French multi-hyphenate Lou Doillon, who is Jane Birkin’s daughter, is set to star in Italian comedy “Quasi a casa” directed by Carolina Pavone, a former assistant director on several Nanni Moretti films.
Shooting is underway in Rome on the sophisticated comedy, in which Doillon — a model, actor and singer-songwriter, like her half-sister Charlotte Gainsbourg — plays an eclectic, successful singer who strikes up a turbulent friendship with a younger female musician who idolizes her.
Doillon became a French fashion icon in her teens after working with famed atelier Givenchy and is currently the testimonial of Cartier’s new Baignoire watchmaking collection. The Parisian star first acted in Italy in Abel Ferrara’s “Go Go Tales” and more recently appeared in French director Maïween’s “Polisse” and in “A Child of Yours” directed by her father, Jacques Doillon.
Pavone is a promising young helmer who has worked with Moretti on “My Mother” and “Three Floors,...
Shooting is underway in Rome on the sophisticated comedy, in which Doillon — a model, actor and singer-songwriter, like her half-sister Charlotte Gainsbourg — plays an eclectic, successful singer who strikes up a turbulent friendship with a younger female musician who idolizes her.
Doillon became a French fashion icon in her teens after working with famed atelier Givenchy and is currently the testimonial of Cartier’s new Baignoire watchmaking collection. The Parisian star first acted in Italy in Abel Ferrara’s “Go Go Tales” and more recently appeared in French director Maïween’s “Polisse” and in “A Child of Yours” directed by her father, Jacques Doillon.
Pavone is a promising young helmer who has worked with Moretti on “My Mother” and “Three Floors,...
- 9/25/2023
- by Nick Vivarelli
- Variety Film + TV
Shooting is underway in Naples on the fourth and final season of HBO/Rai series “My Brilliant Friend” which sees some key casting changes in the lead roles of the two best friends, Elena Greco and Lila Cerullo, no longer played by Margherita Mazzucco and Gaia Girace.
For the fourth season of the Elena Ferrante quadrilogy, titled “The Story of the Lost Child,” as previously announced, Alba Rohrwacher (on the left of the first look image) is playing Elena Greco, aka Lenù. Irene Maiorino (“Gomorrah”) has now been announced as Lila. And additionally, Fabrizio Gifuni (“Exterior Night”) will play Nino Sarratore, the writer who has long been the object of Lenù’s affection. Sarratore was previously played by Francesco Serpico.
The fourth season of “Brilliant Friend” is being directed by Laura Bispuri, known for the transgender-themed drama “Sworn Virgin” and for “Daughter of Mine.” Both films starred Rohrwacher and played in Berlin.
For the fourth season of the Elena Ferrante quadrilogy, titled “The Story of the Lost Child,” as previously announced, Alba Rohrwacher (on the left of the first look image) is playing Elena Greco, aka Lenù. Irene Maiorino (“Gomorrah”) has now been announced as Lila. And additionally, Fabrizio Gifuni (“Exterior Night”) will play Nino Sarratore, the writer who has long been the object of Lenù’s affection. Sarratore was previously played by Francesco Serpico.
The fourth season of “Brilliant Friend” is being directed by Laura Bispuri, known for the transgender-themed drama “Sworn Virgin” and for “Daughter of Mine.” Both films starred Rohrwacher and played in Berlin.
- 1/30/2023
- by Nick Vivarelli
- Variety Film + TV
The pals on My Brilliant Friend are all grown up.
For the drama’s fourth and final season on HBO, Alba Rohrwacher will play Elena Greco and Irene Maiorino will take over as Lila Cerullo in the series based on “The Story Of The Lost Child,” Elena Ferrante’s fourth and final book of her quadrilogy.
The series follows Elena Greco and the most important friend in her life — Raffaella Cerullo, whom she has always called Lila, in the first year of primary school in 1950. Their story goes on to cover more than 60 years of their lives and explores the mystery of Lila, Elena’s brilliant friend and – in a way – both her best friend and her worst enemy.
Fabrizio Gifuni will also join season four as Nino Sarratore.
Irene Maioria (Lila) and Alba Rohrwacher (Elena). Photo by Eduardo Castaldo
My Brilliant Friend is created by Saverio Costanzo. This season...
For the drama’s fourth and final season on HBO, Alba Rohrwacher will play Elena Greco and Irene Maiorino will take over as Lila Cerullo in the series based on “The Story Of The Lost Child,” Elena Ferrante’s fourth and final book of her quadrilogy.
The series follows Elena Greco and the most important friend in her life — Raffaella Cerullo, whom she has always called Lila, in the first year of primary school in 1950. Their story goes on to cover more than 60 years of their lives and explores the mystery of Lila, Elena’s brilliant friend and – in a way – both her best friend and her worst enemy.
