The announcement of winners for the ASCAP Screen Music Awards, being held virtually again for 2022 and announced Monday morning, included revealing the top vote-getters for several Composers’ Choice Awards, including the scores for “Encanto” and “The White Lotus.”
Germaine Franco prevailed for film score of the year for “Encanto.” Cristobal Tapia de Veer won two of these peer-voted awards, for television score of the year and television theme as well, for “The White Lotus. The video game score of the year honor went to Wataru Hokoyama for “Ratchet and Clank: Rift Apart.” Triumphing in the documentary score of the year category was Amanda Jones for “Dreamland: The Burning of Black Wall Street.”
Those five Composers’ Choice Awards come on top of ASCAP’s traditional Screen Music Awards, which collect date to honor the most-consumed music of the year in the fields of TV, film and video games, with dozens of winners cited.
Germaine Franco prevailed for film score of the year for “Encanto.” Cristobal Tapia de Veer won two of these peer-voted awards, for television score of the year and television theme as well, for “The White Lotus. The video game score of the year honor went to Wataru Hokoyama for “Ratchet and Clank: Rift Apart.” Triumphing in the documentary score of the year category was Amanda Jones for “Dreamland: The Burning of Black Wall Street.”
Those five Composers’ Choice Awards come on top of ASCAP’s traditional Screen Music Awards, which collect date to honor the most-consumed music of the year in the fields of TV, film and video games, with dozens of winners cited.
- 5/2/2022
- by Chris Willman
- Variety Film + TV
Nominees for this year’s ASCAP Composers’ Choice Awards have been announced, with scores for films like “Dune” and “The Power of the Dog,” TV series like “Loki” and “The White Lotus” and video games like “Call of Duty” among the contenders.
These competitive awards, voted on by members of ASCAP, will be given out during the week of May 2 as part of the 2022 ASCAP Screen Music Awards, alongside the non-voted honors that reward the composers of the most-performed scores and themes of the year.
Up for film score of the year are Hans Zimmer, for “Dune”; Germaine Franco, for “Encanto”; Daniel Hart, for “The Green Knight”; Dan Romer, for “Luca”; and Radiohead member-turned-maestro Jonny Greenwood for “The Power of the Dog.”
Zimmer, Franco and Greenwood have already been nominated for the Academy Awards this month for their work on those films.
Nods for television score went to Michael Abels,...
These competitive awards, voted on by members of ASCAP, will be given out during the week of May 2 as part of the 2022 ASCAP Screen Music Awards, alongside the non-voted honors that reward the composers of the most-performed scores and themes of the year.
Up for film score of the year are Hans Zimmer, for “Dune”; Germaine Franco, for “Encanto”; Daniel Hart, for “The Green Knight”; Dan Romer, for “Luca”; and Radiohead member-turned-maestro Jonny Greenwood for “The Power of the Dog.”
Zimmer, Franco and Greenwood have already been nominated for the Academy Awards this month for their work on those films.
Nods for television score went to Michael Abels,...
- 2/22/2022
- by Chris Willman
- Variety Film + TV
Sounds like the Cinema Audio Society has its nominees. Dune, No Time to Die, Spider-Man: No Way Home, The Power of the Dog and West Side Story will vie for the Live Action Motion Picture prize at the 58th Cas Awards.
The hardware will be doled out during the group’s in-person event on March 19 at the InterContinental Los Angeles Downtown.
The toons vying for the Animated Motion Picture award are Encanto, Luca, Raya and the Last Dragon, Sing 2 and The Mitchells vs. the Machines. The Documentary category race will be among Becoming Cousteau, Summer of Soul, The Velvet Underground, Tina and Val.
Four-time Oscar nominee Ridley Scott will receive the group’s Filmmaker Award, and Bohemian Rhapsody Oscar winner and nine-time nominee Paul Massey will receive Cas’ Career Achievement Award.
Here is the full list of nominees for the 2022 Cinema Audio Society Awards.:
Motion Pictures – Live Action...
