Argentinian filmmakers are uniting under the banner Cine Argentino Unido to gather in Berlin on Tuesday to raise awareness of the unfolding public funding crisis in the country.
National film and TV institute Incaa, which funds most of the country’s local productions, has been unable to allocate money since Nicolas Batlle resigned as head last December in protest over the election of far-right president Javier Milei.
Milei has promised a programme of deep cuts to help fix the country’s ravaged economy and the industry fears cultural funding is high up his list.
“The far-right government is attempting to...
National film and TV institute Incaa, which funds most of the country’s local productions, has been unable to allocate money since Nicolas Batlle resigned as head last December in protest over the election of far-right president Javier Milei.
Milei has promised a programme of deep cuts to help fix the country’s ravaged economy and the industry fears cultural funding is high up his list.
“The far-right government is attempting to...
- 2/18/2024
- ScreenDaily
Anti-colonialist western will receive North American premiere at TIFF.
Felipe Gálvez’s Cannes Un Certain Regard Fipresci winner The Settlers has been selected as Chile’s Oscar submission.
‘The Settlers’: Cannes Review
The anti-colonialist western will receive its North American premiere at TIFF next month and will play in the Main Slate at New York Film Festival.
The Settlers takes place in Chile at the start of the 20th century as a wealthy landowner hires three horsemen to mark the perimeter of his property and open a path across Patagonia to the Atlantic Ocean. The expedition, comprising a young Chilean mestizo,...
Felipe Gálvez’s Cannes Un Certain Regard Fipresci winner The Settlers has been selected as Chile’s Oscar submission.
‘The Settlers’: Cannes Review
The anti-colonialist western will receive its North American premiere at TIFF next month and will play in the Main Slate at New York Film Festival.
The Settlers takes place in Chile at the start of the 20th century as a wealthy landowner hires three horsemen to mark the perimeter of his property and open a path across Patagonia to the Atlantic Ocean. The expedition, comprising a young Chilean mestizo,...
- 8/23/2023
- by Jeremy Kay
- ScreenDaily
Chile on Wednesday named the anti-colonialist Western The Settlers from first-time feature filmmaker Felipe Gálvez as its official entry for Best International Feature at the 2024 Academy Awards.
The film coming off a Fipresci Prize win at the 2023 Cannes Film Festival, where it played in Un Certain Regard, joins a list of entrants that includes Smoke Sauna Sisterhood (Estonia), The Teachers’ Lounge (Germany), Concrete Utopia (South Korea) and Thunder (Switzerland), as previously announced.
Following forthcoming screenings at the Toronto Film Festival and the New York Film Festival, the pic will be released theatrically in North America by Mubi, which also holds distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India, and will unveil further details as to its release plans at a later date.
Written by Gálvez and Antonia Girardi, in collaboration with Mariano Llinás, The Settler is set in Chile at the beginning of the 20th century,...
The film coming off a Fipresci Prize win at the 2023 Cannes Film Festival, where it played in Un Certain Regard, joins a list of entrants that includes Smoke Sauna Sisterhood (Estonia), The Teachers’ Lounge (Germany), Concrete Utopia (South Korea) and Thunder (Switzerland), as previously announced.
Following forthcoming screenings at the Toronto Film Festival and the New York Film Festival, the pic will be released theatrically in North America by Mubi, which also holds distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India, and will unveil further details as to its release plans at a later date.
Written by Gálvez and Antonia Girardi, in collaboration with Mariano Llinás, The Settler is set in Chile at the beginning of the 20th century,...
- 8/23/2023
- by Matt Grobar
- Deadline Film + TV
13 titles have received funding in the latest round from the £7m per year UK Global Screen Fund.
A raft of UK Cannes titles are among the 13 features to receive awards given out by the British Film Institute (BFI) in the latest round of funding from the £7m per year UK Global Screen Fund (Ukgsf), supporting international opportunities for the UK’s independent screen sector.
These include Jessica Hausner’s Club Zero, on which Good Chaos’ Mike Goodridge is the UK producer and will receive the award; Molly Manning Walker’s How To Have Sex, with the funding going to Emily Leo...
A raft of UK Cannes titles are among the 13 features to receive awards given out by the British Film Institute (BFI) in the latest round of funding from the £7m per year UK Global Screen Fund (Ukgsf), supporting international opportunities for the UK’s independent screen sector.
These include Jessica Hausner’s Club Zero, on which Good Chaos’ Mike Goodridge is the UK producer and will receive the award; Molly Manning Walker’s How To Have Sex, with the funding going to Emily Leo...
- 7/7/2023
- by Mona Tabbara
- ScreenDaily
Global distributor, streamer and production company Mubi has acquired Felipe Gálvez’ “The Settlers,” which bowed on Tuesday at the Cannes Film Festival’s Un Certain Regard section.
Mubi has acquired the film for North America, U.K., Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux and India. Mubi will release the film theatrically in the U.S., U.K., and additional territories with release plans to be revealed soon.
“The Settlers” is set in Chile at the beginning of the 20th century. A wealthy landowner hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia. The expedition, composed of a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant, soon turns into a ‘civilizing’ raid.
“If something is controversial, it’s a good sign. It means it’s interesting. I am trying to provoke with my film,...
Mubi has acquired the film for North America, U.K., Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux and India. Mubi will release the film theatrically in the U.S., U.K., and additional territories with release plans to be revealed soon.
“The Settlers” is set in Chile at the beginning of the 20th century. A wealthy landowner hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia. The expedition, composed of a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant, soon turns into a ‘civilizing’ raid.
“If something is controversial, it’s a good sign. It means it’s interesting. I am trying to provoke with my film,...
