Running Jan. 13-Feb. 13, this year’s MyFrenchFilmFestival, an online fest organized by France’s film-tv promotional body Unifrance, will mark its 13th edition with an emphasis on debut features and dynamic new voices.
Showcasing star power, animated auteur fare and award-winning documentaries – all subtitled in 15 languages – the 12 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
In an effort to cast as wide a net as possible, this year’s competition will feature projects that run the gamut from Alice Diop’s breakthrough documentary “We” – which finds connections in the lives of immigrants, lovesick teens and retirees all connected by a commuter rail line north of Paris – to Jean-Christophe Meurisse’s satirical sketch comedy “Bloody Oranges,” which shreds polite society with anarchic glee.
In between are everything...
Showcasing star power, animated auteur fare and award-winning documentaries – all subtitled in 15 languages – the 12 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
In an effort to cast as wide a net as possible, this year’s competition will feature projects that run the gamut from Alice Diop’s breakthrough documentary “We” – which finds connections in the lives of immigrants, lovesick teens and retirees all connected by a commuter rail line north of Paris – to Jean-Christophe Meurisse’s satirical sketch comedy “Bloody Oranges,” which shreds polite society with anarchic glee.
In between are everything...
- 1/5/2023
- by Ben Croll
- Variety Film + TV
Rafiki Fariala, whose doc ‘We Students!’ became this year the first feature from the Central African Republic to play at the Berlinale, has unveiled at Marrakech’s Atlas Workshop his follow-up, the refugee-themed “Congo Boy.”
Exemplifying the nascent trend towards pan-regional partnerships in Sub-Saharan Africa, “Congo Boy” is lead produced by Vicky Nelson Wackoro at Car’s Makongo Films, in co-production with Dieudo Hamadi at the Democratic Republic of the Congo’s Kiripi Films as wels Caroline Nataf at France’s Unité.
A fiction film, but heavily autobiographical, “Congo Boy” turns on Robert, 17, who lives in the Car’s capital, Bangui, and dreams of a career in music.
With both his parents imprisoned after attempting to flee Car’s civilian reprisals in 2013, however, Robert has to look after work non-stop to feed his four young siblings and has no time to study. A big cash-prize music contest at the local...
Exemplifying the nascent trend towards pan-regional partnerships in Sub-Saharan Africa, “Congo Boy” is lead produced by Vicky Nelson Wackoro at Car’s Makongo Films, in co-production with Dieudo Hamadi at the Democratic Republic of the Congo’s Kiripi Films as wels Caroline Nataf at France’s Unité.
A fiction film, but heavily autobiographical, “Congo Boy” turns on Robert, 17, who lives in the Car’s capital, Bangui, and dreams of a career in music.
With both his parents imprisoned after attempting to flee Car’s civilian reprisals in 2013, however, Robert has to look after work non-stop to feed his four young siblings and has no time to study. A big cash-prize music contest at the local...
- 11/16/2022
- by John Hopewell and Elsa Keslassy
- Variety Film + TV
The youngest ever winner of a César is now playing Depardieu’s bodyguard. One of France’s best young actors talks wrestling, feminism and finding her spiritual sister in Glasgow
Déborah Lukumuena trained for months at a wrestling club in Paris in order to play a wrestler and bodyguard for her latest hit film, Robust. She noticed that in a match there would often be one minute of combat that “was very intense, very physical” and outside that, “you have to find a way to use your breath to keep calm”. Her performance as Aïssa, the personal protection officer for an erratic, ageing film star, has been lauded by French critics for its mesmerising serenity and imposing physical presence. “Sometimes the greatest outer shell can hide the greatest inner softness,” she says.
Lukumuena, 27, is considered one of the best French actors of her generation. Aged 22, she became the first black woman,...
Déborah Lukumuena trained for months at a wrestling club in Paris in order to play a wrestler and bodyguard for her latest hit film, Robust. She noticed that in a match there would often be one minute of combat that “was very intense, very physical” and outside that, “you have to find a way to use your breath to keep calm”. Her performance as Aïssa, the personal protection officer for an erratic, ageing film star, has been lauded by French critics for its mesmerising serenity and imposing physical presence. “Sometimes the greatest outer shell can hide the greatest inner softness,” she says.
Lukumuena, 27, is considered one of the best French actors of her generation. Aged 22, she became the first black woman,...