Fabrizio Gifuni will also join season four as Nino Sarratore.
Irene Maioria (Lila) and Alba Rohrwacher (Elena). Photo by Eduardo Castaldo
My Brilliant Friend is created by Saverio Costanzo. This season...
- 1/30/2023
- by Lynette Rice
- Deadline Film + TV
Top model Deva Cassell, who is Monica Bellucci and Vincent Cassel’s daughter, is making her acting debut as a wild and provocative artists’ model named Amelia in Italian director Laura Luchetti’s “The Beautiful Summer.” Italian sales company True Colours is launching sales on the drama at AFM.
True Colours has taken all rights outside Italy to the period piece set during a “beautiful summer” in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II.
The coming-of-age drama is based on Italian author Cesare Pavese’s novel “La Bella Estate,” which won Italy’s prestigious Premio Strega literary prize in 1950 and has been widely translated.
“Beautiful Summer” sees the 18-year-old Cassell (pictured above right in the first look image above) who models regularly for Dolce & Gabbana, as the uninhibited model Amelia. She introduces her younger friend Ginia, played by Yile Yara Vianello...
True Colours has taken all rights outside Italy to the period piece set during a “beautiful summer” in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II.
The coming-of-age drama is based on Italian author Cesare Pavese’s novel “La Bella Estate,” which won Italy’s prestigious Premio Strega literary prize in 1950 and has been widely translated.
“Beautiful Summer” sees the 18-year-old Cassell (pictured above right in the first look image above) who models regularly for Dolce & Gabbana, as the uninhibited model Amelia. She introduces her younger friend Ginia, played by Yile Yara Vianello...
- 11/2/2022
- by Nick Vivarelli
- Variety Film + TV
All The Beauty And The Bloodshed In Competition(Jury: Julianne Moore, Mariano Cohn, Leonardo di Costanzo, Audrey Diwan, Leila Hatami, Kazuo Ishiguro, Rodrigo Sorogoyen)Golden Lion – All The Beauty And The Bloodshed (Laura Poitras)Silver Lion (Grand Jury Prize) – Saint Omer (Alice Diop)Silver Lion (Best Director) – Luca Guadagnino (Bones & All)Coppa Volpi for Best Actress – Cate Blanchett (Tár)Coppa Volpi for Best Actor – Colin Farrell (The Banshees Of Inisherin)Best Screenplay – Martin McDonagh (The Banshees Of Inisherin)Special Jury Prize – No Bears (Jafar Panahi)Marcello Mastroianni Award for Best Young Actor or Actress – Taylor Russell (Bones & All)Orizzonti(Jury: Isabel Coixet, Laura Bispuri, Antonio Campos, Sofia Djama, Edourad Waintrop)Orizzonti Award for Best Film – World War III (Houman Seyedi)Orizzonti Award for Best Director – Vera (Tizza Covi, Rainer Frimmel)Special Orizzonti Jury Prize – Bread And Salt (Damian Kocur)Orizzonti Award for Best Actress – Vera Gemma (Vera)Orizzonti Award for...
- 9/10/2022
- MUBI
Venice’s red carpet became a stage for quiet protest on Friday, as festival director Alberto Barbera and jury president Julianne Moore, among many more, held a somber walk-out to stand in solidarity with imprisoned filmmaker Jafar Panahi.
Traffic on the red carpet flowed normally as attendees made their way into Venice’s Palazzo del Cinema for the world premiere of Panahi’s latest film, “No Bears.” And then, at 4:30 pm sharp, the doors to the theater swung open and a sea of people filed out. Moore stood with a delegation that also included fellow juror Audrey Diwan, Horizons jury president Isabel Coixet, and filmmakers Laura Bispuri and Sally Potter.
In a steely show of resolve, many held posters calling for the release of Panahi, Mohammad Rasoulof, and Mostafa Al-Ahmad, the three Iranian filmmakers imprisoned earlier this year. Others stood for Myanmar’s Ma Aeint and Turkey’s Çiğdem Mater,...
Traffic on the red carpet flowed normally as attendees made their way into Venice’s Palazzo del Cinema for the world premiere of Panahi’s latest film, “No Bears.” And then, at 4:30 pm sharp, the doors to the theater swung open and a sea of people filed out. Moore stood with a delegation that also included fellow juror Audrey Diwan, Horizons jury president Isabel Coixet, and filmmakers Laura Bispuri and Sally Potter.