- 5/24/2023
- by Naman Ramachandran
- Variety Film + TV
It is the feature debut of Chilean filmmaker Felipe Gálvez.
Distributor and streaming platform Mubi has acquired Felipe Gálvez’ Cannes Un Certain Regard title The Settlers for North America, UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux and India from mk2 Films.
It will be released theatrically in the US and UK, with additional territories with release plans to be announced soon.
Gálvez’s feature debut is an English-language western that unfolds around a rich landowner in 1901 Chile who hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia.
Distributor and streaming platform Mubi has acquired Felipe Gálvez’ Cannes Un Certain Regard title The Settlers for North America, UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux and India from mk2 Films.
It will be released theatrically in the US and UK, with additional territories with release plans to be announced soon.
Gálvez’s feature debut is an English-language western that unfolds around a rich landowner in 1901 Chile who hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia.
- 5/24/2023
- by Mona Tabbara
- ScreenDaily
Mubi has picked The Settlers, the latest pic from Chilean filmmaker Felipe Gálvez for North America, the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.
The pic debuted in the Cannes Film Festival’s Un Certain Regard section last night. Mubi has said it will release the film theatrically in the U.S., UK, and additional territories with release plans to be announced.
Set in Chile at the beginning of the 20th century, The Settlers follows a wealthy landowner who hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia. The expedition, composed of a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant, soon turns into a “civilizing” raid.
The deal was negotiated with mk2. Producers include Giancarlo Nasi, Benjamín Domenech, Santiago Gallelli, Matías Roveda, Emily Morgan, Thierry Lenouvel,...
The pic debuted in the Cannes Film Festival’s Un Certain Regard section last night. Mubi has said it will release the film theatrically in the U.S., UK, and additional territories with release plans to be announced.
Set in Chile at the beginning of the 20th century, The Settlers follows a wealthy landowner who hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia. The expedition, composed of a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant, soon turns into a “civilizing” raid.
The deal was negotiated with mk2. Producers include Giancarlo Nasi, Benjamín Domenech, Santiago Gallelli, Matías Roveda, Emily Morgan, Thierry Lenouvel,...
- 5/24/2023
- by Zac Ntim
- Deadline Film + TV
Arthouse streamer Mubi has picked up Felipe Gálvez’ Chilean revisionist Western The Settlers for North America and multiple international territories, including the U.K., Latin America, Turkey, German-speaking Europe, Italy, Benelux and India one day after the film’s premiere in Cannes’ Un Certain Regard section. Mubi plans to release the film theatrically in the U.S. and U.K. as well as select other international territories.
Set against the backdrop of early 20th-century Chile, The Settlers revolves around a wealthy landowner’s attempt to set the boundaries of his vast property and forge a route to the Atlantic Ocean through the expansive Patagonia region. Accompanied by a young Chilean mestizo, an American mercenary, and a daring British lieutenant, the expedition takes an unexpected turn, evolving into a “civilizing” raid on the locals.
In our review of the film, The Hollywood Reporter called The Settlers a “provocative look at Chile’s colonial past.
Set against the backdrop of early 20th-century Chile, The Settlers revolves around a wealthy landowner’s attempt to set the boundaries of his vast property and forge a route to the Atlantic Ocean through the expansive Patagonia region. Accompanied by a young Chilean mestizo, an American mercenary, and a daring British lieutenant, the expedition takes an unexpected turn, evolving into a “civilizing” raid on the locals.
In our review of the film, The Hollywood Reporter called The Settlers a “provocative look at Chile’s colonial past.
- 5/24/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Luis Ortega has wrapped production in Argentina on “Kill the Jockey,” starring Úrsula Corberó, “Money Heist’s” Tokyo, and Nahuel Pérez Biscayart (“120 Bpm”), which is shaping up as one of the biggest upcoming movies from Latin America.
Ortega’s follow-up to 2018 Un Certain Regard hit “El Angel,” which sold worldwide and set a box office record in Argentina, “Kill the Jockey” has been snapped up for overseas sales by Vicente Canales’ Film Factory Entertainment, which also sold “El Angel.”
TelevisaUnivision VOD service ViX will roll out “Kill the Jockey” in the U.S. and Latin America. Scanbox handles distribution in Scandinavia.
“Kill the Jockey’s” top-notch cast also features Daniel Giménez Cacho, Mariana Di Girólamo, Daniel Fanego (“El Ángel”) and Roly Serrano (“Youth”).
It turns on Remo (Pérez Biscayart), the best jockey of his generation, whose addictions, however, have gradually cast a shadow over his glory. Like Abril (Corberó), another jockey,...
Ortega’s follow-up to 2018 Un Certain Regard hit “El Angel,” which sold worldwide and set a box office record in Argentina, “Kill the Jockey” has been snapped up for overseas sales by Vicente Canales’ Film Factory Entertainment, which also sold “El Angel.”
TelevisaUnivision VOD service ViX will roll out “Kill the Jockey” in the U.S. and Latin America. Scanbox handles distribution in Scandinavia.
“Kill the Jockey’s” top-notch cast also features Daniel Giménez Cacho, Mariana Di Girólamo, Daniel Fanego (“El Ángel”) and Roly Serrano (“Youth”).
It turns on Remo (Pérez Biscayart), the best jockey of his generation, whose addictions, however, have gradually cast a shadow over his glory. Like Abril (Corberó), another jockey,...
- 5/17/2023
- by John Hopewell
- Variety Film + TV
Argentina’s Rodrigo de la Serna leads the cast in the latest Paramount+ original film for Latin America, “El Salto de Papá,” based on the memoir of Argentine author-journalist Martin Sivak.