- 7/21/2022
- by Angelique Chrisafis
- The Guardian - Film News
Souheila Yacoub is set to play Shishakli in “Dune: Part Two,” the follow-up to 2021’s Oscar-winning sci-fi epic, according to an individual with knowledge of the project.
In the “Dune” novels, Shishakli is described as the squad leader of Fedaykin.
Denis Villeneuve will return to adapt the second half of Frank Herbert’s novel for the Legendary and Warner Bros. film, with Jon Spaihts returning to co-write the screenplay. Other newcomers to the cast include Florence Pugh, who will play the Emperor’s daughter Princess Irulan, Austin Butler as House Harkonnen member Feyd-Rautha, Christopher Walken as the devious Emperor Shaddam IV, and Léa Seydoux as Lady Margot.
Also Read:
Léa Seydoux in Talks to Play Lady Margot in ‘Dune: Part Two’
Pre-production is underway ahead of an October 2023 release.
“Dune” won six Oscars during the 2022 ceremony, and brought Best Picture, Directing and Adapted Screenplay nominations for Villeneuve. With a global box office total of 400 million,...
In the “Dune” novels, Shishakli is described as the squad leader of Fedaykin.
Denis Villeneuve will return to adapt the second half of Frank Herbert’s novel for the Legendary and Warner Bros. film, with Jon Spaihts returning to co-write the screenplay. Other newcomers to the cast include Florence Pugh, who will play the Emperor’s daughter Princess Irulan, Austin Butler as House Harkonnen member Feyd-Rautha, Christopher Walken as the devious Emperor Shaddam IV, and Léa Seydoux as Lady Margot.
Also Read:
Léa Seydoux in Talks to Play Lady Margot in ‘Dune: Part Two’
Pre-production is underway ahead of an October 2023 release.
“Dune” won six Oscars during the 2022 ceremony, and brought Best Picture, Directing and Adapted Screenplay nominations for Villeneuve. With a global box office total of 400 million,...
- 7/14/2022
- by Umberto Gonzalez
- The Wrap
Exclusive: Souheila Yacoub has joined the cast of Warner Bros. and Legendary’s Dune: Part Two. Yacoub will join the all-star ensemble that includes Timothée Chalamet, Rebecca Ferguson, Zendaya and Josh Brolin, who are expected to reprise their roles, as well Florence Pugh, Christopher Walken and Austin Butler, who were also recently announced. Denis Villeneuve is back to write, direct and produce. Jon Spaihts will return to co-write with Villeneuve. Yacoub will play Shishakli.
Legendary had no comment. Production is expected to start in the fall, with the film set to bow on October 20, 2023. Mary Parent, Villeneuve, Cale Boyter, Tanya Lapointe and Patrick McCormick are producing. The executive producers are Josh Grode, Herbert W. Gains, Brian Herbert, Byron Merritt, Kim Herbert, Thomas Tull, Spaihts, Richard P. Rubinstein and John Harrison, with Kevin J. Anderson serving as creative consultant.
Even with the first Dune going day-and-date on HBO Max, the film...
Legendary had no comment. Production is expected to start in the fall, with the film set to bow on October 20, 2023. Mary Parent, Villeneuve, Cale Boyter, Tanya Lapointe and Patrick McCormick are producing. The executive producers are Josh Grode, Herbert W. Gains, Brian Herbert, Byron Merritt, Kim Herbert, Thomas Tull, Spaihts, Richard P. Rubinstein and John Harrison, with Kevin J. Anderson serving as creative consultant.
Even with the first Dune going day-and-date on HBO Max, the film...
- 7/14/2022
- by Justin Kroll
- Deadline Film + TV
When we first meet Alma (Déborah Lukumuena) and Margot (Souheila Yacoub), they are at each other’s throats. They are onstage, two of a gang of young hopefuls trying out for a plum role in a semi-experimental Parisian theatre piece, but the fight is not part of their audition. It is real, and yet at the same time, unreal.
There is something unconvincing in Margot’s ginned-up outburst, in the way it gets physical but not really, in the high theatrics of squaring off and flouncing out. And if we immediately realize why — outside the two embrace, laughing, gasping at the audacity of their ruse to get the attention of the play’s director — this opening, with its themes of performativity, showmanship and friendship so ferocious it can look like conflict, is the exactly appropriate in media res introduction to Anaïs Volpé’s first feature “The Braves” — perhaps even in...
