This January, get ready for an X-Men story so big, Marvel enlisted two superstar writers to bring it to life! Written by Marc Guggenheim (X-Men Gold) and Leah Williams (Secret Empire: Brave New World) with art by Alitha E. Martinez (Black Panther: World of Wakanda), the original Excalibur team will reunite in X-Men Gold Annual #1
But getting the gang back together proves to have its own challenges…and who is the new Braddock bundle of joy? “Since the launch of ResurrXtion, fans have been wondering when the classic Excalibur team would come together again,” said series editor Chris Robinson. “With this Annual, Marc, Leah, and Alitha have painstakingly put together a love letter to them and the classic series we’re all still talking about!” With a cover by Excalibur co-creator and industry legend Alan Davis, don’t miss all the action in X-men Gold Annual #1, coming to comic shops this January!
But getting the gang back together proves to have its own challenges…and who is the new Braddock bundle of joy? “Since the launch of ResurrXtion, fans have been wondering when the classic Excalibur team would come together again,” said series editor Chris Robinson. “With this Annual, Marc, Leah, and Alitha have painstakingly put together a love letter to them and the classic series we’re all still talking about!” With a cover by Excalibur co-creator and industry legend Alan Davis, don’t miss all the action in X-men Gold Annual #1, coming to comic shops this January!
- 10/12/2017
- by Phil Wheat
- Nerdly
There’s a new version of The Magnificent Seven currently in theaters, this time directed by Antoine Fuqua and starring Denzel Washington. The film’s racially diverse cast, a distinct departure from the white-dominated 1960 version directed by John Sturges, has garnered a great deal of attention, with some accusing Fuqua of politically correct pandering or even tokenism. But in an eye-opening new article for The Atlantic entitled “How Hollywood Whitewashed The Old West,” writer Leah Williams reveals that this new Magnificent Seven may actually present a much more accurate version of America’s frontier past than its predecessor ever did. In fact, audiences have come to think of cowboys as being all but exclusively white because of the conventions of Hollywood filmmaking. It has no real basis in historical fact. The real West was diverse, even if no one at the time would have used that term to describe ...
- 10/6/2016
- by Joe Blevins
- avclub.com
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