Wbd Unveils Canal+, Amazon Deals For Max In France & Spain Along With Launch Date
Warner Bros. Discovery (Wbd) has struck deals with Amazon and Canal+ to distribute streamer Max in France and Spain, as much-anticipated European launch dates inch closer. The House of the Dragon platform will kick off in France, Poland, the Netherlands and Belgium on June 11, a couple of weeks after the Nordics, Iberia, and Central and Eastern Europe. Wbd’s newly-struck distribution deals, which apply to Canal+ in France and Prime Video in France and Spain, hand the streamer major coverage across the two crucial territories as it launches internationally later than most of its rivals. Other partnerships have also been struck with the majority of French and Spanish mobile, broadband and pay TV providers including Telefonica, Free, Vodafone, Orange, Sfr, and MasMovil. Previously, Wbd and Amazon had a Warner Pass deal in France that saw HBO...
Warner Bros. Discovery (Wbd) has struck deals with Amazon and Canal+ to distribute streamer Max in France and Spain, as much-anticipated European launch dates inch closer. The House of the Dragon platform will kick off in France, Poland, the Netherlands and Belgium on June 11, a couple of weeks after the Nordics, Iberia, and Central and Eastern Europe. Wbd’s newly-struck distribution deals, which apply to Canal+ in France and Prime Video in France and Spain, hand the streamer major coverage across the two crucial territories as it launches internationally later than most of its rivals. Other partnerships have also been struck with the majority of French and Spanish mobile, broadband and pay TV providers including Telefonica, Free, Vodafone, Orange, Sfr, and MasMovil. Previously, Wbd and Amazon had a Warner Pass deal in France that saw HBO...
- 5/7/2024
- by Max Goldbart and Sara Merican
- Deadline Film + TV
Five Chinese-language genre projects to be selected.
The Hong Kong International Film Festival Society (Hkiff Society) has partnered with talent agency CAA China on an initiative to support the growth and development of Chinese-language genre projects.
The Hkiff Industry-caa China Genre Initiative (Hcg) will select five Chinese-language genre projects, which will be presented as a parallel section to next year’s Hong Kong-Asia Film Financing Forum (Haf) and scheduled to run together from March 11-13, 2024 during the Hong Kong International Film & TV Market (Filmart).
Two of the selected Hcg projects will each be awarded a cash prize of $20,000 sponsored by...
The Hong Kong International Film Festival Society (Hkiff Society) has partnered with talent agency CAA China on an initiative to support the growth and development of Chinese-language genre projects.
The Hkiff Industry-caa China Genre Initiative (Hcg) will select five Chinese-language genre projects, which will be presented as a parallel section to next year’s Hong Kong-Asia Film Financing Forum (Haf) and scheduled to run together from March 11-13, 2024 during the Hong Kong International Film & TV Market (Filmart).
Two of the selected Hcg projects will each be awarded a cash prize of $20,000 sponsored by...
- 8/31/2023
- by Silvia Wong
- ScreenDaily
CAA China has teamed up with the Hong Kong International Film Festival Society to unveil a joint initiative that will foster Chinese-language genre film projects.
The Hgc initiative will operate an open call for projects from Monday until the end of October. Five successful projects will be selected and presented at next year’s FilMart rights market and Haf project matching event.
As part of the program, “CAA China will fund $20,000 cash awards to each of two handpicked projects to support their development, with customized guidance from mentors.” CAA China may also choose to board the winning projects later by entering into script development agreements.
“We are witnessing the rise of a new generation of Chinese filmmakers who are the backbone of Chinese cinema,” said Mary Gu, CEO of CAA China. “By collaborating with Hkiff Society, our aim is to discover and support young filmmakers with industry awareness and mainstream expression.
The Hgc initiative will operate an open call for projects from Monday until the end of October. Five successful projects will be selected and presented at next year’s FilMart rights market and Haf project matching event.
As part of the program, “CAA China will fund $20,000 cash awards to each of two handpicked projects to support their development, with customized guidance from mentors.” CAA China may also choose to board the winning projects later by entering into script development agreements.
“We are witnessing the rise of a new generation of Chinese filmmakers who are the backbone of Chinese cinema,” said Mary Gu, CEO of CAA China. “By collaborating with Hkiff Society, our aim is to discover and support young filmmakers with industry awareness and mainstream expression.
- 8/31/2023
- by Patrick Frater
- Variety Film + TV
What a surprising city Rotterdam is and the Festival and Cinemart are full of surprises too.
Being in The Netherlands is like a homecoming for me. My first major job in the film industry was with 20th Century Fox International and City Fox Films in Amsterdam in 1975 which is when I first attended the International Film Festival of Rotterdam, three years after its founding by Huub Bals. It was much smaller then. Iffr’s logo is a tiger, loosely based on the M.G.M. lion as an alternative. From the beginning, the festival has profiled itself as a promoter of alternative, innovative and non-commercial films, with an emphasis on the Far East and developing countries. It has become one of the most important events in the film world, an integral part of the winter circuit of Sundance, Rotterdam and Berlin Film Festivals.
