On Aug. 3, Prime Video and Variety collaborated to host Master Crafts at Nya Studios East, an event featuring the Emmy-nominated artisans behind Prime Video’s shows.
Moderated by Variety’s senior artisans editor Jazz Tangcay, the five panels included “Music to Our Ears,” with music supervisors, sound editors and mixers; “World Building” with cinematographers, production designers and a VFX supervisor; “Looking the Part,” with costume designers and makeup artists; “Names and Faces” with casting directors; and “The Final Cut” with producers.
The creatives behind critically acclaimed shows such as “The Marvelous Mrs. Maisel,” “Daisy Jones and the Six,” “Jury Duty,” “Swarm,” “The Lord of the Rings: The Rings of Power,” “Judy Blume Forever,” and “Dead Ringers” participated in the event. Speaking on a wide range of topics, the panelists drew back the curtain on some of this year’s most popular shows and explained how they brought them to life on screen.
Moderated by Variety’s senior artisans editor Jazz Tangcay, the five panels included “Music to Our Ears,” with music supervisors, sound editors and mixers; “World Building” with cinematographers, production designers and a VFX supervisor; “Looking the Part,” with costume designers and makeup artists; “Names and Faces” with casting directors; and “The Final Cut” with producers.
The creatives behind critically acclaimed shows such as “The Marvelous Mrs. Maisel,” “Daisy Jones and the Six,” “Jury Duty,” “Swarm,” “The Lord of the Rings: The Rings of Power,” “Judy Blume Forever,” and “Dead Ringers” participated in the event. Speaking on a wide range of topics, the panelists drew back the curtain on some of this year’s most popular shows and explained how they brought them to life on screen.
- 8/16/2023
- by Jaden Thompson and Jazz Tangcay
- Variety Film + TV
Exclusive: Ted Lasso star James Lance and Hermione Norris have joined Gillian Anderson and Jason Isaacs in the feature adaptation of Raynor Winn’s inspirational bestselling memoir The Salt Path.
The film marks the screen directing debut of Marianne Elliott, the Olivier- and Tony Award-winning director of stage hits War Horse, The Curious Incident of the Dog in the Night-Time, Company and Death of a Salesman, as Deadline revealed in May.
The Salt Path follows married couple Raynor and Moth Winn, portrayed by Anderson and Isaacs, who, after being evicted from their farm, embark on a long and winding trek along the South West Coast path in UK’s picturesque Devon and Cornwall.
Lance has been cast as Grant, one of a handful of the disparate characters who cross paths with Raynor and Moth during their year long journey.
Norris has signed on as Polly,...
The film marks the screen directing debut of Marianne Elliott, the Olivier- and Tony Award-winning director of stage hits War Horse, The Curious Incident of the Dog in the Night-Time, Company and Death of a Salesman, as Deadline revealed in May.
The Salt Path follows married couple Raynor and Moth Winn, portrayed by Anderson and Isaacs, who, after being evicted from their farm, embark on a long and winding trek along the South West Coast path in UK’s picturesque Devon and Cornwall.
Lance has been cast as Grant, one of a handful of the disparate characters who cross paths with Raynor and Moth during their year long journey.
Norris has signed on as Polly,...
- 7/11/2023
- by Baz Bamigboye
- Deadline Film + TV
The Nest is a familial drama about wealth and lies, but this isn’t some earnest bore. It is a film of tone – thick, resonant tone. Each sequence is loaded with doubt and foreboding, which are hallmark sensibilities of director Sean Durkin, a filmmaker with a special flair for reality.
The camera is an important part of this naturalistic aura, and like Martha Marcy May Marlene, his debut feature from 2011, The Nest is a visually stunning piece of work. Durkin uses not Jody Lee Lipes, his cinematographer from Martha, but the Hungarian Dop Matya Erdely, who framed the nightmarish Holocaust drama Son of Saul. Erdely’s images are wide, colourful and flooded with natural light, making good use of the impressive locations that are mocked up to emulate 1980s England.
We know that it is the 1980s because of refreshingly subtle cues, such as news bulletins, boxy German saloons, and...
The camera is an important part of this naturalistic aura, and like Martha Marcy May Marlene, his debut feature from 2011, The Nest is a visually stunning piece of work. Durkin uses not Jody Lee Lipes, his cinematographer from Martha, but the Hungarian Dop Matya Erdely, who framed the nightmarish Holocaust drama Son of Saul. Erdely’s images are wide, colourful and flooded with natural light, making good use of the impressive locations that are mocked up to emulate 1980s England.
