The Göteborg Film Festival has unveiled the 53 Nordic Films that will take part in the latest edition of the Nordic Film Market, running February 2 – 5. Scroll down for the list.
The line-up consists of 17 completed feature films, 15 works in progress, 11 films in development presented at the market’s co-financing platform Discovery, and another 10 features in development from up-and-coming Swedish creators at Talent to Watch.
The 2023 edition of Nordic Film Market will comprise a full on-site event in Göteborg alongside digital screenings on the festival’s dedicated industry platform. This year the festival has said close to 500 invited buyers, distributors, sales agents, producers, festival programmers, and other key industry delegates from 32 countries are expected to attend.
Elsewhere, the 17th edition of the TV Drama Vision summit will run February 1–2.
Göteborg will run January 27 – February 5. As previously announced, Holy Spider breakout Zar Amir Ebrahimi will head the jury of the festival’s Nordic Competition.
The line-up consists of 17 completed feature films, 15 works in progress, 11 films in development presented at the market’s co-financing platform Discovery, and another 10 features in development from up-and-coming Swedish creators at Talent to Watch.
The 2023 edition of Nordic Film Market will comprise a full on-site event in Göteborg alongside digital screenings on the festival’s dedicated industry platform. This year the festival has said close to 500 invited buyers, distributors, sales agents, producers, festival programmers, and other key industry delegates from 32 countries are expected to attend.
Elsewhere, the 17th edition of the TV Drama Vision summit will run February 1–2.
Göteborg will run January 27 – February 5. As previously announced, Holy Spider breakout Zar Amir Ebrahimi will head the jury of the festival’s Nordic Competition.
- 1/17/2023
- by Zac Ntim
- Deadline Film + TV
Swedish production company French Quarter, the outfit behind Cannes Directors’ Fortnight entry “And Then We Danced,” is venturing into TV with a web series adapted from Henrik Bromander’s graphic novel “Kurs I självutplåning” (“Course in self-annihilation”).
The comedy series has been commissioned by the Swedish broadcaster Svt, as first reported by Nordic Film & TV News. Adapted from the graphic novel by Joakim Granberg and Isabella Rodriguez, the series follows a young woman, Maria, who enrolls in a summer camp for clowns to find new friends and get away from her hectic life but quickly gets subjected to bullying.
The series, which just wrapped shooting, is directed by Rodriguez and stars stand-up comedians Evelyn Mok, who appeared in Chris Ramsey’s “Stand Up Central,” and Jonatan Unge. The cast is completed by Karin Franz Körlof (“The Wife”) and Pelle Hanaeus (“Anna Holt”).
Film Capital Stockholm, Film I Dalarna and Svt are co-producing the series,...
The comedy series has been commissioned by the Swedish broadcaster Svt, as first reported by Nordic Film & TV News. Adapted from the graphic novel by Joakim Granberg and Isabella Rodriguez, the series follows a young woman, Maria, who enrolls in a summer camp for clowns to find new friends and get away from her hectic life but quickly gets subjected to bullying.
The series, which just wrapped shooting, is directed by Rodriguez and stars stand-up comedians Evelyn Mok, who appeared in Chris Ramsey’s “Stand Up Central,” and Jonatan Unge. The cast is completed by Karin Franz Körlof (“The Wife”) and Pelle Hanaeus (“Anna Holt”).
Film Capital Stockholm, Film I Dalarna and Svt are co-producing the series,...
- 6/18/2019
- by Elsa Keslassy
- Variety Film + TV
Film Republic has taken worldwide rights to “Mating,” Lina Maria Mannheimer’s feature documentary that played in competition at the Goteborg Film Festival.
The film is an investigation into young love. Mannheimer set out to follow two millennials over the internet, to track each of their dating habits, and see how they create their digital personas over a year. She finds her two subjects and the film takes an unforeseen twist when they start dating one another.
Mannheimer said the film is an exercise in having – and letting go of – control. “On the one hand my main characters controlled everything by being in possession of the cameras. They pressed record and stop and decided what to upload,” she said. “On the other, I listened to them several hours a week for a whole year, gaining a profound insight into their lives. Giving them tasks to film, I constantly suggested how they should frame their reality.
The film is an investigation into young love. Mannheimer set out to follow two millennials over the internet, to track each of their dating habits, and see how they create their digital personas over a year. She finds her two subjects and the film takes an unforeseen twist when they start dating one another.
Mannheimer said the film is an exercise in having – and letting go of – control. “On the one hand my main characters controlled everything by being in possession of the cameras. They pressed record and stop and decided what to upload,” she said. “On the other, I listened to them several hours a week for a whole year, gaining a profound insight into their lives. Giving them tasks to film, I constantly suggested how they should frame their reality.
- 2/4/2019
- by Stewart Clarke
- Variety Film + TV
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