Daniela Goggi, who co-wrote the script with Andrea Garrote, will direct the pic which is set to begin shooting in Argentina in upcoming weeks. Vis, Paramount’s international studio, is producing the drama in association with two of Argentina’s leading producers, Infinity Hill and Rei Cine.
The film is one of multiple Paramount+ original projects underway in Latin America and Spain as the streamer seeks to rev up its local slate. Competition for premium culturally-specific content among streaming giants and studios in Latin America continues to heat up as they source more original productions locally. This June, at its U.K. launch, Paramount+ announced plans to commission more than 150 international originals by 2025.
De la Serna is best known for his role as Palermo,...
Daniela Goggi, who co-wrote the script with Andrea Garrote, will direct the pic which is set to begin shooting in Argentina in upcoming weeks. Vis, Paramount’s international studio, is producing the drama in association with two of Argentina’s leading producers, Infinity Hill and Rei Cine.
The film is one of multiple Paramount+ original projects underway in Latin America and Spain as the streamer seeks to rev up its local slate. Competition for premium culturally-specific content among streaming giants and studios in Latin America continues to heat up as they source more original productions locally. This June, at its U.K. launch, Paramount+ announced plans to commission more than 150 international originals by 2025.
De la Serna is best known for his role as Palermo,...
- 7/21/2022
- by Anna Marie de la Fuente
- Variety Film + TV
New York-based Visit Films has swooped on world sales rights to “Robe of Gems” (“Manto de Gemas”) which will world premiere in main competition at next’s month’s Berlinale.
Produced by some of the best known producers on the art film and crossover scene in Mexico and Argentina, “Robe of Gems” marks the directorial debut feature of Natalia López Gallardo who has edited some of the most acclaimed and challenging films coming out of Latin America in the last decade, such as Lisandro Alonso’s “Jauja,” starring Viggo Mortensen, and Carlos Reygadas’ “Post Tenebras Lux” and Amat Escalante’s “Heli,” the latter two both best director award winners at the Cannes Festival.
Written, directed and edited by López Gallardo, “Robe of Gems” turns on Isabel, a woman in the midst of divorce who moves to an old country house her family once owned.
There she discovers her helper Marta...
Produced by some of the best known producers on the art film and crossover scene in Mexico and Argentina, “Robe of Gems” marks the directorial debut feature of Natalia López Gallardo who has edited some of the most acclaimed and challenging films coming out of Latin America in the last decade, such as Lisandro Alonso’s “Jauja,” starring Viggo Mortensen, and Carlos Reygadas’ “Post Tenebras Lux” and Amat Escalante’s “Heli,” the latter two both best director award winners at the Cannes Festival.
Written, directed and edited by López Gallardo, “Robe of Gems” turns on Isabel, a woman in the midst of divorce who moves to an old country house her family once owned.
There she discovers her helper Marta...
- 1/20/2022
- by John Hopewell
- Variety Film + TV
The miraculous prospects of international funding initiatives and the opportunities and pitfalls offered by streaming platforms were among the topics discussed by leading Argentine producers during an online Ventana Sur panel on Thursday.
Diego Dubcovsky of Varsovia Films, Santiago Gallelli of Rei Cine and Paula Zyngierman of Maravillacine also looked back at the dynamic New Argentine Cinema wave that characterized the 1990s, and addressed the role of state funding for the sector, and the silver lining of the Covid-19 crisis.
Already racked by crippling inflation and a plunging peso, the Argentine film industry has been hit hard by the pandemic, which has led to a sharp decline in the cinema admissions and TV advertising that fund the country’s Instituto Nacional de Cinematografia y las Artes Audiovisuals (Incaa).
Dubcovsky, whose credits include “The Motorcycle Diaries,” Daniel Burman films like “Lost Embrace” and “Empty Nest,” as well as such recent pics...
Diego Dubcovsky of Varsovia Films, Santiago Gallelli of Rei Cine and Paula Zyngierman of Maravillacine also looked back at the dynamic New Argentine Cinema wave that characterized the 1990s, and addressed the role of state funding for the sector, and the silver lining of the Covid-19 crisis.
Already racked by crippling inflation and a plunging peso, the Argentine film industry has been hit hard by the pandemic, which has led to a sharp decline in the cinema admissions and TV advertising that fund the country’s Instituto Nacional de Cinematografia y las Artes Audiovisuals (Incaa).
Dubcovsky, whose credits include “The Motorcycle Diaries,” Daniel Burman films like “Lost Embrace” and “Empty Nest,” as well as such recent pics...
- 12/4/2020
- by Ed Meza
- Variety Film + TV
Documentarians from Ecuador, Argentina, Kenya, Vietnam and France are among projects from 19 countries to receive support totalling $520,000 from Sundance Institute.
Documentarians from Ecuador, Argentina, Kenya, Vietnam and France are among projects from 19 countries to receive support totalling $520,000 from Sundance Institute.
Documentary Fund recipients encompass projects in development, production, and post-production stages and their work spans subject matter from a deeply personal family project in Ecuador, to a mission to save libraries in Kenya, to a musical involving female and trans prisoners in Buenos Aires.
Frederick Wiseman’s Boston City Hall project, City Hall, is among post-production grant recipients.
A little...
Documentarians from Ecuador, Argentina, Kenya, Vietnam and France are among projects from 19 countries to receive support totalling $520,000 from Sundance Institute.
Documentary Fund recipients encompass projects in development, production, and post-production stages and their work spans subject matter from a deeply personal family project in Ecuador, to a mission to save libraries in Kenya, to a musical involving female and trans prisoners in Buenos Aires.
Frederick Wiseman’s Boston City Hall project, City Hall, is among post-production grant recipients.
A little...