In a steely show of resolve, many held posters calling for the release of Panahi, Mohammad Rasoulof, and Mostafa Al-Ahmad, the three Iranian filmmakers imprisoned earlier this year. Others stood for Myanmar’s Ma Aeint and Turkey’s Çiğdem Mater,...
- 9/9/2022
- by Ben Croll
- Variety Film + TV
The star studded Variety and Hotel Danieli pre-festival cocktail party on Aug. 30 was a taster of the riches in store at the Venice Film Festival that kicks off the following day.
Head of the jury Julianne Moore and fellow jurors, “A Separation” actor Leila Hatami and filmmakers Audrey Diwan, Mariano Cohn, Leonardo Di Costanzo and Rodrigo Sorogoyen, were present as was “Thor: Love and Thunder” actor Tessa Thompson, who is serving on the festival’s Horizons strand jury.
The evening, titled “Cinema Danieli – An Unforgettable Story,” on the terrace of the plush Hotel Danieli, which turns 200 this year, has become a festival tradition dating back 13 years. It was introduced by Claudio Staderini, director of the Danieli, who described the hotel as a shooting and residential choice of many of the biggest movie stars in the world.
Festival artistic director Alberto Barbera said that the Variety and Danieli pre-festival cocktail as...
Head of the jury Julianne Moore and fellow jurors, “A Separation” actor Leila Hatami and filmmakers Audrey Diwan, Mariano Cohn, Leonardo Di Costanzo and Rodrigo Sorogoyen, were present as was “Thor: Love and Thunder” actor Tessa Thompson, who is serving on the festival’s Horizons strand jury.
The evening, titled “Cinema Danieli – An Unforgettable Story,” on the terrace of the plush Hotel Danieli, which turns 200 this year, has become a festival tradition dating back 13 years. It was introduced by Claudio Staderini, director of the Danieli, who described the hotel as a shooting and residential choice of many of the biggest movie stars in the world.
Festival artistic director Alberto Barbera said that the Variety and Danieli pre-festival cocktail as...
- 8/31/2022
- by Naman Ramachandran
- Variety Film + TV
Michelangelo Frammartino was also named president of the Luigi de Laurentiis award.
Spanish filmmaker Isabel Coixet has been named president of the Horizons jury for the Venice Film Festival (August 31 - September 10).
Coixet’s credentials include My Life Without Me, The Secret Life Of Words and The Bookshop. Most recently her documentary The Yellow Ceiling was introduced at Cannes Marché 2022 slate.
Joining her on the jury is Italian director Laura Bispuri; US filmmaker Antonio Campos; Algerian filmmaker Sofia Djama and former Cannes’ Directors Fortnight director Edouard Waintrop.
The Horizons section awards seven prizes in total in all major categories including a special jury prize.
Spanish filmmaker Isabel Coixet has been named president of the Horizons jury for the Venice Film Festival (August 31 - September 10).
Coixet’s credentials include My Life Without Me, The Secret Life Of Words and The Bookshop. Most recently her documentary The Yellow Ceiling was introduced at Cannes Marché 2022 slate.
Joining her on the jury is Italian director Laura Bispuri; US filmmaker Antonio Campos; Algerian filmmaker Sofia Djama and former Cannes’ Directors Fortnight director Edouard Waintrop.
The Horizons section awards seven prizes in total in all major categories including a special jury prize.
- 7/20/2022
- by Ellie Calnan
- ScreenDaily
Spanish director Isabel Coixet will preside over the international jury of the Venice Film Festival’s Orizzonti competition at the upcoming edition running from August 31 to September 10.
The director knows Orizzonti well having world premiered her 2005 drama The Secret Life Of Words in the section, ahead of it winning four Spanish Goya awards the following year.
More recent credits include The Bookshop, which also swept the Goyas in 2017, winning best director, film and adapted screenplay, and Spanish and English-language romantic drama It Snows In Benidorm, starring Timothy Spall.
She will be by Italian filmmaker Laura Bispuri, whose third film The Peacock’s Paradise played in Orizzonti last year, and US director Antonio Campus, whose recent credits include HBO show The Staircase.
Further members include Sofia Djama, the Algerian director of The Blessed, for which lead Lyna Khoudri won the Orizzonti Best Actress Award in 2017 and former Cannes Directors’ Fortnight Delegate General Edouard Waintrop.
The director knows Orizzonti well having world premiered her 2005 drama The Secret Life Of Words in the section, ahead of it winning four Spanish Goya awards the following year.
More recent credits include The Bookshop, which also swept the Goyas in 2017, winning best director, film and adapted screenplay, and Spanish and English-language romantic drama It Snows In Benidorm, starring Timothy Spall.
