Sofia Film Festival winners also announced.
Dublin-based Italian writer-director Nathalie Biancheri’s second feature film project Wolf was awarded the Danny Lerner Grand Prix for best international project at the 15th edition of the Sofia Meetings co-production market this weekend.
The Nu Boyana Film Studios’ CEO Yariv Lerner handed over a prize of €50,000 in services and a cheque for €5,000 to Biancheri and her producer Jessie Fisk for what the director describes as “a high concept, absurdist arthouse drama”.
Budgeted at €1.2m, Wolf is set to be the first project to go into production by Fisk’s production company Feline Films.
Dublin-based Italian writer-director Nathalie Biancheri’s second feature film project Wolf was awarded the Danny Lerner Grand Prix for best international project at the 15th edition of the Sofia Meetings co-production market this weekend.
The Nu Boyana Film Studios’ CEO Yariv Lerner handed over a prize of €50,000 in services and a cheque for €5,000 to Biancheri and her producer Jessie Fisk for what the director describes as “a high concept, absurdist arthouse drama”.
Budgeted at €1.2m, Wolf is set to be the first project to go into production by Fisk’s production company Feline Films.
- 3/19/2018
- by Martin Blaney
- ScreenDaily
Warsaw Next workshop for young Polish filmmakers with 70+ participants is organized in cooperation with Sundance TV who hosts a masterclass on 15 October.
The Warsaw Film Festival (October 7–16, 2016) promotes Eastern European cinema as well as world cinema. With over 100 titles, five competitive sections, Fipresci workshops and the ever-expanding industry event CentEast Market, the 32nd edition of the Warsaw Film Festival this year is its largest ever event.
CentEast Market focuses on Eastern European cinema and will present 13 new works-in-progress, new Polish films and workshops for both filmmakers and film critics.
The CentEast Market runs 14–16 October during the final days of the Warsaw Film Festival. Since 2005, the market has provided a meeting space for sales agents, distributors, festival programmers and producers interested in Eastern European cinema.
This year’s CentEast Market will be repeated in Moscow a few days after its October 14 presentation in Warsaw. Peter Bebjak (The Cleaner [+]), Inara Kolmane (Mona...
The Warsaw Film Festival (October 7–16, 2016) promotes Eastern European cinema as well as world cinema. With over 100 titles, five competitive sections, Fipresci workshops and the ever-expanding industry event CentEast Market, the 32nd edition of the Warsaw Film Festival this year is its largest ever event.
CentEast Market focuses on Eastern European cinema and will present 13 new works-in-progress, new Polish films and workshops for both filmmakers and film critics.
The CentEast Market runs 14–16 October during the final days of the Warsaw Film Festival. Since 2005, the market has provided a meeting space for sales agents, distributors, festival programmers and producers interested in Eastern European cinema.
This year’s CentEast Market will be repeated in Moscow a few days after its October 14 presentation in Warsaw. Peter Bebjak (The Cleaner [+]), Inara Kolmane (Mona...
- 10/10/2016
- by Sydney Levine
- Sydney's Buzz
Find out who are the dynamic, inspiring executives who will be driving the sector forward.Click here to read the digital edition
Screen started highlighting the Future Leaders in our Cannes issue two years ago, when we spotlighted emerging sales and acquisitions executives. Last year, we looked at the rising producers. For 2014, we’re back spotlighting sales and distribution; it’s a sign of the industry’s vitality that there were hundreds of possible candidates that have proven themselves as ‘ones to watch’ since our previous look two years ago.
For this class of Future Leaders, we tried to introduce executives at a stage when they may be slightly less well known to the wider industry; they are not totally new to the sector and do have decision-making power, but are not yet in the top positions. So these are not generally the vice-presidents or CEOs unless they have split off into running their own boutique companies...
Screen started highlighting the Future Leaders in our Cannes issue two years ago, when we spotlighted emerging sales and acquisitions executives. Last year, we looked at the rising producers. For 2014, we’re back spotlighting sales and distribution; it’s a sign of the industry’s vitality that there were hundreds of possible candidates that have proven themselves as ‘ones to watch’ since our previous look two years ago.
For this class of Future Leaders, we tried to introduce executives at a stage when they may be slightly less well known to the wider industry; they are not totally new to the sector and do have decision-making power, but are not yet in the top positions. So these are not generally the vice-presidents or CEOs unless they have split off into running their own boutique companies...
- 5/12/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
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