The 21st IndieLisboa International Film Festival will take place from 23rd May to 2nd June in Lisbon. The festival aims to address the gap in film distribution created by the dominance of mainstream productions. Each year, it attracts casual viewers and film professionals worldwide, offering them the chance to discover recent works by emerging talents and revisit films made by renowned directors.
IndieLisboa features 7 sections, with 4 of them being competitive. Additionally, it offers events for industry professionals, including workshops, masterclasses, debates, a script-writing lab, a film fund, a pitching forum, and screenings of works in progress. This year, apart from the retrospective of Palestinian artist Kamal Aljafari, the festival will present 12 short and 13 full-length films that are productions or co-productions of Asian countries.
A Traveler's Needs (2024) by Hong Sang-soo (National Premiere)
South Korea, 90'
The newest film of the prolific director had its world premiere at the 74th Berlin International Film Festival,...
IndieLisboa features 7 sections, with 4 of them being competitive. Additionally, it offers events for industry professionals, including workshops, masterclasses, debates, a script-writing lab, a film fund, a pitching forum, and screenings of works in progress. This year, apart from the retrospective of Palestinian artist Kamal Aljafari, the festival will present 12 short and 13 full-length films that are productions or co-productions of Asian countries.
A Traveler's Needs (2024) by Hong Sang-soo (National Premiere)
South Korea, 90'
The newest film of the prolific director had its world premiere at the 74th Berlin International Film Festival,...
- 5/14/2024
- by Tobiasz Dunin
- AsianMoviePulse
1. Documentary Review: Until I Fly (2024) by Kanishka Sonthalia and Siddesh Shetty
At the same time though, and if one looks at the story in a wider prism, the issues with emigration and the racism that results from it are highlighted quite eloquently, along with a comment that problems like that become even more significant in small societies, where one can definitely not ‘hide in the crowd'. As such, the movie is induced with a more universal essence, which definitely helps raise the quality of its context.
2. Interview: Kanishka Sonthalia and Siddesh Shetty 3. Queer Japan (2019) by Graham Kolbeins
Choosing the protagonist wisely, “Queer Japan” gives space to a good sample of voices to be listened to. Butoh dancers, drag queens, club founders and owners, author of gay manga featuring bear gays, erotic drawing artist, politician. Gay, lesbian, bi, trans men, trans women, non-binary people, pansexuals, all kinds of various fetishes lovers and many many others.
At the same time though, and if one looks at the story in a wider prism, the issues with emigration and the racism that results from it are highlighted quite eloquently, along with a comment that problems like that become even more significant in small societies, where one can definitely not ‘hide in the crowd'. As such, the movie is induced with a more universal essence, which definitely helps raise the quality of its context.
2. Interview: Kanishka Sonthalia and Siddesh Shetty 3. Queer Japan (2019) by Graham Kolbeins
Choosing the protagonist wisely, “Queer Japan” gives space to a good sample of voices to be listened to. Butoh dancers, drag queens, club founders and owners, author of gay manga featuring bear gays, erotic drawing artist, politician. Gay, lesbian, bi, trans men, trans women, non-binary people, pansexuals, all kinds of various fetishes lovers and many many others.
- 3/18/2024
- by Panos Kotzathanasis
- AsianMoviePulse
As we have mentioned in the past, documentaries seem to offer much more opportunities for artistic experimentation in the last few years, through the concepts of the experimentalism and the mockumentary. Bo Wang moves a step beyond by combining the two, in a 37-minute hybrid film that has won a number of awards in festivals all over the world.
An Asian Ghost Story is screening at Thessaloniki Documentary Festival
The story unfolds through various types of cinematic elements, with the narration by the incarnate ghost of a deceased real hair donor providing the connection. A tour guide in Hong Kong, both of the present and of the past, news footage from the 60s and later on, and a dramatization of sorts where a teacher shares a story with her students (?) are just parts of the initial elements. In distinct experimental style, image and sound (narration if you prefer) do not always fit,...
An Asian Ghost Story is screening at Thessaloniki Documentary Festival
The story unfolds through various types of cinematic elements, with the narration by the incarnate ghost of a deceased real hair donor providing the connection. A tour guide in Hong Kong, both of the present and of the past, news footage from the 60s and later on, and a dramatization of sorts where a teacher shares a story with her students (?) are just parts of the initial elements. In distinct experimental style, image and sound (narration if you prefer) do not always fit,...