There is something unconvincing in Margot’s ginned-up outburst, in the way it gets physical but not really, in the high theatrics of squaring off and flouncing out. And if we immediately realize why — outside the two embrace, laughing, gasping at the audacity of their ruse to get the attention of the play’s director — this opening, with its themes of performativity, showmanship and friendship so ferocious it can look like conflict, is the exactly appropriate in media res introduction to Anaïs Volpé’s first feature “The Braves” — perhaps even in...
- 8/29/2021
- by Jessica Kiang
- Variety Film + TV
MK2, the venerable family-owned film group which operates a leading arthouse multiplex chain in France and Spain, is emerging from the pandemic stronger, cooler and more ambitious than ever.
Nathanaël and Elisha Karmitz, who succeeded their father Marin at the helm of the company in 2005, have galvanized the MK2 brand with activities ranging from films, art, publishing, technology and lifestyle. The common threads between all these ventures are a taste for singularity, curation and a socially-minded approach.
After scoring big at Cannes in 2019 with Mati Diop’s “Atlantics” and Celine Sciamma’s “Portrait of a Lady on Fire,” which competed and won prizes, MK2 Films will again boast a fairly large presence for the festival’s comeback edition with nine films across several selections, including the competition with Joachim Trier’s “The Worst Person in the World,” the new Cannes Premiere section with Andrea Arnold’s “Cow,” Un Certain Regard...
Nathanaël and Elisha Karmitz, who succeeded their father Marin at the helm of the company in 2005, have galvanized the MK2 brand with activities ranging from films, art, publishing, technology and lifestyle. The common threads between all these ventures are a taste for singularity, curation and a socially-minded approach.
After scoring big at Cannes in 2019 with Mati Diop’s “Atlantics” and Celine Sciamma’s “Portrait of a Lady on Fire,” which competed and won prizes, MK2 Films will again boast a fairly large presence for the festival’s comeback edition with nine films across several selections, including the competition with Joachim Trier’s “The Worst Person in the World,” the new Cannes Premiere section with Andrea Arnold’s “Cow,” Un Certain Regard...
- 7/2/2021
- by Elsa Keslassy
- Variety Film + TV
Welcome to the first edition of Deadline’s International Distruptors, a feature where we’ll shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. With the Cannes Virtual Market warming up and July’s physical Cannes Film Festival looming, we’re kicking off with a deep dive into French cinematic institution MK2.
A few years ago, when brothers Nathanaël and Elisha Karmitz were re-evaluating the marketing strategy for their business MK2, they were discussing company values with their father Marin in their Paris-based office. The brothers, who have run the prominent French arthouse outfit since their father stepped down in 2005, turned to Marin and asked him what the main goal of the company was when he founded it in 1974.
Their father, says Elisha, turned to them, paused, exhaled deeply and then said: “The goal of the company is to resist destruction of the world.
A few years ago, when brothers Nathanaël and Elisha Karmitz were re-evaluating the marketing strategy for their business MK2, they were discussing company values with their father Marin in their Paris-based office. The brothers, who have run the prominent French arthouse outfit since their father stepped down in 2005, turned to Marin and asked him what the main goal of the company was when he founded it in 1974.
Their father, says Elisha, turned to them, paused, exhaled deeply and then said: “The goal of the company is to resist destruction of the world.
- 6/16/2021
- by Diana Lodderhose
- Deadline Film + TV
The lineup for the 2021 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced. See also the full lineups of the Official Selection and Critics’ Week.Our MenFEATURE Films A Chiara (Jonas Carpignano): The story of 15-year-old Chiara whose close-knit family falls apart after her father abandons them in Calabria. Chiara starts to investigate to understand why her father disappeared and as she gets closer to the truth, she is forced to decide what kind of future she wants for herself.Ali & Ava (Clio Barnard): Both lonely for different reasons, Ali and Ava meet through their shared affection for Sofia—the child of Ali’s Slovakian tenants, whom Ava teaches. Over a lunar month, sparks fly and a deep connection begins to grow.Between Two Worlds (Emmanuel Carrère)The Braves (Anaïs Volpé)A Brighter Tomorrow (Yassine Qnia)Clara Sola (Nathalie Álvarez Mesen)The Employer and the Employee (Manuel...
