San Sebastián, Spain, native Jaione Camborda took the top prize, the Golden Shell for best film, at the 71st San Sebastián Film Festival, for her The Rye Horn, a 1970s-set drama about a midwife forced to flee Galicia, Spain, to Portugal when, after a tragedy strikes, a teenage mother asked her for an abortion.
The audience award for best film went to J.A. Bayona’s Netflix real-life survival thriller Society of the Snow, while San Sebastián viewers voted Matteo Garrone’s migration drama Io Capitano the best European film at the festival. Both Society of the Snow and Io Capitano are in the running for the 2024 Oscar in the best international feature category.
The best performance award went to both Marcelo Subiotto for his performance as a philosophy teacher at the University of Buenos Aires battling a bitter rival over a professorship position in the dramedy Puan and Tatsuya Fuji...
The audience award for best film went to J.A. Bayona’s Netflix real-life survival thriller Society of the Snow, while San Sebastián viewers voted Matteo Garrone’s migration drama Io Capitano the best European film at the festival. Both Society of the Snow and Io Capitano are in the running for the 2024 Oscar in the best international feature category.
The best performance award went to both Marcelo Subiotto for his performance as a philosophy teacher at the University of Buenos Aires battling a bitter rival over a professorship position in the dramedy Puan and Tatsuya Fuji...
- 10/1/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The San Sebastian Film Festival awarded O Corno (The Rye Horn) with the Golden Shell for Best Film. San Sebastián native Jaione Camborda took the top prize of the night for the feature she directed.
Additionally, the jury gave the Silver Shell for Best Director to Tzu-Hui Peng and Ping-Wen Wang for Chun xing / A Journey in Spring (Taiwan), while the Best Screenplay Award went to María Alché and Benjamín Naishtat for Puan (Argentina-Italy-Germany-France-Brazil).
The Silver Shell for Best Leading Performance fell ex aequo upon Marcelo Subiotto and Tatsuya Fuji for their respective roles in Puan, by Alché and Naishtat, and Great Absence (Japan), by Kei Chika-ura, while the Silver Shell for Best Supporting Performance went to Hovik Keuchkerian for his character in Un amor (Spain) by Isabel Coixet.
Check out the full list of winners below.
San Sebastian 2023 Award Winners List Golden Shell For Best Film
O Corno (The Rye Horn...
Additionally, the jury gave the Silver Shell for Best Director to Tzu-Hui Peng and Ping-Wen Wang for Chun xing / A Journey in Spring (Taiwan), while the Best Screenplay Award went to María Alché and Benjamín Naishtat for Puan (Argentina-Italy-Germany-France-Brazil).
The Silver Shell for Best Leading Performance fell ex aequo upon Marcelo Subiotto and Tatsuya Fuji for their respective roles in Puan, by Alché and Naishtat, and Great Absence (Japan), by Kei Chika-ura, while the Silver Shell for Best Supporting Performance went to Hovik Keuchkerian for his character in Un amor (Spain) by Isabel Coixet.
Check out the full list of winners below.
San Sebastian 2023 Award Winners List Golden Shell For Best Film
O Corno (The Rye Horn...
- 9/30/2023
- by Armando Tinoco
- Deadline Film + TV
A predictably spectacular sunset spreads streaks of pink and orange across a northern Spanish late September sky, heralding the end of another packed edition of the San Sebastian Film Festival, where at the closing gala, “The Rye Horn” the second feature from Spanish director Jaione Camborda has just been handed the Golden Shell, the festival’s top award.
It is perhaps a surprising win, but does now mark the fourth consecutive year that the festival’s most prestigious prize has gone to a female director. But in another way it has to be a first: the international jury, comprising French director Claire Denis, alongside Chinese actor and producer Fan Bingbing, Colombian producer-director Cristina Gallego, French photographer Brigitte Lacombe, Spanish actor Vicky Luengo, Canadian producer and distributor Robert Lantos and German director Christian Petzold, has chosen to award not just a Spanish film, but one from a female director who was...
