Mubi has announced its lineup of streaming offerings for next month and amongst the highlights is a tribute to Tilda Swinton, featuring I Am Love and a trio of early films: Cycling Frame, The Box, and Egomania: Island Without Hope. There’s also a handful of notable festival favorites and new releases from the past year or so, including Maureen Fazendeiro and Miguel Gomes’ The Tsugua Diaries, Charlotte Gainsbourg’s Jane by Charlotte, Ted Fendt’s Outside Noise, Émilie Aussel’s Our Eternal Summer, and Kofi Ofosu-Yeboah’s Public Toilet Africa.
Also including films by Takashi Miike, Fatih Akin, Zhang Yimou, Albert Maysles, Andrew Dominik, Rick Alverson, and more check out the lineup below and get 30 days free here.
August 1 – Ichi the Killer, directed by Takashi Miike | Takashi Miike: A Double Bill
August 2 – Nest, directed by Hlynur Palmason | Brief Encounters
August 3 – Our Eternal Summer, directed by Émilie Aussel | Festival Focus:...
Also including films by Takashi Miike, Fatih Akin, Zhang Yimou, Albert Maysles, Andrew Dominik, Rick Alverson, and more check out the lineup below and get 30 days free here.
August 1 – Ichi the Killer, directed by Takashi Miike | Takashi Miike: A Double Bill
August 2 – Nest, directed by Hlynur Palmason | Brief Encounters
August 3 – Our Eternal Summer, directed by Émilie Aussel | Festival Focus:...
- 7/26/2022
- by Jordan Raup
- The Film Stage
Beijing-based distributor Hugoeast Media has acquired Chinese distribution rights to Cannes Directors’ Fortnight film “The Tale of King Crab,” the first feature venture into narrative fiction of Italian filmmakers Alessio Rigo de Righi and Matteo Zoppis.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
- 9/21/2021
- by John Hopewell
- Variety Film + TV
Golden Leopard goes to filmmaker from Indonesia for first time.
Indonesia’s Edwin has received Locarno Film Festival’s top honour, the Golden Leopard, for his latest feature Vengeance Is Mine, All Others Pay Cash, which had its world premiere in the Swiss festival’s International Competition.
The Indonesia-Singapore-Germany co-production – adapted and based on a literary work by Eka Kurniawan – is being handled internationally by The Match Factory.
It is also the first time in Locarno’s 74-year history that the Golden Leopard has gone to a filmmaker from Indonesia.
Accepting the award on behalf of Edwin, who had already...
Indonesia’s Edwin has received Locarno Film Festival’s top honour, the Golden Leopard, for his latest feature Vengeance Is Mine, All Others Pay Cash, which had its world premiere in the Swiss festival’s International Competition.
The Indonesia-Singapore-Germany co-production – adapted and based on a literary work by Eka Kurniawan – is being handled internationally by The Match Factory.
It is also the first time in Locarno’s 74-year history that the Golden Leopard has gone to a filmmaker from Indonesia.
Accepting the award on behalf of Edwin, who had already...
- 8/14/2021
- by Martin Blaney
- ScreenDaily
Abel Ferrara’s contemporary thriller ’Zeros And Ones’ stars Ethan Hawke.
Abel Ferrara’s contemporary thriller Zeros And Ones and Srdjan Dragojević’s dark comedy Heavens Above are among 17 films from 12 countries having their world premiere in the international competition at the 74th Locarno Film Festival (August 4-14) under the new artistic director Giona A. Nazzaro.
Scroll down for full line-up
In his first collaboration with Ferrara, Zeros And Ones sees Ethan Hawke plays an American soldier stationed in Rome who pursues an unknown enemy threatening the entire world after the Vatican gets blown up.
Ahead of shooting in Italy...
Abel Ferrara’s contemporary thriller Zeros And Ones and Srdjan Dragojević’s dark comedy Heavens Above are among 17 films from 12 countries having their world premiere in the international competition at the 74th Locarno Film Festival (August 4-14) under the new artistic director Giona A. Nazzaro.
Scroll down for full line-up
In his first collaboration with Ferrara, Zeros And Ones sees Ethan Hawke plays an American soldier stationed in Rome who pursues an unknown enemy threatening the entire world after the Vatican gets blown up.
Ahead of shooting in Italy...
- 7/1/2021
- by Martin Blaney
- ScreenDaily
Hungarian action-comedy Kills On Wheels and Icelandic-Danish coming of age story Heartstone take top prizes at Greek festival.Scroll down for full list of winners
Hungarian director Attila Till’s Kills On Wheels (Tiszta Szivvel) has been named best film at the 57th Thessaloniki International Film Festival (Nov 3-13) winning the “Theo Angelopoulos” Golden Alexander award.