- 6/9/2021
- MUBI
The lineup for the Cannes Directors Fortnight was revealed on Tuesday, featuring new films by Clio Barnard, Joanna Hogg and Alice Rohrwacher. Of the 24 films selected for the lineup, exactly half have at least one woman director.
The 12 of 24 films in the Cannes Directors Fortnight, which is the independent arm of the Cannes Film Festival kicking off next month, dwarfs the number of female directors in the Cannes main competition lineup, in which only four of the 24 selected movies were directed by women. However, some of the movies for the Directors Fortnight feature women as co-directors, so 12 of 29 of the total directors are women.
The Directors Fortnight will host a special screening of Hogg’s “The Souvenir Part 1,” as “Part 2” will be playing in competition. Other notable films include “A Night of Knowing Nothing,” the first feature by actress Payal Kapadia, and “Hit the Road,” another debut feature by Panah Panahi,...
The 12 of 24 films in the Cannes Directors Fortnight, which is the independent arm of the Cannes Film Festival kicking off next month, dwarfs the number of female directors in the Cannes main competition lineup, in which only four of the 24 selected movies were directed by women. However, some of the movies for the Directors Fortnight feature women as co-directors, so 12 of 29 of the total directors are women.
The Directors Fortnight will host a special screening of Hogg’s “The Souvenir Part 1,” as “Part 2” will be playing in competition. Other notable films include “A Night of Knowing Nothing,” the first feature by actress Payal Kapadia, and “Hit the Road,” another debut feature by Panah Panahi,...
- 6/8/2021
- by Brian Welk
- The Wrap
On the heels of yesterday’s announcement of the Cannes Critics’ Week lineup, now comes confirmation of the 25 movies that will screen in the festival’s other prestigious sidebar section, Directors’ Fortnight. The lineup includes eight debut features, including “Hit the Road” by Jafar Panahi’s son, Panah Panahi. Directors’ Fortnight 2021 opens with Emmanuel Carrère’s “Between Two Worlds,” starring Juliette Binoche as an author experiencing job insecurity. Other notable titles include “A Chiara,” the latest movie from “Mediterranea” and “A Ciambra” director Jonas Carpignano.
Perhaps the biggest draw for U.S. audiences will be the world premiere of Joanna Hogg’s “The Souvenir Part II,” starring Honor Swinton Byrne, Tilda Swinton, Charlie Heaton, Harris Dickinson, and Joe Alwyn. The film is executive produced by Martin Scorsese, who is also an executive producer on Fortnight title “Murina” (directed by Antoneta Alamat Kusijanović). Hogg’s original “The Souvenir” was one...
Perhaps the biggest draw for U.S. audiences will be the world premiere of Joanna Hogg’s “The Souvenir Part II,” starring Honor Swinton Byrne, Tilda Swinton, Charlie Heaton, Harris Dickinson, and Joe Alwyn. The film is executive produced by Martin Scorsese, who is also an executive producer on Fortnight title “Murina” (directed by Antoneta Alamat Kusijanović). Hogg’s original “The Souvenir” was one...
- 6/8/2021
- by Zack Sharf
- Indiewire
A full picture of the Cannes Film Festival is now coming into focus with the unveiling of the Directors’ Fortnight lineup. Following the Official Selection and the Critics’ Week lineups, this sidebar features Joanna Hogg’s highly-anticipated sequel The Souvenir Part II, as well as new films by Miguel Gomes, Jonas Carpignano, Clio Barnard, Pietro Marcello, Alice Rohrwacher, Matías Piñeiro, and more.
See below.
Features
A Chiara (Jonas Carpignano)
Ali & Ava (Clio Barnard)
Between Two Worlds (Emmanuel Carrère)
The Braves (Anaïs Volpé)
A Brighter Tomorrow (Yassine Qnia)
Clara Sola (Nathalie Álvarez Mesen)
The Employer and the Employee (Manuel Nieto)
Europa (Haider Rashid)
Futura
Întregalde (Radu Muntean)
The Hill where Lionesses Roar (Luàna Bajrami)
Hit the Road (Panah Panahi)
Magnetic Beats (Vincent Cardona)
Medusa (Anita Rocha da Silveira)
Murina (Antoneta Alamat Kusijanović)
Neptune Frost
A Night of Knowing Nothing (Payal Kapadia)
Our Men (Rachel Lang)
Returning to Reims (Fragments) (Jean-Gabriel Périot...