The hardware will be doled out during the group’s in-person event on March 19 at the InterContinental Los Angeles Downtown.
The toons vying for the Animated Motion Picture award are Encanto, Luca, Raya and the Last Dragon, Sing 2 and The Mitchells vs. the Machines. The Documentary category race will be among Becoming Cousteau, Summer of Soul, The Velvet Underground, Tina and Val.
Four-time Oscar nominee Ridley Scott will receive the group’s Filmmaker Award, and Bohemian Rhapsody Oscar winner and nine-time nominee Paul Massey will receive Cas’ Career Achievement Award.
Here is the full list of nominees for the 2022 Cinema Audio Society Awards.:
Motion Pictures – Live Action...
- 1/25/2022
- by Erik Pedersen
- Deadline Film + TV
An outsider’s look into strange communities seem to be a running theme when it comes to Sundance premieres and the most promising one this year is Them That Follow. Starring Olivia Colman, Kaitlyn Dever, Alice Englert, Jim Gaffigan, Walton Goggins, and Thomas Mann, the film follows a community of Pentecostal snake handlers in rural Appalachia.
Ahead of the premiere, we are excited to give you an exclusive first listen to the score from composer Garth Stevenson (Chappaquiddick). Listen to the track “Leaving the Mountain” below, which features real rattlesnake rattles to tie into the film’s snake handler community.
Them That Follow takes place in the rugged wilderness of Appalachia, where the members of an isolated community of Pentecostal snake handlers led by Pastor Lemuel (Walton Goggins) risk their lives to attest themselves before God. Lemuel’s daughter Mara (Alice Englert) prepares for her upcoming wedding to the young...
Ahead of the premiere, we are excited to give you an exclusive first listen to the score from composer Garth Stevenson (Chappaquiddick). Listen to the track “Leaving the Mountain” below, which features real rattlesnake rattles to tie into the film’s snake handler community.
Them That Follow takes place in the rugged wilderness of Appalachia, where the members of an isolated community of Pentecostal snake handlers led by Pastor Lemuel (Walton Goggins) risk their lives to attest themselves before God. Lemuel’s daughter Mara (Alice Englert) prepares for her upcoming wedding to the young...
- 1/25/2019
- by Jordan Raup
- The Film Stage
Most of the time, when I look at a star, it tends to be a newfound A-lister or a young Hollywood hotshot. This time around, I want to turn my attention instead to a legend. For this article, it’s going to be one of the most unique actors that the industry has ever seen. His name? Bruce Dern. Much like in 2015 when Quentin Tarantino gave him a plum supporting role in The Hateful Eight, 2018 features Dern in a juicy part. This time around, he’s playing Joseph Kennedy, a presence in the life of the Kennedy clan, especially the male family members, that truly was larger than life. The movie in question is Chappaquiddick, which debuted to solid reviews on the film festival circuit last year, before holding back to debut next month. For those curious what this one is specifically about, it’s an historical drama about the Chappaquiddick incident,...
- 3/26/2018
- by Joey Magidson
- Hollywoodnews.com
Last week, somewhat lost in the shuffle, a promising Trailer dropped for Chappaquiddick, a look at one of the defining moments in the life of the late politician Ted Kennedy. Initially scheduled for a late 2017 release, it opted to avoid the glut of titles and hold back for next year, which could prove a wise decision. This politically tinged historical drama could appeal to both sides of the aisle, admittedly for different reasons. New distributor on the block Entertainment Studios is trying to make a name for themselves, so a strong push for this one could be in the cards. From the Trailer at least, it looks like something to watch out for. If you’ve ever been curious about this particular Kennedy and his scandal, you’re in luck. For those curious what this one specifically is about, it’s a drama about the Chappaquiddick incident, as it would come to be known.