It is perhaps a surprising win, but does now mark the fourth consecutive year that the festival’s most prestigious prize has gone to a female director. But in another way it has to be a first: the international jury, comprising French director Claire Denis, alongside Chinese actor and producer Fan Bingbing, Colombian producer-director Cristina Gallego, French photographer Brigitte Lacombe, Spanish actor Vicky Luengo, Canadian producer and distributor Robert Lantos and German director Christian Petzold, has chosen to award not just a Spanish film, but one from a female director who was...
- 9/30/2023
- by Jessica Kiang
- Variety Film + TV
The wonderful, dystopian TV HBO Max series, The Last of Us, was shot by the young Russian cinematographer Ksenia Sereda. Sereda chose the beautiful combination of Arri Alexa Mini and Cooke S4/i, to help her translate the cinematic look of the acclaimed video game, into a successful TV series. Read the interview below.
Dp Ksenia Sereda on the set of The Last Of Us. Source: HBO Painting a dystopian world
It’s not a coincidence that the dystopian look & feel of the HBO Max series, The Last of Us reminds us of other TV series. In fact, cinematography-wise, it looks like the TV series Chernobyl. Indeed, one of the creators of The Last of Us is Craig Mazin, which has also created the mini-series Chernobyl. Furthermore, Ksenia Sereda, which is the main (and youngest) cinematographer of The Last of Us, was the cinematographer of Chornobyl’s Russian counterstrike, which is Chernobyl: Abyss.
Dp Ksenia Sereda on the set of The Last Of Us. Source: HBO Painting a dystopian world
It’s not a coincidence that the dystopian look & feel of the HBO Max series, The Last of Us reminds us of other TV series. In fact, cinematography-wise, it looks like the TV series Chernobyl. Indeed, one of the creators of The Last of Us is Craig Mazin, which has also created the mini-series Chernobyl. Furthermore, Ksenia Sereda, which is the main (and youngest) cinematographer of The Last of Us, was the cinematographer of Chornobyl’s Russian counterstrike, which is Chernobyl: Abyss.
- 3/21/2023
- by Yossy Mendelovich
- YMCinema
How should we balance a movie’s aims and execution, when the two very evidently diverge? In dramatizing the true story of early-aughts serial killer Saeed Hanaei (Mehdi Bajestani), who murdered 16 sex workers, director Ali Abbasi (“Border”) claims that his intention “was not to make a serial killer movie.” As he says in the film’s press notes, “I wanted to make a movie about a serial-killer society. Misogyny everywhere breeds through the habits of people.”
Among these habits, alas, is the knee-jerk objectification and exploitation of women, a practice in which “Holy Spider” repeatedly engages. Within minutes, Saeed’s first victim is shot gratuitously nude; her murder and the subsequent ones that follow are so explicitly violent that Abbasi’s nobly stated goals start to reflect the depressing hypocrisy of his subject.
What’s equally dispiriting is that there were so many other ways to make the very cultural critique to which Abbasi,...
Among these habits, alas, is the knee-jerk objectification and exploitation of women, a practice in which “Holy Spider” repeatedly engages. Within minutes, Saeed’s first victim is shot gratuitously nude; her murder and the subsequent ones that follow are so explicitly violent that Abbasi’s nobly stated goals start to reflect the depressing hypocrisy of his subject.
What’s equally dispiriting is that there were so many other ways to make the very cultural critique to which Abbasi,...