See below.
Features
A Chiara (Jonas Carpignano)
Ali & Ava (Clio Barnard)
Between Two Worlds (Emmanuel Carrère)
The Braves (Anaïs Volpé)
A Brighter Tomorrow (Yassine Qnia)
Clara Sola (Nathalie Álvarez Mesen)
The Employer and the Employee (Manuel Nieto)
Europa (Haider Rashid)
Futura
Întregalde (Radu Muntean)
The Hill where Lionesses Roar (Luàna Bajrami)
Hit the Road (Panah Panahi)
Magnetic Beats (Vincent Cardona)
Medusa (Anita Rocha da Silveira)
Murina (Antoneta Alamat Kusijanović)
Neptune Frost
A Night of Knowing Nothing (Payal Kapadia)
Our Men (Rachel Lang)
Returning to Reims (Fragments) (Jean-Gabriel Périot...
- 6/8/2021
- by Jordan Raup
- The Film Stage
The Directors’ Fortnight parallel section of the Cannes Film Festival has unveiled its lineup for the 2021 edition which runs from July 7-17. Scroll down for the full list.
Fortnight chief Paolo Moretti, who took over the reins in 2019, presented the roster from the Forum des Images in Paris, saying, “After a very painful year for everyone, we are happy to present a selection of discovery.” Out of 24 features, 22 filmmakers are showing their films for first time at Cannes. Half of the films this year are directed or co-directed by women including Clio Barnard’s Ali & Ava; documentary Futura from Alice Rohrwacher, Pietro Marcello and Francesco Munzi; and Joanna Hogg’s The Souvenir: Part II with Tilda Swinton and Richard Ayoade.
There are eight debut features in the lineup, including Jadde Khaki (Hit the Road), the first film from Jafar Panahi’s son Panah Panahi, and Antoneta Alamat Kusijanović’s Murina...
Fortnight chief Paolo Moretti, who took over the reins in 2019, presented the roster from the Forum des Images in Paris, saying, “After a very painful year for everyone, we are happy to present a selection of discovery.” Out of 24 features, 22 filmmakers are showing their films for first time at Cannes. Half of the films this year are directed or co-directed by women including Clio Barnard’s Ali & Ava; documentary Futura from Alice Rohrwacher, Pietro Marcello and Francesco Munzi; and Joanna Hogg’s The Souvenir: Part II with Tilda Swinton and Richard Ayoade.
There are eight debut features in the lineup, including Jadde Khaki (Hit the Road), the first film from Jafar Panahi’s son Panah Panahi, and Antoneta Alamat Kusijanović’s Murina...
- 6/8/2021
- by Nancy Tartaglione
- Deadline Film + TV
After canceling its last edition due to the pandemic, Directors’ Fortnight, a section running alongside the Cannes Film Festival, will be back with a stylish and eclectic international lineup, including Joanna Hogg’s highly anticipated “The Souvenir Part II,” Clio Barnard’s “Ali & Ava,” Jonas Carpignano’s “A Chiara,” Saul Williams and Anisia Uzeyman’s Rwanda-set sci-fi film “Neptune Frost,” and Alice Rohrwacher, Pietro Marcello and Francesco Munzi’s “Futura.”
The highlight of this edition will likely be the world premiere of “The Souvenir Part II,” which will mark the first presence of Hogg, an acclaimed British writer-director, at Cannes. The romance-drama is headlined by Tilda Swinton — who will also be in Cannes for “The French Dispatch” and “Memoria” competing in the festival’s Official Selection — as well as Richard Ayoade, Charlie Heaton and Harris Dickinson. Executive produced by Martin Scorsese, the film revolves around a student who begins to...
The highlight of this edition will likely be the world premiere of “The Souvenir Part II,” which will mark the first presence of Hogg, an acclaimed British writer-director, at Cannes. The romance-drama is headlined by Tilda Swinton — who will also be in Cannes for “The French Dispatch” and “Memoria” competing in the festival’s Official Selection — as well as Richard Ayoade, Charlie Heaton and Harris Dickinson. Executive produced by Martin Scorsese, the film revolves around a student who begins to...
- 6/8/2021
- by Elsa Keslassy
- Variety Film + TV
The company unveiled its French slate for the first half of 2021 at the online edition of Unifrance Rendez-Vous with French Cinema.