- 3/10/2024
- by Panos Kotzathanasis
- AsianMoviePulse
If there is something positive about the existence of streaming platforms in recent times, it's the explosion of quality television series that we haven't experienced for several decades. There is something for everyone, even for TV sceptics who are not easily convinced to step out of the cinema or from what they concern as a serious screening content. Almost four years ago, during the Mastercard event at the Venice Film Festival, Brian de Palma confessed that he was hooked to the comedy-drama series “Dead To Me” starring Christina Applegate and Linda Cardellini, admitting that he was watching television more than ever before due to a big improvement in quality of productions. Liz Feldman wasn't in the audience, but I was, glad to hear that such a legend and I are sharing the same passion for the show.
“The Brothers Sun” had me at “Michelle Yeoh”. I wasn't interested in reading the synopsis,...
“The Brothers Sun” had me at “Michelle Yeoh”. I wasn't interested in reading the synopsis,...
- 1/19/2024
- by Marina D. Richter
- AsianMoviePulse
This article contains major character or plot details.
A Mandarin cover of Cat Stevens’ “The First Cut Is the Deepest” isn’t the first song you’d expect to hear during a karate brawl.
In Episode 6 of The Brothers Sun, eldest son Charles (Justin Chien) arrives at a golfing range after learning that his friend is being held hostage by rival gangsters. Filled with rage and heartbreak, he fights anyone standing in his path, swinging golf clubs at his enemies. As the steel handles clash and gang members grunt in pain, Bo Wang’s Chinese cover of Stevens’ melancholic classic accompanies the violent sound effects.
“I think it does such a great job of underscoring how this is an emotional thing for Charles. We’re having a great time, and we’re watching him beat the piss out of a bunch of people,” co-creator and writer Brad Falchuk told Netflix.
A Mandarin cover of Cat Stevens’ “The First Cut Is the Deepest” isn’t the first song you’d expect to hear during a karate brawl.
In Episode 6 of The Brothers Sun, eldest son Charles (Justin Chien) arrives at a golfing range after learning that his friend is being held hostage by rival gangsters. Filled with rage and heartbreak, he fights anyone standing in his path, swinging golf clubs at his enemies. As the steel handles clash and gang members grunt in pain, Bo Wang’s Chinese cover of Stevens’ melancholic classic accompanies the violent sound effects.
“I think it does such a great job of underscoring how this is an emotional thing for Charles. We’re having a great time, and we’re watching him beat the piss out of a bunch of people,” co-creator and writer Brad Falchuk told Netflix.
- 1/11/2024
- by Phillipe Thao
- Tudum - Netflix
Orbiting somewhere around the Chris Rock-fronted Good Hair and Sion Sono’s Exte, An Asian Ghost Story riffs on wigs, their multiple lives, the mortality of hair, and its afterlife.
Floated into this exploration is the significance of Hong Kong as a midpoint between China and the west, with director Bo Wang using hair exports from the mid-20th century to tell a story of an under-documented industry, broader Asian industrialisation, and the barriers posed by the US to Chinese trade.
Wang’s playful, elegantly experimental film weaves eerie supernatural investigation and multiple potted histories with statically shot street scenes captured with lo-fi film stock in parallel with a narration told from the point of view of a factory worker who speculates on how a wig can retain the spirits of those whose hair was shorn to make them.
Wang’s affection for his subject matter is clear, but he also seems to delight.
Floated into this exploration is the significance of Hong Kong as a midpoint between China and the west, with director Bo Wang using hair exports from the mid-20th century to tell a story of an under-documented industry, broader Asian industrialisation, and the barriers posed by the US to Chinese trade.
Wang’s playful, elegantly experimental film weaves eerie supernatural investigation and multiple potted histories with statically shot street scenes captured with lo-fi film stock in parallel with a narration told from the point of view of a factory worker who speculates on how a wig can retain the spirits of those whose hair was shorn to make them.
Wang’s affection for his subject matter is clear, but he also seems to delight.
- 9/20/2023
- by Sunil Chauhan
- eyeforfilm.co.uk
Motherland, a “dark and monumental” film about neo-nationalism in Belarus, earned the top prize tonight at the prestigious Cph:dox festival in Copenhagen.
Belorussian directors Alexander Mihalkovich and Hanna Badziaka accepted the Dox:Award honor at a ceremony at the Kunsthal Charlottenborg in the Danish capital. Jurors praised Motherland as “a cinematic and meaningful film that took its time unfolding the complexity of living within an oppressive and unjust system. It poses questions about the idea of an individual choice within a cornered society. The title of the film is a way to give back the power to the women who are at the forefront of this fight.” [See the full list of Cph:dox winners below].
‘Motherland’
The world premiere of Motherland at Cph:dox comes at a particularly timely moment, just over a year after Russia launched its invasion of Ukraine with key assistance from the Kremlin-allied Belorussian government. Russian forces trained in Belarus in advance of the war...
