A myriad of sentiments converge when estranged siblings meet to unpack the weight of their father’s recent death in Spain’s Álex Montoya’s third feature “La Casa,” adapted from the Eisner-winning graphic novel by Paco Roca and sold by Latido Films.
The film, which bowed last night, figures in the official competition selection at this year’s Málaga Film Festival, his project “Lucas” having previously swept the fest’s Zonazine sidebar in 2020 – snagging best film, actor (Jorge Motos) and Audience Award plaudits.
Written by Montoya and Joana M. Ortueta, the project serves as a bittersweet rumination on regret, duty and the ties that bind us, proving a reflective journey through collective consciousness that’s held to task as the three work to rekindle a semblance of affection while sifting through hefty and lingering recollections.
“I’ve been a comic reader for as long as I can remember and,...
The film, which bowed last night, figures in the official competition selection at this year’s Málaga Film Festival, his project “Lucas” having previously swept the fest’s Zonazine sidebar in 2020 – snagging best film, actor (Jorge Motos) and Audience Award plaudits.
Written by Montoya and Joana M. Ortueta, the project serves as a bittersweet rumination on regret, duty and the ties that bind us, proving a reflective journey through collective consciousness that’s held to task as the three work to rekindle a semblance of affection while sifting through hefty and lingering recollections.
“I’ve been a comic reader for as long as I can remember and,...
- 3/6/2024
- by Holly Jones
- Variety Film + TV
Madrid-based Begin Again Films has picked up Spanish distribution and international sales rights to Juan Gautier’s psychological thriller “El aspirante” (“The Aspirant”), about initiation into a masculine universe revolving around hazing of a university residence.
“El aspirante” plays at this year’s Málaga Work in Progress’ Wip España sidebar, an industry centerpiece at the Málaga Film Festival, now in its 27th edition.
The film toplines Jorge Motos, star of 2021’s “Lucas,” a film which earned him a Málaga Silver Biznaga for best actor and a Goya best new actor nomination; Lucas Nabor (“All the Names of God”), Eduardo Rosa (“La casa de las flores”) and Catalina Sopelana (“Sky Rojo”) complete the main cast.
“The Aspirant” is set on the Day Zero of hazing at the Tolentino university residence. Carlos and Dani accept the 24-hour challenge to fit in. But they will have to face the worst of themselves before everything turns into a tragedy.
“El aspirante” plays at this year’s Málaga Work in Progress’ Wip España sidebar, an industry centerpiece at the Málaga Film Festival, now in its 27th edition.
The film toplines Jorge Motos, star of 2021’s “Lucas,” a film which earned him a Málaga Silver Biznaga for best actor and a Goya best new actor nomination; Lucas Nabor (“All the Names of God”), Eduardo Rosa (“La casa de las flores”) and Catalina Sopelana (“Sky Rojo”) complete the main cast.
“The Aspirant” is set on the Day Zero of hazing at the Tolentino university residence. Carlos and Dani accept the 24-hour challenge to fit in. But they will have to face the worst of themselves before everything turns into a tragedy.
- 3/6/2024
- by Emiliano De Pablos
- Variety Film + TV
Malaga — Opening last Friday with “Dragonkeeper,” also in competition, Spain’s Malaga Festival, its biggest dedicated event for movies from Spain and Latin America, is studded by latest films by Isaki Lacuesta – “Saturn Return,” reportedly fun, broad audience and radical – David Trueba – “The Good Man,” small scale but almost certainly ingratiating – and Antonio Chavarrías’ “Holy Mother,” about an extraordinary real life female figure in Spain’s 9th century Reconquista.
Also in the running is “Rest in Peace,” from notable Argentine writer-director Sebastián Borensztein (“Chinese Takeaway”).
All are front-runners for some kind of award next Saturday. Prominent also is a bevy of first or second features, featuring from Spain three titles from women directors – gender abuse drama “The Snows,” “Nina,” reportedly a Western set in a northern Spanish town, and tragi-comedy “We Treat Women Too Well” – plus a clutch of debuts from Latin America.
