Combining elements of western with noir and intense sociopolitical comments in a Turkish movie, is not something we see everyday. It is, however, exactly what Emin Alper has achieved in “Burning Days”, an impressive movie in a number of ways.
“Burning Days” is screening at Vesoul International Film Festival of Asian Cinema
Emre, a young and “by the book” prosecutor is newly appointed to a small town, where a water crisis has been causing sinkholes in the area, as the rather imposing first scene eloquently highlights. Soon, and after a wild boar hunt inside the streets of the town, he realizes that water is not the only problem, a sense that becomes even more intense when the next day, Sahin, the son of the local mayor, and his dentist friend, visit him in his office. Their attitude ranges from subservient to threatening, but their purpose, of taking him “on their side” is quite evident.
“Burning Days” is screening at Vesoul International Film Festival of Asian Cinema
Emre, a young and “by the book” prosecutor is newly appointed to a small town, where a water crisis has been causing sinkholes in the area, as the rather imposing first scene eloquently highlights. Soon, and after a wild boar hunt inside the streets of the town, he realizes that water is not the only problem, a sense that becomes even more intense when the next day, Sahin, the son of the local mayor, and his dentist friend, visit him in his office. Their attitude ranges from subservient to threatening, but their purpose, of taking him “on their side” is quite evident.
- 3/2/2023
- by Panos Kotzathanasis
- AsianMoviePulse
The European Film Academy has unveiled the eight winners of the Excellence Awards spanning the arts and crafts categories. These will receive their prizes during the European Film Awards on Dec. 10 in Reykjavík, Iceland.
Best European cinematography went to Kate McCullough for “The Quiet Girl,” an Irish drama directed Colm Bairéad which played at several festivals, including the Berlinale where it won the Generation K-Plus jury grand prize.
European editing was awarded to Özcan Vardar & Eytan İpeker for Emin Alper’s “Burning Days,” a politically minded Turkish movie which world premiered at Cannes in the Un Certain Regard section.
“Belfast,” a coming-of-age drama film written and directed by Kenneth Branagh, garnered two awards for European production design for Jim Clay, and European costume design for Charlotte Walter. The movie previously won an Oscar for best original screenplay, and a BAFTA for outstanding British film of the year.
European make up...
Best European cinematography went to Kate McCullough for “The Quiet Girl,” an Irish drama directed Colm Bairéad which played at several festivals, including the Berlinale where it won the Generation K-Plus jury grand prize.
European editing was awarded to Özcan Vardar & Eytan İpeker for Emin Alper’s “Burning Days,” a politically minded Turkish movie which world premiered at Cannes in the Un Certain Regard section.
“Belfast,” a coming-of-age drama film written and directed by Kenneth Branagh, garnered two awards for European production design for Jim Clay, and European costume design for Charlotte Walter. The movie previously won an Oscar for best original screenplay, and a BAFTA for outstanding British film of the year.
European make up...
- 11/23/2022
- by Elsa Keslassy
- Variety Film + TV
Edward Berger’s All Quiet On The Western Front and Kenneth Branagh’s Belfast top the European Film Academy’s Excellence Awards honoring achievement in the arts and crafts categories, the winners of which were announced on Wednesday.
Belfast won best European Production Design for Jim Clay, whose credits include Children Of Men, for which he won a Bafta in 2006, and Murder On The Orient Express.
The drama, set against the backdrop of the beginnings of “The Troubles” in Northern Ireland in 1969, also won best European Costume Design for Charlotte Walter
Netflix-backed German WWI drama All Quiet On The Western Front won best European Make-up & Hair for Heike Merker, and Best European Special Effects for Frank Petzold, Viktor Müller and Markus Frank.
In other categories, best European Cinematography was won by Kate McCullough for her work on Colm Bairéad’s Irish-language drama The Quiet Girl.
Best...
Belfast won best European Production Design for Jim Clay, whose credits include Children Of Men, for which he won a Bafta in 2006, and Murder On The Orient Express.