Belorussian directors Alexander Mihalkovich and Hanna Badziaka accepted the Dox:Award honor at a ceremony at the Kunsthal Charlottenborg in the Danish capital. Jurors praised Motherland as “a cinematic and meaningful film that took its time unfolding the complexity of living within an oppressive and unjust system. It poses questions about the idea of an individual choice within a cornered society. The title of the film is a way to give back the power to the women who are at the forefront of this fight.” [See the full list of Cph:dox winners below].
‘Motherland’
The world premiere of Motherland at Cph:dox comes at a particularly timely moment, just over a year after Russia launched its invasion of Ukraine with key assistance from the Kremlin-allied Belorussian government. Russian forces trained in Belarus in advance of the war...
- 3/24/2023
- by Matthew Carey
- Deadline Film + TV
The top Dox:Award at Cph:dox, the Copenhagen documentary festival, has gone to “Motherland” by Ukrainian-Belarussian director Alexander Mihalkovich (“My Granny From Mars”) and Ukrainian director Hanna Badziaka.
Described by Variety as “an ominous portrait of the oppressive culture of cruelty in post-Soviet Belarus,” the film follows Svetlana, whose son died during his military service as the result of violent abuse, in her quest to expose and prosecute those responsible for his death.
Dedicating the award to “all the Ukrainians fighting Russian aggression and to Belarussian political prisoners,” the directing duo thanked all those who helped them make the film, in particular the protagonists, “who were brave to stand in front of the camera and patient with us as it was a long journey of four years.”
Handing out the prize, the jury said: “This was such a cinematic and meaningful film that took its time unfolding the complexity of living...
Described by Variety as “an ominous portrait of the oppressive culture of cruelty in post-Soviet Belarus,” the film follows Svetlana, whose son died during his military service as the result of violent abuse, in her quest to expose and prosecute those responsible for his death.
Dedicating the award to “all the Ukrainians fighting Russian aggression and to Belarussian political prisoners,” the directing duo thanked all those who helped them make the film, in particular the protagonists, “who were brave to stand in front of the camera and patient with us as it was a long journey of four years.”
Handing out the prize, the jury said: “This was such a cinematic and meaningful film that took its time unfolding the complexity of living...
- 3/24/2023
- by Lise Pedersen
- Variety Film + TV
Further winners include ‘Seven Winters in Tehran’, ‘Mrs. Hansen & The Bad Companions’.
Alexander Mihalkovich and Hanna Badziaka’s Motherland, about the brutal military culture in Belarus, has won the main Dox:Award prize at Cph:dox 2023.
The Sweden-Ukraine-Norway co-production follows two storylines: a woman trying to shed light on the culture of violence and abuse in the Belarusian military after her son was found dead while in the army; and a group of young friends from the techno underground who face being drafted soon.
Scroll down for the full list of winners
The awards were handed out at a ceremony this evening...
Alexander Mihalkovich and Hanna Badziaka’s Motherland, about the brutal military culture in Belarus, has won the main Dox:Award prize at Cph:dox 2023.
The Sweden-Ukraine-Norway co-production follows two storylines: a woman trying to shed light on the culture of violence and abuse in the Belarusian military after her son was found dead while in the army; and a group of young friends from the techno underground who face being drafted soon.
Scroll down for the full list of winners
The awards were handed out at a ceremony this evening...
- 3/24/2023
- by Ben Dalton
- ScreenDaily
Guests will include Wim Wenders, Joan Baez, Nathan Fielder.
The 20th anniversary edition of Copenhagen International Documentary Film Festival (Cph:Dox) includes more than 200 films, of which over 100 are world premieres – the most ever at a single edition of the festival.
The festival will screen 61 titles across five international competition sections: New:Vision, F:Act, Nordic:Dox, Next:Wave and the previously announced Dox:Award titles.
Scroll down for the full list of competition titles
46 of the 61 competition titles are world premieres, with 10 international premieres and five European debuts.
Films directed by women make up 47% of the lineup, with men represented on 38%. Ten percent...
The 20th anniversary edition of Copenhagen International Documentary Film Festival (Cph:Dox) includes more than 200 films, of which over 100 are world premieres – the most ever at a single edition of the festival.
The festival will screen 61 titles across five international competition sections: New:Vision, F:Act, Nordic:Dox, Next:Wave and the previously announced Dox:Award titles.
Scroll down for the full list of competition titles
46 of the 61 competition titles are world premieres, with 10 international premieres and five European debuts.
Films directed by women make up 47% of the lineup, with men represented on 38%. Ten percent...
- 2/21/2023
- by Ben Dalton
- ScreenDaily
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