Ellen joins institute’s film fund team.
The British Film Institute (BFI) has upped Katie Ellen to a senior manager role in its film fund team.
Ellen was previously the BFI’s senior manager for UK wide audiences (lottery funds & distribution), working with Ben Roberts and Ben Luxford.
Her new role is senior manager, international distribution and commercial strategy, film fund.
She will be working closely with Isabel Davis, the BFI’s head of international, and Ian Kirk, head of production finance.
In her new position, Ellen will take overall responsibility for managing the Film Fund’s relationships with international distributors and sales agents.
Her role will also involve maintaining relationships and other key cultural export partners.
The British Film Institute (BFI) has upped Katie Ellen to a senior manager role in its film fund team.
Ellen was previously the BFI’s senior manager for UK wide audiences (lottery funds & distribution), working with Ben Roberts and Ben Luxford.
Her new role is senior manager, international distribution and commercial strategy, film fund.
She will be working closely with Isabel Davis, the BFI’s head of international, and Ian Kirk, head of production finance.
In her new position, Ellen will take overall responsibility for managing the Film Fund’s relationships with international distributors and sales agents.
Her role will also involve maintaining relationships and other key cultural export partners.
- 5/19/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Ellen joins institute’s film fund team.
The British Film Institute (BFI) has upped Katie Ellen to a senior manager role in its film fund team.
Ellen was previously the BFI’s senior manager for UK wide audiences (lottery funds & distribution), working with Ben Roberts and Ben Luxford.
Her new role is senior manager, international distribution and commercial strategy, film fund.
She will be working closely with Isabel Davis, the BFI’s head of international, and Ian Kirk, head of production finance.
In her new position, Ellen will take overall responsibility for managing the Film Fund’s relationships with international distributors and sales agents.
Her role will also involve maintaining relationships and other key cultural export partners.
The British Film Institute (BFI) has upped Katie Ellen to a senior manager role in its film fund team.
Ellen was previously the BFI’s senior manager for UK wide audiences (lottery funds & distribution), working with Ben Roberts and Ben Luxford.
Her new role is senior manager, international distribution and commercial strategy, film fund.
She will be working closely with Isabel Davis, the BFI’s head of international, and Ian Kirk, head of production finance.
In her new position, Ellen will take overall responsibility for managing the Film Fund’s relationships with international distributors and sales agents.
Her role will also involve maintaining relationships and other key cultural export partners.
- 5/19/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Exclusive: Streaming platform in multi-million dollar deal for Cargo from The Babadook producers.
Netflix has taken world rights to Martin Freeman zombie movie Cargo, in what is understood to be a multi-million dollar deal.
The film, from the producers of The Babadook, will be the first Australian film to sit under Netflix’s Originals banner.
The SVoD giant, which declined to comment on the acquisition, swooped on the film after seeing a three-minute promo.
CAA, UTA and Bankside Films represented the filmmakers in the deal with Ian Bricke negotiating on behalf of Netflix.
Yolanda Ramke and Ben Howling’s debut, based on their short film which garnered 12 millions views online, charts the story of a father, played by The Hobbit and Sherlock star Freeman, who is stranded in rural Australia with only 48 hours to find a new home for his baby daughter, after being infected in the wake of a violent pandemic.
Freeman, who will...
Netflix has taken world rights to Martin Freeman zombie movie Cargo, in what is understood to be a multi-million dollar deal.
The film, from the producers of The Babadook, will be the first Australian film to sit under Netflix’s Originals banner.
The SVoD giant, which declined to comment on the acquisition, swooped on the film after seeing a three-minute promo.
CAA, UTA and Bankside Films represented the filmmakers in the deal with Ian Bricke negotiating on behalf of Netflix.
Yolanda Ramke and Ben Howling’s debut, based on their short film which garnered 12 millions views online, charts the story of a father, played by The Hobbit and Sherlock star Freeman, who is stranded in rural Australia with only 48 hours to find a new home for his baby daughter, after being infected in the wake of a violent pandemic.
Freeman, who will...
- 2/10/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
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