- 12/26/2017
- by Joey Magidson
- Hollywoodnews.com
Red Knot
Directed by: Scott Cohen
Written by: Scott Cohen
Starring: Olivia Thirlby, Vincent Kartheiser, Billy Campbell
USA, 2014
A peaceful marvel of a drama studying an unraveling marriage on the brink of fading before it even started, Scott Cohen’s Red Knot sets in motion stifling inner conflicts against a beautiful backdrop of Antarctic landscape. Olivia Thirlby and Vincent Kartheiser star in the picture that took home the Fipresci Grand Jury prize at the Seattle International Film Festival. Stunning and grand in scope, the film may be too simplified for big multiplexes yet demand the respect of art houses. Absolutely dazzling to look at, the derailing love story of Peter and Chloe is overshadowed by the impression set forth by the Antarctic. Surely in the wheelhouse of the art photographer, Red Knot will be remembered purely for its cinematography. Like pulling over the side of the road and soaking in a beautiful sight,...
Directed by: Scott Cohen
Written by: Scott Cohen
Starring: Olivia Thirlby, Vincent Kartheiser, Billy Campbell
USA, 2014
A peaceful marvel of a drama studying an unraveling marriage on the brink of fading before it even started, Scott Cohen’s Red Knot sets in motion stifling inner conflicts against a beautiful backdrop of Antarctic landscape. Olivia Thirlby and Vincent Kartheiser star in the picture that took home the Fipresci Grand Jury prize at the Seattle International Film Festival. Stunning and grand in scope, the film may be too simplified for big multiplexes yet demand the respect of art houses. Absolutely dazzling to look at, the derailing love story of Peter and Chloe is overshadowed by the impression set forth by the Antarctic. Surely in the wheelhouse of the art photographer, Red Knot will be remembered purely for its cinematography. Like pulling over the side of the road and soaking in a beautiful sight,...
- 12/25/2014
- by Christopher Clemente
- SoundOnSight
Three hundred twenty-three feature films are eligible for the 2014 Academy Awards, the Academy of Motion Picture Arts and Sciences announced today.
To be eligible for 87th Academy Awards consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days.
Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.
Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category. The “Reminder List of Productions Eligible for the 87th Academy Awards” is available at http://www.oscars.org/oscars/rules-eligibility.
The Academy of Motion Picture Arts and Sciences also announced that 114 scores...
To be eligible for 87th Academy Awards consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days.
Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.
Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category. The “Reminder List of Productions Eligible for the 87th Academy Awards” is available at http://www.oscars.org/oscars/rules-eligibility.
The Academy of Motion Picture Arts and Sciences also announced that 114 scores...
- 12/13/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Original scores from The Boxtrolls, Divergent, Exodus: Gods And Kings and The Grand Budapest Hotel are among 114 scores eligible for nominations in the Original Score category for the 87th Oscars. The noms will be announced on January 15. The eligible scores along with their composers are listed below, in alphabetical order by film title:
“American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala, composer
“Anita,” Lili Haydn, composer
“Annabelle,” Joseph Bishara, composer
“At Middleton,” Arturo Sandoval, composer
“Atlas Shrugged: Who Is John Galt?,” Elia Cmiral, composer
“Bears,” George Fenton, composer
“Belle,” Rachel Portman, composer
“Big Eyes,” Danny Elfman, composer
“Big Hero 6,” Henry Jackman, composer
“The Book of Life,” Gustavo Santaolalla and Tim Davies, composers
“The Boxtrolls,” Dario Marianelli, composer
“Brick Mansions,” Trevor Morris, composer
“Cake,” Christophe Beck, composer
“Calvary,” Patrick Cassidy, composer
“Captain America: The Winter Soldier,” Henry Jackman, composer
“The Case against 8,” Blake Neely, composer
“Cheatin’,” Nicole Renaud,...