Paris-based mk2 films has launched sales on Robert Guédiguian’s youthful 1960s West Africa-set love story Mali Twist at this year’s Unifrance Rendez-Vous with French Cinema, which is running online from January 13 to 15.
The company has unveiled a first look image (see above) of the feature set against the backdrop of the febrile atmosphere of post-Colonial Mali, where youngsters danced to rock and roll music in the capital of Bamako against a backdrop of dreams of political renewal.
Paris-based mk2 films has launched sales on Robert Guédiguian’s youthful 1960s West Africa-set love story Mali Twist at this year’s Unifrance Rendez-Vous with French Cinema, which is running online from January 13 to 15.
The company has unveiled a first look image (see above) of the feature set against the backdrop of the febrile atmosphere of post-Colonial Mali, where youngsters danced to rock and roll music in the capital of Bamako against a backdrop of dreams of political renewal.
- 1/13/2021
- by Melanie Goodfellow
- ScreenDaily
Déborah Lukumuena, Souheila Yacoub and Sveva Alviti lead the cast of the filmmaker’s second feature, a Unité production set to be sold by mk2 Films. Filming on Anaïs Volpé’s Entre les vagues has now entered the home strait in Paris, with a completion date set for 9 October. This second full-length film by the director revealed via Heis (Chroniques) - a work which won the Contrebandes Prize in Bordeaux 2016, as well as the World Fiction Award at the Los Angeles Film Festival - brings together the likes of Déborah Lukumuena, Swiss actress Souheila Yacoub, Italy’s Sveva Alviti, Matthieu Longatte (reuniting with the director after Heis)...
Los Angeles Film Festival hosted so many films directed by women, packing them all into one article would just be excessive. I already talked about Maria Goven’s tepid Play the Devil, but these next four films were real standouts. While too many independent films are plagued by a need to fit in, to conform, to act as a demo reel for some up-and-coming filmmakers just dying to get hired for a studio gig, these four purposefully and forcefully resist the marketplace, acting as pure vessels for the artists behind them. They find varying degrees of inspiration, but each is more than noteworthy.
I’m not very familiar with Amber Tamblyn, actress, but if she’s anything like Amber Tamblyn, filmmaker, I need to go consume her entire filmography right now please. Her debut feature, Paint it Black, somehow both assured and experimental, is rich with tonal variety and a...
I’m not very familiar with Amber Tamblyn, actress, but if she’s anything like Amber Tamblyn, filmmaker, I need to go consume her entire filmography right now please. Her debut feature, Paint it Black, somehow both assured and experimental, is rich with tonal variety and a...
- 6/17/2016
- by Scott Nye
- CriterionCast
The film from Jonah Markowitz and Tracy Wares eatned the documentary award and the audience documentary award.
In other prizes handed out at the end of the festival on Thursday, the U.S. Fiction Award went to Remy Auberjonois for Blood Stripe, while the World Fiction Award was presented to Anaïs Volpé for Heis (chronicles).
As previously stated, the Documentary Award went to Markowitz and Wares for Political Animals, and the La Muse Award was presented to Heidi Saman for Namour.
The Nightfall Award went to Jackson Stewart for Beyond The Gates, while the Audience Award for Fiction Feature Film went to Green / is / Gold, directed by Ryon Baxter.
Markowitz and Wares also collected the Audience Award for Documentary Feature Film for Political Animals.
“With all the talk about diversifying Hollywood, the La Film Festival provides proof that talented film-makers with new voices are out there; they just need a platform and that’s what we’re providing...
In other prizes handed out at the end of the festival on Thursday, the U.S. Fiction Award went to Remy Auberjonois for Blood Stripe, while the World Fiction Award was presented to Anaïs Volpé for Heis (chronicles).
As previously stated, the Documentary Award went to Markowitz and Wares for Political Animals, and the La Muse Award was presented to Heidi Saman for Namour.
The Nightfall Award went to Jackson Stewart for Beyond The Gates, while the Audience Award for Fiction Feature Film went to Green / is / Gold, directed by Ryon Baxter.
Markowitz and Wares also collected the Audience Award for Documentary Feature Film for Political Animals.
“With all the talk about diversifying Hollywood, the La Film Festival provides proof that talented film-makers with new voices are out there; they just need a platform and that’s what we’re providing...
- 6/9/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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