- 5/20/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
It looks like no coincidence that two of the biggest announcements concerning celebrated Argentine movie directors and producers this year were their moves into drama series creation. In February, Netflix announced that K & S, producers of “Wild Tales,” “The Clan” and “El Angel,” will produce a series adaptation of legendary Argentine sci-fi graphic novel “El Eternauta,” with Bruno Stagnaro directing.
In March, El Estudio announced two series with another founding father of the New Argentine Cinema, Pablo Trapero: a U.S. series remake
of his movie “Carancho” and bio-series “Galimberti.”
Appointed president of Argentina’s film agency Incaa in December, director Luis Puenzo does enjoy government backing, but he faces a perfect storm.
Even before Covid-19 struck, Argentina sustained crippling inflation: 50% last year and in 2018, plus a plunging peso, which lost 77% of its dollar value from April 2018 and studios’ lock on prime exhibition slots.
Last month, coronavirus had halted some 30 shoots,...
In March, El Estudio announced two series with another founding father of the New Argentine Cinema, Pablo Trapero: a U.S. series remake
of his movie “Carancho” and bio-series “Galimberti.”
Appointed president of Argentina’s film agency Incaa in December, director Luis Puenzo does enjoy government backing, but he faces a perfect storm.
Even before Covid-19 struck, Argentina sustained crippling inflation: 50% last year and in 2018, plus a plunging peso, which lost 77% of its dollar value from April 2018 and studios’ lock on prime exhibition slots.
Last month, coronavirus had halted some 30 shoots,...
- 5/11/2020
- by John Hopewell
- Variety Film + TV
Madrid — Just minutes after the Berlinale confirmed on Wednesday its selection in main competition, the pedigree producers of Argentine Natalia Meta’s “The Intruder” (“El Prófugo”) have dropped a first teaser-trailer for what has been described as a “pyscho-sexual fantastic thriller.”
They have also confirmed more details of one of the buzziest new titles from Latin America, announced with sales agent Film Factory Ent. in place at December’s Ventana Sur.
Film Factory has a strong record of crossover Argentine titles which roll off big fest berths to make a killing in Argentina and muscular theatrical takings abroad.
Can “The Intruder” go that way” Certainly, it has a potent South American cast: Erica Rivas as the neurotic protagonist, Nahuel Pérez Biscayart (“Bpm (Beats Per Minute), Berlin best actor winner Daniel Hendler (“The Lost Embrace”) and Almodovar regular Cecilia Roth (“Pain and Glory”).
Some key pointers to the title were made public by Variety in December.
They have also confirmed more details of one of the buzziest new titles from Latin America, announced with sales agent Film Factory Ent. in place at December’s Ventana Sur.
Film Factory has a strong record of crossover Argentine titles which roll off big fest berths to make a killing in Argentina and muscular theatrical takings abroad.
Can “The Intruder” go that way” Certainly, it has a potent South American cast: Erica Rivas as the neurotic protagonist, Nahuel Pérez Biscayart (“Bpm (Beats Per Minute), Berlin best actor winner Daniel Hendler (“The Lost Embrace”) and Almodovar regular Cecilia Roth (“Pain and Glory”).
Some key pointers to the title were made public by Variety in December.
- 1/29/2020
- by John Hopewell and Emiliano Granada
- Variety Film + TV
Buenos Aires — In one of the biggest deals clinched at this year’s Ventana Sur, Vicente Canales’ Film Factory Ent. has acquired international sales rights outside Latin America to “El Prófugo” (“The Intruder”).
Described by its makers as a“psycho-sexual fantastic thriller,” “The Intruder” stars two of Argentina’s most internationally-rated actors: Erica Rivas, extraordinary as the cheated-upon bride in “Wild Tales,” and Nahuel Pérez Biscayart, who earned international fame and a French Academy Cesar for Cannes critical and sales hit “Bpm (Beats Per Minute).”
The powerful cast also takes in Berlin best actor winner Daniel Hendler (“The Lost Embrace”) and Almodovar regular Cecilia Roth (“Pain and Glory”),
Being brought onto the market at this week’s Ventana Sur in Buenos Aires, “The Intruder” is produced by Benjamín Domenech, Santiago Gallelli and Matías Roveda at Argentina’s Rei Cine, which has built via international co-production into one of the most important producers in Latin America.
Described by its makers as a“psycho-sexual fantastic thriller,” “The Intruder” stars two of Argentina’s most internationally-rated actors: Erica Rivas, extraordinary as the cheated-upon bride in “Wild Tales,” and Nahuel Pérez Biscayart, who earned international fame and a French Academy Cesar for Cannes critical and sales hit “Bpm (Beats Per Minute).”
The powerful cast also takes in Berlin best actor winner Daniel Hendler (“The Lost Embrace”) and Almodovar regular Cecilia Roth (“Pain and Glory”),
Being brought onto the market at this week’s Ventana Sur in Buenos Aires, “The Intruder” is produced by Benjamín Domenech, Santiago Gallelli and Matías Roveda at Argentina’s Rei Cine, which has built via international co-production into one of the most important producers in Latin America.
- 12/4/2019
- by John Hopewell
- Variety Film + TV
Total of 842 people from 59 countries invited by AMPAS.
This year, the Academy of Motion Picture Arts and Sciences (AMPAS) has invited 842 people from 59 countries to join its membership.
The strong cohort of international film names includes two producers of Cold War, the directors of Dogman, Stan & Ollie, and I Am Not A Witch, and various executives from different facets of the industry.
International executives invited include Eric Lagesse of French sales and distribution outfit Pyramide Films, London-based Netflix development and acquisitions executive Funa Maduka, Michele Halberstadt of French distribution and sales outfit Arp Selection, Lebanese producer and distributor Georges Schoucair of Abbout Productions,...
