because we seem to have a new school shooting every month now. And as they grew in prevalence, the conversation surrounding them shifted from tragedy to politicization. Gus Van Sant’s Elephant arrived in 2003 as a poetic psychological display unconcerned with pretending to know answers. It documented the experience of this tragic event as an emotional confluence between troubled souls on both sides of the gun — the mundane taking on meaning beyond its façade. With the help of a 24-hour news cycle, however, this notion of problematic complexity has been erased. Now it’s monster versus victim. It’s mental illness versus gun control. The empathy necessary to solve this terrifying epidemic ceases to exist.
Choosing to tell a story on this subject in 2018 must therefore combat many more prejudices and preconceptions than at...
Choosing to tell a story on this subject in 2018 must therefore combat many more prejudices and preconceptions than at...
- 4/29/2018
- by Jared Mobarak
- The Film Stage
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