Christopher Andrews’ Bring Them Down starring Barry Keoghan and Christopher Abbott, Sean Dunn’s The Fall Of Sir Douglas Weatherford and Marianne Elliott’s The Salt Path, featuring Gillian Anderson and Jason Isaacs, are among the eight films taking part in the Great 8 showcase, which presents new UK feature films from first-and second-time UK filmmakers to international distributors and festival programmers.
Now in its seventh year, the 2024 Great 8 showcase is funded and produced by the BFI and the British Council, with support from the Great Britain & Northern Ireland campaign, BBC Film and Film4.
In preparation for Cannes, unseen footage from...
Now in its seventh year, the 2024 Great 8 showcase is funded and produced by the BFI and the British Council, with support from the Great Britain & Northern Ireland campaign, BBC Film and Film4.
In preparation for Cannes, unseen footage from...
- 5/2/2024
- ScreenDaily
Art house streamer Mubi has picked up worldwide rights for Witches, the new documentary feature from British director Elizabeth Sankey (Romantic Comedy) and will roll out the movie globally following its world premiere in the Viewpoints section of the Tribeca Festival in June.
Inspired by Sankey’s own struggles with mental health, the film draws connections between postpartum depression and the history and cinematic representation of witches in Western society.
“I started making Witches soon after being released from the psychiatric ward [for postpartum illness] as a way of trying to process what had happened to me,” said Sankey. “I researched the history of women in medicine and found they were once the main healers in their communities, but that ended with the 16th century witch trials. I also read about the women of this period who “confessed” to being witches without torture. Their symptoms were the same as mine — depression, suicidal ideation,...
Inspired by Sankey’s own struggles with mental health, the film draws connections between postpartum depression and the history and cinematic representation of witches in Western society.
“I started making Witches soon after being released from the psychiatric ward [for postpartum illness] as a way of trying to process what had happened to me,” said Sankey. “I researched the history of women in medicine and found they were once the main healers in their communities, but that ended with the 16th century witch trials. I also read about the women of this period who “confessed” to being witches without torture. Their symptoms were the same as mine — depression, suicidal ideation,...
- 4/17/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Compensation
Visual effects and animation studio Dneg, whose credits include “Dune” and “No Time to Die,” will pay enhanced overtime to its U.K. employees.
From October, Dneg will pay overtime at 1.5x rate to all U.K. staff in non-management positions for all incremental time that they are asked to work beyond the standard 40-hour week. The move will bring Dneg’s U.K. overtime policy in line with its studios in North America and applies across its film and episodic visual effects, Dneg Animation and ReDefine operations, including its artist, production, technology and support teams.
The decision is a departure from the existing U.K. industry norm, where employees are compensated for overtime with paid time off after a project is completed.
Dneg has won multiple awards over the years. In 2021 alone, the company won the visual effects BAFTA and Oscar for Christopher Nolan‘s “Tenet.”
Novator Capital Advisers...
Visual effects and animation studio Dneg, whose credits include “Dune” and “No Time to Die,” will pay enhanced overtime to its U.K. employees.
From October, Dneg will pay overtime at 1.5x rate to all U.K. staff in non-management positions for all incremental time that they are asked to work beyond the standard 40-hour week. The move will bring Dneg’s U.K. overtime policy in line with its studios in North America and applies across its film and episodic visual effects, Dneg Animation and ReDefine operations, including its artist, production, technology and support teams.
The decision is a departure from the existing U.K. industry norm, where employees are compensated for overtime with paid time off after a project is completed.
Dneg has won multiple awards over the years. In 2021 alone, the company won the visual effects BAFTA and Oscar for Christopher Nolan‘s “Tenet.”
Novator Capital Advisers...
- 9/13/2021
- by Naman Ramachandran
- Variety Film + TV
Projects are by UK-based filmmakers with non-English language scripts.
Mohamed Ahmed’s Mothers, Rich Peppiatt’s Kneecap and Adina Istrate’s Vapours are the first recipients of the Mother Tongues Award, the development initiative backed by UK distributor Curzon, French sales agent Charades and creative agency Intermission Film.