The drama, set against the backdrop of the beginnings of “The Troubles” in Northern Ireland in 1969, also won best European Costume Design for Charlotte Walter
Netflix-backed German WWI drama All Quiet On The Western Front won best European Make-up & Hair for Heike Merker, and Best European Special Effects for Frank Petzold, Viktor Müller and Markus Frank.
In other categories, best European Cinematography was won by Kate McCullough for her work on Colm Bairéad’s Irish-language drama The Quiet Girl.
Best...
- 11/23/2022
- by Melanie Goodfellow
- Deadline Film + TV
Films win two Excellence Awards each.
Kenneth Branagh’s Belfast and Edward Berger’s All Quiet On The Western Front have both won two craft prizes each at the European Film Awards.
They are among eight winners of the Excellence Awards for arts and craft which will be presented at the European Film Awards on December 10 in Reykjavík.
For Belfast, Jim Clay has won the prize for European Production Design, while Charlotte Walter won the European Costume Design prize.
All Quiet On The Western Front won the European Make-up & Hair prize for Heike Merker and the European Visual Effects prize for Frank Petzold,...
Kenneth Branagh’s Belfast and Edward Berger’s All Quiet On The Western Front have both won two craft prizes each at the European Film Awards.
They are among eight winners of the Excellence Awards for arts and craft which will be presented at the European Film Awards on December 10 in Reykjavík.
For Belfast, Jim Clay has won the prize for European Production Design, while Charlotte Walter won the European Costume Design prize.
All Quiet On The Western Front won the European Make-up & Hair prize for Heike Merker and the European Visual Effects prize for Frank Petzold,...
- 11/23/2022
- by Tim Dams
- ScreenDaily
Click here to read the full article.
Kenneth Branagh’s Belfast, Jerzy Skolimowski’s donkey drama Eo and Colm Bairéad’s Irish period drama piece The Quiet Girl are among the winners of the 2022 European Film Awards in the craft categories.
Belfast, a poignant and sentimental black-and-white portrayal of Branagh’s childhood growing up in Northern Ireland, won two EFAs, with Jim Clay taking best European production design and Charlotte Walter winning for best European costume design.
Kate McCullough won best European cinematography for her lensing of The Quiet Girl — Ireland’s submission for the 2023 best international film Oscar. The film depicts a shy and withdrawn child who begins to emerge from her shell during a summer stay with relatives in rural Ireland.
Pawel Mykietyn won best European score for his music to Eo, Poland’s Academy Award hopeful, which follows the adventures of a donkey traveling across Poland and Italy.
Kenneth Branagh’s Belfast, Jerzy Skolimowski’s donkey drama Eo and Colm Bairéad’s Irish period drama piece The Quiet Girl are among the winners of the 2022 European Film Awards in the craft categories.
Belfast, a poignant and sentimental black-and-white portrayal of Branagh’s childhood growing up in Northern Ireland, won two EFAs, with Jim Clay taking best European production design and Charlotte Walter winning for best European costume design.
Kate McCullough won best European cinematography for her lensing of The Quiet Girl — Ireland’s submission for the 2023 best international film Oscar. The film depicts a shy and withdrawn child who begins to emerge from her shell during a summer stay with relatives in rural Ireland.
Pawel Mykietyn won best European score for his music to Eo, Poland’s Academy Award hopeful, which follows the adventures of a donkey traveling across Poland and Italy.
- 11/23/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Combining elements of western with noir and intense sociopolitical comments in a Turkish movie, is not something we see everyday. It is, however, exactly what Emin Alper has achieved in “Burning Days”, an impressive movie in a number of ways.
“Burning Days“ is screening at Thessaloniki International Film Festival
Emre, a young and “by the book” prosecutor is newly appointed to a small town, where a water crisis has been causing sinkholes in the area, as the rather imposing first scene eloquently highlights. Soon, and after a wild boar hunt inside the streets of the town, he realizes that water is not the only problem, a sense that becomes even more intense when the next day, Sahin, the son of the local mayor, and his dentist friend, visit him in his office. Their attitude ranges from subservient to threatening, but their purpose, of taking him “on their side” is quite evident.
