This article first appeared in issue #146 of If Magazine (April-May 2012). Subscribe here.
Filmmakers rely on many complex techniques to bring a sense of reality to the cinema. Director Steve McQueen and long time collaborator Sean Bobbitt Bsc try to minimise them.
.Once you start introducing an edit into a scene you are subconsciously reminding the audience that this is a film,. the cinematographer, who has worked with McQueen for more than a decade, says. .If you don.t give them that escape then sometimes that can heighten the dramatic effect . an edit can often deflate the dramatic effect..
Shame . McQueen.s second film after Hunger . is an uncompromising exploration of successful New Yorker Brandon (Michael Fassbender) and his sexual addiction. The story is told with minimal intervention . McQueen is no fan of cinematic coverage according to Bobbitt.
.His explanation is when I walk into a room and see two people...
Filmmakers rely on many complex techniques to bring a sense of reality to the cinema. Director Steve McQueen and long time collaborator Sean Bobbitt Bsc try to minimise them.
.Once you start introducing an edit into a scene you are subconsciously reminding the audience that this is a film,. the cinematographer, who has worked with McQueen for more than a decade, says. .If you don.t give them that escape then sometimes that can heighten the dramatic effect . an edit can often deflate the dramatic effect..
Shame . McQueen.s second film after Hunger . is an uncompromising exploration of successful New Yorker Brandon (Michael Fassbender) and his sexual addiction. The story is told with minimal intervention . McQueen is no fan of cinematic coverage according to Bobbitt.
.His explanation is when I walk into a room and see two people...
- 6/7/2012
- by Brendan Swift
- IF.com.au
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