Goldove Entertainment’s latest sci-fi thriller, “Lumina” has been acquired by Porter+Craig Film and Media, and is set to premiere with a wide-release theatrical campaign this summer.
Gino McKoy wrote and directed the film the filmmaker and shot it entirely in Morocco.
“Lumina” follows Alex, whose relationship with his dream girl Tatiana ends in a flash of a blinding light. Completely traumatized by the situation, Alex desperately sets off with his friends and conspiracy theorists to discover what really happened to his girlfriend. While traveling through the desert, Alex and his friends are faced with the unexpected, pushing the group to fight for their lives.
“Lumina” stars Eric Roberts, Rupert Lazarus as Alex and Eleanor Williams as Tatiana, with additional cast members hailing from Hollywood to London. The film is produced by David Seychell, Gino, Lynda and Hudson McKoy. Academy Award-winning editor Thom Nobel serves as the production’s editor.
Gino McKoy wrote and directed the film the filmmaker and shot it entirely in Morocco.
“Lumina” follows Alex, whose relationship with his dream girl Tatiana ends in a flash of a blinding light. Completely traumatized by the situation, Alex desperately sets off with his friends and conspiracy theorists to discover what really happened to his girlfriend. While traveling through the desert, Alex and his friends are faced with the unexpected, pushing the group to fight for their lives.
“Lumina” stars Eric Roberts, Rupert Lazarus as Alex and Eleanor Williams as Tatiana, with additional cast members hailing from Hollywood to London. The film is produced by David Seychell, Gino, Lynda and Hudson McKoy. Academy Award-winning editor Thom Nobel serves as the production’s editor.
- 3/15/2023
- by Charna Flam
- Variety Film + TV
Brandon Cronenberg’s “Possessor” is so drunk on its own sick potential that it doesn’t have the time (or the balance) required to realize most of it. On the other hand, 90 minutes of Andrea Riseborough and Christopher Abbott engaging in ultra-gory psychic warfare over control of the latter’s body is more satisfying than what most of the current Best Picture nominees have to offer, so maybe it’s wise not to look a gift horse in the mouth.
Although set in an alternate 2008 that’s a touch more analog than our own world (a low-key tweak that imagines what the 21st century would look like if we kept the ’90s alive on life support and built the future in Trent Reznor’s image), “Possessor” throbs with recognizably urgent concerns like gender, privacy, and the sins of corporate hegemony. Also: White people hijacking the bodies of black women and...
Although set in an alternate 2008 that’s a touch more analog than our own world (a low-key tweak that imagines what the 21st century would look like if we kept the ’90s alive on life support and built the future in Trent Reznor’s image), “Possessor” throbs with recognizably urgent concerns like gender, privacy, and the sins of corporate hegemony. Also: White people hijacking the bodies of black women and...
- 1/26/2020
- by David Ehrlich
- Indiewire
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