The film beat out 16 first and second films screened in this year’s competition section.
Kills On Wheels’ three leading young actors, Zoltan Fenyvesi, SzaboIcs Thuroczy and Adam Fekete were jointly awarded the Best actor trophy.
The film, arriving from the Chicago film festival where it won the Roger Ebert award, deals with three wheelchair-using young adults who decide to offer their services to the mafia in an effort to overcome their daily routines. World sales are handled by the Hungarian Film Fund.
Icelandic-Danish co-production Heartstone (Hjartasteinn) by Icelandic director Gudmundur Arnar Gudmundsson, was awarded the Special Jury Prize, Silver Alexander...
Hungarian director Attila Till’s Kills On Wheels (Tiszta Szivvel) has been named best film at the 57th Thessaloniki International Film Festival (Nov 3-13) winning the “Theo Angelopoulos” Golden Alexander award.
The film beat out 16 first and second films screened in this year’s competition section.
Kills On Wheels’ three leading young actors, Zoltan Fenyvesi, SzaboIcs Thuroczy and Adam Fekete were jointly awarded the Best actor trophy.
The film, arriving from the Chicago film festival where it won the Roger Ebert award, deals with three wheelchair-using young adults who decide to offer their services to the mafia in an effort to overcome their daily routines. World sales are handled by the Hungarian Film Fund.
Icelandic-Danish co-production Heartstone (Hjartasteinn) by Icelandic director Gudmundur Arnar Gudmundsson, was awarded the Special Jury Prize, Silver Alexander...
- 11/14/2016
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
The sixth edition of the New Horizons Studio kicked off on 26 July 2015 within the framework of the 15th T-Mobile New Horizons International Film Festival in Wrocław, Poland.
During the event, young directors and producers from Europe learned about the mechanisms of the international film market, the accent being especially put on production, promotion and distribution. During two days, and in small groups, they discussed their projects and career plans with experts and were also trained to pitch their projects. In that regard, the aim of the New Horizons Studio is to raise awareness of the pitch in a film pre-production process and it offered training in pitching to 24 participants from all over Europe. According to Joanna Łapińska, the head of the New Horizons Studio and the artistic director of the T-Mobile New Horizons International Film Festival, the program wants to show the participants that “while the international film business may seem inaccessible and closed, it’s actually waiting for [them] with numerous opportunities”.
The selected participants were Emilie Aussel (France), Marta Bacewicz, Ana Brzezińska, Ben Brand (Holland), Kacper Czubak, Marcin Dudziak, Marija Fridinovaite (Romania), Marcin Filipowicz, Jasiek Gorący, Marta Habior, Cristi Iftime (Romania), Grzegorz Jaroszuk, Karolina Kołtun, Michał Korynek, Michal Kráčmer (Czech Rep.), Justyna Mytnik, Magdalena Puzmujźniak, Margarida Rego (Portugal), Beata Rzeźniczek, Wojtek Stuchlik, Michał Szcześniak, Giedrius Tamosevicius (Lithuanina), Fritz Urschitz (Austria) and Vladilen Vierny (France).
The best pitch was awarded with a package offered by the London Film Academy and postproduction services from CeTa, an audiovisual technology center based in Wrocław. This year, the team made up of Wojtek Stuchlik, Beata Rzeźniczek and Ben Brand won the pitching competition.
The following speakers shared their know-how with the New Horizons Studio participants: David Pope and Gavin Humphries of the London Film Academy, James Mullighan of the Cork Film Festival, producers Raymond Phathanavirangoon and Guillaume de Seille, the distribution consultant Beatrice Naumann, Katarzyna Karwan of Premium Films, and, last but not least Ewa Puszczyńska, the producer of the Academy Award winning film Ida. From the point of view of the co-founder and joint principal of the London Film Academy and founder of Lfa productions, Anna MacDonald, these industry professionals “are among the best in their fields.”
James Mullighan, one of the aforementioned participating experts stated that the New Horizons Studio “is one of the best organized and most potent film talent development events [he has] ever come across.” According to him, it “ brings together the most important new voices in Poland and beyond, and provides them with a safe place to develop their projects, and then show them to the global industry .”
Moreover, the program included an insightful masterclass by Magnus von Horn and Mariusz Włodarski, the director-producer team of "The Here After," the Polish-Swedish coproduction that premiered in Cannes’s Directors’ Fortnight earlier this year and was screened at the festival. The masterclass was the highlight of the event. Magnus von Horn was born in Sweden and graduated from the Polish National Film School in Łódź. He described "The Here After’s" genesis and how his debut film got selected in Cannes while Mariusz Włodarski shared his experience of working on the project, his role as a producer in the film’s success and the marketing strategy he has planned for it. In fact, "The Here After" is a fruit of the friendship between Magnus and Mariusz who started working together during their studies, getting to know each other and each other’s working methods.
