Black Souls CinemaltaliaUK’s mini film festival returns to the Riverside Studios in London for its fourth edition this month. The festival - titled Donne di Mafia - focuses on the role and presence of women in the Italian mafia, and their portrayal in Italian cinema and runs on the weekend of March 16 to 17.
Among the films screening this year is Francesco Munzi's Black Souls, based on a true story and featuring Aurora Quattrocchi as an elderly matriarch and Pippo Mezzapesa's Burning Hearts, which charts the love story of a man and a woman from rival clans.
Nevia, directed by Nunzia De Stefano, about a girl who joins a circus, is also in the line-up along with Francesco Rosi's 1958 debut The Challenge. The screenings will be followed by Q&As, with guests inlcuding Munzi and Virginia Apicella, who stars in Nevia.
The event is sponsored by the University of Bath,...
Among the films screening this year is Francesco Munzi's Black Souls, based on a true story and featuring Aurora Quattrocchi as an elderly matriarch and Pippo Mezzapesa's Burning Hearts, which charts the love story of a man and a woman from rival clans.
Nevia, directed by Nunzia De Stefano, about a girl who joins a circus, is also in the line-up along with Francesco Rosi's 1958 debut The Challenge. The screenings will be followed by Q&As, with guests inlcuding Munzi and Virginia Apicella, who stars in Nevia.
The event is sponsored by the University of Bath,...
- 3/8/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
Italian sales company True Colours has scored multiple sales at the Efm on several titles including Christmas comedy “Once Upon a Time in Bethlehem,” which was Italy’s top-grossing domestic title in 2019.
“Bethlehem,” which scored roughly $17 million domestically, toplines comic duo Ficarra and Picone as a thief and a priest who time-travel to Palestine in the year of Jesus’ birth. It has sold to Hungarian distributor Rtl, to Russian company Pilotkino and to Palace Film for Australia and New Zealand.
Palace Film also picked up director Guido Chiesa’s comedy “Say It Loud,” about a severely stressed 40-year-old named Giulia, who gets a life coach and starts venting her anger incessantly. Pic will be released in Italy by Medusa in March.
True Colours also sold rom-com “A Bookshop in Paris,” directed by Sergio Castellitto — who also stars alongside Berenice Bejo — to Stars Media for former Yugoslavia territories and to Andrews Film for Taiwan.
“Bethlehem,” which scored roughly $17 million domestically, toplines comic duo Ficarra and Picone as a thief and a priest who time-travel to Palestine in the year of Jesus’ birth. It has sold to Hungarian distributor Rtl, to Russian company Pilotkino and to Palace Film for Australia and New Zealand.
Palace Film also picked up director Guido Chiesa’s comedy “Say It Loud,” about a severely stressed 40-year-old named Giulia, who gets a life coach and starts venting her anger incessantly. Pic will be released in Italy by Medusa in March.
True Colours also sold rom-com “A Bookshop in Paris,” directed by Sergio Castellitto — who also stars alongside Berenice Bejo — to Stars Media for former Yugoslavia territories and to Andrews Film for Taiwan.
- 2/23/2020
- by Nick Vivarelli
- Variety Film + TV
The Berlinale in recent years has been a prime launching pad for Italian films directed by women, which though fewer in number to their male counterparts, make up a considerable portion of the country’s representation on the festival circuit — Alice Rohrwacher (“Happy as Lazzaro”) at Cannes, Susanna Nicchiarelli (“Nico”) at Venice, and Berlin regular Laura Bispuri (“Daughter of Mine”) are all festival faves.
Here is a compendium of new and upcoming Italian films and TV series directed by women including two (out of nine Italian titles overall) in Berlin this year.
“Ordinary Justice”
This first feature by Chiara Bellosi, who previously made several docs, looks at a day in a Turin courthouse where the lives of two women and a young girl on opposite sides of a murder case intersect. In Berlin, Generation 14Plus.
“Faith”
An observational doc by Valentina Pedicini is about a reclusive spiritual sect of kung...
Here is a compendium of new and upcoming Italian films and TV series directed by women including two (out of nine Italian titles overall) in Berlin this year.
“Ordinary Justice”
This first feature by Chiara Bellosi, who previously made several docs, looks at a day in a Turin courthouse where the lives of two women and a young girl on opposite sides of a murder case intersect. In Berlin, Generation 14Plus.
“Faith”
An observational doc by Valentina Pedicini is about a reclusive spiritual sect of kung...
- 2/22/2020
- by Nick Vivarelli
- Variety Film + TV
The Tokyo International Film Festival will this year give over most of its competition section to films from outside East Asia. This contrasts to previous editions with a strong presence from the region.