She will be by Italian filmmaker Laura Bispuri, whose third film The Peacock’s Paradise played in Orizzonti last year, and US director Antonio Campus, whose recent credits include HBO show The Staircase.
Further members include Sofia Djama, the Algerian director of The Blessed, for which lead Lyna Khoudri won the Orizzonti Best Actress Award in 2017 and former Cannes Directors’ Fortnight Delegate General Edouard Waintrop.
- 7/20/2022
- by Melanie Goodfellow
- Deadline Film + TV
Click here to read the full article.
Spanish director Isabel Coixet (The Bookshop, My Life Without Me) will head up the competition jury for the Orizzonti, or Horizons, section of this year’s Venice International Film festival, organizers unveiled on Wednesday.
The Secret Life of Words helmer will be joined by Italian director Laura Bispuri (Sworn Virgin, Daughter of Mine); American filmmaker Antonio Campos (The Staircase, The Devil All the Time); Algerian director Sofia Djama, whose feature debut, The Blessed, screened in Oizzonti last year, winning the best actress honor for star Lyna Khoudri; and French journalist and critic Edouard Waintrop, who most recently was artistic director at Cannes’ Directors Fortnight section.
The Orizzonti jury will present awards for best film, best director, a jury prize, best actor and actress, best screenplay and a best short film honor, picking from the titles selected for the Venice sidebar this year.
Venice...
Spanish director Isabel Coixet (The Bookshop, My Life Without Me) will head up the competition jury for the Orizzonti, or Horizons, section of this year’s Venice International Film festival, organizers unveiled on Wednesday.
The Secret Life of Words helmer will be joined by Italian director Laura Bispuri (Sworn Virgin, Daughter of Mine); American filmmaker Antonio Campos (The Staircase, The Devil All the Time); Algerian director Sofia Djama, whose feature debut, The Blessed, screened in Oizzonti last year, winning the best actress honor for star Lyna Khoudri; and French journalist and critic Edouard Waintrop, who most recently was artistic director at Cannes’ Directors Fortnight section.
The Orizzonti jury will present awards for best film, best director, a jury prize, best actor and actress, best screenplay and a best short film honor, picking from the titles selected for the Venice sidebar this year.
Venice...
- 7/20/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Spanish director Isabel Coixet, known for prizewinning works such as “The Secret Life of Words” and “The Bookshop,” will preside over the jury of the Venice Film Festival’s Horizons (Orizonti) section dedicated to more cutting-edge works.
Coixet will be joined on the Horizons jury by Italian director Laura Bispuri; U.S. director and producer Antonio Campos, who most recently created, wrote and directed HBO Max series “The Staircase,” starring Colin Firth, Toni Collette and Juliette Binoche; Algerian director Sofia Djama, whose first feature “The Blessed” won the 2017 Horizons best actress award for Lyna Khoudri; and former Cannes Director’s Fortnight chief Edouard Waintrop.
Additionally, Italian director Michelangelo Frammartino, who was in Venice last year with “Il Buco,” will preside over the jury for the “Luigi de Laurentiis” award for best first work across all Venice sections, which is worth 100,000.
Joining Frammartino on the Venice jury for best first work...
Coixet will be joined on the Horizons jury by Italian director Laura Bispuri; U.S. director and producer Antonio Campos, who most recently created, wrote and directed HBO Max series “The Staircase,” starring Colin Firth, Toni Collette and Juliette Binoche; Algerian director Sofia Djama, whose first feature “The Blessed” won the 2017 Horizons best actress award for Lyna Khoudri; and former Cannes Director’s Fortnight chief Edouard Waintrop.
Additionally, Italian director Michelangelo Frammartino, who was in Venice last year with “Il Buco,” will preside over the jury for the “Luigi de Laurentiis” award for best first work across all Venice sections, which is worth 100,000.
Joining Frammartino on the Venice jury for best first work...
- 7/20/2022
- by Nick Vivarelli
- Variety Film + TV
“Join forces,’ says Susanna Nicchiarelli, Michela Occhipinti, Chiara Bellosi, and Maura Delpero.
Four Italian directors came together in London last week to call for greater support for female film directors in Italy’s male-dominated industry.
Films by female directors comprised just 13 of the total films produced in Italy in both 2019 and 2020, according to data released by Cinecittà, Italy’s largest production studio. However, this is a significant gain on the 2 figure of 2010.
“There is a cultural problem at the root of all this. I realised it when I tried to get my first film done,” said Susanna Nicchiarelli, of her debut fiction feature Cosmonaut,...
Four Italian directors came together in London last week to call for greater support for female film directors in Italy’s male-dominated industry.
