Barbie is the most nominated film for the 2024 Guild of Music Supervisors Awards, landing three nominations, including two in the best song for film category for “What Was I Made For?” and “I’m Just Ken.”
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
- 1/22/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
A24’s Everything Everywhere All at Once won a pair of awards as did Rob Lowry for his music supervision on both Cha Cha Real Smooth and Do Revenge on Sunday at the 13th annual Guild of Music Supervisors Awards.
The ceremony, held at the Wiltern Theatre, celebrated outstanding achievement in the craft across film, TV, documentaries, games, advertising and trailers. It also honored Paul Williams with the guild’s Icon Award, and Pilar McCurry who was posthumously awarded the Legacy Award.
Everything‘s Oscar-nominated song “This Is A Life,” performed by David Byrne, Mitski and Son Lux, won the Best Song Written and/or Recorded for a Film category. The film’s music supervisors Lauren Marie Mikus and Bruce Gilbert also won for Best Music Supervision in the category of Film Budgeted $25 Million and Under.
Anton Monsted from Warner Bros’ Elvis won the Best Music Supervision for Film Budgeted Over $25 Million.
The ceremony, held at the Wiltern Theatre, celebrated outstanding achievement in the craft across film, TV, documentaries, games, advertising and trailers. It also honored Paul Williams with the guild’s Icon Award, and Pilar McCurry who was posthumously awarded the Legacy Award.
Everything‘s Oscar-nominated song “This Is A Life,” performed by David Byrne, Mitski and Son Lux, won the Best Song Written and/or Recorded for a Film category. The film’s music supervisors Lauren Marie Mikus and Bruce Gilbert also won for Best Music Supervision in the category of Film Budgeted $25 Million and Under.
Anton Monsted from Warner Bros’ Elvis won the Best Music Supervision for Film Budgeted Over $25 Million.
- 3/6/2023
- by Patrick Hipes
- Deadline Film + TV
The music supervisors of “Elvis” and “Everything Everywhere All at Once” have won the top feature-film awards at the 13th annual Guild of Music Supervisors Awards, which were handed out on Sunday night at the Wiltern Theatre in Los Angeles.
Anton Monsted won the award for music supervision of a film that cost more than $25 million for “Elvis,” while Lauren Marie Mikus and Bruce Gilbert won for a film under $25 million for “Everything Everywhere All at Once.” That film also won for the best song written or recorded for a film, which went to the Oscar-nominated “This Is a Life,” written by Ryan Lott, David Byrne and Mitski.
Rob Lowry won the two other film awards, one for his music supervision of “Cha Cha Real Smooth” (Best Music Supervision for a Film Budgeted $10 Million and Under) and one for “Do Revenge: Abbey Hendrix, Jonathan Wellbelove – Apple – “The Greatest”
Best...
Anton Monsted won the award for music supervision of a film that cost more than $25 million for “Elvis,” while Lauren Marie Mikus and Bruce Gilbert won for a film under $25 million for “Everything Everywhere All at Once.” That film also won for the best song written or recorded for a film, which went to the Oscar-nominated “This Is a Life,” written by Ryan Lott, David Byrne and Mitski.
Rob Lowry won the two other film awards, one for his music supervision of “Cha Cha Real Smooth” (Best Music Supervision for a Film Budgeted $10 Million and Under) and one for “Do Revenge: Abbey Hendrix, Jonathan Wellbelove – Apple – “The Greatest”
Best...
- 3/6/2023
- by Steve Pond
- The Wrap
“Soul,” “Ma Rainey’s Black Bottom,” “Promising Young Woman,” and “The Trial of the Chicago 7” were the big film winners Sunday at the 11th annual Guild of Music Supervisors Awards.
“Soul” took best supervision for a film budgeted over $25 million, “Ma Rainey’s Black Bottom” for under $25 million, “Promising Young Woman” for under $10 million, “The Cuban” for under $5 million, and “Hear My Voice” took best song honors from “The Trial of the Chicago 7.”
In TV, “Watchmen” won for drama and best song (“The Way It Used To Be”), “To All the Boys: P.S. I Still Love You” scored for movie, and there was a three-way tie for comedy or musical split between “High Fidelity,” “Insecure,” and “The Marvelous Mrs. Maisel.”
The documentary awards went to “Crip Camp” and the docuseries “The Last Dance.”
