Wes Anderson selects David Hand’s Bambi
Wes Anderson has selected four films that inspired him: David Hand’s Bambi, Martin Rosen’s The Plague Dogs (1982), and two shorts, Garry Trudeau’s A Doonesbury Special (1977), and Suzie Templeton’s Peter & The Wolf (2006) to screen during the French Institute Alliance Française Animation First Festival in New York, co-curated by Delphine Selles-Alvarez and Catherine Lamairesse.
Mathieu Amalric: Renaissance Man poster featuring Fantastic Mr. Fox and Julian Schnabel's The Diving Bell And The Butterfly Photo: Anne-Katrin Titze
Michaël Dudok de Wit (The Red Turtle) was the honoured guest of the inaugural Animation First Festival in 2018, Michel Ocelot (Kirikou and the Sorceress) and Jean-François Laguionie were the guests of honour in 2019 and 2020 respectively.
Fi:af President Marie-Monique Steckel: “This year's Animation First promises to be the richest in the Festival's history. We are delighted to have so many exciting new films, cult classics,...
Wes Anderson has selected four films that inspired him: David Hand’s Bambi, Martin Rosen’s The Plague Dogs (1982), and two shorts, Garry Trudeau’s A Doonesbury Special (1977), and Suzie Templeton’s Peter & The Wolf (2006) to screen during the French Institute Alliance Française Animation First Festival in New York, co-curated by Delphine Selles-Alvarez and Catherine Lamairesse.
Mathieu Amalric: Renaissance Man poster featuring Fantastic Mr. Fox and Julian Schnabel's The Diving Bell And The Butterfly Photo: Anne-Katrin Titze
Michaël Dudok de Wit (The Red Turtle) was the honoured guest of the inaugural Animation First Festival in 2018, Michel Ocelot (Kirikou and the Sorceress) and Jean-François Laguionie were the guests of honour in 2019 and 2020 respectively.
Fi:af President Marie-Monique Steckel: “This year's Animation First promises to be the richest in the Festival's history. We are delighted to have so many exciting new films, cult classics,...
- 1/2/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Red Turtle (La Tortue Rouge) director Michaël Dudok de Wit on the escape in Alexandre Dumas's The Count of Monte Cristo: "That's the climax of the book as far as I'm concerned." Photo: Anne-Katrin Titze
Michaël Dudok de Wit discusses the reaction of Isao Takahata and his co-writer, Lady Chatterley director Pascale Ferran, to the original script for The Red Turtle (La Tortue Rouge). Dreams, escapes, nature, Darren Aronfsky's Mother! with Jennifer Lawrence, reading the original Robinson Crusoe, and what is a "deep, deep, deep fear" for him surface in the final installment of my conversation with the director and honored guest of New York's Animation First Festival at the French Institute Alliance Française, co-curated by Delphine Selles-Alvarez and Catherine Lamairesse.
Michaël Dudok de Wit on Pascale Ferran's reaction to the violence in the script: "We need to work on the remorse bit even more."
In The Red Turtle,...
Michaël Dudok de Wit discusses the reaction of Isao Takahata and his co-writer, Lady Chatterley director Pascale Ferran, to the original script for The Red Turtle (La Tortue Rouge). Dreams, escapes, nature, Darren Aronfsky's Mother! with Jennifer Lawrence, reading the original Robinson Crusoe, and what is a "deep, deep, deep fear" for him surface in the final installment of my conversation with the director and honored guest of New York's Animation First Festival at the French Institute Alliance Française, co-curated by Delphine Selles-Alvarez and Catherine Lamairesse.
Michaël Dudok de Wit on Pascale Ferran's reaction to the violence in the script: "We need to work on the remorse bit even more."
In The Red Turtle,...
- 2/18/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Red Turtle (La Tortue Rouge) director Michaël Dudok de Wit on the escape in Alexandre Dumas's The Count of Monte Cristo: "That's the climax of the book as far as I'm concerned." Photo: Anne-Katrin Titze
Michaël Dudok de Wit discusses the reaction of Isao Takahata and his co-writer, Lady Chatterley director Pascale Ferran, to the original script for The Red Turtle (La Tortue Rouge). Dreams, escapes, nature, Darren Aronfsky's Mother! with Jennifer Lawrence, reading the original Robinson Crusoe, and what is a "deep, deep, deep fear" for him surface in the final installment of my conversation with the director and honored guest of New York's Animation First Festival at the French Institute Alliance Française, co-curated by Delphine Selles-Alvarez and Catherine Lamairesse.
Michaël Dudok de Wit on Pascale Ferran's reaction to the violence in the script: "We need to work on the remorse bit even more."
In The Red Turtle,...
Michaël Dudok de Wit discusses the reaction of Isao Takahata and his co-writer, Lady Chatterley director Pascale Ferran, to the original script for The Red Turtle (La Tortue Rouge). Dreams, escapes, nature, Darren Aronfsky's Mother! with Jennifer Lawrence, reading the original Robinson Crusoe, and what is a "deep, deep, deep fear" for him surface in the final installment of my conversation with the director and honored guest of New York's Animation First Festival at the French Institute Alliance Française, co-curated by Delphine Selles-Alvarez and Catherine Lamairesse.
Michaël Dudok de Wit on Pascale Ferran's reaction to the violence in the script: "We need to work on the remorse bit even more."
In The Red Turtle,...
- 2/18/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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