The festival, which will hold its 32nd edition next month, announced its lineup Thursday. Of the 14 announced films for competition, only two – Wang Rui’s “Chaogtu With Sarula” (China) and Paul Soriano’s ”Mananita” (Philippines) – are from East Asia.
Korean films are noticeably absent this year, a situation that may reflect the acute political tensions between Tokyo and Seoul.
Others in the competition are Valentyn Vasyanovych’s “Atlantis” and Jorunn Myklebust Syversen’s “Disco,” which both screened at Toronto. The competition also includes Saeid Rustai’s “Just 6.5,” Jayro Bustamante’s “La Llorona,” Nunzia De Stefano’s “Nevia” and Dominik Moll’s “Only the Animals,” which were all pickups from Venice.
The two Japanese films in the competition...
The festival, which will hold its 32nd edition next month, announced its lineup Thursday. Of the 14 announced films for competition, only two – Wang Rui’s “Chaogtu With Sarula” (China) and Paul Soriano’s ”Mananita” (Philippines) – are from East Asia.
Korean films are noticeably absent this year, a situation that may reflect the acute political tensions between Tokyo and Seoul.
Others in the competition are Valentyn Vasyanovych’s “Atlantis” and Jorunn Myklebust Syversen’s “Disco,” which both screened at Toronto. The competition also includes Saeid Rustai’s “Just 6.5,” Jayro Bustamante’s “La Llorona,” Nunzia De Stefano’s “Nevia” and Dominik Moll’s “Only the Animals,” which were all pickups from Venice.
The two Japanese films in the competition...
- 9/26/2019
- by Mark Schilling
- Variety Film + TV
Film will premiere in Venice’s Orrizonti strand.
Rome-based sales company True Colours has added Nunzia De Stefano’s feature debut Nevia to its slate ahead of the film’s premiere in the Orizzonti strand at the Venice Film Festival.
The Italian feature is produced by Matteo Garrone, the Italian director of Dogman and Gomorrah. De Stefano has worked with Garrone before, including as a director consultant on Dogman, which premiered in Competition at Cannes last year.
Nevia is a coming-of-age drama following its titular protagonist, a 17-year-old living in the suburbs of Naples with her beloved little sister Enza,...
Rome-based sales company True Colours has added Nunzia De Stefano’s feature debut Nevia to its slate ahead of the film’s premiere in the Orizzonti strand at the Venice Film Festival.
The Italian feature is produced by Matteo Garrone, the Italian director of Dogman and Gomorrah. De Stefano has worked with Garrone before, including as a director consultant on Dogman, which premiered in Competition at Cannes last year.
Nevia is a coming-of-age drama following its titular protagonist, a 17-year-old living in the suburbs of Naples with her beloved little sister Enza,...
- 8/27/2019
- by Tom Grater
- ScreenDaily
The lineup has been unveiled for year’s edition of the Venice International Film Festival, taking place August 28 through September 7. Aside from films previously announced as coming to Tiff, some major new announcements include Olivier Assayas’ Wasp Network, James Gray’s Ad Astra, Roy Andersson’s About Endlessness, Ciro Guerra’s Waiting for the Barbarians, David Michôd’s The King, Benedict Andrews’ Kristen Stewart-led biopic Seberg, and Roman Polanski’s J’accuse. Only two films by female directors made into the competition lineup: Haifaa Al-Mansour’s The Perfect Candidate and Shannon Murphy’s Babyteeth.
Check out the lineup below (hat tip to Mubi), which also includes other sections at the festival.
Competition
The Truth (Hirokazu Kore-eda)
The Perfect Candidate (Haifaa Al-Mansour)
About Endlessness (Roy Andersson)
Wasp Network (Olivier Assayas)
Marriage Story (Noah Baumbach)
Guest of Honour (Atom Egoyan)
Ad Astra (James Gray)
A Herdade (Tiago Guedes)
Gloria Mundi (Robert Guédiguian...
Check out the lineup below (hat tip to Mubi), which also includes other sections at the festival.
Competition
The Truth (Hirokazu Kore-eda)
The Perfect Candidate (Haifaa Al-Mansour)
About Endlessness (Roy Andersson)
Wasp Network (Olivier Assayas)
Marriage Story (Noah Baumbach)
Guest of Honour (Atom Egoyan)
Ad Astra (James Gray)
A Herdade (Tiago Guedes)
Gloria Mundi (Robert Guédiguian...
- 7/25/2019
- by Jordan Raup
- The Film Stage
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