Bonafide Films, the award-winning production company behind “Mood” and “The Last Post,” has revealed a development and distribution deal with BBC Studios.
As part of the agreement, BBC Studios will invest in Bonafide’s development slate, and will also have first look agreement on distribution rights for all projects.
“Mood,” Nicôle Lecky’s BAFTA and Rts-winning TV adaptation of her acclaimed play, “Superhoe” was a co-commission from BBC and AMC and BBC Studios brokered the co-production deal for Bonafide with AMC and also secured sales to 12 territories internationally. “The Last Post” is by screenwriter Peter Moffatt (“Your Honor”).
In addition to their relationship with Moffatt and Lecky, Bonafide is currently developing projects with Peter Straughan (“Wolf Hall”), Sarah Gavron (“Rocks”), Veronica Gleeson (“Below”), Miranda Bowen (“Killing Eve”), Pete Jackson (“Somewhere Boy”) and Meadhbh McHugh (“Conversations with Friends”). The outfit is also working with emerging talent such as Sharma Walfall, Nas Saraei,...
As part of the agreement, BBC Studios will invest in Bonafide’s development slate, and will also have first look agreement on distribution rights for all projects.
“Mood,” Nicôle Lecky’s BAFTA and Rts-winning TV adaptation of her acclaimed play, “Superhoe” was a co-commission from BBC and AMC and BBC Studios brokered the co-production deal for Bonafide with AMC and also secured sales to 12 territories internationally. “The Last Post” is by screenwriter Peter Moffatt (“Your Honor”).
In addition to their relationship with Moffatt and Lecky, Bonafide is currently developing projects with Peter Straughan (“Wolf Hall”), Sarah Gavron (“Rocks”), Veronica Gleeson (“Below”), Miranda Bowen (“Killing Eve”), Pete Jackson (“Somewhere Boy”) and Meadhbh McHugh (“Conversations with Friends”). The outfit is also working with emerging talent such as Sharma Walfall, Nas Saraei,...
- 5/10/2023
- by Naman Ramachandran
- Variety Film + TV
Exclusive: BBC Studios has optioned the Eve Stranger comic book series and is developing into a TV show.
The outfit’s Drama Productions unit, which is responsible for BBC America Terry Pratchett adaptation The Watch, will produce the TV version, with Sixteen writer Veronica Gleeson set to adapt. No broadcaster is attached as of yet.
The comics tell the story of the enigmatic Eve, an “amnesiac for hire” who has unlimited funds, a jet-set lifestyle and extraordinary abilities.
They were created by writer David Barnett (Punks Not Dead) and illustrated by Philip Bond (Deadline). Released as a miniseries in 2019, Eve Stranger was one of the core titles of comic-book editor Shelly Bond’s Black Crown imprint. Chris Ryall, former Idw Chief Creative Officer and current co-founder of Syzygy Publishing, will serve as an Executive Producer on BBC Studios’ adaptation.
Being Humans exec Matthew Bouch is producing and described the comics as a “a mind-bending journey,...
The outfit’s Drama Productions unit, which is responsible for BBC America Terry Pratchett adaptation The Watch, will produce the TV version, with Sixteen writer Veronica Gleeson set to adapt. No broadcaster is attached as of yet.
The comics tell the story of the enigmatic Eve, an “amnesiac for hire” who has unlimited funds, a jet-set lifestyle and extraordinary abilities.
They were created by writer David Barnett (Punks Not Dead) and illustrated by Philip Bond (Deadline). Released as a miniseries in 2019, Eve Stranger was one of the core titles of comic-book editor Shelly Bond’s Black Crown imprint. Chris Ryall, former Idw Chief Creative Officer and current co-founder of Syzygy Publishing, will serve as an Executive Producer on BBC Studios’ adaptation.
Being Humans exec Matthew Bouch is producing and described the comics as a “a mind-bending journey,...
- 4/6/2022
- by Max Goldbart
- Deadline Film + TV
Ryan Corr in ‘Below’ (Photo credit: David Dare Parker).
Madman Entertainment will release Maziar Lahooti’s debut feature Below on digital platforms and on DVD on July 8, bypassing cinemas.
Ryan Corr and Anthony Lapaglia star in the refugee detention centre action-drama produced by Nick Batzias of Good Thing Productions, Veronica Gleeson and Kate Neylon.