This year, the Academy of Motion Picture Arts and Sciences (AMPAS) has invited 842 people from 59 countries to join its membership.
The strong cohort of international film names includes two producers of Cold War, the directors of Dogman, Stan & Ollie, and I Am Not A Witch, and various executives from different facets of the industry.
International executives invited include Eric Lagesse of French sales and distribution outfit Pyramide Films, London-based Netflix development and acquisitions executive Funa Maduka, Michele Halberstadt of French distribution and sales outfit Arp Selection, Lebanese producer and distributor Georges Schoucair of Abbout Productions,...
- 7/3/2019
- by Tom Grater
- ScreenDaily
Publicity veterans Jonathan Rutter and Pamela Godwin-Austen on the list.
The Academy has invited 842 people from 59 countries – half of them women – including Lady Gaga, Adele, and Black Panther star Letitia Wright, to join the ranks in 2019.
The invitees include Jamie Bell, Claes Bang, Andrea Riseborough, Peter Mullan, and directors Matteo Garrone, Jennifer Kent and Mélanie Laurent, as well as Hollywood filmmakers Phil Lord and Chris Miller.
Not every one of the 842 may choose to join the Academy, although based on recent years, the acceptance rate is in the high 90% range. Besides women accounting for 50% of the new invitees, the Academy...
The Academy has invited 842 people from 59 countries – half of them women – including Lady Gaga, Adele, and Black Panther star Letitia Wright, to join the ranks in 2019.
The invitees include Jamie Bell, Claes Bang, Andrea Riseborough, Peter Mullan, and directors Matteo Garrone, Jennifer Kent and Mélanie Laurent, as well as Hollywood filmmakers Phil Lord and Chris Miller.
Not every one of the 842 may choose to join the Academy, although based on recent years, the acceptance rate is in the high 90% range. Besides women accounting for 50% of the new invitees, the Academy...
- 7/1/2019
- by Jeremy Kay
- ScreenDaily
Publicity veterans Jonathan Rutter and Pamela Godwin-Austen on the list.
The Academy has invited 842 people from 59 countries – half of them women – including Lady Gaga, Adele, and Black Panther star Letitia Wright, to join the ranks in 2019.
Potential new members include Jamie Bell, Claes Bang, Andrea Riseborough, Peter Mullan, and directors Matteo Garrone, Jennifer Kent and Mélanie Laurent, as well as Hollywood filmmakers Phil Lord and Chris Miller.
Not every one of the 842 may choose to join the Academy, although based on recent years, the acceptance rate is in the high 90% range. Besides women accounting for 50% of the new invitees, the...
The Academy has invited 842 people from 59 countries – half of them women – including Lady Gaga, Adele, and Black Panther star Letitia Wright, to join the ranks in 2019.
Potential new members include Jamie Bell, Claes Bang, Andrea Riseborough, Peter Mullan, and directors Matteo Garrone, Jennifer Kent and Mélanie Laurent, as well as Hollywood filmmakers Phil Lord and Chris Miller.
Not every one of the 842 may choose to join the Academy, although based on recent years, the acceptance rate is in the high 90% range. Besides women accounting for 50% of the new invitees, the...
- 7/1/2019
- by Jeremy Kay
- ScreenDaily
Madrid — Selected for this year’s Cannes Atelier, Felipe Gálvez’s Chilean Western “The Settlers,” one of the most buzzed-up projects to come out of Chile in recent years, has attracted three of the most successful production partners currently working in Latin America: Argentina’s Rei Cine, Denmark’s Snowglobe and France’s Cine-Sud Promotion.
Lead produced by Chile’s Quijote Films, “The Settlers” hits Cannes having won in November the 2018 TorinoFilmLab, one of Europe’s key co-production prizes.
The Quijote-rei Cine partnership won financing from the Chile-Argentina bilateral co-production fund.
Written by Gálvez, and scheduled to shoot in tierra del Fuego and Patagonia in March 2020, “The Settlers” is set in 1901 as Segundo, a mixed-race Chilean, rides south on an expedition led by MacLenan, a former Boer War English captain and Bill, an American mercenary, to fence off land granted to Spanish landowner José Menéndez. They brutally – and euphorically -slaughter a settlement of indigenous Onas,...
Lead produced by Chile’s Quijote Films, “The Settlers” hits Cannes having won in November the 2018 TorinoFilmLab, one of Europe’s key co-production prizes.
The Quijote-rei Cine partnership won financing from the Chile-Argentina bilateral co-production fund.
Written by Gálvez, and scheduled to shoot in tierra del Fuego and Patagonia in March 2020, “The Settlers” is set in 1901 as Segundo, a mixed-race Chilean, rides south on an expedition led by MacLenan, a former Boer War English captain and Bill, an American mercenary, to fence off land granted to Spanish landowner José Menéndez. They brutally – and euphorically -slaughter a settlement of indigenous Onas,...
- 5/8/2019
- by John Hopewell
- Variety Film + TV
Zama director gets backing for first documentary project.
The Sundance Institute and the UK’s Institute of Contemporary Arts have boarded Zama director Lucrecia Martel’s debut documentary Chocobar.
The two companies are funding the developing of the proejct via the Ica Cinema and Sundance’s Documentary Film Fund.
The Argentina-us co-production will chronicle the murder of indigenous activist Javier Chocobar and the removal of his community from their ancestral land in Argentina. The film unravels the 500 years of actions that led to this shooting, both with a gun and a camera, and contextualises it within the system of land...
The Sundance Institute and the UK’s Institute of Contemporary Arts have boarded Zama director Lucrecia Martel’s debut documentary Chocobar.
The two companies are funding the developing of the proejct via the Ica Cinema and Sundance’s Documentary Film Fund.