“Fox and HIs Friends”
Except for my...
Being in The Netherlands is like a homecoming for me. My first major job in the film industry was with 20th Century Fox International and City Fox Films in Amsterdam in 1975 which is when I first attended the International Film Festival of Rotterdam, three years after its founding by Huub Bals. It was much smaller then. Iffr’s logo is a tiger, loosely based on the M.G.M. lion as an alternative. From the beginning, the festival has profiled itself as a promoter of alternative, innovative and non-commercial films, with an emphasis on the Far East and developing countries. It has become one of the most important events in the film world, an integral part of the winter circuit of Sundance, Rotterdam and Berlin Film Festivals.
“Fox and HIs Friends”
Except for my...
- 3/8/2017
- by Sydney Levine
- Sydney's Buzz
The Cannes Atelier will feature 15 titles.
The Cannes Film Festival (May 17-28) has unveiled this year’s Cinefondation’s L’Atelier selection of 15 projects from 16 directors.
The directors and producers, representing 14 countries, are assisted in meeting potential funding partners during the festival.
Conefoundation’s L’Atelier has invited 186 projects since its inception in 2005, of which 145 have been completed and 14 are in pre-production.
The line-up:
Sew the Winter to My Skin Jahmil X.T. Qubeka (South Africa)
Day After Tomorrow Kamar Ahmad Simon (Bangladesh)
Ningdu Lei Lei (China)
Teenage Jesus Marie Grahtø Sørensen (Denmark)
Decompression Yona Rozenkier (Israel)
Go Youth Carlos Armella (Mexico)
Bedridden Byamba Sakhya (Mongolia)
Alam Firas Khoury (Palestine)
Candy Town Yannillys Perez (Dominican Republic)
Otto the Barbarian Ruxandra Ghitescu (Romania)
Summer E5 Emily Young (UK)
City of Small Blessings Chen-His Wong (Singapore)
The Translator Rana Kazkaz & Anas Khalaf (Syria)
Cu Li Never Cries Phan Ngoc Lan (Vietnam)
Taste Le Bao (Vietnam)...
The Cannes Film Festival (May 17-28) has unveiled this year’s Cinefondation’s L’Atelier selection of 15 projects from 16 directors.
The directors and producers, representing 14 countries, are assisted in meeting potential funding partners during the festival.
Conefoundation’s L’Atelier has invited 186 projects since its inception in 2005, of which 145 have been completed and 14 are in pre-production.
The line-up:
Sew the Winter to My Skin Jahmil X.T. Qubeka (South Africa)
Day After Tomorrow Kamar Ahmad Simon (Bangladesh)
Ningdu Lei Lei (China)
Teenage Jesus Marie Grahtø Sørensen (Denmark)
Decompression Yona Rozenkier (Israel)
Go Youth Carlos Armella (Mexico)
Bedridden Byamba Sakhya (Mongolia)
Alam Firas Khoury (Palestine)
Candy Town Yannillys Perez (Dominican Republic)
Otto the Barbarian Ruxandra Ghitescu (Romania)
Summer E5 Emily Young (UK)
City of Small Blessings Chen-His Wong (Singapore)
The Translator Rana Kazkaz & Anas Khalaf (Syria)
Cu Li Never Cries Phan Ngoc Lan (Vietnam)
Taste Le Bao (Vietnam)...
- 3/3/2017
- ScreenDaily
Victors on the night included Russian-French co-pro Jumpman and UK ghost story Martyrs’ Lane.
The 2017 edition of CineMart, the industry arm of the International Film Festival Rotterdam (Iffr), crowned its winners tonight (Feb 1) at a ceremony held at primary festival venue De Doelen.
A total of 26 projects from 24 countries participated in the 34rd edition of the long-running co-production market. Four prizes were handed out on the night.
The CineMart jury was comprised of Uldis Dimiševskis, head of production and development at National Film Centre of Latvia, producer Annamaria Lodato and Anton Scholten, co-founder of leading Dutch post-production and VFX house Filmmore.
The Eurimages Co-Production Development Award, worth €20,000, went to Jumpman, a Russia-France co-pro from writer-director Ivan I. Tverdovsky, his third feature following 2016 Karlovy Vary jury prize-winning Zoology and Corrections Class in 2014. Mila Rozanova of Moscow’s New People Film Company is producing the project, which also has Guillaume de Seille of Paris-based Arizona Productions as a co-producer...
The 2017 edition of CineMart, the industry arm of the International Film Festival Rotterdam (Iffr), crowned its winners tonight (Feb 1) at a ceremony held at primary festival venue De Doelen.