It will be the third Australian title to go straight to home entertainment since Covid-19 disrupted the film industry. Ben Lawrence’s Hearts and Bones went out as a Premium VOD release via Madman on May 6.
Flying Bark Productions’ animated feature 100% Wolf, scripted by Fin Edquist and directed by Alexs Stadermann and produced by Barbara Stephen and Alexia Gates-Foale, is taking the Pvod route from tomorrow. The voice cast is headed by Jai Courtney, Rhys Darby, Jane Lynch, Samara Weaving, Magda Szubanksi and Akmal Saleh.
In the pre-pandemic era, all three would have played in cinemas.
Madman Entertainment will release Maziar Lahooti’s debut feature Below on digital platforms and on DVD on July 8, bypassing cinemas.
Ryan Corr and Anthony Lapaglia star in the refugee detention centre action-drama produced by Nick Batzias of Good Thing Productions, Veronica Gleeson and Kate Neylon.
It will be the third Australian title to go straight to home entertainment since Covid-19 disrupted the film industry. Ben Lawrence’s Hearts and Bones went out as a Premium VOD release via Madman on May 6.
Flying Bark Productions’ animated feature 100% Wolf, scripted by Fin Edquist and directed by Alexs Stadermann and produced by Barbara Stephen and Alexia Gates-Foale, is taking the Pvod route from tomorrow. The voice cast is headed by Jai Courtney, Rhys Darby, Jane Lynch, Samara Weaving, Magda Szubanksi and Akmal Saleh.
In the pre-pandemic era, all three would have played in cinemas.
- 5/28/2020
- by The IF Team
- IF.com.au
Entertainment One has signed a multi-year distribution deal with fledgling U.K. scripted indie Three Tables Productions.
Under the pact, Three Tables will develop and produce original scripted programming for eOne to distribute worldwide.
Three Tables was founded by former Leopard Pictures head of development David Chikwe, ex-u.K. Film Council executive Himesh Kar, and entrepreneur and investor J.T. Wong. The chairman of Three Tables is David Green, who founded September Films, and went on to become CEO and then chairman of Dcd Media.
Three Tables is developing drama projects aimed at the U.K. and international markets. These include projects being developed with France Télévisions’ france.tv studios and the BBC.
It is working with talent such as “Picnic at Hanging Rock” writer Beatrix Christian, “Windermere Children” and “The Eichmann Show” writer Simon Block, “Gone Too Far!” writer Bola Agbaje, and Veronica Gleeson, whose credits include “Sixteen.”
Noel Hedges,...
Under the pact, Three Tables will develop and produce original scripted programming for eOne to distribute worldwide.
Three Tables was founded by former Leopard Pictures head of development David Chikwe, ex-u.K. Film Council executive Himesh Kar, and entrepreneur and investor J.T. Wong. The chairman of Three Tables is David Green, who founded September Films, and went on to become CEO and then chairman of Dcd Media.
Three Tables is developing drama projects aimed at the U.K. and international markets. These include projects being developed with France Télévisions’ france.tv studios and the BBC.
It is working with talent such as “Picnic at Hanging Rock” writer Beatrix Christian, “Windermere Children” and “The Eichmann Show” writer Simon Block, “Gone Too Far!” writer Bola Agbaje, and Veronica Gleeson, whose credits include “Sixteen.”
Noel Hedges,...
- 4/2/2020
- by Tim Dams
- Variety Film + TV
Natesha Somasundaram.
Growing up in Parramatta as the daughter of South Asian parents, Natesha Somasundaram never saw people like her on television.
She blames that invisibility for making it tough to develop a sense of her own identity – until she started writing for a living several years ago.
Her Sri Lankan Tamil parents emigrated to Australia in the late 1980s to escape the country’s civil war. “We grew up in a predominantly white area and I was the only person of colour at my school level,” she tells If.
“I had a very difficult time navigating my identity. I decided I never wanted to be associated with Sri Lanka or its culture. I shut that out of my system until the past couple of years as a writer when I reconnected with my culture.”
Intending initially to be an actor, she did a Bachelor of Performing Arts degree at Monash University,...
Growing up in Parramatta as the daughter of South Asian parents, Natesha Somasundaram never saw people like her on television.
