“We kind of live in Candy Mountain on Foundation, because visual effects have such an important role in the show,” said VFX supervisor Chris MacLean at Apple TV+ and Deadline’s Visual Effects + Screen event.
MacLean has been with the series for more than four years, back when he was working on the first season. “When we started on Season 1, we started with real space,” he says. “We wanted it to be more realistic. Then, we started looking at [Isaac] Asimov covers and tried to bring a little more color into the world.”
MacLean said production is done on Season 2, and he alluded to the strong possibility of a third season (it should be noted that Apple has not yet greenlit a Season 3).
Although visual effects play an important role in the series, MacLean says the most important job is to “make sure everybody doesn’t pay attention to what we’re doing.
MacLean has been with the series for more than four years, back when he was working on the first season. “When we started on Season 1, we started with real space,” he says. “We wanted it to be more realistic. Then, we started looking at [Isaac] Asimov covers and tried to bring a little more color into the world.”
MacLean said production is done on Season 2, and he alluded to the strong possibility of a third season (it should be noted that Apple has not yet greenlit a Season 3).
Although visual effects play an important role in the series, MacLean says the most important job is to “make sure everybody doesn’t pay attention to what we’re doing.
- 8/14/2023
- by Ryan Fleming
- Deadline Film + TV
In a new live-event series, Apple TV+ and Deadline are kicking off Visual Effects + Screen this Sunday, Aug. 6, at 2Pm at the Pickford Center for Motion Pictures Study in Los Angeles. The event will delve into the VFX process on Apple TV+ series Ted Lasso, Silo, Foundation and Five Days at Memorial.
Attendees will be able to see for themselves how the elaborate effects were created and hear insights and stories from such panelists as VFX Compositing Supervisor Bill Parker, who received his third career Emmy nomination this year on Ted Lasso for the episode “Mom City” in the Outstanding Special Visual Effects in a Single Episode. Parker received two previous Emmy noms for his work on The Man in the High Castle in 2017 and 2019.
Eric Durst will sit down with us to break down his Emmy-nominated work in the mini-series, Five Days at Memorial, based on actual events of Hurricane Katrina.
Attendees will be able to see for themselves how the elaborate effects were created and hear insights and stories from such panelists as VFX Compositing Supervisor Bill Parker, who received his third career Emmy nomination this year on Ted Lasso for the episode “Mom City” in the Outstanding Special Visual Effects in a Single Episode. Parker received two previous Emmy noms for his work on The Man in the High Castle in 2017 and 2019.
Eric Durst will sit down with us to break down his Emmy-nominated work in the mini-series, Five Days at Memorial, based on actual events of Hurricane Katrina.
- 8/5/2023
- by The Deadline Team
- Deadline Film + TV
Denis Villeneuve’s sweeping sci-fi “Dune” (Warner Bros.) and Disney’s animated musical, “Encanto,” each led the 20th Ves Awards Tuesday night at the Beverly Hilton with four prizes, including photoreal feature VFX and animated feature VFX, respectively. “Last Night in Soho” (Focus Features) took supporting visual effects, and Apple TV+’s “Foundation” (“The Emperor’s Peace”) was named best photoreal episode.
“Dune” additionally won Ves awards for model (Royal Ornithopter), effects simulations (Dunes of Arrakis), and compositing & lighting (Attack on Arrakeen).
“Encanto,” which bolstered its claim as the Oscar frontrunner for Best Animated Feature, also won prizes honoring its magical realism for animated character (Mirabel Madrigal), environment (Antonio’s Room), and virtual cinematography (“We Don’t Talk about Bruno”).
Now “Dune” is poised to win the VFX Oscar for Dneg (overseen by two-time Oscar-winning production VFX supervisor Paul Lambert and Oscar-winning SFX supervisor Gerd Nefzer). The work is both epic and intimate,...
“Dune” additionally won Ves awards for model (Royal Ornithopter), effects simulations (Dunes of Arrakis), and compositing & lighting (Attack on Arrakeen).
“Encanto,” which bolstered its claim as the Oscar frontrunner for Best Animated Feature, also won prizes honoring its magical realism for animated character (Mirabel Madrigal), environment (Antonio’s Room), and virtual cinematography (“We Don’t Talk about Bruno”).
Now “Dune” is poised to win the VFX Oscar for Dneg (overseen by two-time Oscar-winning production VFX supervisor Paul Lambert and Oscar-winning SFX supervisor Gerd Nefzer). The work is both epic and intimate,...
- 3/9/2022
- by Bill Desowitz
- Indiewire
“Dune” has taken top honors at the Ves Awards garnering four awards including Photoreal feature winner. Disney’s “Encanto” was named top animated film, also winning four awards.
