Tunisian Youssef Chebbi’s “Plague,” Moroccan Adnane Baraka’s “We Don’t Forget” and Meryam Joobeur’s “Motherhood” feature among buzz titles at this year’s Marrakech Festival Atlas Workshops, which will have Martin Scorsese as their official patron.
Consolidated as a key platform for Moroccan, Arab and African projects and pix in production made by a new generation of filmmakers and created by Marrakech Festival artistic director Remi Bonhomme, the Atlas Workshops unspool Nov. 27-30. They take place alongside the 20th edition of the Marrakech International Film Festival, which runs from Nov. 24-Dec. 2.
In a definite potential highlight of the Atlas Workshops, Meryjam Joubeur, whose “Brotherhood” was Oscar nominated for best live action short, will present 10 minutes of “Motherhood,” one of the awaited feature debuts of 2023. It is sure to spark major festival interest.
“Plague” marks Chebbi’s second feature after acclaimed Cannes Directors’ Fortnight genre blender “Ashkal: The Tunisian Investigation,...
Consolidated as a key platform for Moroccan, Arab and African projects and pix in production made by a new generation of filmmakers and created by Marrakech Festival artistic director Remi Bonhomme, the Atlas Workshops unspool Nov. 27-30. They take place alongside the 20th edition of the Marrakech International Film Festival, which runs from Nov. 24-Dec. 2.
In a definite potential highlight of the Atlas Workshops, Meryjam Joubeur, whose “Brotherhood” was Oscar nominated for best live action short, will present 10 minutes of “Motherhood,” one of the awaited feature debuts of 2023. It is sure to spark major festival interest.
“Plague” marks Chebbi’s second feature after acclaimed Cannes Directors’ Fortnight genre blender “Ashkal: The Tunisian Investigation,...
- 11/3/2023
- by John Hopewell
- Variety Film + TV
Some European crew evacuated in wake of Israel-Hamas conflict.
Filming on Palestinian-American filmmaker Cherien Dabis’ upcoming feature All That’s Left Of You in Jaffa, the mixed city just south of Tel Aviv in Israel, has been disrupted by the ongoing conflict in the region.
Dabis was on a tech recce in Jaffa for her third feature, a historical drama chronicling one Palestinian family over three generations, when the October 7 Hamas attacks took place, sparking Israeli retaliation in Gaza.
“We had to evacuate all of our foreign crew,” Dabis told Screen. “We were hearing bombs and fighter jets overhead. The...
Filming on Palestinian-American filmmaker Cherien Dabis’ upcoming feature All That’s Left Of You in Jaffa, the mixed city just south of Tel Aviv in Israel, has been disrupted by the ongoing conflict in the region.
Dabis was on a tech recce in Jaffa for her third feature, a historical drama chronicling one Palestinian family over three generations, when the October 7 Hamas attacks took place, sparking Israeli retaliation in Gaza.
“We had to evacuate all of our foreign crew,” Dabis told Screen. “We were hearing bombs and fighter jets overhead. The...
- 10/16/2023
- by Rebecca Leffler
- ScreenDaily
Some European crew evacuated in wake of Israel-Hamas conflict.
Filming on Palestinian-American filmmaker Cherien Dabis’ upcoming feature All That’s Left Of You has been disrupted by the ongoing conflict in the region.
Dabis was on a tech recce in Jaffa for her third feature, a historical drama chronicling one Palestinian family over three generations, when the October 7 Hamas attacks took place, sparking Israeli retaliation in Gaza.
“We had to evacuate all of our foreign crew,” Dabis told Screen. “We were hearing bombs and fighter jets overhead. The tensions were really high for the first days we stayed there before evacuating.
Filming on Palestinian-American filmmaker Cherien Dabis’ upcoming feature All That’s Left Of You has been disrupted by the ongoing conflict in the region.
Dabis was on a tech recce in Jaffa for her third feature, a historical drama chronicling one Palestinian family over three generations, when the October 7 Hamas attacks took place, sparking Israeli retaliation in Gaza.
“We had to evacuate all of our foreign crew,” Dabis told Screen. “We were hearing bombs and fighter jets overhead. The tensions were really high for the first days we stayed there before evacuating.
- 10/16/2023
- by Rebecca Leffler
- ScreenDaily
Mexican director Joaquin del Paso’s coming-of-age drama “The Hole in the Fence,” set in an all-male religious camp in rural Mexico, scored the Cairo Film Festival’s top prize, the Golden Pyramid, on Sunday capping a vibrant 43rd edition of the preeminent Arab event, which was held in person despite the impending threat of the coronavirus Omicron variant.
Though there were some last minute cancellations, most international attendees made the trek to Cairo undeterred, including jury president Emir Kusturica, U.S. producer Lawrence Bender and Cannes topper Thierry Fremaux – dubbed the “King of the Croisette” by the master of ceremonies. The latter two were honored with lifetime achievement awards during the glitzy closing ceremony in Cairo’s opera house.
