This review of “Page One” was first published on January 24, 2011 after the film’s premiere at the Sundance Film Festival.
It’s kind of weird for me to watch “Page One,” a year-long chronicle of my former colleagues on the media desk of The New York Times and their struggle to produce journalism in this most challenging of times.
The film, which starts around the time I started TheWrap in 2009 after having left the paper, is kind of like watching the conversation continue in the room after you’ve walked out.
On the one hand, the film directed by Andrew Rossi does an able job of documenting the critically important role that the Times continues to play in news-gathering and dissemination – and why it can be so damn exciting to be there.
On the other hand, the film gives a rather superficial assessment of what everybody really wants to know: Will the Times make it,...
It’s kind of weird for me to watch “Page One,” a year-long chronicle of my former colleagues on the media desk of The New York Times and their struggle to produce journalism in this most challenging of times.
The film, which starts around the time I started TheWrap in 2009 after having left the paper, is kind of like watching the conversation continue in the room after you’ve walked out.
On the one hand, the film directed by Andrew Rossi does an able job of documenting the critically important role that the Times continues to play in news-gathering and dissemination – and why it can be so damn exciting to be there.
On the other hand, the film gives a rather superficial assessment of what everybody really wants to know: Will the Times make it,...
- 3/1/2022
- by Sharon Waxman
- The Wrap
When the New York Times speaks, the world listens. And now, with news reports from the most-recent Ipcc climate talks in Japan sending shivers down the spines of people everywhere, the newspaper-of-record goes out on a springtime limb to report on a genre that most newspapers have shied away from even mentioning. The Times editors headlined the article “College Classes Use Arts to Brace for Climate Change,” written by national reporter Richard Perez-Pena. TheWrap, of course, has been talking about Climate Fiction (Cli-Fi) movies and novels since 2012 in several blog posts by this writer — and Darren Aronofsky's “Noah” fits nicely into the.
- 4/1/2014
- by Dan Bloom
- The Wrap
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