“American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala, composer
“Anita,” Lili Haydn, composer
“Annabelle,” Joseph Bishara, composer
“At Middleton,” Arturo Sandoval, composer
“Atlas Shrugged: Who Is John Galt?,” Elia Cmiral, composer
“Bears,” George Fenton, composer
“Belle,” Rachel Portman, composer
“Big Eyes,” Danny Elfman, composer
“Big Hero 6,” Henry Jackman, composer
“The Book of Life,” Gustavo Santaolalla and Tim Davies, composers
“The Boxtrolls,” Dario Marianelli, composer
“Brick Mansions,” Trevor Morris, composer
“Cake,” Christophe Beck, composer
“Calvary,” Patrick Cassidy, composer
“Captain America: The Winter Soldier,” Henry Jackman, composer
“The Case against 8,” Blake Neely, composer
“Cheatin’,” Nicole Renaud,...
- 12/13/2014
- by The Deadline Team
- Deadline
The prospect of watching an 86-minute flick set almost entirely at sea might not suit every cinematic palette, especially those who were unable to sit through The Blair Witch Project without a brown paper bag handy. Luckily, the shaky camerawork and found footage amateurishness are absent here as Scott Cohen’s impressive directorial debut, Red Knot, prides itself on a flawless visual presentation.
Newlyweds Peter (Vincent Kartheiser) and Chloe (Olivia Thirlby) are at the centre of this isolated Antarctic expedition tale. Instead of a scantily-clad stint on a sun-kissed beach that most newlyweds choose for their honeymoon, this pair opts for the cold, icy pull of an Arctic journey. At the behest of Peter, Chloe agrees to join her husband on a research vessel out of Argentina, bound for the South Pole. His aspirations as a writer twinned with his love of famous travel writers seemingly take first place over a lusty getaway.
Newlyweds Peter (Vincent Kartheiser) and Chloe (Olivia Thirlby) are at the centre of this isolated Antarctic expedition tale. Instead of a scantily-clad stint on a sun-kissed beach that most newlyweds choose for their honeymoon, this pair opts for the cold, icy pull of an Arctic journey. At the behest of Peter, Chloe agrees to join her husband on a research vessel out of Argentina, bound for the South Pole. His aspirations as a writer twinned with his love of famous travel writers seemingly take first place over a lusty getaway.
- 12/10/2014
- by Gem Seddon
- We Got This Covered
"Like any journey, it's not what you carry, but what you leave behind." Continuing our latest feature, the Monthly Must See profile, this time around I'm highlighting an extraordinarily beautiful film called Tracks, set in Australia directed by John Curran of We Don't Live Here Anymore and The Painted Veil previously. Tracks is now playing in limited theaters and first premiered at the fall film festivals in 2013, where I first caught it. Actress Mia Wasikowska stars as Robyn in the true story of an independent young woman who decides to hike 1,700 miles across the Australian desert on her own. Aside from her dog and three camels. Tracks is a very dream-like experience, filled with never-ending, gorgeous landscape cinematography from Mandy Walker complimented by a remarkably beautiful score by Garth Stevenson (I really, really love this score - currently listening to it while writing this up). I first saw the film...
- 10/14/2014
- by Alex Billington
- firstshowing.net
Los Angeles, home of the most ambitious and successful environmental movements, will see eight free screenings of “A Fierce Green Fire” in late September and early October
The timing couldn’t be better for seeing A Fierce Green Fire: The Battle for a Living Planet -- the first big-picture exploration of the environmental movement, fifty years of activism from conservation to climate change. From Fukushima to fracking, Keystone Xl to climate change, the world has never been more in need of a reminder that people can, and have, solved huge environmental problems.
And what better place to show this landmark film than Los Angeles, home to some of the most ambitious, innovative and successful environmental efforts in the country. From saving Mono Lake and healing Santa Monica Bay, to leading efforts to reduce smog that changed the entire automobile industry and pioneering climate legislation, no region in America has had a more distinct record of environmental success.
Directed and written by Mark Kitchell, Academy-Award nominated director of Berkeley in the Sixties, and narrated by Robert Redford, Meryl Streep, Ashley Judd, Van Jones and Isabel Allende, A Fierce Green Fire premiered at Sundance Film Festival. It chronicles the largest movement of the 20th century and one of the keys to the 21st. It brings together all the major parts of environmentalism and connects them. It focuses on activism, people fighting to save their homes, their lives, the future – and succeeding against all odds.