The Argentina-us co-production will chronicle the murder of indigenous activist Javier Chocobar and the removal of his community from their ancestral land in Argentina. The film unravels the 500 years of actions that led to this shooting, both with a gun and a camera, and contextualises it within the system of land...
- 11/5/2018
- by Tom Grater
- ScreenDaily
Zama director gets backing for first documentary project.
The Sundance Institute and the UK’s Institute of Contemporary Arts have boarded Zama director Lucrecia Martel’s debut documentary Chocobar.
The two companies are funding the developing of the proejct via the Ica Cinema and Sundance’s Documentary Film Fund.
The Argentina-us co-production will chronicle the murder of indigenous activist Javier Chocobar and the removal of his community from their ancestral land in Argentina. The film unravels the 500 years of actions that led to this shooting, both with a gun and a camera, and contextualises it within the system of land...
The Sundance Institute and the UK’s Institute of Contemporary Arts have boarded Zama director Lucrecia Martel’s debut documentary Chocobar.
The two companies are funding the developing of the proejct via the Ica Cinema and Sundance’s Documentary Film Fund.
The Argentina-us co-production will chronicle the murder of indigenous activist Javier Chocobar and the removal of his community from their ancestral land in Argentina. The film unravels the 500 years of actions that led to this shooting, both with a gun and a camera, and contextualises it within the system of land...
- 11/5/2018
- by Tom Grater
- ScreenDaily
San Sebastian — Denmark’s Snowglobe is teaming with Argentina’s Rei Cine to produce writer-director Pablo Fendrik’s “Hermano Peligro” (Brother Danger).
Currently at first-draft screenplay, the title weighs is as one of the big potential crossover project propositions at this year’s San Sebastian Europe-Latin America Co-production Forum, which tales place Sunday Sept. 23.
The co-production also links two of the most prestigious and internationally energetic upscale film companies currently working in the Spanish-speaking world.
Headed by Benjamin Domenech, Santiago Gallelli, and Matías Roveda, Buenos Aires-based Rei Cine, “Hermano Peligro’s” lead producer, has over the last year produced Lucrecia Martel’s “Zama” and Natalia Garagiola’s “Hunting Season,” both 2017 Venice hits, then Sundance-selected “The Queen of Fear,” from Valeria Bertuccelli and Fabiana Tiscornia, and Gonzalo Tobal’s 2018 Venice competition player “The Accused.”
A Copenhagen-located co-producer of some of the highest-profile and boldest Latin American movies in the last two years – Carlos Reygadas’ “Our Time,...
Currently at first-draft screenplay, the title weighs is as one of the big potential crossover project propositions at this year’s San Sebastian Europe-Latin America Co-production Forum, which tales place Sunday Sept. 23.
The co-production also links two of the most prestigious and internationally energetic upscale film companies currently working in the Spanish-speaking world.
Headed by Benjamin Domenech, Santiago Gallelli, and Matías Roveda, Buenos Aires-based Rei Cine, “Hermano Peligro’s” lead producer, has over the last year produced Lucrecia Martel’s “Zama” and Natalia Garagiola’s “Hunting Season,” both 2017 Venice hits, then Sundance-selected “The Queen of Fear,” from Valeria Bertuccelli and Fabiana Tiscornia, and Gonzalo Tobal’s 2018 Venice competition player “The Accused.”
A Copenhagen-located co-producer of some of the highest-profile and boldest Latin American movies in the last two years – Carlos Reygadas’ “Our Time,...
- 9/23/2018
- by John Hopewell
- Variety Film + TV
Madrid — Four burgeoning Latin American auteurs – Argentina’s Pablo Fendrik and Emiliano Torres, Guatemala’s Jayro Bustamante and Chile’s Pepa San Martín – will present new movie projects at San Sebastian’s 7th Europe-Latin America Co-production Forum, the biggest industry event at the most important festival in Spain and Latin America.
Project screenplays still have to be read. Lent edge, however, by the presence of titles from nine women, including two of Catalonia’s most exciting young female cineasts, Meritxell Colell and Clara Roquet, the Forum competition will also welcome some of the producer movers and shakers on Ibero-America’s arthouse scene: Brazil’s Dezenove, Argentina’s Rei Cine and Varsovia Films, Spain’s Avalon and Lastor Media.
Add to that mix two players on three ever more ambitious film hubs – the Basque Country’s Gariza Films, Switzerland’s Matthias Huser and Moroco Alfredo Colman at Argentina second-city Cordoba – and...
Project screenplays still have to be read. Lent edge, however, by the presence of titles from nine women, including two of Catalonia’s most exciting young female cineasts, Meritxell Colell and Clara Roquet, the Forum competition will also welcome some of the producer movers and shakers on Ibero-America’s arthouse scene: Brazil’s Dezenove, Argentina’s Rei Cine and Varsovia Films, Spain’s Avalon and Lastor Media.
Add to that mix two players on three ever more ambitious film hubs – the Basque Country’s Gariza Films, Switzerland’s Matthias Huser and Moroco Alfredo Colman at Argentina second-city Cordoba – and...
- 8/9/2018
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
Ryan Kampe will introduce films to Efm buyers in Berlin next month.
Source: Visit Films
New York-based Visit Films has acquired rights to two Sundance premieres, taking the world excluding Latin America and Scandinavia to The Queen Of Fear and the world excluding North America, Mexico, and Benelux to Time Share.
After their world premieres in the World Cinema Dramatic Competition section, Visit president Ryan Kampe and his team will present the films to Efm buyers in Berlin.
Argentine actress Valeria Bertuccelli (Xxy, A Boyfriend for My Wife) and Fabiana Tiscornia directed The Queen Of Fear (Argentina-Denmark), which premieres on Sunday.