The programme is focused on feature film projects by UK-based scriptwriters in which the dialogue is in a language other than English.
Mothers, a drama set in Sheffield’s Somali community, picked up the top award of £10,000 to develop Ahmed’s script. The Mother Tongues producing team will now work to attach a director to the project.
Mohamed Ahmed’s Mothers, Rich Peppiatt’s Kneecap and Adina Istrate’s Vapours are the first recipients of the Mother Tongues Award, the development initiative backed by UK distributor Curzon, French sales agent Charades and creative agency Intermission Film.
The programme is focused on feature film projects by UK-based scriptwriters in which the dialogue is in a language other than English.
Mothers, a drama set in Sheffield’s Somali community, picked up the top award of £10,000 to develop Ahmed’s script. The Mother Tongues producing team will now work to attach a director to the project.
- 5/6/2021
- by Michael Rosser
- ScreenDaily
Intermission Film also signs up to support the award, aimed at UK-based filmmakers with non-English scripts.
The Mother Tongues Award, a new development initiative backed by UK distributor Curzon and French sales agent Charades, has unveiled its inaugural shortlist and secured further support from creative agency Intermission Film.
The award, which is focused on feature film projects by UK-based filmmakers in which the dialogue is in a language other than English, has selected a shortlist of 10 projects from 112 entries that spanned 47 languages and dialects. All will attend a workshop and subsequently a panel interview for the development award of £10,000.
The...
The Mother Tongues Award, a new development initiative backed by UK distributor Curzon and French sales agent Charades, has unveiled its inaugural shortlist and secured further support from creative agency Intermission Film.
The award, which is focused on feature film projects by UK-based filmmakers in which the dialogue is in a language other than English, has selected a shortlist of 10 projects from 112 entries that spanned 47 languages and dialects. All will attend a workshop and subsequently a panel interview for the development award of £10,000.
The...
- 3/11/2021
- by Michael Rosser
- ScreenDaily
Intermission Films also signs up to support the award, aimed at UK-based filmmakers with non-English scripts.
The Mother Tongues Award, a new development initiative backed by UK distributor Curzon and French sales agent Charades, has unveiled its inaugural shortlist - and secured further support from creative agency Intermission Films.
The award, which is focused on feature film projects by UK-based filmmakers in which the dialogue is in a language other than English, has selected a shortlist of 10 projects from 112 entries that spanned 47 languages and dialects. All will attend a workshop and subsequently a panel interview for the development award of...
The Mother Tongues Award, a new development initiative backed by UK distributor Curzon and French sales agent Charades, has unveiled its inaugural shortlist - and secured further support from creative agency Intermission Films.
The award, which is focused on feature film projects by UK-based filmmakers in which the dialogue is in a language other than English, has selected a shortlist of 10 projects from 112 entries that spanned 47 languages and dialects. All will attend a workshop and subsequently a panel interview for the development award of...
- 3/11/2021
- by Michael Rosser
- ScreenDaily
Intermission Films also signs up to support the award, aimed at UK-based filmmakers with non-English scripts.
The Mother Tongues Award, a new development initiative backed by UK distributor Curzon and French sales agent Charades, has unveiled its inaugural shortlist - and secured further support from creative agency Intermission Films.
The award, which is focused on feature film projects by UK-based filmmakers in which the dialogue is in a language other than English, has selected a shortlist of 10 projects from 112 entries that spanned 47 languages and dialects. All will attend a workshop and subsequently a panel interview for the development award of...
The Mother Tongues Award, a new development initiative backed by UK distributor Curzon and French sales agent Charades, has unveiled its inaugural shortlist - and secured further support from creative agency Intermission Films.
The award, which is focused on feature film projects by UK-based filmmakers in which the dialogue is in a language other than English, has selected a shortlist of 10 projects from 112 entries that spanned 47 languages and dialects. All will attend a workshop and subsequently a panel interview for the development award of...
- 3/11/2021
- by Michael Rosser
- ScreenDaily
Award is aimed at UK-based filmmakers with non-English scripts.