The film unfolds in five acts, each with a central story and character:
• David Brower and the Sierra Club’s battle to halt dams in the Grand Canyon • Lois Gibbs and the Love Canal residents’ struggle against 20,000 tons of toxic chemicals • Paul Watson and Greenpeace’s campaigns to save whales and baby harp seals • Chico Mendes and Brazilian rubber tappers’ fight to save the Amazon rainforest • Bill McKibben and the 25-year effort to address the impossible issue – climate change
Surrounding these main stories are strands like environmental justice, going back to the land, and movements of the global south such as Wangari Maathai in Kenya. Vivid archival film brings it all back and insightful interviews with activists shed light on what it all means. The film offers a deeper view of environmentalism as civilizational change, bringing our industrial society into sustainable balance with nature. It’s the battle for a living planet.
The film arrives at a moment of promise: 25 years after Dr. James Hansen first warned of global warming; 8 years after Katrina; 3 years after the Gulf oil disaster; 2 years after meltdown at Fukushima and first stopping the Keystone Pipeline; and 1 year since the wake-up call that was Hurricane Sandy, the capper to the hottest year on record. 2013 may be the year that grassroots pressure finally forces action to halt climate change. A Fierce Green Fire gives us reason to believe.
All of the Southland screenings are free and (except UCLA) open to the public. Each will be followed by a discussion featuring local environmental leaders and the filmmaker. Below is a list of screenings and participants.
The Big Four:
Wednesday, September 25, at 7 pm Santa Monica Public Library, 601 Santa Monica Blvd., Santa Monica, CA Panel discussion: Matthew King, Heal the Bay; Robert Gottlieb, renowned author of “Forcing the Spring” and professor at Occidental College
Friday, September 27, at 5:30 pm West Hollywood Public Library, 8272 Santa Monica Blvd., West Hollywood, CA Panel Discussion: Angelo Logan, East Yard Communities for Environmental Justice; Juana Torres, Sierra Club; Michele Prichard, Liberty Hill Foundation’s Common Agenda
Thursday, October 3, 6 pm Pasadena Central Public Library Auditorium, 285 East Walnut Street Pasadena, CA Speaker: Shannon Biggs of Global Exchange on fracking coming to California
Friday, October 4, at 6 pm G2 Gallery, 1503 Abbot Kinney Blvd., Venice, CA Panel Discussion: Bill Gallegos, Communities for a Better Environment; Michele Prichard, Liberty Hill Foundation’s Common Agenda (opening of G2’s Green Earth Film Fest -- space is limited, so RSVP: theG2Gallery.com)
Three area colleges and an arts center in Long Beach:
Pitzer College, Robert Redford Conservancy -- Monday, September 30 in Claremont, CA UCLA Institute of Environmental Sciences -- Wednesday, October 2 (campus community only) Csu Long Beach, Multicultural Center -- Thursday, September 26, noon CALBArts, Bungalow Art Center, 729 Pine, Long Beach -- Friday, September 27th, 7pm
About The Film
Early Praise for A Fierce Green Fire:
"The material is vast and it’s an incredibly dynamic film. It’s shaping up to be the documentary of record on the environmental movement." - Cara Mertes, former director of Sundance Institute’s Documentary Film Program
"Winningly spans the broad scope of environmental history… connecting its origins with the variety of issues still challenging society today." - Justin Lowe, The Hollywood Reporter
"Rarely do environmental-themed films come with the ambitious scope of ‘A Fierce Green Fire’… which aims at nothing less than the history of environmentalism itself." - Mark Olsen, Los Angeles Times
"The most ambitious environmental documentary since 'An Inconvenient Truth' tries to make the case that we just might win." - Michael Roberts, Outside Magazine
"The film left me emotionally drained and profoundly hopeful." -Bruce Barcott, On Earth Magazine
"Brilliant! Should be assigned viewing for all of us, especially those political leaders currently manning the helm of spaceship earth." - Jay Meehan, Park Record
About The Principals And People Featured In The Film
Director/Producer/Writer Mark Kitchell’s Berkeley in the Sixties – one of the defining films about the protest movements that shook America during the 1960s – received the Sundance Audience Award and was nominated for an Academy Award. Executive Producer Marc Weiss is the creator and former Executive Producer of P.O.V., the award-winning series now in its 26th season on PBS. Interviews were shot by Vicente Franco. It was edited by Ken Schneider, Veronica Selver, Jon Beckhardt and Gary Weimberg. Original music is by George Michalski and Dave Denny, Garth Stevenson, Randall Wallace and Todd Boekelheide. Narrators include: Robert Redford; Ashley Judd; activist Van Jones; author Isabel Allende; and Meryl Streep.