She blames that invisibility for making it tough to develop a sense of her own identity – until she started writing for a living several years ago.
Her Sri Lankan Tamil parents emigrated to Australia in the late 1980s to escape the country’s civil war. “We grew up in a predominantly white area and I was the only person of colour at my school level,” she tells If.
“I had a very difficult time navigating my identity. I decided I never wanted to be associated with Sri Lanka or its culture. I shut that out of my system until the past couple of years as a writer when I reconnected with my culture.”
Intending initially to be an actor, she did a Bachelor of Performing Arts degree at Monash University,...
- 9/9/2019
- by The IF Team
- IF.com.au
Alison Whyte in ‘The Kettering Incident’ (Photo: Ben King).
Celebrating 30 years in the acting profession, Alison Whyte is happy to offer advice to young or other aspiring actors.
Perhaps best known for her roles in Network 10’s Playing for Keeps, Foxtel’s The Kettering Incident and Satisfaction and Jocelyn Moorhouse’s The Dressmaker, the Vca graduate proffers these tips:
– Learn to live with rejection and remain optimistic: “It’s easy to get pessimistic if you are unemployed. Isolate one problem and know that it won’t affect the rest of your life.”
– Look after yourself mentally when you are playing roles that require grieving or other deep emotions.
– Don’t think about working overseas until you have a solid list of credits under your belt.
On the subject of mental health, in June Whyte finished performing in the Malthouse Theatre production of Nick Enright and Justin Monjo’s five-hour adaptation of Tim Winton’s Cloudstreet.
Celebrating 30 years in the acting profession, Alison Whyte is happy to offer advice to young or other aspiring actors.
Perhaps best known for her roles in Network 10’s Playing for Keeps, Foxtel’s The Kettering Incident and Satisfaction and Jocelyn Moorhouse’s The Dressmaker, the Vca graduate proffers these tips:
– Learn to live with rejection and remain optimistic: “It’s easy to get pessimistic if you are unemployed. Isolate one problem and know that it won’t affect the rest of your life.”
– Look after yourself mentally when you are playing roles that require grieving or other deep emotions.
– Don’t think about working overseas until you have a solid list of credits under your belt.
On the subject of mental health, in June Whyte finished performing in the Malthouse Theatre production of Nick Enright and Justin Monjo’s five-hour adaptation of Tim Winton’s Cloudstreet.
- 8/22/2019
- by The IF Team
- IF.com.au
Melissa Lucashenko.
Melissa Lucashenko’s novel ‘Too Much Lip’, which won the Miles Franklin Award last night, is headed for screen – having been optioned in May this year by newly-formed production company Cenozoic Pictures.
Lucashenko is a multi-award-winning Goorie writer, a Walkley Award winner for her non-fiction, and a founding member of the prisoner’s human rights group, Sisters Inside. ‘Too Much Lip’ tracks the story of wisecracking Kerry Salter, a Bundjalung woman whose intention to return home for 24 hours to farewell her Pop becomes a life-changing stay as she confronts family, corruption, buried secrets and the possibility of love.
‘Too Much Lip’ was also shortlisted for the Stella Prize, the Victorian Premier’s Literary Awards, the Nsw Premier’s Literary Awards and the Australian Book Industry Awards.
Filmmakers Veronica Gleeson, Luke Walker and Suzanne Walker founded the Melbourne-based Cenozoic Pictures last year, with an strong emphasis on providing writers with a creatively supportive environment.
Melissa Lucashenko’s novel ‘Too Much Lip’, which won the Miles Franklin Award last night, is headed for screen – having been optioned in May this year by newly-formed production company Cenozoic Pictures.
Lucashenko is a multi-award-winning Goorie writer, a Walkley Award winner for her non-fiction, and a founding member of the prisoner’s human rights group, Sisters Inside. ‘Too Much Lip’ tracks the story of wisecracking Kerry Salter, a Bundjalung woman whose intention to return home for 24 hours to farewell her Pop becomes a life-changing stay as she confronts family, corruption, buried secrets and the possibility of love.
‘Too Much Lip’ was also shortlisted for the Stella Prize, the Victorian Premier’s Literary Awards, the Nsw Premier’s Literary Awards and the Australian Book Industry Awards.
Filmmakers Veronica Gleeson, Luke Walker and Suzanne Walker founded the Melbourne-based Cenozoic Pictures last year, with an strong emphasis on providing writers with a creatively supportive environment.