UK producers Jack Tarling, Manon Ardisson and Chiara Ventura, French sales outfit Charades and UK distributor Curzon have launched a development initative aimed at UK-based filmmakers with non-English-language scripts in a bid to increase the representation of diverse communities on screen.
The Mother Tongues Award has been established by Shudder Films’ Tarling and Ardimages UK’s Ardisson, both of whom produced Francis Lee’s award-winning debut God’s Own Country, with Ardimages UK ’s Chiara Ventura. Charades and Curzon have first-look rights to sell the projects internationally and release in the UK respectively.
UK producers Jack Tarling, Manon Ardisson and Chiara Ventura, French sales outfit Charades and UK distributor Curzon have launched a development initative aimed at UK-based filmmakers with non-English-language scripts in a bid to increase the representation of diverse communities on screen.
The Mother Tongues Award has been established by Shudder Films’ Tarling and Ardimages UK’s Ardisson, both of whom produced Francis Lee’s award-winning debut God’s Own Country, with Ardimages UK ’s Chiara Ventura. Charades and Curzon have first-look rights to sell the projects internationally and release in the UK respectively.
- 9/23/2020
- by Michael Rosser
- ScreenDaily
20 producers/producer teams will receive £2m across two years.
The BFI has selected twenty producers and producer teams to receive £2m of funding across the next two years in the first edition of the revamped Vision Awards.
The selection comes as part of a £2.5m total investment in UK producers, with 12 emerging producers also selected for the new BFI Network Insight professional development programme.
Among those chosen are Manon Ardisson and Chiara Ventura of Ardimages UK. Ardisson won the Bifa for best British independent film in 2017 for God’s Own Country, one of four prizes for the film at the ceremony.
The BFI has selected twenty producers and producer teams to receive £2m of funding across the next two years in the first edition of the revamped Vision Awards.
The selection comes as part of a £2.5m total investment in UK producers, with 12 emerging producers also selected for the new BFI Network Insight professional development programme.
Among those chosen are Manon Ardisson and Chiara Ventura of Ardimages UK. Ardisson won the Bifa for best British independent film in 2017 for God’s Own Country, one of four prizes for the film at the ceremony.
- 4/22/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
The BFI has announced the 20 producers and production companies that are set to share up to £2 million ($2.5 million) in funding through its Vision Awards.
The fourth edition of the coveted BFI Vision Awards, which cover a two-year period, provides a maximum of £50,000 per year to each of the 20 producers or producing teams.
Recipients this year include “God’s Own Country” producer Manon Ardisson; “Chubby Funny” producer Helen Simmons; Oliver Kassman, producer of Toronto International Film Festival contender “Saint Maud;” and Joy Gharoro-Akpojotor, producer of crime drama “Blue Story.”
Other recipients include Kate Byers and Linn Waite, founder of Bristol-based Early Day Films, who won the 2020 BAFTA for best debut feature “Bait”; Little by Little Films’ Lindsey Dryden whose credits include Sundance Special Jury Award-winning and Oscar shortlisted feature documentary “Unrest”; and Pietro Greppi of Lunapark Pictures who produced Andrew Steggall’s BFI-backed debut “Departure.”
See below for full list of recipients.
The fourth edition of the coveted BFI Vision Awards, which cover a two-year period, provides a maximum of £50,000 per year to each of the 20 producers or producing teams.
Recipients this year include “God’s Own Country” producer Manon Ardisson; “Chubby Funny” producer Helen Simmons; Oliver Kassman, producer of Toronto International Film Festival contender “Saint Maud;” and Joy Gharoro-Akpojotor, producer of crime drama “Blue Story.”
Other recipients include Kate Byers and Linn Waite, founder of Bristol-based Early Day Films, who won the 2020 BAFTA for best debut feature “Bait”; Little by Little Films’ Lindsey Dryden whose credits include Sundance Special Jury Award-winning and Oscar shortlisted feature documentary “Unrest”; and Pietro Greppi of Lunapark Pictures who produced Andrew Steggall’s BFI-backed debut “Departure.”
See below for full list of recipients.
