Clear your calendar, L.A. cinephiles! The American Cinematheque has announced the titles for its extraordinary 70mm festival taking place at the iconic Egyptian Theatre in the days after the movie palace reopens following a three-year restoration. Netflix, in partnership with the American Cinematheque, bought the cinema in 2020.
The 516-seat theater, which was the longtime home of the American Cinematheque before the refurbishment, will retain its full ability to project 70mm prints and also be one of only five cinemas in the U.S. capable of projecting nitrate film. That early form of celluloid prints is notable for its astounding sharpness and vivid colors — you’ve never seen Technicolor until you’ve seen it in nitrate — but it’s extremely flammable, which you know if you’ve seen “Inglourious Basterds,” and thus harder to handle for many projectionists today.
The festival “Ultra Cinematheque 70: Hollywood,” running from November 10 through November...
The 516-seat theater, which was the longtime home of the American Cinematheque before the refurbishment, will retain its full ability to project 70mm prints and also be one of only five cinemas in the U.S. capable of projecting nitrate film. That early form of celluloid prints is notable for its astounding sharpness and vivid colors — you’ve never seen Technicolor until you’ve seen it in nitrate — but it’s extremely flammable, which you know if you’ve seen “Inglourious Basterds,” and thus harder to handle for many projectionists today.
The festival “Ultra Cinematheque 70: Hollywood,” running from November 10 through November...
- 11/1/2023
- by Christian Blauvelt
- Indiewire
Force of Evil
Written by Abraham Polonsky and Ira Wolfert
Directed by Abraham Polonsky
U.S.A., 1948
Joe Morse (John Garfield) finds himself in a professionally precarious, if certainly lucrative, position. As one of New York’s top lawyers, he represents Ben Tucker (Roy Roberts), the city’s top dog in the racket numbers game. His plush office and impressive wealth are due to impressive commissions earned via Tucker, the latter whom, through Joe’s tireless efforts, has established himself as legitimately as possible. One of the smaller ‘banks’ that is soon to come under Tucker’s reign following the 4th of July rigged horse race is that belonging to Joe’s estranged brother, Leo (Thomas Gomez). The big race passes, leaving Manhattan’s smaller rackets broke, consequently forcing them to comply and join Tucker. Joe strives to sweeten the deal as much as possible for Leo, but differences of...
Written by Abraham Polonsky and Ira Wolfert
Directed by Abraham Polonsky
U.S.A., 1948
Joe Morse (John Garfield) finds himself in a professionally precarious, if certainly lucrative, position. As one of New York’s top lawyers, he represents Ben Tucker (Roy Roberts), the city’s top dog in the racket numbers game. His plush office and impressive wealth are due to impressive commissions earned via Tucker, the latter whom, through Joe’s tireless efforts, has established himself as legitimately as possible. One of the smaller ‘banks’ that is soon to come under Tucker’s reign following the 4th of July rigged horse race is that belonging to Joe’s estranged brother, Leo (Thomas Gomez). The big race passes, leaving Manhattan’s smaller rackets broke, consequently forcing them to comply and join Tucker. Joe strives to sweeten the deal as much as possible for Leo, but differences of...
- 4/3/2015
- by Edgar Chaput
- SoundOnSight
Yusef Lateef, who died on Monday after a bout with prostate cancer, was a devout Muslim who did not like his music to be called jazz because of the supposed indecent origins and connotations of the word (although those origins are still debated). He preferred the self-coined phrase "autophysiopsychic music." Furthermore, his music encompassed an impressively broad range of styles, and the only Grammy he won was in the New Age category -- for a recording of a symphony. Think about those things amid the flood of Lateef obituaries with "jazz" in the headline.
That said, certainly Lateef's own musical origins indisputably revolved around jazz. Growing up in Detroit, a highly fertile musical environment in the 1930s and beyond, Lateef got his first instrument, an $80 Martin alto sax, at age 18. Within a year he was on the road with the 13 Spirits of Swing (arrangements by Milt Buckner).