Bertuccelli wrote the screenplay and stars in the Rei Cine and Patagonik production as a neurotic actress who attempts to distract herself from the fast-approaching opening night of her one-woman show. Diego Velázquez, Sary López, Gabriel Goity, and Dario Grandinetti round out the key cast.
Santiago Gallelli, Benjamin Domenech, and Matias Roveda produced...
Source: Visit Films
New York-based Visit Films has acquired rights to two Sundance premieres, taking the world excluding Latin America and Scandinavia to The Queen Of Fear and the world excluding North America, Mexico, and Benelux to Time Share.
After their world premieres in the World Cinema Dramatic Competition section, Visit president Ryan Kampe and his team will present the films to Efm buyers in Berlin.
Argentine actress Valeria Bertuccelli (Xxy, A Boyfriend for My Wife) and Fabiana Tiscornia directed The Queen Of Fear (Argentina-Denmark), which premieres on Sunday.
Bertuccelli wrote the screenplay and stars in the Rei Cine and Patagonik production as a neurotic actress who attempts to distract herself from the fast-approaching opening night of her one-woman show. Diego Velázquez, Sary López, Gabriel Goity, and Dario Grandinetti round out the key cast.
Santiago Gallelli, Benjamin Domenech, and Matias Roveda produced...
- 1/19/2018
- by Jeremy Kay
- ScreenDaily
Ryan Kampe will introduce films to Efm buyers in Berlin next month.
Source: Visit Films
New York-based Visit Films has acquired rights to two Sundance premieres, taking the world excluding Latin America and Scandinavia to The Queen Of Fear and the world excluding North America, Mexico, and Benelux to Time Share.
After their world premieres in the World Cinema Dramatic Competition section, Visit president Ryan Kampe and his team will present the films to Efm buyers in Berlin.
Argentine actress Valeria Bertuccelli (Xxy, A Boyfriend for My Wife) and Fabiana Tiscornia directed The Queen Of Fear (Argentina-Denmark), which premieres on Sunday.
Bertuccelli wrote the screenplay and stars in the Rei Cine and Patagonik production as a neurotic actress who attempts to distract herself from the fast-approaching opening night of her one-woman show. Diego Velázquez, Sary López, Gabriel Goity, and Dario Grandinetti round out the key cast.
Santiago Gallelli, Benjamin Domenech, and Matias Roveda produced...
Source: Visit Films
New York-based Visit Films has acquired rights to two Sundance premieres, taking the world excluding Latin America and Scandinavia to The Queen Of Fear and the world excluding North America, Mexico, and Benelux to Time Share.
After their world premieres in the World Cinema Dramatic Competition section, Visit president Ryan Kampe and his team will present the films to Efm buyers in Berlin.
Argentine actress Valeria Bertuccelli (Xxy, A Boyfriend for My Wife) and Fabiana Tiscornia directed The Queen Of Fear (Argentina-Denmark), which premieres on Sunday.
Bertuccelli wrote the screenplay and stars in the Rei Cine and Patagonik production as a neurotic actress who attempts to distract herself from the fast-approaching opening night of her one-woman show. Diego Velázquez, Sary López, Gabriel Goity, and Dario Grandinetti round out the key cast.
Santiago Gallelli, Benjamin Domenech, and Matias Roveda produced...
- 1/19/2018
- by Jeremy Kay
- ScreenDaily
Written and directed by Lucrecia Martel, the Argentine auteur behind La Cineaga and The Headless Woman, Zama is the long-awaited adaptation of Antonio Di Benedetto’s classic of Latin American modernism.
Zama transports us to a remote corner of 18th-century South America where Zama, a servant of the Spanish crown, slowly loses his grip on reality. Zama brings a 21st century perspective to bear on the history of colonial catastrophe in the Americas. Marooned in an a colonial outpost, the titular Don Diego De Zama (a soulful yet funny Daniel Gimenez Cacho, Bad Education, Y Tu Mama narrator, Arrancame la vida) waits in vain for a transfer to a more prestigious post.
Martel, in a perfect coupling of literary source material and cinematic sensibility, renders Zama’s world as both absurd and mysterious as he succumbs more and more to lust, paranoia and a creeping disorientation. A fever dream, the...
Zama transports us to a remote corner of 18th-century South America where Zama, a servant of the Spanish crown, slowly loses his grip on reality. Zama brings a 21st century perspective to bear on the history of colonial catastrophe in the Americas. Marooned in an a colonial outpost, the titular Don Diego De Zama (a soulful yet funny Daniel Gimenez Cacho, Bad Education, Y Tu Mama narrator, Arrancame la vida) waits in vain for a transfer to a more prestigious post.
Martel, in a perfect coupling of literary source material and cinematic sensibility, renders Zama’s world as both absurd and mysterious as he succumbs more and more to lust, paranoia and a creeping disorientation. A fever dream, the...
- 12/6/2017
- by Sydney Levine
- Sydney's Buzz
Exclusive: Argentinian filmmaker Natalia Garagiola makes feature directorial debut on Rei Cine drama.
The first-look international trailer for Rei Cine’s upcoming Venice Critics’ Week and San Sebastin Horizontes Latinos selection Hunting Season (Temporada De Caza) is now live.
Hunting Season
Argentinian filmmaker Natalia Garagiola makes her feature directorial debut on the Argentina-us-Germany-France-Qatar co-production from Rei Cine, Gamechanger Films, Augenschein Filmproduktion, and Les Films de l’Étranger.
Hunting Season marks the first time New York-based Gamechanger Films has co-financed a film outside the Us. Lautaro Bettoni, Germán Palacios, Boy Olmi, and Rita Pauls star in the story about a respected hunting guide whose life with his new family in Patagonia changes when he is forced to take in his estranged teenage son following the death of his first wife.