- 4/22/2020
- by Tim Dams
- Variety Film + TV
The BFI has revealed this year’s Vision Awards, its funding awards for UK production companies. Scroll down for the list of recipients.
Those selected this year include the producers of BAFTA winner Bait, Sundance title God’s Own Country, Tiff feature Saint Maud and upcoming Kate Winslet starrer Ammonite.
More from DeadlineBritish Film Institute Outlines $5.7M Covid-19 Support MeasuresUK's Covid-19 Film & TV Emergency Relief Fund Swells To $3M, Now Open For Cash-Strapped WorkersBBC Joins Netflix In Making $600,000 Donation To Coronavirus Emergency Relief Fund
The BFI will invest up to £2M in the producers over two years. The organization has also revealed the 12 newcomers (yet to make their first feature) selected for its new professional development program BFI Network Insight.
The BFI said today that recipients of the two programs are 35% from outside London and the South East, more than 70% are female or part of a female producing duos, and more than 35% identify as underrepresented ethnicities.
Those selected this year include the producers of BAFTA winner Bait, Sundance title God’s Own Country, Tiff feature Saint Maud and upcoming Kate Winslet starrer Ammonite.
More from DeadlineBritish Film Institute Outlines $5.7M Covid-19 Support MeasuresUK's Covid-19 Film & TV Emergency Relief Fund Swells To $3M, Now Open For Cash-Strapped WorkersBBC Joins Netflix In Making $600,000 Donation To Coronavirus Emergency Relief Fund
The BFI will invest up to £2M in the producers over two years. The organization has also revealed the 12 newcomers (yet to make their first feature) selected for its new professional development program BFI Network Insight.
The BFI said today that recipients of the two programs are 35% from outside London and the South East, more than 70% are female or part of a female producing duos, and more than 35% identify as underrepresented ethnicities.
- 4/22/2020
- by Andreas Wiseman
- Deadline Film + TV
As one of the early event cancellations in the deluge of unprecedented closures caused by the coronavirus, it’s easy to forget that SXSW would still be running right now. The Austin-based film, TV, and music festival was scheduled to be hosting screenings through March 22, and its Episodic Pilot lineup — a showcase of TV and web pilots aimed to help filmmakers find production opportunities, completion funds, or a release platform — would’ve aired all its entries before St. Patrick’s Day.
Using the SXSW Press platform provided for would-be attendees, IndieWire watched this year’s batch and picked out the most notable entries below. Among the 14 submissions split into two screening groups, there are the typical handful of “pilots” that aren’t really pilots — they’re proofs of concept or short films. But unlike the film side, many indie TV shows that screen at festivals aren’t looking to be...
Using the SXSW Press platform provided for would-be attendees, IndieWire watched this year’s batch and picked out the most notable entries below. Among the 14 submissions split into two screening groups, there are the typical handful of “pilots” that aren’t really pilots — they’re proofs of concept or short films. But unlike the film side, many indie TV shows that screen at festivals aren’t looking to be...
- 3/18/2020
- by Ben Travers
- Indiewire
Manon Ardisson to produce feature adaptation through her company Ardimages UK.
Ardimages UK, the production outfit run by God’s Own Country producer Manon Ardisson, has optioned stage play Emilia, which played at Shakespeare’s Globe in summer 2018.
Written by Morgan Lloyd Malcolm and directed on stage by Nicole Charles, Emilia is set in 1611 and is the story of Emilia Bassano, the first British mixed race female who became a professional poet, and, allegedly, the ‘Dark Lady’ of Shakespeare’s sonnets.
The play was well reviewed on its initial run in 2018 and is now transferring to London’s West End in March,...
Ardimages UK, the production outfit run by God’s Own Country producer Manon Ardisson, has optioned stage play Emilia, which played at Shakespeare’s Globe in summer 2018.
Written by Morgan Lloyd Malcolm and directed on stage by Nicole Charles, Emilia is set in 1611 and is the story of Emilia Bassano, the first British mixed race female who became a professional poet, and, allegedly, the ‘Dark Lady’ of Shakespeare’s sonnets.
