The Wheel of Time has always been a favorite, and season two has been an improvement, but this episode knocked it out of the park.
The Wheel of Time Season 2 Episode 6 proved to be a tense, jam-packed episode with incredible performances, plot development, and new information.
We can confidently say that Eyes Without Pity is the best episode of the entire series.
At the beginning of the Wheel of Time Season 2, we often complained about the lack of coherency in the storyline and the overall feeling of an incomplete plot.
With this being the third to last episode of the season, we had hoped things would start to pick up, and they certainly did!
So many things happened over the course of this hour-plus episode, but they all made for a brilliant story.
We often praise Kate Fleetwood's portrayal of Liandrin Sedai, and her brief appearances during this hour were wonderful,...
The Wheel of Time Season 2 Episode 6 proved to be a tense, jam-packed episode with incredible performances, plot development, and new information.
We can confidently say that Eyes Without Pity is the best episode of the entire series.
At the beginning of the Wheel of Time Season 2, we often complained about the lack of coherency in the storyline and the overall feeling of an incomplete plot.
With this being the third to last episode of the season, we had hoped things would start to pick up, and they certainly did!
So many things happened over the course of this hour-plus episode, but they all made for a brilliant story.
We often praise Kate Fleetwood's portrayal of Liandrin Sedai, and her brief appearances during this hour were wonderful,...
- 9/22/2023
- by Michael T. Stack
- TVfanatic
While in Cannes this year, at the Dutch Reception, I sat next to a young Asian woman and a new friend from India I had just met while in Tehran at the Fajr Film Festival. We three all shared the experience of inventing databases which were beyond IMDb’s purvue and were fulfilling an unmet need of the growing industry.
Networking at its finest took place as I introduced the two women to each other and was able to find some important financial backing for one out of the Middle East.
Ellis Driessen of Dutch Film Fund, Weerada Sucharitkul CEO Founder Filmdoo, Sydney Levine, Monica Wahl of Saccf
Monica Wahl’s Southasian Children’s Cinema Forum (Saccf) has spawned Kidsfilmnet, a user-generated online database of children’s films, professionals, activities and events created by and for all those interested in making, screening and viewing of children’s films in Southasia.
Networking at its finest took place as I introduced the two women to each other and was able to find some important financial backing for one out of the Middle East.
Ellis Driessen of Dutch Film Fund, Weerada Sucharitkul CEO Founder Filmdoo, Sydney Levine, Monica Wahl of Saccf
Monica Wahl’s Southasian Children’s Cinema Forum (Saccf) has spawned Kidsfilmnet, a user-generated online database of children’s films, professionals, activities and events created by and for all those interested in making, screening and viewing of children’s films in Southasia.
- 7/27/2017
- by Sydney Levine
- Sydney's Buzz
Expanding on his producing role on 2012’s Nairobi Half Life, director Tom Tykwer assists Kenyan filmmaker Mbithi Masya on his debut feature, an offbeat drama set somewhere in the afterlife. Winner of the Fipresci international film critics’ award this year at the Toronto International Film Festival, Kati Kati is well-suited to festival play and could eventually garner further attention on VOD.
The film begins literally in the middle of nowhere, as Kaleche (Nyokabi Gethaiga) wanders lost and disoriented through the Kenyan grasslands, trying to remember how she got there, but her mind is a blank. Dressed only in a hospital...
The film begins literally in the middle of nowhere, as Kaleche (Nyokabi Gethaiga) wanders lost and disoriented through the Kenyan grasslands, trying to remember how she got there, but her mind is a blank. Dressed only in a hospital...
- 11/23/2016
- by Justin Lowe
- The Hollywood Reporter - Movie News
Most of cinema’s best films are those that do rather than explain. These works are created by artists wielding airtight concepts insofar as attaining their goal of delivering a specific, emotion-fueled message. Kenyan creative Mbithi Masya‘s feature debut Kati Kati is a perfect example of what can be made when the right resources are supplied to the right people. Tom Tykwer, Marie Stenmann-Tykwer, and their One Fine Day shingle (originally formed to facilitate year-round artistic opportunities for children in Nairobi) helped with the former while Masya, co-writer Mugambi Nthiga, and his cast/crew brought the latter with their stirring look into the soul by way of purgatorial limbo. We don’t know how they got here or what comes next, but we do quickly understand the thing keeping them: guilt.
You know you’re in for something special from the opening of African expanse containing Kaleche (Nyokabi Gethaiga...
You know you’re in for something special from the opening of African expanse containing Kaleche (Nyokabi Gethaiga...
- 9/21/2016
- by Jared Mobarak
- The Film Stage
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