We know that it is the 1980s because of refreshingly subtle cues, such as news bulletins, boxy German saloons, and...
- 7/27/2021
- by Jack Hawkins
- HeyUGuys.co.uk
The Amazon comedy series “The Marvelous Mrs. Maisel” premiered its first season on March 17, 2017. Produced by the married team of Amy Sherman-Palladino and Dan Palladino, the show is set in the late ’50s and early ’60s and revolves around Miriam “Midge” Maisel (Rachel Brosnahan), a young Upper West Side Jewish homemaker and mother of two. She decides to pursue a secret career as a stand-up comic after her husband Joel (Michael Zegen) has an affair with a co-worker and leaves her. Scroll down for our exclusive video interviews with top Emmy contenders from Season 3.
See‘The Marvelous Mrs. Maisel’ ties its own Emmy record for a comedy series: 8 wins in a single year
Brosnahan won a Best Comedy Actress Emmy as the adorably profane if self-absorbed clotheshorse Midge for her first-season performance, contributing to the show’s record eight wins for a comedy series in a single year. In addition to winning Best Comedy Series,...
See‘The Marvelous Mrs. Maisel’ ties its own Emmy record for a comedy series: 8 wins in a single year
Brosnahan won a Best Comedy Actress Emmy as the adorably profane if self-absorbed clotheshorse Midge for her first-season performance, contributing to the show’s record eight wins for a comedy series in a single year. In addition to winning Best Comedy Series,...
- 7/6/2020
- by Susan Wloszczyna
- Gold Derby
Clio Barnard’s stark yet heart-wrenching film The Selfish Giant (2013, UK) offers two fantastic performances from its young stars in their acting debut. Matt Price discusses how his costume design for the film reflects the strong, relatable characters so well…
It is lunchtime in London as costume designer Matthew Price shuffles into the Curzon, Soho. Recently collaborating with Clio Barnard on the Bafta nominated film, The Selfish Giant, reuniting after experimental documentary The Arbour, Price is surprisingly reserved about his work. “I wasn’t really sure if they’d take me on again,” he says of Barnard and producer Tracey O’Riordan. “The Arbour did quite well so I didn’t know if they’d interview designers with more experience but luckily they asked me to do it.”
Connor Chapman as Arbour wearing a pair of rigger boots. These are a commonly worn workwear boot and stereotypically, if accurately, connected with the traveller community.
It is lunchtime in London as costume designer Matthew Price shuffles into the Curzon, Soho. Recently collaborating with Clio Barnard on the Bafta nominated film, The Selfish Giant, reuniting after experimental documentary The Arbour, Price is surprisingly reserved about his work. “I wasn’t really sure if they’d take me on again,” he says of Barnard and producer Tracey O’Riordan. “The Arbour did quite well so I didn’t know if they’d interview designers with more experience but luckily they asked me to do it.”
Connor Chapman as Arbour wearing a pair of rigger boots. These are a commonly worn workwear boot and stereotypically, if accurately, connected with the traveller community.
- 7/25/2014
- by Lord Christopher Laverty
- Clothes on Film
While science-fiction and period costume can sell to collectors at auction for tens of thousands of dollars, the future of contemporary costume from the contemporary drama, comedy and thriller genres is unclear. Costumes from films set in the modern age are not valued as highly. Sourced from costume houses, high-street stores, and even actor’s own wardrobes, these pieces could be lost for good for future generations of collectors and fans if current mentality doesn’t change.
Contemporary costume, even from popular movies, is surprisingly hard to trace. What has happened to George Clooney’s Aloha shirts from The Descendants? The film’s costume designer Wendy Chuck isn’t sure. “I have no idea where his shirts went, probably into the stock at Fox costume house,” she guesses. And Joseph Gordon-Levitt’s iconic jacket worn as social armour in Brick? Another uncertain costume designer. Michele Posch rented three of the...
Contemporary costume, even from popular movies, is surprisingly hard to trace. What has happened to George Clooney’s Aloha shirts from The Descendants? The film’s costume designer Wendy Chuck isn’t sure. “I have no idea where his shirts went, probably into the stock at Fox costume house,” she guesses. And Joseph Gordon-Levitt’s iconic jacket worn as social armour in Brick? Another uncertain costume designer. Michele Posch rented three of the...
- 6/20/2014
- by Lord Christopher Laverty
- Clothes on Film
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