The play was well reviewed on its initial run in 2018 and is now transferring to London’s West End in March,...
- 1/24/2019
- by Tom Grater
- ScreenDaily
Recently, after seeing “Love, Simon,” filmmaker Xavier Dolan wrote on his Instagram page, “Let’s not discuss the movie itself, but rather focus on its existence, and the fact a major studio has released a film on a teen coming out. A door has opened, which has opened before, but this time, I can see the light pouring in.” He praised the film for being a huge step towards building narratives around Lgbtq protagonists instead of relinquishing them to comical supporting roles. When “Call Me by Your Name” was shown to festivalgoers at Sundance, the film immediately picked up momentum, building on its initial buzz to receive several Academy Award nominations, including best picture. It was a coming-of-age love story, which happened to have two male leads.
At this year’s Cannes Film Festival, Wanuri Kahiu’s lesbian love story, “Rafiki” (pictured) premiered in Un Certain Regard to strong reviews.
At this year’s Cannes Film Festival, Wanuri Kahiu’s lesbian love story, “Rafiki” (pictured) premiered in Un Certain Regard to strong reviews.
- 5/16/2018
- by Katherine Brodsky
- Variety Film + TV
Every so often, we like to shine a light on rising talent, and today we’re happy to bring some attention to Louis Paxton. The emerging Scottish filmmaker has a number of short works to his name, but it’s “Satan With A Bushy Tail” that has made the biggest impact to date — and with good reason.
Starring Tom Bennett (who you might know from his hilarious supporting turn in Whit Stillman‘s “Love & Friendship“) and veteran Richard Durden, and produced by Chiara Ventura, this clever buddy comedy follows Hugh, recently separated from his wife, who goes to stay with his newly widowed grandfather, Derek.
Continue reading Exclusive: Stream The Award-Winning Comedy Short ‘Satan Has A Bushy Tail’ at The Playlist.
Starring Tom Bennett (who you might know from his hilarious supporting turn in Whit Stillman‘s “Love & Friendship“) and veteran Richard Durden, and produced by Chiara Ventura, this clever buddy comedy follows Hugh, recently separated from his wife, who goes to stay with his newly widowed grandfather, Derek.
Continue reading Exclusive: Stream The Award-Winning Comedy Short ‘Satan Has A Bushy Tail’ at The Playlist.
- 7/26/2017
- by Kevin Jagernauth
- The Playlist
Creative England has selected the participants for new producer initiatives aimed at developing industry outside of London.
Creative England has selected the participants for new producer initiatives Producer Hothouse and the Creative Producer Initiative, which are aimed at fostering industry outside of London.
For the Hothouse programme, six film and TV production companies have selected eight producers from outside of London to join them for an intensive six-month placement.
The participants and their placements are:
Irune Gurtubai (Edinburgh) with Altitude Film Entertainment Max Conil (Seaford) with Number 9 FilmsNicola Clayton (Holbrook) and Jack Tarling (Newcastle) with Scott Free FilmsJennifer Monks (Liverpool) with Tigerlily FilmsPeter Fraser (Cambridge) with Trademark FilmsDana Bruce (Manchester) and Lucy Meer (Hull) with Warp Films
The producers receive a bursary award plus an allocation towards relocation expenses, from Creative England or the Scottish Film Talent Network (for Edinburgh-based Gurtubai).
Mark Herbert of Warp Films said: “Speaking from experience it it can be difficult starting and sustaining...
Creative England has selected the participants for new producer initiatives Producer Hothouse and the Creative Producer Initiative, which are aimed at fostering industry outside of London.
For the Hothouse programme, six film and TV production companies have selected eight producers from outside of London to join them for an intensive six-month placement.
The participants and their placements are:
Irune Gurtubai (Edinburgh) with Altitude Film Entertainment Max Conil (Seaford) with Number 9 FilmsNicola Clayton (Holbrook) and Jack Tarling (Newcastle) with Scott Free FilmsJennifer Monks (Liverpool) with Tigerlily FilmsPeter Fraser (Cambridge) with Trademark FilmsDana Bruce (Manchester) and Lucy Meer (Hull) with Warp Films
The producers receive a bursary award plus an allocation towards relocation expenses, from Creative England or the Scottish Film Talent Network (for Edinburgh-based Gurtubai).