The man struggles to get along with his son, who displays violent outbursts. Without any sympathy from his new family, the hunter and teenager move towards forgiveness in the...
The first-look international trailer for Rei Cine’s upcoming Venice Critics’ Week and San Sebastin Horizontes Latinos selection Hunting Season (Temporada De Caza) is now live.
Hunting Season
Argentinian filmmaker Natalia Garagiola makes her feature directorial debut on the Argentina-us-Germany-France-Qatar co-production from Rei Cine, Gamechanger Films, Augenschein Filmproduktion, and Les Films de l’Étranger.
Hunting Season marks the first time New York-based Gamechanger Films has co-financed a film outside the Us. Lautaro Bettoni, Germán Palacios, Boy Olmi, and Rita Pauls star in the story about a respected hunting guide whose life with his new family in Patagonia changes when he is forced to take in his estranged teenage son following the death of his first wife.
The man struggles to get along with his son, who displays violent outbursts. Without any sympathy from his new family, the hunter and teenager move towards forgiveness in the...
- 8/21/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Zama
Director: Lucrecia Martel
Writer: Lucrecia Martel
Argentinean director Lucrecia Martel has become one of her country’s most prolific filmmakers with three outstanding titles to her name, beginning with 2001’s La Cienega (where she won the Alfred Bauer film award in Berlin, and the title recently became part of the Criterion selection), 2004’s The Holy Girl, and the coolly received The Headless Woman in 2008, which has been critically recuperated since. Her latest, Zama, is a parody, according to Martel and is based on the highly regarded 1956 novel by Antonio di Benedetto focusing on Diego de Zama, an officer of the Spanish crown. While endlessly waiting for a transfer to Buenos Aires, he joins a party of soldiers hunting down a bandit before absconding to less regulated realms where he is allowed to live freely. The project is one of the most ambitious Us-Latin America-Euro co-productions in the country’s history.
Director: Lucrecia Martel
Writer: Lucrecia Martel
Argentinean director Lucrecia Martel has become one of her country’s most prolific filmmakers with three outstanding titles to her name, beginning with 2001’s La Cienega (where she won the Alfred Bauer film award in Berlin, and the title recently became part of the Criterion selection), 2004’s The Holy Girl, and the coolly received The Headless Woman in 2008, which has been critically recuperated since. Her latest, Zama, is a parody, according to Martel and is based on the highly regarded 1956 novel by Antonio di Benedetto focusing on Diego de Zama, an officer of the Spanish crown. While endlessly waiting for a transfer to Buenos Aires, he joins a party of soldiers hunting down a bandit before absconding to less regulated realms where he is allowed to live freely. The project is one of the most ambitious Us-Latin America-Euro co-productions in the country’s history.
- 1/14/2016
- by Nicholas Bell
- IONCINEMA.com
The premiere post-tiff destination (September 20-25th) in the film community and a major leg up for narrative and non-fiction films in development, the Independent Filmmaker Project (Ifp) announced a whopping 140 projects selected for the Project Forum at the upcoming Ifp Independent Film Week. Made up of several sections (Rbc’s Emerging Storytellers program, No Borders International Co-Production Market and Spotlight on Documentaries), we find latest updates from the likes of docu-helmers Doug Block (112 Weddings) and Lana Wilson (After Tiller), and among the narrative items we find headliners in Andrew Haigh (coming off the well received 45 Years), Sophie Barthes (Cold Souls and Madame Bovary), Terence Nance (An Oversimplification of Her Beauty), Lawrence Michael Levine (Wild Canaries), Jorge Michel Grau (We Are What We Are), Eleanor Burke and Ron Eyal (Stranger Things) and new faces in Sundance’s large family in Charles Poekel (Christmas, Again) and Olivia Newman (First Match). Here...
- 7/22/2015
- by admin
- IONCINEMA.com
Exclusive: The Match Factory has boarded Lucrecia Martel’s new feature Zama and will begin pre-sales on the period drama in Cannes.
The film will be shot in Northern Argentina and Brazil during early 2015.
The Rotterdam CineMart-winning project is based on the novel by Argentinian writer Antonio Di Benedetto.
Zama takes place in the late 18th century. Diego de Zama, a South-American-born functionary of the colonial government, awaits a ship that should bring a royal missive avowing his promotion and transfer: the possibility to return to where his wife and children live, whom he has not seen in several years.
The producers are:
Benjamin Domenech and Santiago Gallelli from Rei Cine, the team behind Historia del Miedo by Benjamin Naishtat (Berlinale Competition 2014);
Vania Catani’s Bananeira Filmes, the producer of El Ardor by Pablo Fendrik (Cannes 2014, Official Selection, Special Screening);
Pedro and Agustin Almodovar’s El Deseo who also collaborated on Martel ́s previous film, La Mujer Sin Cabeza;
and...
The film will be shot in Northern Argentina and Brazil during early 2015.
The Rotterdam CineMart-winning project is based on the novel by Argentinian writer Antonio Di Benedetto.
Zama takes place in the late 18th century. Diego de Zama, a South-American-born functionary of the colonial government, awaits a ship that should bring a royal missive avowing his promotion and transfer: the possibility to return to where his wife and children live, whom he has not seen in several years.
The producers are:
Benjamin Domenech and Santiago Gallelli from Rei Cine, the team behind Historia del Miedo by Benjamin Naishtat (Berlinale Competition 2014);
Vania Catani’s Bananeira Filmes, the producer of El Ardor by Pablo Fendrik (Cannes 2014, Official Selection, Special Screening);
Pedro and Agustin Almodovar’s El Deseo who also collaborated on Martel ́s previous film, La Mujer Sin Cabeza;
and...
- 5/14/2014
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
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