A Detroit friend,...
That said, certainly Lateef's own musical origins indisputably revolved around jazz. Growing up in Detroit, a highly fertile musical environment in the 1930s and beyond, Lateef got his first instrument, an $80 Martin alto sax, at age 18. Within a year he was on the road with the 13 Spirits of Swing (arrangements by Milt Buckner).
A Detroit friend,...
- 12/25/2013
- by SteveHoltje
- www.culturecatch.com
Savannah, Ga. — Musician Ben Tucker performed with stars from Quincy Jones to Peggy Lee before he settled in the 1970s in Savannah, where the jazz bassist became one of the Georgia city's best-known working musicians.
He was killed in a car crash Tuesday at age 82.
Tucker was driving a golf cart across a road on Hutchinson Island when a car slammed into him at high speed, said Savannah-Chatham County police spokesman Julian Miller. Tucker was pronounced dead at a local hospital. The driver of the car that struck him was charged with vehicular homicide and other criminal counts.
The news stunned musicians and jazz enthusiasts in Savannah, where Tucker had been a musical fixture for roughly four decades. Tucker made his living playing upright bass – an instrument he'd named Bertha and claimed was 240 years old – in all sorts of settings from jazz festivals to wedding receptions, from nightclub gigs to bar mitzvahs.
He was killed in a car crash Tuesday at age 82.
Tucker was driving a golf cart across a road on Hutchinson Island when a car slammed into him at high speed, said Savannah-Chatham County police spokesman Julian Miller. Tucker was pronounced dead at a local hospital. The driver of the car that struck him was charged with vehicular homicide and other criminal counts.
The news stunned musicians and jazz enthusiasts in Savannah, where Tucker had been a musical fixture for roughly four decades. Tucker made his living playing upright bass – an instrument he'd named Bertha and claimed was 240 years old – in all sorts of settings from jazz festivals to wedding receptions, from nightclub gigs to bar mitzvahs.
- 6/5/2013
- by AP
- Huffington Post
Kristin Kreuk and Adam Sinclair in Irvine Welsh’s Ecstasy
Irvine Welsh’s Ecstasy
Directed by Rob Heydon
Written by Rob Heydon and Ben Tucker
Canada, 2011
Ecstasy is defined as an overpowering feeling of happiness or uncontrollable excitement, an ethereal and trancelike state of self-transcendence. So, if you really think about it, Irvine Welsh’s Ecstasy is actually a bit of a misnomer because it’s nothing of the sort. A definitive structural mess with meandering and unfocused direction, coupled with unbelievably turgid and artificial dialogue, Ecstasy feels more like a synthetic compound than the real deal, a watered down and diluted facsimile of harder and more visceral films of the genre. In a sense, it’s the gateway drug to better drug films.
In it, Adam Sinclair is Lloyd, a pill-popping, rave-dancing, drug-smuggling hedonist who maintains his devil-may-care lifestyle in Edinburgh with his friends Woodsy and Ally (Billy Boyd...
Irvine Welsh’s Ecstasy
Directed by Rob Heydon
Written by Rob Heydon and Ben Tucker
Canada, 2011
Ecstasy is defined as an overpowering feeling of happiness or uncontrollable excitement, an ethereal and trancelike state of self-transcendence. So, if you really think about it, Irvine Welsh’s Ecstasy is actually a bit of a misnomer because it’s nothing of the sort. A definitive structural mess with meandering and unfocused direction, coupled with unbelievably turgid and artificial dialogue, Ecstasy feels more like a synthetic compound than the real deal, a watered down and diluted facsimile of harder and more visceral films of the genre. In a sense, it’s the gateway drug to better drug films.
In it, Adam Sinclair is Lloyd, a pill-popping, rave-dancing, drug-smuggling hedonist who maintains his devil-may-care lifestyle in Edinburgh with his friends Woodsy and Ally (Billy Boyd...
- 11/23/2012
- by Justin Li
- SoundOnSight
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