Featured In The Film Are:
The incomparable Lois Gibbs, leader of Love Canal; Paul “I work for whales” Watson; Bill McKibben, author and founder of 350.org; Paul Hawken and Stewart Brand, alternative ecology visionaries; Martin Litton, at 92 thundering, “If you haven’t got any hatred in your heart, what are you living on?”; Carl Pope and John Adams, longtime heads of the Sierra Club and Nrdc; and Bob Bullard, who closes the film on a universal note: “There’s no Hispanic air. There’s no African-American air. There’s air! And if you breathe air – and most people I know do breathe air – then I would consider you an environmentalist.”...
The timing couldn’t be better for seeing A Fierce Green Fire: The Battle for a Living Planet -- the first big-picture exploration of the environmental movement, fifty years of activism from conservation to climate change. From Fukushima to fracking, Keystone Xl to climate change, the world has never been more in need of a reminder that people can, and have, solved huge environmental problems.
And what better place to show this landmark film than Los Angeles, home to some of the most ambitious, innovative and successful environmental efforts in the country. From saving Mono Lake and healing Santa Monica Bay, to leading efforts to reduce smog that changed the entire automobile industry and pioneering climate legislation, no region in America has had a more distinct record of environmental success.
Directed and written by Mark Kitchell, Academy-Award nominated director of Berkeley in the Sixties, and narrated by Robert Redford, Meryl Streep, Ashley Judd, Van Jones and Isabel Allende, A Fierce Green Fire premiered at Sundance Film Festival. It chronicles the largest movement of the 20th century and one of the keys to the 21st. It brings together all the major parts of environmentalism and connects them. It focuses on activism, people fighting to save their homes, their lives, the future – and succeeding against all odds.
The film unfolds in five acts, each with a central story and character:
• David Brower and the Sierra Club’s battle to halt dams in the Grand Canyon • Lois Gibbs and the Love Canal residents’ struggle against 20,000 tons of toxic chemicals • Paul Watson and Greenpeace’s campaigns to save whales and baby harp seals • Chico Mendes and Brazilian rubber tappers’ fight to save the Amazon rainforest • Bill McKibben and the 25-year effort to address the impossible issue – climate change
Surrounding these main stories are strands like environmental justice, going back to the land, and movements of the global south such as Wangari Maathai in Kenya. Vivid archival film brings it all back and insightful interviews with activists shed light on what it all means. The film offers a deeper view of environmentalism as civilizational change, bringing our industrial society into sustainable balance with nature. It’s the battle for a living planet.
The film arrives at a moment of promise: 25 years after Dr. James Hansen first warned of global warming; 8 years after Katrina; 3 years after the Gulf oil disaster; 2 years after meltdown at Fukushima and first stopping the Keystone Pipeline; and 1 year since the wake-up call that was Hurricane Sandy, the capper to the hottest year on record. 2013 may be the year that grassroots pressure finally forces action to halt climate change. A Fierce Green Fire gives us reason to believe.
All of the Southland screenings are free and (except UCLA) open to the public. Each will be followed by a discussion featuring local environmental leaders and the filmmaker. Below is a list of screenings and participants.