The Visual Effects Society (Ves), the industry’s global professional honorary society, held the 20th Annual Ves Awards, the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials, video games and special venues.
This marks the Society’s 20th Ves Awards program, and is being celebrated during the organization’s milestone 25th Anniversary.
Industry guests gathered at the Beverly Hilton to celebrate VFX talent in 25 awards categories. “Foundation” The Emperor’s Peace was named best photoreal episode.
Jim Morris, Ves, President of Pixar Animation and founding Ves Chair, presented the Ves Lifetime Achievement award to EVP/General Manager of Lucasfilm, Lynwen Brennan. Academy Award-winning VFX pioneer Phil Tippett, Ves presented the Ves Award for Creative...
The Visual Effects Society (Ves), the industry’s global professional honorary society, held the 20th Annual Ves Awards, the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials, video games and special venues.
This marks the Society’s 20th Ves Awards program, and is being celebrated during the organization’s milestone 25th Anniversary.
Industry guests gathered at the Beverly Hilton to celebrate VFX talent in 25 awards categories. “Foundation” The Emperor’s Peace was named best photoreal episode.
Jim Morris, Ves, President of Pixar Animation and founding Ves Chair, presented the Ves Lifetime Achievement award to EVP/General Manager of Lucasfilm, Lynwen Brennan. Academy Award-winning VFX pioneer Phil Tippett, Ves presented the Ves Award for Creative...
- 3/9/2022
- by Jazz Tangcay
- Variety Film + TV
“Dune” and “Encanto” were the big winners at the Visual Effects Society’s 2022 Ves Awards, which were handed out on Tuesday evening at the Beverly Hilton Hotel in Beverly Hills.
Both films won four awards, with “Dune” taking Outstanding Visual Effects in a Photoreal Feature, the Ves category that most closely corresponds to the Academy Award for Best Visual Effects. Winners in the category have gone on to win the Oscar 10 times in the past 19 years, but the last film to do so was “The Jungle Book” in 2017.
“Dune” is nominated for the Best Visual Effects Oscar along with “Spider-Man: No Way Home,” which won a Ves Award for its mirror-dimension environment, and “Free Guy” “No Time to Die” and “Shang-Chi and the Legend of the Ten Rings,” which did not win anything.
“Encanto” won Outstanding Visual Effects in an Animated Feature and three other awards, sweeping all the animation categories except one,...
Both films won four awards, with “Dune” taking Outstanding Visual Effects in a Photoreal Feature, the Ves category that most closely corresponds to the Academy Award for Best Visual Effects. Winners in the category have gone on to win the Oscar 10 times in the past 19 years, but the last film to do so was “The Jungle Book” in 2017.
“Dune” is nominated for the Best Visual Effects Oscar along with “Spider-Man: No Way Home,” which won a Ves Award for its mirror-dimension environment, and “Free Guy” “No Time to Die” and “Shang-Chi and the Legend of the Ten Rings,” which did not win anything.
“Encanto” won Outstanding Visual Effects in an Animated Feature and three other awards, sweeping all the animation categories except one,...
- 3/9/2022
- by Steve Pond
- The Wrap
Warner Bros’ Dune and Disney’s Encanto scored a leading four wins each at the 20th annual Ves Awards, which were handed out tonight at the Beverly Hilton.
Denis Villeneuve’s epic starring Timothée Chalamet and Zendaya won the marquee Outstanding Visual Effects in a Photoreal Feature prize — presented by Villeneuve himself. Dune also took trophies for Model, Effects Simulations and Compositing & Lighting. Even though the film opened day-and-date on HBO Max, it still was able to thrive in theaters with a $41 million opening weekend that exceeded expectations and led to a quick greenlight for a sequel weeks later.
Encanto, from directors Jared Bush and Byron Howard, danced away with the top toon honor — Outstanding Visual Effects in an Animated Feature — and also won for Animated Character, Created Environment and Virtual Cinematography.
Dune and Encanto came into the ceremony tied with six nominations to lead the field. The other winning...
Denis Villeneuve’s epic starring Timothée Chalamet and Zendaya won the marquee Outstanding Visual Effects in a Photoreal Feature prize — presented by Villeneuve himself. Dune also took trophies for Model, Effects Simulations and Compositing & Lighting. Even though the film opened day-and-date on HBO Max, it still was able to thrive in theaters with a $41 million opening weekend that exceeded expectations and led to a quick greenlight for a sequel weeks later.
Encanto, from directors Jared Bush and Byron Howard, danced away with the top toon honor — Outstanding Visual Effects in an Animated Feature — and also won for Animated Character, Created Environment and Virtual Cinematography.
Dune and Encanto came into the ceremony tied with six nominations to lead the field. The other winning...
- 3/9/2022
- by Erik Pedersen
- Deadline Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.