In addition, the legendary Quincy Jones won the Icon Award and was paid a lovely tribute by Stevie Wonder,...
“Soul” took best supervision for a film budgeted over $25 million, “Ma Rainey’s Black Bottom” for under $25 million, “Promising Young Woman” for under $10 million, “The Cuban” for under $5 million, and “Hear My Voice” took best song honors from “The Trial of the Chicago 7.”
In TV, “Watchmen” won for drama and best song (“The Way It Used To Be”), “To All the Boys: P.S. I Still Love You” scored for movie, and there was a three-way tie for comedy or musical split between “High Fidelity,” “Insecure,” and “The Marvelous Mrs. Maisel.”
The documentary awards went to “Crip Camp” and the docuseries “The Last Dance.”
In addition, the legendary Quincy Jones won the Icon Award and was paid a lovely tribute by Stevie Wonder,...
- 4/12/2021
- by Bill Desowitz
- Indiewire
Oscar contenders “Ma Rainey’s Black Bottom,” “Promising Young Woman” and Pixar’s “Soul” triumphed in their respective categories at the 11th Annual Guild of Music Supervisors Awards.
The ceremony celebrating outstanding achievement in the field of music supervision was held virtually, honoring the unsung heroes of film, television, documentaries, games, advertising and trailers. Despite not being recognized by AMPAS, the wins helped shine a spotlight on the music supervisors who contributed to Academy Award nominated films.
Tom MacDougall snagged best music supervision for film budgeted over $25 million for “Soul”, while the award for under $25 million went to Dawn Sutter Madell for her work on “Ma Rainey’s Black Bottom.” Billie Eilish and Finneas made a surprise appearance to present Best music supervision for film budgeted under $10 million to Susan Jacobs for “Promising Young Woman.”
In the television category, the best music supervision for a television comedy or musical award resulted in a three-way tie,...
The ceremony celebrating outstanding achievement in the field of music supervision was held virtually, honoring the unsung heroes of film, television, documentaries, games, advertising and trailers. Despite not being recognized by AMPAS, the wins helped shine a spotlight on the music supervisors who contributed to Academy Award nominated films.
Tom MacDougall snagged best music supervision for film budgeted over $25 million for “Soul”, while the award for under $25 million went to Dawn Sutter Madell for her work on “Ma Rainey’s Black Bottom.” Billie Eilish and Finneas made a surprise appearance to present Best music supervision for film budgeted under $10 million to Susan Jacobs for “Promising Young Woman.”
In the television category, the best music supervision for a television comedy or musical award resulted in a three-way tie,...
- 4/12/2021
- by Jazz Tangcay
- Variety Film + TV
Coming on the heels of successful conference held on the USC campus on Saturday, the Guild of Music Supervisors today announces a partnership with Mondo.NYC, an incubator confab for the music and tech industries that includes a multi-venue festival showcasing emerging artists from around the world.
Scheduled for Oct. 2 to 5, Mondo.NYC will host panels at the Williamsburg Hotel in Brooklyn. The final day, Oct. 5, will feature music supervision heavies like David Schulhof, Exec. Producer of “Clive Davis: The Soundtrack of Our Lives,” Sue Jacobs, music supervisor for “Sharp Objects” and “Big Little Lies,” and heads of music from Vice Media (Charlotte Von Kotze) and Viacom (Anita Chinkes-Ratner), among many others. Topics such as how composers and music supervisors work together and the current documentary boom also feature on the schedule.
Programming for the sessions was headed by Gms co-founder Jonathan McHugh, who said: “Being a native New Yorker...
Scheduled for Oct. 2 to 5, Mondo.NYC will host panels at the Williamsburg Hotel in Brooklyn. The final day, Oct. 5, will feature music supervision heavies like David Schulhof, Exec. Producer of “Clive Davis: The Soundtrack of Our Lives,” Sue Jacobs, music supervisor for “Sharp Objects” and “Big Little Lies,” and heads of music from Vice Media (Charlotte Von Kotze) and Viacom (Anita Chinkes-Ratner), among many others. Topics such as how composers and music supervisors work together and the current documentary boom also feature on the schedule.
Programming for the sessions was headed by Gms co-founder Jonathan McHugh, who said: “Being a native New Yorker...
- 9/21/2018
- by Shirley Halperin
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.