- 11/3/2022
- by Elizabeth Weitzman
- The Wrap
In terms of new trauma triggering old trauma experiences, her debut film Holiday was no walk in the park and now for Isabella Eklöf‘s sophomore film, we can expect wounds of a personal and collective nature. Screen Daily reports that production begins today on Kalak – with Emil Johnsen toplining. Asta Kamma August, Søren Hellerup, Berda Larsen, Connie Kristoffersen and Hans-Jukku Noahsen also join the project. Eklöf will reteam with her cinematographer in Nadim Carlsen. Co-written with Kim Leine and Sissel Dalsgaard Thomsen, adapted from Leine’s debut novel of the same name, Manna Film’s Maria Møller Kjeldgaard produces a project that has received a ton of Scandi support.…...
- 9/20/2022
- by Eric Lavallée
- IONCINEMA.com
Eklöf previously directed Sundance 2018 selection Holiday.
Danish filmmaker Isabella Eklöf today (September 20) starts shooting her second feature Kalak in Copenhagen, followed by a shoot in Nuuk and Kulusuk in Greenland.
Eklöf previously directed Sundance 2018 selection Holiday and co-wrote Border with Ali Abbasi and John Ajvide Lindqvist, as well as directing episodes of Servant for Apple and Industry for HBO Max.
She wrote the Kalak script alongside Kim Leine and Sissel Dalsgaard Thomsen, adapted from Leine’s debut novel of the same name.
The story follows Jan, a nurse who is also a father, who was sexually abused by his father as a teenager.
Danish filmmaker Isabella Eklöf today (September 20) starts shooting her second feature Kalak in Copenhagen, followed by a shoot in Nuuk and Kulusuk in Greenland.
Eklöf previously directed Sundance 2018 selection Holiday and co-wrote Border with Ali Abbasi and John Ajvide Lindqvist, as well as directing episodes of Servant for Apple and Industry for HBO Max.
She wrote the Kalak script alongside Kim Leine and Sissel Dalsgaard Thomsen, adapted from Leine’s debut novel of the same name.
The story follows Jan, a nurse who is also a father, who was sexually abused by his father as a teenager.
- 9/20/2022
- by Wendy Mitchell
- ScreenDaily
It is hard to watch the brutalization of women on screen, especially when you know it is a re-creation of an actual crime. But it is harder still — rightly, valuably so — if you’ve been made to notice the way this woman’s lipstick is smeared over her cracked lips, if you’ve seen the old bruises that mottle that woman’s body beneath her chador, or watched her carefully stash her flats in a crinkled plastic bag as she switches into heels in a dingy bathroom. Saeed Hanaei, the real-life serial killer reimagined in Ali Abbasi’s tense and convincing procedural, believed that God was behind his grand mission to rid his city of prostitutes. But in “Holy Spider,” the devil is in those devastating details.
Hanaei, here portrayed with brave understatement by affable Iranian actor Mehdi Bajestani, was a builder, a family man, a resident of Iran’s...
Hanaei, here portrayed with brave understatement by affable Iranian actor Mehdi Bajestani, was a builder, a family man, a resident of Iran’s...
- 5/22/2022
- by Jessica Kiang
- Variety Film + TV
Holy Spider
Winner of the Un Certain Regard section in 2018 (watch the ceremony here) with his sophomore feature Border, Ali Abbasi has been developing what would become his third feature since 2016 (and has a lot more items on his plate). Other than this formerly titled “The Long Night” being an Iranian language project and that Abbasi reteamed with cinematographer Nadim Carlsen, there has been no casting news revealed on what we think was a January 2021 production which might have taken place in Denmark and Germany.…...
Winner of the Un Certain Regard section in 2018 (watch the ceremony here) with his sophomore feature Border, Ali Abbasi has been developing what would become his third feature since 2016 (and has a lot more items on his plate). Other than this formerly titled “The Long Night” being an Iranian language project and that Abbasi reteamed with cinematographer Nadim Carlsen, there has been no casting news revealed on what we think was a January 2021 production which might have taken place in Denmark and Germany.…...
