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Top Gun: Maverick, The Batman, Doctor Strange in the Multiverse of Madness and Dune are among the movies that received multiple Hpa (Hollywood Professional Association) Award nominations. The annual Hpa Awards recognizes postproduction talent in areas including color grading, editing, sound and visual effects.
The voting period runs from September to September, meaning that some of last year’s award season films will compete against this year’s contenders.
The awards will be handed out Nov. 17 at the Hollywood Legion Theater.
The complete list of nominees follow:
Outstanding Color Grading – Theatrical Feature
Top Gun: Maverick
Stefan Sonnenfeld, Adam Nazarenko / Company 3
Dune
David Cole / FotoKem
Nightmare Alley
Stefan Sonnenfeld, Adam Nazarenko / Company 3
The Batman
David Cole / FotoKem
No Time to Die
Matt Wallach / Company 3
Outstanding Color Grading – Episode or Non-Theatrical Feature
“1883 – 1883”
Mitch Paulson // Company 3
“Better Call Saul – Carrot and Stick”
Keith Shaw...
Top Gun: Maverick, The Batman, Doctor Strange in the Multiverse of Madness and Dune are among the movies that received multiple Hpa (Hollywood Professional Association) Award nominations. The annual Hpa Awards recognizes postproduction talent in areas including color grading, editing, sound and visual effects.
The voting period runs from September to September, meaning that some of last year’s award season films will compete against this year’s contenders.
The awards will be handed out Nov. 17 at the Hollywood Legion Theater.
The complete list of nominees follow:
Outstanding Color Grading – Theatrical Feature
Top Gun: Maverick
Stefan Sonnenfeld, Adam Nazarenko / Company 3
Dune
David Cole / FotoKem
Nightmare Alley
Stefan Sonnenfeld, Adam Nazarenko / Company 3
The Batman
David Cole / FotoKem
No Time to Die
Matt Wallach / Company 3
Outstanding Color Grading – Episode or Non-Theatrical Feature
“1883 – 1883”
Mitch Paulson // Company 3
“Better Call Saul – Carrot and Stick”
Keith Shaw...
- 10/4/2022
- by THR staff
- The Hollywood Reporter - Movie News
In Hollywood cinema, the colorist is one of many crew positions whose work, if done “well,” might go completely unnoticed, invisible in the mind of the viewer. It’s something of a contradiction, as it’s the position tasked with dealing most hands-on with the essential features of the moving image: adjusting the shades, hues, and tones that actually carve out the image to be physically projected or screened. It’s the post-production position ultimately in charge of assuring a visual consistency across shots and scenes that allows the viewer to stay with the film, as well as implementing stylistic enhancement that allows them to be transported.Since the mid-2010s, colorist Matt Wallach has worked with a number of prominent cinematographers, carving a unique path for himself which came to a head recently in his doing both dailies color and finishing color on Cary Fukunaga’s No Time to Die.
- 12/15/2021
- MUBI
Colorist Skip Kimball, whose 30-year career has encompassed such high-profile projects as “Avatar,” has joined post-production shop Efilm following six years as senior colorist at Technicolor.
Kimball recently completed work on seasons 1 and 2 of the Duffer Brothers’ “Stranger Things” (pictured) on Netflix for executive producer Shawn Levy and is currently on “Deadpool 2” for Twentieth Century Fox and director David Leitch.
Other recent feature credits include “Downsizing” and “Nebraska” for Alexander Payne, “Logan” for James Mangold, and the “Terminator 2” re-master for James Cameron.
“We are incredibly proud to have Skip on the team,” said William Sherak, president of Deluxe Post Production. “He is an immensely talented artist that top directors, DPs and producers have come to rely on for his expertise.”
Kimball credits Sherak with drawing him to Efilm. The two previously worked together on the re-issue of “Titanic” in 3D, which Stereo D converted for Cameron. “William shared...
Kimball recently completed work on seasons 1 and 2 of the Duffer Brothers’ “Stranger Things” (pictured) on Netflix for executive producer Shawn Levy and is currently on “Deadpool 2” for Twentieth Century Fox and director David Leitch.
Other recent feature credits include “Downsizing” and “Nebraska” for Alexander Payne, “Logan” for James Mangold, and the “Terminator 2” re-master for James Cameron.
“We are incredibly proud to have Skip on the team,” said William Sherak, president of Deluxe Post Production. “He is an immensely talented artist that top directors, DPs and producers have come to rely on for his expertise.”
Kimball credits Sherak with drawing him to Efilm. The two previously worked together on the re-issue of “Titanic” in 3D, which Stereo D converted for Cameron. “William shared...
- 4/4/2018
- by Peter Caranicas
- Variety Film + TV
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