“Burning Days“ is screening at Thessaloniki International Film Festival
Emre, a young and “by the book” prosecutor is newly appointed to a small town, where a water crisis has been causing sinkholes in the area, as the rather imposing first scene eloquently highlights. Soon, and after a wild boar hunt inside the streets of the town, he realizes that water is not the only problem, a sense that becomes even more intense when the next day, Sahin, the son of the local mayor, and his dentist friend, visit him in his office. Their attitude ranges from subservient to threatening, but their purpose, of taking him “on their side” is quite evident.
- 11/10/2022
- by Panos Kotzathanasis
- AsianMoviePulse
The 26th Sarajevo Film Festival has revealed a lineup of 49 films which will compete for the Heart of Sarajevo awards, whose main competition jury is being overseen by The Artist director Michel Hazanavicius. Scroll down for full lineup.
Set to take place from August 14-21, the Balkan event will be the biggest physical festival to take place in Europe since the coronavirus shut down most film and TV gatherings after Berlin in March.
Cinemas in Bosnia re-opened May 28 with numerous protocols including cleaning footwear before entering auditoria. International travel is permitted to the country, though in a limited form and providing travelers are tested for coronavirus. The event traditionally attracts tens of thousands of visitors and a couple of hundred films, but this year’s lineup is reduced and international attendance is likely to be significantly down.
Sarajevo’s four competition sections – for feature, documentary, short and student film – will comprise 29 world premieres,...
Set to take place from August 14-21, the Balkan event will be the biggest physical festival to take place in Europe since the coronavirus shut down most film and TV gatherings after Berlin in March.
Cinemas in Bosnia re-opened May 28 with numerous protocols including cleaning footwear before entering auditoria. International travel is permitted to the country, though in a limited form and providing travelers are tested for coronavirus. The event traditionally attracts tens of thousands of visitors and a couple of hundred films, but this year’s lineup is reduced and international attendance is likely to be significantly down.
Sarajevo’s four competition sections – for feature, documentary, short and student film – will comprise 29 world premieres,...
- 7/23/2020
- by Andreas Wiseman
- Deadline Film + TV
Festival will world premiere 12 features across its dramatic and documentary competitions.
Eight features have been selected for the main competition of the Sarajevo Film Festival, which is taking place as a physical event from August 14-21.
They include the world premieres of More Raça’s Andromeda Galaxy; Fatih Özcan’s Mavzer; Ruxandra Ghițescu’s Otto The Barbarian; and Ru Hasanov’s The Island Within. A further three films played in the Berlinale’s Panorama section earlier this year: Visar Morina’s Exile; Andrea Staka’s Mare; and Georgis Grigorakis’ Digger, which won the strand’s Cicae Award.
Scroll down for...
Eight features have been selected for the main competition of the Sarajevo Film Festival, which is taking place as a physical event from August 14-21.
They include the world premieres of More Raça’s Andromeda Galaxy; Fatih Özcan’s Mavzer; Ruxandra Ghițescu’s Otto The Barbarian; and Ru Hasanov’s The Island Within. A further three films played in the Berlinale’s Panorama section earlier this year: Visar Morina’s Exile; Andrea Staka’s Mare; and Georgis Grigorakis’ Digger, which won the strand’s Cicae Award.
Scroll down for...
- 7/23/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
The public-facing side of Visions du Réel 2020 has ended and, as far as I can tell, under the circumstances it’s a success. Variety reports that 95 out of 97 features went online; one of the abstainers simply couldn’t get their post done in time after the lockdown hit. In the regular international feature competition, Eytan Ipeker’s The Pageant is the rare film as infuriatingly outrageous as promised by its surprisingly unambiguous festival description (credited to selection committee member Emmanuel Chicon): Beauty contests, with their proven sexist aspect, can irritate. But that which has been taking place since 2012 in Haifa can arouse horror. Sponsored […]...