- 1/12/2022
- by Eric Lavallée
- IONCINEMA.com
As sharply engineered as a reel of razor wire, Shariff Korver’s “Do Not Hesitate” is not the first film to expose the sheer lunacy of sending callow, heavily armed young men, versed in a machismo that sees sensitivity as weakness, into hostile territory and expecting everything to work out fine. But Korver sets his film, which is the Dutch international Oscar selection, apart from the “Jarheads” and the “Full Metal Jackets” of the world with the precision of its craft and the narrowness of its focus. This time, the story is told as though through the sights of a sniper rifle.
Directly in the crosshairs, there’s Erik (major breakout Joes Brauers), a personable, level-headed young soldier and avid amateur drummer, who has been deployed to the Middle East on a peacekeeping mission. When their tricked-out transport vehicle stalls on a remote mountain path, Erik and a small squad...
Directly in the crosshairs, there’s Erik (major breakout Joes Brauers), a personable, level-headed young soldier and avid amateur drummer, who has been deployed to the Middle East on a peacekeeping mission. When their tricked-out transport vehicle stalls on a remote mountain path, Erik and a small squad...
- 12/21/2021
- by Jessica Kiang
- Variety Film + TV
The suspense drama from director Shariff Korver is in production.
TrustNordisk has boarded international sales for Do Not Hesitate, directed by Venezuela-born director Shariff Korver.
The story follows a Dutch military convoy working on a peacekeeping mission in the Middle East. When three young soldiers guarding their vehicle on a desolate mountain road accidentally shoot and kill a goat, they don’t know if they can trust a 14-year-old goatherd following an ambush.
Described a suspenseful drama, the film is currently in production. Screen International can reveal the first image here.
TrustNordisk sales and project manager Silje Nikoline Glimsdal said:...
TrustNordisk has boarded international sales for Do Not Hesitate, directed by Venezuela-born director Shariff Korver.
The story follows a Dutch military convoy working on a peacekeeping mission in the Middle East. When three young soldiers guarding their vehicle on a desolate mountain road accidentally shoot and kill a goat, they don’t know if they can trust a 14-year-old goatherd following an ambush.
Described a suspenseful drama, the film is currently in production. Screen International can reveal the first image here.
TrustNordisk sales and project manager Silje Nikoline Glimsdal said:...
- 11/6/2019
- by 1100142¦Wendy Mitchell¦0¦
- ScreenDaily
A Swedish customs officer with a special talent for detecting contraband must ultimately choose between good and evil in the idiosyncratic thriller “Border,” an exciting, intelligent mix of romance, Nordic noir, social realism, and supernatural horror that defies and subverts genre conventions. Destined to be a cult classic, this absorbing second feature from Iran-born, Denmark-based director Ali Abbasi is based on a short story by “Let The Right One In” author John Ajvide Lindqvist, whose oeuvre and fandom is comparable to that of Stephen King and Anne Rice. Lindqvist also co-wrote the screenplay along with Abbasi and his Danish Film School colleague Isabella Eklöf. Neon has already snapped up the North American rights; other territories are going fast.
It’s almost impossible to write about “Border” without some spoilers, so those who want to preserve the thrill of discovery may want to stop reading here. The underlying themes are common...
It’s almost impossible to write about “Border” without some spoilers, so those who want to preserve the thrill of discovery may want to stop reading here. The underlying themes are common...
- 5/11/2018
- by Alissa Simon
- Variety Film + TV
Danish cinematographer Nadim Carlsen has shot more than 20 music videos, commercials, shorts and features since 2009. In recent years she served as Dp on the horror film Shelley, which screened at Berlin and Cph:Pix, and What Will People Say, which played at Tiff and Iffr. Carlsen went to film school with Isabella Eklöf, the director and cowriter of the provocative Holiday. Ahead of the film’s five screenings at Sundance, Carlsen spoke with Filmmaker about her use of static long takes and why she and Eklöf sought to create glossy images that “contradict the dark and dramatic content” of the […]...
- 1/27/2018
- by Filmmaker Staff
- Filmmaker Magazine - Blog
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