- 7/31/2019
- by jkeast
- IF.com.au
L-r: Amir Rahimzadeh, Phoenix Raei, Ze Winters, Jasmine Sadati, Yazeed Daher and Rasta Karami in ‘The Heights’ (Photo: Ben King)
After breaking through in Kriv Stenders’ Australia Day, Phoenix Raei landed roles in Mustangs Fc, Romper Stomper and Wentworth.
The Iranian-born actor who came to Australia when he was a kid still feels he is a relative unknown in the wider screen industry – but that could change this month after The Heights premieres on the ABC.
Raei plays Ash, who lives with his uncle Hamid (Amir Rahimzadeh) and his brother Kam (Yazeed Daher) in a social housing tower in the 30-episode serial produced by Matchbox Pictures and For Pete’s Sake Productions.
Co-created by Warren Clarke and Que Minh Luu and set in the fictional inner-city neighbourhood of Arcadia Heights, the drama explores the relationships between the tower’s residents and those who live in the adjoining, rapidly gentrifying community.
After breaking through in Kriv Stenders’ Australia Day, Phoenix Raei landed roles in Mustangs Fc, Romper Stomper and Wentworth.
The Iranian-born actor who came to Australia when he was a kid still feels he is a relative unknown in the wider screen industry – but that could change this month after The Heights premieres on the ABC.
Raei plays Ash, who lives with his uncle Hamid (Amir Rahimzadeh) and his brother Kam (Yazeed Daher) in a social housing tower in the 30-episode serial produced by Matchbox Pictures and For Pete’s Sake Productions.
Co-created by Warren Clarke and Que Minh Luu and set in the fictional inner-city neighbourhood of Arcadia Heights, the drama explores the relationships between the tower’s residents and those who live in the adjoining, rapidly gentrifying community.
- 2/3/2019
- by The IF Team
- IF.com.au
Robert Rabiah in ‘Safe Harbour’
After a self-imposed exile, Robert Rabiah is returning to the screen early next year in Maziar Lahooti’s Below, an action-drama set in a refugee detention centre.
The actor decided he needed a break after playing Bilal in Matchbox Pictures’ Sbs miniseries Safe Harbour directed by Glendyn Ivin.
Bilal’s brother Ismail (Hazem Shammas) and sister-in-law Zahra (Nicole Chamoun), Iraqi asylum seekers, were struck by tragedy when their nine-year-old daughter died after their vessel sank.
Rabiah tells If: “Bilal was such a draining character to play. Even though a lot of scenes didn’t make the cut, feeling my stomach turn every morning was intense and I just needed to travel for a while.”
Produced by Nick Batzias of Good Thing Productions, Veronica Gleeson and Kate Neylon and due to shoot in Wa in January, Below stars Ryan Corr as Dougie, a directionless dreamer who...
After a self-imposed exile, Robert Rabiah is returning to the screen early next year in Maziar Lahooti’s Below, an action-drama set in a refugee detention centre.
The actor decided he needed a break after playing Bilal in Matchbox Pictures’ Sbs miniseries Safe Harbour directed by Glendyn Ivin.
Bilal’s brother Ismail (Hazem Shammas) and sister-in-law Zahra (Nicole Chamoun), Iraqi asylum seekers, were struck by tragedy when their nine-year-old daughter died after their vessel sank.
Rabiah tells If: “Bilal was such a draining character to play. Even though a lot of scenes didn’t make the cut, feeling my stomach turn every morning was intense and I just needed to travel for a while.”
Produced by Nick Batzias of Good Thing Productions, Veronica Gleeson and Kate Neylon and due to shoot in Wa in January, Below stars Ryan Corr as Dougie, a directionless dreamer who...
- 12/2/2018
- by The IF Team
- IF.com.au
Anthony Lapaglia and Ryan Corr.
Ladies in Black’s Ryan Corr and Anthony Lapaglia will play the leads in refugee detention centre action-drama Below, director Maziar Lahooti’s debut feature.
Rounding out the cast are Phoenix Raei, Alison Whyte (The Kettering Incident), Morgana O’Reilly and Zenia Starr.
Seville International has launched pre-sales on the film, which was adapted by Ian Wilding from his award-winning play of the same name, at the American Film Market.
