With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Christmas, Again (Charles Poekel)
Christmas time is a lonely time for many; a “time of giving” that reminds more than a few of us what we’ve lost. This is the feeling Christmas, Again wades in, as produced, written and directed by Charles Poekel. We follow Noel (Kentucker Audley), who’s selling Christmas trees on a Manhattan curb for the fifth winter in a row. He...
Christmas, Again (Charles Poekel)
Christmas time is a lonely time for many; a “time of giving” that reminds more than a few of us what we’ve lost. This is the feeling Christmas, Again wades in, as produced, written and directed by Charles Poekel. We follow Noel (Kentucker Audley), who’s selling Christmas trees on a Manhattan curb for the fifth winter in a row. He...
- 4/8/2016
- by TFS Staff
- The Film Stage
One of the great pleasures of this year’s New York Film Festival has been the appearance of a new film by Debra Granik, whose last feature, Winter’s Bone, was one of the breakout hits of 2010. That earlier film was a low-budget indie thriller set in the Ozarks, and it got Oscar nominations for Best Picture, Best Screenplay, Best Actress (for its young star, then a relative unknown named Jennifer Lawrence), and Best Supporting Actor (John Hawkes). Her new film, Stray Dog, partly returns to that milieu: It’s a documentary that follows Ronnie Hall, an aging Vietnam vet and biker who had a small role in Winter’s Bone.Hall might look and sound like a tough guy — and he is, on some level — but he’s also a sensitive soul who has made helping other veterans, as well as their families, part of his life duty. He...
- 10/9/2014
- by Bilge Ebiri
- Vulture
Ronnie Hall’s nickname may be Stray Dog, but he is anything but a stray left on his own. Debra Granik’s documentary, Stray Dog, shows how friends and family surround Hall, but he still struggles to keep himself from feeling alone and displaced. A Vietnam veteran, Hall clearly carries scars and wounds that may never fully heal, but he works every day to better his life and the lives of those around him. At first glance, Hall looks like a tough biker, but it becomes clear that Hall’s biker “gang” is an extension of his family and a community he (and others like him) need. Stray Dog follows Hall and his wife, Alicia, as they take to the road to travel with their fellow bikers and vets making their way to the Vietnam Memorial in Washington DC. This is a yearly tradition for Hall, who is well-liked and well-known among the group, but...
- 6/18/2014
- by Allison Loring
- FilmSchoolRejects.com
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Released mid-2010, Winter’s Bone was a deserved sleeper hit bolstered by extremely positive reviews and word of mouth. Set in the desolate, poverty stricken Ozark Mountains, USA, it tells the story of Ree (Jennifer Lawrence), a teenage girl searching for her ‘meth chef’ father after he jumps bail putting the family home at risk.
Rebecca Hofherr was costume designer for Winter’s Bone. Her brief shaped by director Debra Granik’s commitment to believability and an extremely tight budget of $5,500; she created a realistic, memorable look of lived in denim, motif fleece sweaters and padded check shirts. Hats, too, were essential, both as functional items and as a way of life for those in Ozarks. Moreover, Rebecca even initiated a ‘clothes swap’ with local residents in search of total authenticity.
Released mid-2010, Winter’s Bone was a deserved sleeper hit bolstered by extremely positive reviews and word of mouth. Set in the desolate, poverty stricken Ozark Mountains, USA, it tells the story of Ree (Jennifer Lawrence), a teenage girl searching for her ‘meth chef’ father after he jumps bail putting the family home at risk.
Rebecca Hofherr was costume designer for Winter’s Bone. Her brief shaped by director Debra Granik’s commitment to believability and an extremely tight budget of $5,500; she created a realistic, memorable look of lived in denim, motif fleece sweaters and padded check shirts. Hats, too, were essential, both as functional items and as a way of life for those in Ozarks. Moreover, Rebecca even initiated a ‘clothes swap’ with local residents in search of total authenticity.
- 1/12/2012
- by Chris Laverty
- Clothes on Film
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