“Hole in the Fence,” which world premiered in Venice, is Del Paso’s second work after “Panamerican Machinery,” which had made a splash after launching from Berlin in 2016. “Hole” explores...
Though there were some last minute cancellations, most international attendees made the trek to Cairo undeterred, including jury president Emir Kusturica, U.S. producer Lawrence Bender and Cannes topper Thierry Fremaux – dubbed the “King of the Croisette” by the master of ceremonies. The latter two were honored with lifetime achievement awards during the glitzy closing ceremony in Cairo’s opera house.
“Hole in the Fence,” which world premiered in Venice, is Del Paso’s second work after “Panamerican Machinery,” which had made a splash after launching from Berlin in 2016. “Hole” explores...
- 12/6/2021
- by Nick Vivarelli
- Variety Film + TV
Germany’s Red Balloon Film and Palestine’s Fresco Films have boarded director Ameer Fakher Eldin’s second film “Nothing of Nothing Remains.” The film is part of a trilogy building on his first film, “The Stranger” (pictured), which premiered in Venice and represents Palestine at the Oscars in the International Feature Film category.
“Nothing of Nothing Remains” has received development and script funding from German regional funder Moin Film Fund in Hamburg. Fresco and Red Balloon are now moving into the financing phase for the film.
“It’s part of a trilogy,” Eldin tells Variety, speaking from Berlin. “The first film, ‘The Stranger,’ is about a stranger amongst his own people. The second one is about a stranger amongst strangers. I do not want to give too much away but it’s a story set in Germany. The third one will be set in France. All three films are about the theme of home.
“Nothing of Nothing Remains” has received development and script funding from German regional funder Moin Film Fund in Hamburg. Fresco and Red Balloon are now moving into the financing phase for the film.
“It’s part of a trilogy,” Eldin tells Variety, speaking from Berlin. “The first film, ‘The Stranger,’ is about a stranger amongst his own people. The second one is about a stranger amongst strangers. I do not want to give too much away but it’s a story set in Germany. The third one will be set in France. All three films are about the theme of home.
- 12/5/2021
- by Liza Foreman
- Variety Film + TV
It’s not often that films shoot in the Occupied Golan Heights, Israel’s contested border territory with Syria and Lebanon.
Characterized by sloping mountains and the ruins of more than 100 Syrian villages, destroyed (by Israel) after the Six Day War in 1967, it makes for an atmospheric filming location. This can be seen in “The Stranger” (Al Garib), a drama making its world premiere in the Venice Critics’ Week section on Monday.
The Arab and German crew shot in rough conditions, including dense fog that hugged the mountain villages that are now reduced to rubble. Slush washed over the empty roads leading to the Syrian border, and heavy snow falls cut off Majdal Shams, the biggest town in the area, from the rest of the world, to create a shadowy darkness in this post-Christmas shoot in 2019 by first-time feature director Ameer Fakher Eldin.
Eldin directed from his own script. He...
Characterized by sloping mountains and the ruins of more than 100 Syrian villages, destroyed (by Israel) after the Six Day War in 1967, it makes for an atmospheric filming location. This can be seen in “The Stranger” (Al Garib), a drama making its world premiere in the Venice Critics’ Week section on Monday.
The Arab and German crew shot in rough conditions, including dense fog that hugged the mountain villages that are now reduced to rubble. Slush washed over the empty roads leading to the Syrian border, and heavy snow falls cut off Majdal Shams, the biggest town in the area, from the rest of the world, to create a shadowy darkness in this post-Christmas shoot in 2019 by first-time feature director Ameer Fakher Eldin.
Eldin directed from his own script. He...
- 9/6/2021
- by Liza Foreman
- Variety Film + TV
Controversial right-wing politician Miri Regev calls for state funding to be axed over its programming choices.
Israeli Culture Minister Miri Regev is calling for state funding of the Haifa International Film Festival (Haiff) to be re-appraised, raising objections about films in its upcoming 34th edition that she considers could “harm Israel”.
According to a letter obtained by Israeli media, Regev wrote to Israeli Finance Minister Moshe Kahlon, demanding his ministry re-examine state funding for Haifa, saying it had broken the law by programming films that undermined “Israeli values and symbols”.
The festival, which opens on September 22 with Avi Nesher’s...
Israeli Culture Minister Miri Regev is calling for state funding of the Haifa International Film Festival (Haiff) to be re-appraised, raising objections about films in its upcoming 34th edition that she considers could “harm Israel”.
According to a letter obtained by Israeli media, Regev wrote to Israeli Finance Minister Moshe Kahlon, demanding his ministry re-examine state funding for Haifa, saying it had broken the law by programming films that undermined “Israeli values and symbols”.
The festival, which opens on September 22 with Avi Nesher’s...
- 9/19/2018
- by Melanie Goodfellow
- ScreenDaily
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