Over the past five years, these workshops have already trained more than 100 graduates from Poland and abroad. Thanks to the involvement of the national cultural institutes this year’s list of participants included - besides 16 Polish filmmakers - 9 people from Austria, Czech Republic, Holland, France, Lithuania, Portugal and Romania. This training program was organized by the New Horizons Association, the London Film Academy and the Creative Europe Desk Poland with the support of the Lithuanian Film Center, the Cinessonne Festival in Paris, the Czech Center, the Embassy of the Netherlands, the Instituto Camoes, the Romanian Cultural Institute and the Austrian Cultural Forum in Warsaw. In Łapińska’s opinion, this group “ has worked together for several years” and is, in her view, “a fantastic force backing the New Horizons Studio”.
During the event, young directors and producers from Europe learned about the mechanisms of the international film market, the accent being especially put on production, promotion and distribution. During two days, and in small groups, they discussed their projects and career plans with experts and were also trained to pitch their projects. In that regard, the aim of the New Horizons Studio is to raise awareness of the pitch in a film pre-production process and it offered training in pitching to 24 participants from all over Europe. According to Joanna Łapińska, the head of the New Horizons Studio and the artistic director of the T-Mobile New Horizons International Film Festival, the program wants to show the participants that “while the international film business may seem inaccessible and closed, it’s actually waiting for [them] with numerous opportunities”.
The selected participants were Emilie Aussel (France), Marta Bacewicz, Ana Brzezińska, Ben Brand (Holland), Kacper Czubak, Marcin Dudziak, Marija Fridinovaite (Romania), Marcin Filipowicz, Jasiek Gorący, Marta Habior, Cristi Iftime (Romania), Grzegorz Jaroszuk, Karolina Kołtun, Michał Korynek, Michal Kráčmer (Czech Rep.), Justyna Mytnik, Magdalena Puzmujźniak, Margarida Rego (Portugal), Beata Rzeźniczek, Wojtek Stuchlik, Michał Szcześniak, Giedrius Tamosevicius (Lithuanina), Fritz Urschitz (Austria) and Vladilen Vierny (France).
The best pitch was awarded with a package offered by the London Film Academy and postproduction services from CeTa, an audiovisual technology center based in Wrocław. This year, the team made up of Wojtek Stuchlik, Beata Rzeźniczek and Ben Brand won the pitching competition.
The following speakers shared their know-how with the New Horizons Studio participants: David Pope and Gavin Humphries of the London Film Academy, James Mullighan of the Cork Film Festival, producers Raymond Phathanavirangoon and Guillaume de Seille, the distribution consultant Beatrice Naumann, Katarzyna Karwan of Premium Films, and, last but not least Ewa Puszczyńska, the producer of the Academy Award winning film Ida. From the point of view of the co-founder and joint principal of the London Film Academy and founder of Lfa productions, Anna MacDonald, these industry professionals “are among the best in their fields.”
James Mullighan, one of the aforementioned participating experts stated that the New Horizons Studio “is one of the best organized and most potent film talent development events [he has] ever come across.” According to him, it “ brings together the most important new voices in Poland and beyond, and provides them with a safe place to develop their projects, and then show them to the global industry .”
Moreover, the program included an insightful masterclass by Magnus von Horn and Mariusz Włodarski, the director-producer team of "The Here After," the Polish-Swedish coproduction that premiered in Cannes’s Directors’ Fortnight earlier this year and was screened at the festival. The masterclass was the highlight of the event. Magnus von Horn was born in Sweden and graduated from the Polish National Film School in Łódź. He described "The Here After’s" genesis and how his debut film got selected in Cannes while Mariusz Włodarski shared his experience of working on the project, his role as a producer in the film’s success and the marketing strategy he has planned for it. In fact, "The Here After" is a fruit of the friendship between Magnus and Mariusz who started working together during their studies, getting to know each other and each other’s working methods.
Over the past five years, these workshops have already trained more than 100 graduates from Poland and abroad. Thanks to the involvement of the national cultural institutes this year’s list of participants included - besides 16 Polish filmmakers - 9 people from Austria, Czech Republic, Holland, France, Lithuania, Portugal and Romania. This training program was organized by the New Horizons Association, the London Film Academy and the Creative Europe Desk Poland with the support of the Lithuanian Film Center, the Cinessonne Festival in Paris, the Czech Center, the Embassy of the Netherlands, the Instituto Camoes, the Romanian Cultural Institute and the Austrian Cultural Forum in Warsaw. In Łapińska’s opinion, this group “ has worked together for several years” and is, in her view, “a fantastic force backing the New Horizons Studio”.
- 8/14/2015
- by Tara Karajica
- Sydney's Buzz
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