This year’s Competition may, in the final analysis,...
Also in the running is “Rest in Peace,” from notable Argentine writer-director Sebastián Borensztein (“Chinese Takeaway”).
All are front-runners for some kind of award next Saturday. Prominent also is a bevy of first or second features, featuring from Spain three titles from women directors – gender abuse drama “The Snows,” “Nina,” reportedly a Western set in a northern Spanish town, and tragi-comedy “We Treat Women Too Well” – plus a clutch of debuts from Latin America.
This year’s Competition may, in the final analysis,...
- 3/4/2024
- by John Hopewell
- Variety Film + TV
You’re Not Me, the feature debut by directors Moisés Romera and Marisa Crespo, has been acquired for worldwide theatrical distribution by Global Screen, per Variety.
The Christmas-set thriller is described as “a dark elevated genre thriller with elements of satire, focusing on two of the filmmakers’ obsessions: family relationships and social differences.”
In the film, “Aitana returns home for Christmas, for the first time in three years, to find that her parents have replaced her with an unknown woman. She is her own age, sleeping in her bed, wearing her clothes, living in her house, and treated by her parents as if she were their daughter. From that moment on, torn by jealousy, suspicion, and misunderstanding, Aitana tries to find out what is happening and who the intruder is that has taken her place in the family – until she discovers an unexpected and disturbing truth that is darker and...
The Christmas-set thriller is described as “a dark elevated genre thriller with elements of satire, focusing on two of the filmmakers’ obsessions: family relationships and social differences.”
In the film, “Aitana returns home for Christmas, for the first time in three years, to find that her parents have replaced her with an unknown woman. She is her own age, sleeping in her bed, wearing her clothes, living in her house, and treated by her parents as if she were their daughter. From that moment on, torn by jealousy, suspicion, and misunderstanding, Aitana tries to find out what is happening and who the intruder is that has taken her place in the family – until she discovers an unexpected and disturbing truth that is darker and...
- 4/28/2023
- by Meagan Navarro
- bloody-disgusting.com
‘The Good Boss’ leads Icíar Bollaín’s ‘Maixabel’ and Pedro Almodóvar’s ‘Parallel Mothers’.
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.
The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.
The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.
The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.
The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...
- 11/29/2021
- by Elisabet Cabeza
- ScreenDaily
Bowing at June’s Malaga Film Festival in Spain, where it swept three prizes in its edgier Zonacine sidebar – best film, actor (Jorge Motos) and its Audience Award – Spaniard Alex Montoya’s second feature “Lucas” has been picked up by Spain’s Filmin SVOD service, the country’s biggest streaming platform for art pics and upscale TV series.
International sale rights on “Lucas” are handled by Begin Again Films.
The acquisition continues a close relationship between the Spanish filmmaker and the Spanish streamer, with Montaya’s debut feature, “Asamblea,” become the most successful premiere on the platform during the Covid-19 pandemic. Montoya now returns with one of the buzz titles at this year’s Malaga Film festival.
Produced by Raw Pictures and Telespan 2000‚ “Lucas” turns on an adolescent who after the death of his father, an event that turns his life upside down, ends up selling photos of himself to an older man,...
International sale rights on “Lucas” are handled by Begin Again Films.
The acquisition continues a close relationship between the Spanish filmmaker and the Spanish streamer, with Montaya’s debut feature, “Asamblea,” become the most successful premiere on the platform during the Covid-19 pandemic. Montoya now returns with one of the buzz titles at this year’s Malaga Film festival.
Produced by Raw Pictures and Telespan 2000‚ “Lucas” turns on an adolescent who after the death of his father, an event that turns his life upside down, ends up selling photos of himself to an older man,...
- 10/21/2021
- by Emiliano Granada
- Variety Film + TV
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