A total of 26 projects from 24 countries participated in the 34rd edition of the long-running co-production market. Four prizes were handed out on the night.
The CineMart jury was comprised of Uldis Dimiševskis, head of production and development at National Film Centre of Latvia, producer Annamaria Lodato and Anton Scholten, co-founder of leading Dutch post-production and VFX house Filmmore.
The Eurimages Co-Production Development Award, worth €20,000, went to Jumpman, a Russia-France co-pro from writer-director Ivan I. Tverdovsky, his third feature following 2016 Karlovy Vary jury prize-winning Zoology and Corrections Class in 2014. Mila Rozanova of Moscow’s New People Film Company is producing the project, which also has Guillaume de Seille of Paris-based Arizona Productions as a co-producer...
- 2/1/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Though the International Film Festival Rotterdam (Iffr) is going on its 46th year and its Cinemart on its 35th, 2017 marks only the third year since festival director Bero Beyer, a former producer, continues to reshape the event into a more focused selection of film projects whose life on the film circuit will have an impact beyond the festival scene itself, a field that is becoming increasingly crowded for many reasons which would take another article to explain.
But there will be quite a discussion about this very issue.The Rotterdam Cinemart, the first co-production market ever, started in 1982 and brought the then-small international film community together in a uniquely egalitarian and intimate way that only the Dutch could offer. In many ways it became a victim of its own success, mentoring similar events in Hong Kong and So. Korea and then copied by numerous others, but without the care and warmth of the original event.
But there will be quite a discussion about this very issue.The Rotterdam Cinemart, the first co-production market ever, started in 1982 and brought the then-small international film community together in a uniquely egalitarian and intimate way that only the Dutch could offer. In many ways it became a victim of its own success, mentoring similar events in Hong Kong and So. Korea and then copied by numerous others, but without the care and warmth of the original event.
- 1/28/2017
- by Sydney Levine
- Sydney's Buzz
A total of 26 film projects will participate in this year’s co-production market in Rotterdam.Scroll down for full line-up
The line-up for the 2017 edition of the International Film Festival Rotterdam (Iffr) co-production market CineMart has been revealed.
The 34th edition of the co-pro event features 26 projects and will run Jan 29 – Feb 1 as part of the Iffr Pro Days industry strand of the wider festival (Jan 25 – Feb 5).
Film-makers presenting projects at this year’s edition include Brazilian director Gabriel Mascaro, whose 2015 feature Neon Bull [pictured] won prizes in Venice and Toronto. His next project is titled Centre Of The Earth.
Also participating in the event will be UK director Ben Rivers, whose credits include The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers. His latest project, After London, is being produced by Ben Wheatley’s Rook Films. Rivers previously won Rotterdam’s Tiger Award for his 2014 short film Things.
Nepalese director...
The line-up for the 2017 edition of the International Film Festival Rotterdam (Iffr) co-production market CineMart has been revealed.
The 34th edition of the co-pro event features 26 projects and will run Jan 29 – Feb 1 as part of the Iffr Pro Days industry strand of the wider festival (Jan 25 – Feb 5).
Film-makers presenting projects at this year’s edition include Brazilian director Gabriel Mascaro, whose 2015 feature Neon Bull [pictured] won prizes in Venice and Toronto. His next project is titled Centre Of The Earth.
Also participating in the event will be UK director Ben Rivers, whose credits include The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers. His latest project, After London, is being produced by Ben Wheatley’s Rook Films. Rivers previously won Rotterdam’s Tiger Award for his 2014 short film Things.
Nepalese director...
- 12/13/2016
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
The Busan film fest’s Asian Project Market (Apm) has highlighted a “strong presence” of women filmmakers in this year’s line-up.
A total of 27 titles from 16 countries have been selected including projects from names including Yim Soon-rye, Tan Chui Mui and Laila Pakalnina.
In its 19th year, the Apm (formerly called the Pusan Promotion Plan or Ppp) said it tried to go back to its original mission of discovering up-and-coming talent with a selection that includes Pavle Vuckovic - who debuted last year in Cannes with Panama - bringing his Serbian thriller Mountain Eyes and Lei Lei with her debut feature animation Ningdu,which has Isabelle Glachant attached as a producer.
Apm stated it saw “an increased interest and more submissions by female directors and producers” this year. Yim is bringing Project Lee Jung-Seob, based on the legendary Korean artist’s life, while Tan has Malaysian coming-of-age drama All About Yuyu and Pakalnina has Latvia-Estonia...
A total of 27 titles from 16 countries have been selected including projects from names including Yim Soon-rye, Tan Chui Mui and Laila Pakalnina.
