Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by special guest Eric Marsh to discuss David Mamet’s con drama House of Games, now available to rent digitally or on The Criterion Collection.
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The Film Stage Show is supported by Mubi, a curated streaming service showcasing exceptional films from around the globe. Every day, Mubi premieres a new film. Whether it’s a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either...
Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films.
Subscribe on iTunes, Spotify, Stitcher, Overcast, or stream below.
The Film Stage Show is supported by Mubi, a curated streaming service showcasing exceptional films from around the globe. Every day, Mubi premieres a new film. Whether it’s a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either...
- 7/8/2020
- by Brian Roan
- The Film Stage
As a publication about film, we find ourselves in the peculiar position of publishing during a moment when theatrical access to movies, and their ongoing future, is as much in question as everything else. During this suspension of normal filmwatching habits, we’ve reached out to contributors, filmmakers and friends, inviting them to find an alternate path to the movies by participating in a writing exercise engaging with any book about or lightly intersecting with film, in whatever way makes sense to them. Today: Eric Marsh on John Gregory Dunne’s all-access portrait of 20th Century Fox in 1967, The Studio. In 1967, […]...
- 4/22/2020
- by Eric Marsh
- Filmmaker Magazine-Director Interviews
As a publication about film, we find ourselves in the peculiar position of publishing during a moment when theatrical access to movies, and their ongoing future, is as much in question as everything else. During this suspension of normal filmwatching habits, we’ve reached out to contributors, filmmakers and friends, inviting them to find an alternate path to the movies by participating in a writing exercise engaging with any book about or lightly intersecting with film, in whatever way makes sense to them. Today: Eric Marsh on John Gregory Dunne’s all-access portrait of 20th Century Fox in 1967, The Studio. In 1967, […]...
- 4/22/2020
- by Eric Marsh
- Filmmaker Magazine - Blog
Chicago – Filmmaking is a collaborative art, the melding of technical skill and creative energy. Proving that collaboration on a very high level is the new film “Rendezvous in Chicago,” written and directed by Michael Glover Smith. This passion project, shot in eight days, brought together a production crew and cast who perfectly meshed to create the “romance-in-the-Windy-City movie the world has been waiting for.” For the rest of the 5-Star review from HollywoodChicago.com, click here.
On Monday, February 11th, 2019, “Rendezvous in Chicago” was screened at the Gene Siskel Film Center on State Street in its hometown. Patrick McDonald of this outlet was the moderator for an audience Q&A afterward. with a cast member (represented by Rashaad Hall) and the production crew, producer Layne Marie Williams, cinematographer Alex Halstead, production designer Haley McCormick, editor Eric Marsh and writer/director Michael Glover Smith. The main feature was preceded by the short film “Dancer,...
On Monday, February 11th, 2019, “Rendezvous in Chicago” was screened at the Gene Siskel Film Center on State Street in its hometown. Patrick McDonald of this outlet was the moderator for an audience Q&A afterward. with a cast member (represented by Rashaad Hall) and the production crew, producer Layne Marie Williams, cinematographer Alex Halstead, production designer Haley McCormick, editor Eric Marsh and writer/director Michael Glover Smith. The main feature was preceded by the short film “Dancer,...
- 2/13/2019
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended VIEWINGFinally, it’s here: Netflix’s trailer for their restoration and reconstruction of Orson Welles' final and previously unfinished The Other Side of the Wind, starring John Huston and Peter Bogdanovich.A dreamy, sun-bathed trailer for Carlos Reygadas's Our Time, about a Mexican family that raises fighting bulls, and a young horse trainer who enters and disrupts their lives. The Venice-bound film is Reygadas's first since his 2012 Post Tenebras Lux. Behold, the official trailer for Luca Guadagnino's Suspiria, cut with an erratic rhythm that blurs the line between violent bodily contortions and interpretive dance. The film has been acquired by Mubi to show in UK cinemas on November 16.The trailer for Rialto Pictures's new 4K restoration of Jean-Pierre Melville's little-seen When You Read This Letter (1953). The film, which...
- 8/29/2018
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended VIEWINGJanus Films has released a moving trailer for the late master Abbas Kiarostami's final film, 24 Frames. We were touched by this entrancing film at this past year's Cannes Film Festival.Steven Soderbergh's post-"retirement" phase appears to continue with Unsane. Here's the first tantalizing trailer:Travis Wilkerson is one of the best kept secrets in American cinema, thus we're pleased to see that his latest Did You Wonder Who Fired the Gun? gets a trailer and distribution via Grasshopper Film:The kind people over at NoBudge have presented the online premieres of two inspired independent films: Kat Hunt's What's Revenge, a docu-fiction comedy about ex-boyfriends and gender relations, and Eric Marsh & Andrew Stasiulis' Orders, a contemplation of the American war machine from a haunted suburban setting.Recommended LISTENINGThe Directors Guild...
- 2/8/2018
- MUBI
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