Mark Herbert of Warp Films said: “Speaking from experience it it can be difficult starting and sustaining...
- 10/25/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Three films from 12 teams will be greenlit for production.Scroll down for full list of projects
UK film-making initiative iFeatures has revealed the teams and projects that will make up its fourth development slate.
Twelve teams and projects have been selected, of which three will be greenlit for production in 2017, each with a budget of £350,000 ($455,000).
The scheme, which has previously produced regional productions such as Guy Myhill’s award-winning The Goob, is overseen by Creative England with partners the BFI Film Fund, BBC Films and Creative Skillset.
The selected teams include Screen International Stars of Tomorrow Rob Savage, Emily Morgan and Joy Wilkinson; Sundance Fellowship winner Naz Sadoughi; and Ted Evans, one of the UK’s leading deaf filmmakers who directed and co-wrote the Paralympic Opening Ceremony film Look Up.
Between them the chosen teams have made films which have screened at Toronto, London and Sundance film festivals as well as FrightFest.
The selected...
UK film-making initiative iFeatures has revealed the teams and projects that will make up its fourth development slate.
Twelve teams and projects have been selected, of which three will be greenlit for production in 2017, each with a budget of £350,000 ($455,000).
The scheme, which has previously produced regional productions such as Guy Myhill’s award-winning The Goob, is overseen by Creative England with partners the BFI Film Fund, BBC Films and Creative Skillset.
The selected teams include Screen International Stars of Tomorrow Rob Savage, Emily Morgan and Joy Wilkinson; Sundance Fellowship winner Naz Sadoughi; and Ted Evans, one of the UK’s leading deaf filmmakers who directed and co-wrote the Paralympic Opening Ceremony film Look Up.
Between them the chosen teams have made films which have screened at Toronto, London and Sundance film festivals as well as FrightFest.
The selected...
- 7/6/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Exclusive: Opportunities available for new and emerging filmmakers, and pitching sessions among programme.
Edinburgh International Film Festival (Eiff) has announced the line-up for this year’s Industry Programme, which will run for nine days from June 16-24, as well as Eiff’s Talent Development Programmes.
The programme will include workshops, practical sessions, talent labs and one-to-one meetings with industry experts, all of which will take place at the Eiff Delegate Centre at the Traverse Theatre.
Programme highlights include two sessions hosted by the BFI Net.Work looking at opportunities available for new and emerging filmmakers across the UK, offering tips from execs and filmmakers on how to make the best short film on a short film budget.
Script consultant David Pope will deliver a pitching workshop with advice on how to develop confidence and how to tailor a pitch for an audience, followed by the chance for filmmakers to pitch to a panel of industry experts.
Prs...
Edinburgh International Film Festival (Eiff) has announced the line-up for this year’s Industry Programme, which will run for nine days from June 16-24, as well as Eiff’s Talent Development Programmes.
The programme will include workshops, practical sessions, talent labs and one-to-one meetings with industry experts, all of which will take place at the Eiff Delegate Centre at the Traverse Theatre.
Programme highlights include two sessions hosted by the BFI Net.Work looking at opportunities available for new and emerging filmmakers across the UK, offering tips from execs and filmmakers on how to make the best short film on a short film budget.
Script consultant David Pope will deliver a pitching workshop with advice on how to develop confidence and how to tailor a pitch for an audience, followed by the chance for filmmakers to pitch to a panel of industry experts.
Prs...
- 5/20/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The low-budget production scheme has selected 12 projects and exceeded diversity target.
Film London Microwave has announced the shortlist of the 12 projects selected for its annual production and training scheme.
According to Film London, this year’s applications exceeded its diversity target of 50%. Over half of the teams who applied have a writer, director or producer from a black, Asian or minority ethnic (Bame) background.