Shooting is due to start in Wa on January 19 produced by Nick Batzias of Good Thing Productions, Veronica Gleeson and Kate Neylon. Madman Entertainment will distribute in Australia.
The plot follows Corr as directionless dreamer Dougie, who is recruited to work in a detention centre for asylum seekers situated in a legal no man’s land. He discovers the centre is home to a ‘Fight Club’-style underground operation where detainees are blackmailed into fighting,...
Ladies in Black’s Ryan Corr and Anthony Lapaglia will play the leads in refugee detention centre action-drama Below, director Maziar Lahooti’s debut feature.
Rounding out the cast are Phoenix Raei, Alison Whyte (The Kettering Incident), Morgana O’Reilly and Zenia Starr.
Seville International has launched pre-sales on the film, which was adapted by Ian Wilding from his award-winning play of the same name, at the American Film Market.
Shooting is due to start in Wa on January 19 produced by Nick Batzias of Good Thing Productions, Veronica Gleeson and Kate Neylon. Madman Entertainment will distribute in Australia.
The plot follows Corr as directionless dreamer Dougie, who is recruited to work in a detention centre for asylum seekers situated in a legal no man’s land. He discovers the centre is home to a ‘Fight Club’-style underground operation where detainees are blackmailed into fighting,...
- 10/31/2018
- by The IF Team
- IF.com.au
Production earmarked for January 2019. Madman holds Australian rights.
Seville International has come on board to launch international sales at Afm next week on the Australian detention centre drama Below starring Ryan Corr and Anthony Lapaglia.
Principal photography is scheduled to begin in January 2019 on Ian Wilding’s adaptation of his award-winning play of the same name.
Maziar Lahooti makes his feature directorial debut on Below, which infuses the story with satirical observation and relocates the drama from its original coal mines setting to a detention centre set in an alternate reality.
When directionless dreamer Dougie is recruited to work in...
Seville International has come on board to launch international sales at Afm next week on the Australian detention centre drama Below starring Ryan Corr and Anthony Lapaglia.
Principal photography is scheduled to begin in January 2019 on Ian Wilding’s adaptation of his award-winning play of the same name.
Maziar Lahooti makes his feature directorial debut on Below, which infuses the story with satirical observation and relocates the drama from its original coal mines setting to a detention centre set in an alternate reality.
When directionless dreamer Dougie is recruited to work in...
- 10/25/2018
- by Jeremy Kay
- ScreenDaily
StudioCanal.s Elizabeth Trotman.
In If's most recent issue, we touched base with three of the nation.s distribution heads — Madman.s Paul Wiegard, StudioCanal.s Elizabeth Trotman and Village Roadshow.s Joel Pearlman — to get the lowdown on the year.s hits, the misses, and what they.ve got coming up.
How.s the year been for you?
Trotman: It.s been a positive year. Obviously I started in my role in March, so [I.m] still relatively new to the Australian landscape. We.re pleased with our results on Our Kind of Traitor. We.ve had a number of successes with our French films playing at the French Film Festival this year. We released Mother.s Day the week before Mother.s Day back in April, and it took $5.7 million in Australia. It took 17 percent of the Us result; usually Australia is tracking at ten percent of the Us, so 17 percent was strong.
In If's most recent issue, we touched base with three of the nation.s distribution heads — Madman.s Paul Wiegard, StudioCanal.s Elizabeth Trotman and Village Roadshow.s Joel Pearlman — to get the lowdown on the year.s hits, the misses, and what they.ve got coming up.
How.s the year been for you?
Trotman: It.s been a positive year. Obviously I started in my role in March, so [I.m] still relatively new to the Australian landscape. We.re pleased with our results on Our Kind of Traitor. We.ve had a number of successes with our French films playing at the French Film Festival this year. We released Mother.s Day the week before Mother.s Day back in April, and it took $5.7 million in Australia. It took 17 percent of the Us result; usually Australia is tracking at ten percent of the Us, so 17 percent was strong.
- 11/14/2016
- by Harry Windsor
- IF.com.au
StudioCanal.s Elizabeth Trotman.
In If's most recent issue, we touched base with three of the nation.s distribution heads — Madman.s Paul Wiegard, StudioCanal.s Elizabeth Trotman and Village Roadshow.s Joel Pearlman — to get the lowdown on the year.s hits, the misses, and what they.ve got coming up.