- 5/8/2020
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
The public-facing side of Visions du Réel 2020 has ended and, as far as I can tell, under the circumstances it’s a success. Variety reports that 95 out of 97 features went online; one of the abstainers simply couldn’t get their post done in time after the lockdown hit. In the regular international feature competition, Eytan Ipeker’s The Pageant is the rare film as infuriatingly outrageous as promised by its surprisingly unambiguous festival description (credited to selection committee member Emmanuel Chicon): Beauty contests, with their proven sexist aspect, can irritate. But that which has been taking place since 2012 in Haifa can arouse horror. Sponsored […]...
- 5/8/2020
- by Vadim Rizov
- Filmmaker Magazine - Blog
Claire Denis, Petra Costa and Peter Mettler to give online masterclasses.
Swiss documentary festival Visions de Réel, which was to have taken place from April 24 to May 2 in the lakeside town of Nyon, has revealed details of the online format it has developed to replace the physical event which was cancelled due to the coronavirus pandemic.
“Visions du Réel 2020 will not take place at the Place du Réel, in the cinemas, in the tent and in the bar, in Nyon,” said artistic director Émilie Bujès, referring to the event’s traditional festival and industry hubs. “But it will resolutely be held on the internet,...
Swiss documentary festival Visions de Réel, which was to have taken place from April 24 to May 2 in the lakeside town of Nyon, has revealed details of the online format it has developed to replace the physical event which was cancelled due to the coronavirus pandemic.
“Visions du Réel 2020 will not take place at the Place du Réel, in the cinemas, in the tent and in the bar, in Nyon,” said artistic director Émilie Bujès, referring to the event’s traditional festival and industry hubs. “But it will resolutely be held on the internet,...
- 3/31/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Claire Denis, Petra Costa and Peter Mettler to give online masterclasses.
Swiss documentary festival Visions de Réel, which was to have taken place from April 24 to May 2 in the lakeside town of Nyon, has revealed details of the online format it has developed to replace the physical event which was cancelled due to the coronavirus pandemic.
“Visions du Réel 2020 will not take place at the Place du Réel, in the cinemas, in the tent and in the bar, in Nyon,” said artistic director Émilie Bujès, referring to the event’s traditional festival and industry hubs. “But it will resolutely be held on the internet,...
Swiss documentary festival Visions de Réel, which was to have taken place from April 24 to May 2 in the lakeside town of Nyon, has revealed details of the online format it has developed to replace the physical event which was cancelled due to the coronavirus pandemic.
“Visions du Réel 2020 will not take place at the Place du Réel, in the cinemas, in the tent and in the bar, in Nyon,” said artistic director Émilie Bujès, referring to the event’s traditional festival and industry hubs. “But it will resolutely be held on the internet,...
- 3/31/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Mohamed Siam, Emre Akay and Myriam El Hajj will be among the filmmakers heading to Turkey.
Mohamed Siam, Emre Akay and Myriam El Hajj will be among the filmmakers heading to Turkey for the 14th edition of the Meetings on the Bridge project meeting, running April 11-12 within the framework of the 38th Istanbul Film Festival (April 5-16).
Egyptian documentarian Mohamed Siam, whose last feature Amal opened the International Documentary Festival Amsterdam (Idfa) in 2017, will present his first fiction feature project, Blood And Honey (Carnaval).
Siam describes it as comedy mixing ingredients from Amal – which followed a young female revolutionary...
Mohamed Siam, Emre Akay and Myriam El Hajj will be among the filmmakers heading to Turkey for the 14th edition of the Meetings on the Bridge project meeting, running April 11-12 within the framework of the 38th Istanbul Film Festival (April 5-16).
Egyptian documentarian Mohamed Siam, whose last feature Amal opened the International Documentary Festival Amsterdam (Idfa) in 2017, will present his first fiction feature project, Blood And Honey (Carnaval).
Siam describes it as comedy mixing ingredients from Amal – which followed a young female revolutionary...
- 3/22/2019
- by Melanie Goodfellow
- ScreenDaily
Screen speaks to up-and-coming producers from Serbia, Greece, Georgia, Turkey and Bulgaria.
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
- 8/17/2017
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Screen speaks to up-and-coming producers from Serbia, Greece, Georgia, Turkey and Bulgaria.
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
- 8/17/2017
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.