The shortlisted projects and teams are:
Amsterdam, Lisa Jacobs (writer), Tara Fitzgerald (director), Georgina French (producer) Barefaced, David Cornwall (writer), Chester Yang (director), Adebayo Awolaja (producer)
Brutal, Ed Aldridge (writer), Scott Rawsthorne (director), Jon Shaikh (director), Amyra Bunyard (producer)
Looted, Rene Pannevis (writer-director), Jennifer Ericsson (producer), Jessie Mangum (co-producer)
Nocturnal, Olivia Waring (writer), Shan Ng (director), Robert Williams (producer), Colin Day (producer)
Real Boy, Liam Creighton (writer-director), Danny de Warren (producer)
Running Out of Grime, Dwayne Gumbs (writer/director), Iain Simpson (director), Benedict Turnbull (producer), Alex Williams (producer), Harri Kamalanathan (producer)
Samurai Sword, Lab Ky Mo...
Film London Microwave has announced the shortlist of the 12 projects selected for its annual production and training scheme.
According to Film London, this year’s applications exceeded its diversity target of 50%. Over half of the teams who applied have a writer, director or producer from a black, Asian or minority ethnic (Bame) background.
The shortlisted projects and teams are:
Amsterdam, Lisa Jacobs (writer), Tara Fitzgerald (director), Georgina French (producer) Barefaced, David Cornwall (writer), Chester Yang (director), Adebayo Awolaja (producer)
Brutal, Ed Aldridge (writer), Scott Rawsthorne (director), Jon Shaikh (director), Amyra Bunyard (producer)
Looted, Rene Pannevis (writer-director), Jennifer Ericsson (producer), Jessie Mangum (co-producer)
Nocturnal, Olivia Waring (writer), Shan Ng (director), Robert Williams (producer), Colin Day (producer)
Real Boy, Liam Creighton (writer-director), Danny de Warren (producer)
Running Out of Grime, Dwayne Gumbs (writer/director), Iain Simpson (director), Benedict Turnbull (producer), Alex Williams (producer), Harri Kamalanathan (producer)
Samurai Sword, Lab Ky Mo...
- 11/30/2015
- ScreenDaily
Following last week's highly-anticipated wedding, the surprise arrival of Allen Leech as Tom Branson and the return of Rose Leslie, this week's episode was overrun with familiar faces - and fans of the show had a lot to say.
Between Branson's changing politics and the welcome return of Matthew Goode as one Henry Talbot from last year's Christmas special, Digital Spy turned to Twitter to find out what everyone thought:
For some, Tom Branson's return was welcomed whole-heartedly:
It's great to have you back @Allenleech ... Now where's that gold envelope #DowntonAbbey
— Phillip Schofield (@Schofe) October 11, 2015
Tom Branson Is Back #DowntonAbbey
— tash (@17blqcknjh) October 11, 2015
Oh am so glad Tom's back @DowntonAbbey @ITV @Allenleech #DowntonAbbey
— Kirsty Bennett (@KirstyBennett5) October 11, 2015
While others weren't quite sold on the character's comeback:
Coincidental: Tom has come back fat and also now likes capitalism? #DowntonAbbey
— Nicole Caile (@AlmostDaria) October 11, 2015
Tom Branson's politics went from revolutionary socialist to...
Between Branson's changing politics and the welcome return of Matthew Goode as one Henry Talbot from last year's Christmas special, Digital Spy turned to Twitter to find out what everyone thought:
For some, Tom Branson's return was welcomed whole-heartedly:
It's great to have you back @Allenleech ... Now where's that gold envelope #DowntonAbbey
— Phillip Schofield (@Schofe) October 11, 2015
Tom Branson Is Back #DowntonAbbey
— tash (@17blqcknjh) October 11, 2015
Oh am so glad Tom's back @DowntonAbbey @ITV @Allenleech #DowntonAbbey
— Kirsty Bennett (@KirstyBennett5) October 11, 2015
While others weren't quite sold on the character's comeback:
Coincidental: Tom has come back fat and also now likes capitalism? #DowntonAbbey
— Nicole Caile (@AlmostDaria) October 11, 2015
Tom Branson's politics went from revolutionary socialist to...
- 10/11/2015
- Digital Spy
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