How.s the year been for you?
Trotman: It.s been a positive year. Obviously I started in my role in March, so [I.m] still relatively new to the Australian landscape. We.re pleased with our results on Our Kind of Traitor. We.ve had a number of successes with our French films playing at the French Film Festival this year. We released Mother.s Day the week before Mother.s Day back in April, and it took $5.7 million in Australia. It took 17 percent of the Us result; usually Australia is tracking at ten percent of the Us, so 17 percent was strong.
In If's most recent issue, we touched base with three of the nation.s distribution heads — Madman.s Paul Wiegard, StudioCanal.s Elizabeth Trotman and Village Roadshow.s Joel Pearlman — to get the lowdown on the year.s hits, the misses, and what they.ve got coming up.
How.s the year been for you?
Trotman: It.s been a positive year. Obviously I started in my role in March, so [I.m] still relatively new to the Australian landscape. We.re pleased with our results on Our Kind of Traitor. We.ve had a number of successes with our French films playing at the French Film Festival this year. We released Mother.s Day the week before Mother.s Day back in April, and it took $5.7 million in Australia. It took 17 percent of the Us result; usually Australia is tracking at ten percent of the Us, so 17 percent was strong.
- 11/14/2016
- by Harry Windsor
- IF.com.au
Following the success of That Sugar Film, Madman Production is co-producing Spookers, its second feature documentary which examines the characters who inhabit Australasia.s only haunted theme park. Berlin-born, New Zealand-based director Florian Habicht is shooting Spookers at the eponymous .scream park. in a converted hospital located near Karaka, a 50 minute drive from Auckland.
The attraction was created 10 years ago by a sheep farming family, which has transformed their lives and employed hundreds of aspiring horror performers.
The New Zealand Film Commission is co-funding the doc, produced by Kiwi Lani-Rain Feltham and Madman Production.s Nick Batzias and Suzanne Walker. Madman Entertainment co-founder Paul Wiegard has been to the park and marvelled at the crazy characters including zombies, clowns, a blood-curdling butcher and a guy in a baseball mask wielding a chainsaw.
"We follow the hopes, dreams and fears of key characters as they face unchartered territory," Wiegard tells If.
The attraction was created 10 years ago by a sheep farming family, which has transformed their lives and employed hundreds of aspiring horror performers.
The New Zealand Film Commission is co-funding the doc, produced by Kiwi Lani-Rain Feltham and Madman Production.s Nick Batzias and Suzanne Walker. Madman Entertainment co-founder Paul Wiegard has been to the park and marvelled at the crazy characters including zombies, clowns, a blood-curdling butcher and a guy in a baseball mask wielding a chainsaw.
"We follow the hopes, dreams and fears of key characters as they face unchartered territory," Wiegard tells If.
- 10/29/2015
- by Don Groves
- IF.com.au
Veronica Gleeson will join Madman Production Company in the newly created role Head of Creative, it was announced today.
The role will see Gleeson, who is currently employed by Screen Australia as Creative Director, focus in on the creative development of film and television content for Madman, in particular supporting projects through their developmental phase. She will also play a central part in the production of signature projects in the future.
Reporting to Nick Batzias, Head of Madman Production Company, Gleeson is set to commence her role in March 2015.
In a release sent to the media, Batzias comments .We are thrilled to have Veronica join the Mpc team. Her acumen, skills and experience will be a great asset as we look to increase the scale of our production business..
Prior to her role at Screen Australia, Veronica worked at Icon Films, the New South Wales Film and Television Office, the...
The role will see Gleeson, who is currently employed by Screen Australia as Creative Director, focus in on the creative development of film and television content for Madman, in particular supporting projects through their developmental phase. She will also play a central part in the production of signature projects in the future.
Reporting to Nick Batzias, Head of Madman Production Company, Gleeson is set to commence her role in March 2015.
In a release sent to the media, Batzias comments .We are thrilled to have Veronica join the Mpc team. Her acumen, skills and experience will be a great asset as we look to increase the scale of our production business..
Prior to her role at Screen Australia, Veronica worked at Icon Films, the New South Wales Film and Television Office, the...
- 2/9/2015
- by Emily Blatchford
- IF.com.au
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