In its 19th year, the Apm (formerly called the Pusan Promotion Plan or Ppp) said it tried to go back to its original mission of discovering up-and-coming talent with a selection that includes Pavle Vuckovic - who debuted last year in Cannes with Panama - bringing his Serbian thriller Mountain Eyes and Lei Lei with her debut feature animation Ningdu,which has Isabelle Glachant attached as a producer.
Apm stated it saw “an increased interest and more submissions by female directors and producers” this year. Yim is bringing Project Lee Jung-Seob, based on the legendary Korean artist’s life, while Tan has Malaysian coming-of-age drama All About Yuyu and Pakalnina has Latvia-Estonia...
- 8/23/2016
- by hjnoh2007@gmail.com (Jean Noh)
- ScreenDaily
The Tampere Film Festival will have its 46th edition from March 9th until March 13th in the city of Tampere (Finland). The festival is one of the most important short film festivals in Europe and the only one accredited by the Fiapf (International Federation of Film Producers Associations) in Finland. The programme consists of International and National Competitions and a diverse special programme, showcasing both new short and documentary films around the world and older archive gems of filmic art. This year there will be six short films from Asia.
International Competition
Animals Section
The Animal Book by Hyun-a Cho and Sujeong Kim – South Korea | 2015 – 5 min.
One Quiet Night, there is a car riding in the secluded road. The driver is dozing off at the wheel, as he falls asleep at the wheel, his car strikes and kill a lot of animals. A lot of species of animals art from many different of habitats.
International Competition
Animals Section
The Animal Book by Hyun-a Cho and Sujeong Kim – South Korea | 2015 – 5 min.
One Quiet Night, there is a car riding in the secluded road. The driver is dozing off at the wheel, as he falls asleep at the wheel, his car strikes and kill a lot of animals. A lot of species of animals art from many different of habitats.
- 2/15/2016
- by Sebastian Nadilo
- AsianMoviePulse
After 23 unbelievable, uninterrupted days of screenings, today marks the Closing Night of the 19th edition of the Fantasia Film Festival. There is always a sadness lingering in the air on the last day. I often compare it to the feeling you get as a kid on the final day of summer camp. You get to spend an entire month with a group of friends from around the world knowing you might not have the opportunity to see some of these people again for an entire year. Known worldwide as North America’s longest-running genre film festival, Fantasia is special because of the people who not only make it happen but also for those of us who choose to spend the beautiful hot summer days crowded inside a gloomy theatre to watch movies we might not have the chance to see otherwise. And for the sixth consecutive year, the event succeeded...
- 8/5/2015
- by Ricky
- SoundOnSight
The 17th annual Boston Underground Film Festival is set to explode all over the Brattle Theater in Harvard Square on March 25-29.
Opening Night: The fun kicks off on the 25th at 7:30 p.m. with the exciting new flick from the always amazing Astron-6 collective, The Editor, an homage to the brutal Giallo movies of the ’70s and ’80s directed by Adam Brooks and Matthew Kennedy. This will be followed by the restored version of the legendary cult classic Gone With the Pope by the notorious Duke Mitchell.
Closing Night: Goodnight Mommy the debut feature film by Severin Fiala and Veronika Franz, will screen at 8:30 p.m. on the 29th and is a nightmarish vision of familial dread when twin brothers believe their cosmetically altered mother is literally not the woman she used to be.
Other features include a mix of horror, like Matt O’Mahoney’s...
Opening Night: The fun kicks off on the 25th at 7:30 p.m. with the exciting new flick from the always amazing Astron-6 collective, The Editor, an homage to the brutal Giallo movies of the ’70s and ’80s directed by Adam Brooks and Matthew Kennedy. This will be followed by the restored version of the legendary cult classic Gone With the Pope by the notorious Duke Mitchell.
Closing Night: Goodnight Mommy the debut feature film by Severin Fiala and Veronika Franz, will screen at 8:30 p.m. on the 29th and is a nightmarish vision of familial dread when twin brothers believe their cosmetically altered mother is literally not the woman she used to be.
Other features include a mix of horror, like Matt O’Mahoney’s...
- 3/12/2015
- by Mike Everleth
- Underground Film Journal
Why Watch? There’s a lot going on in this short film from Lei Lei. Maybe too much. Not satisfied to use a singular rectangular space, the artist instead creates what looks like a Trapper Keeper explosion of different configurations and patterns. This Is Not a Time To Lie requires a wandering eye or multiple viewings. Among the shapes that create transforming landscapes is a large-eyed hero who finds a sailboat and heads out on a trippy adventure. It’s surreal, yes, but there’s a structure at work both visually and in its poetic storytelling. There’s also an antique feel to the textures which Lei Lei uses — crafting a backdrop that resembles torn book pages and a foreground marked (and marred) by synthesized water marks and shadows. What Will It Cost? About 3 minutes. A New Short Film Every Weekday...
- 3/24/2014
- by Scott Beggs
- FilmSchoolRejects.com
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