The Big Four:
Wednesday, September 25, at 7 pm Santa Monica Public Library, 601 Santa Monica Blvd., Santa Monica, CA Panel discussion: Matthew King, Heal the Bay; Robert Gottlieb, renowned author of “Forcing the Spring” and professor at Occidental College
Friday, September 27, at 5:30 pm West Hollywood Public Library, 8272 Santa Monica Blvd., West Hollywood, CA Panel Discussion: Angelo Logan, East Yard Communities for Environmental Justice; Juana Torres, Sierra Club; Michele Prichard, Liberty Hill Foundation’s Common Agenda
Thursday, October 3, 6 pm Pasadena Central Public Library Auditorium, 285 East Walnut Street Pasadena, CA Speaker: Shannon Biggs of Global Exchange on fracking coming to California
Friday, October 4, at 6 pm G2 Gallery, 1503 Abbot Kinney Blvd., Venice, CA Panel Discussion: Bill Gallegos, Communities for a Better Environment; Michele Prichard, Liberty Hill Foundation’s Common Agenda (opening of G2’s Green Earth Film Fest -- space is limited, so RSVP: theG2Gallery.com)
Three area colleges and an arts center in Long Beach:
Pitzer College, Robert Redford Conservancy -- Monday, September 30 in Claremont, CA UCLA Institute of Environmental Sciences -- Wednesday, October 2 (campus community only) Csu Long Beach, Multicultural Center -- Thursday, September 26, noon CALBArts, Bungalow Art Center, 729 Pine, Long Beach -- Friday, September 27th, 7pm
About The Film
Early Praise for A Fierce Green Fire:
"The material is vast and it’s an incredibly dynamic film. It’s shaping up to be the documentary of record on the environmental movement." - Cara Mertes, former director of Sundance Institute’s Documentary Film Program
"Winningly spans the broad scope of environmental history… connecting its origins with the variety of issues still challenging society today." - Justin Lowe, The Hollywood Reporter
"Rarely do environmental-themed films come with the ambitious scope of ‘A Fierce Green Fire’… which aims at nothing less than the history of environmentalism itself." - Mark Olsen, Los Angeles Times
"The most ambitious environmental documentary since 'An Inconvenient Truth' tries to make the case that we just might win." - Michael Roberts, Outside Magazine
"The film left me emotionally drained and profoundly hopeful." -Bruce Barcott, On Earth Magazine
"Brilliant! Should be assigned viewing for all of us, especially those political leaders currently manning the helm of spaceship earth." - Jay Meehan, Park Record
About The Principals And People Featured In The Film
Director/Producer/Writer Mark Kitchell’s Berkeley in the Sixties – one of the defining films about the protest movements that shook America during the 1960s – received the Sundance Audience Award and was nominated for an Academy Award. Executive Producer Marc Weiss is the creator and former Executive Producer of P.O.V., the award-winning series now in its 26th season on PBS. Interviews were shot by Vicente Franco. It was edited by Ken Schneider, Veronica Selver, Jon Beckhardt and Gary Weimberg. Original music is by George Michalski and Dave Denny, Garth Stevenson, Randall Wallace and Todd Boekelheide. Narrators include: Robert Redford; Ashley Judd; activist Van Jones; author Isabel Allende; and Meryl Streep.
Featured In The Film Are:
The incomparable Lois Gibbs, leader of Love Canal; Paul “I work for whales” Watson; Bill McKibben, author and founder of 350.org; Paul Hawken and Stewart Brand, alternative ecology visionaries; Martin Litton, at 92 thundering, “If you haven’t got any hatred in your heart, what are you living on?”; Carl Pope and John Adams, longtime heads of the Sierra Club and Nrdc; and Bob Bullard, who closes the film on a universal note: “There’s no Hispanic air. There’s no African-American air. There’s air! And if you breathe air – and most people I know do breathe air – then I would consider you an environmentalist.”...
- 9/28/2013
- by Peter Belsito
- Sydney's Buzz
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