Films by female directors comprised just 13 of the total films produced in Italy in both 2019 and 2020, according to data released by Cinecittà, Italy’s largest production studio. However, this is a significant gain on the 2 figure of 2010.
“There is a cultural problem at the root of all this. I realised it when I tried to get my first film done,” said Susanna Nicchiarelli, of her debut fiction feature Cosmonaut,...
- 6/22/2022
- by Alina Trabattoni
- ScreenDaily
The rising clutch of women directors breaking the glass ceiling in Italy’s male dominated film industry is being celebrated by a curated screenings’ series titled The Wave playing this week in London and set to open with Chiara Bellosi’s Berlin Panorama coming-of-age drama “Swing Ride.”
Running June 15-19 at London’s Ciné Lumière, Kensington, after a previous run in Berlin, The Wave has been assembled by Cinecittà’s promotional arm to draw international notice to what chief Carla Cattani says is “a unique time” for female filmmakers in Italy where they are “no longer isolated cases.”
Indeed, as Cattani notes in her introduction to The Wave’s program notes, prior to 2010 it was very rare to find more than two Italian films directed by females within the same year. In fact in 2010, out of 122 Italian films released theatrically only two titles were directed by women.
Cut to a decade later,...
Running June 15-19 at London’s Ciné Lumière, Kensington, after a previous run in Berlin, The Wave has been assembled by Cinecittà’s promotional arm to draw international notice to what chief Carla Cattani says is “a unique time” for female filmmakers in Italy where they are “no longer isolated cases.”
Indeed, as Cattani notes in her introduction to The Wave’s program notes, prior to 2010 it was very rare to find more than two Italian films directed by females within the same year. In fact in 2010, out of 122 Italian films released theatrically only two titles were directed by women.
Cut to a decade later,...
- 6/14/2022
- by Nick Vivarelli
- Variety Film + TV
Festival has programmed 120 films from 52 countries
The Munich Film Festival (June 23 – July 2) is showcasing many of the highlights from last month’s Cannes Film Festival when it returns with a full programme of features for the first time since 2019.
Munich pivoted online in 2020 due to the pandemic, and programmed a reduced number of films in 2021, mainly in open-air locations.
Munich is opening this year with Marie Kreutzer’s Corsage, which saw Vicky Krieps win the Un Certain Regard best performance award for her portrayal of Empress Elisabeth of Austria.
Corsage will play in Munich’s main Cinemasters Competition, alongside Cannes...
The Munich Film Festival (June 23 – July 2) is showcasing many of the highlights from last month’s Cannes Film Festival when it returns with a full programme of features for the first time since 2019.
Munich pivoted online in 2020 due to the pandemic, and programmed a reduced number of films in 2021, mainly in open-air locations.
Munich is opening this year with Marie Kreutzer’s Corsage, which saw Vicky Krieps win the Un Certain Regard best performance award for her portrayal of Empress Elisabeth of Austria.
Corsage will play in Munich’s main Cinemasters Competition, alongside Cannes...
- 6/10/2022
- by Tim Dams
- ScreenDaily
Festival has programmed 120 films from 52 countries
The Munich Film Festival (June 23 – July 2) is showcasing many of the highlights from last month’s Cannes Film Festival when it returns with a full programme of features for the first time since 2019.
Munich pivoted online in 2020 due to the pandemic, and programmed a reduced number of films in 2021, mainly in open-air locations.
Munich is opening this year with Marie Kreutzer’s Corsage, which saw Vicky Krieps win the Un Certain Regard best performance award for her portrayal of Empress Elisabeth of Austria.
Corsage will play in Munich’s main Cinemasters Competition, alongside Cannes...
The Munich Film Festival (June 23 – July 2) is showcasing many of the highlights from last month’s Cannes Film Festival when it returns with a full programme of features for the first time since 2019.
Munich pivoted online in 2020 due to the pandemic, and programmed a reduced number of films in 2021, mainly in open-air locations.
Munich is opening this year with Marie Kreutzer’s Corsage, which saw Vicky Krieps win the Un Certain Regard best performance award for her portrayal of Empress Elisabeth of Austria.
Corsage will play in Munich’s main Cinemasters Competition, alongside Cannes...
- 6/10/2022
- by Tim Dams
- ScreenDaily
Gabriele Mainetti’s Freaks Out, co-written with Nicola Guaglianone, starring Franz Rogowski, Aurora Giovinazzo, Pietro Castellitto, Giancarlo Martini, Claudio Santamaria, and Giorgio Tirabassi opens Film at Lincoln Center and Cinecittà’s 21st edition of Open Roads: New Italian Cinema
Giuseppe Bonito’s A Girl Returned; Paolo Taviani’s Leonora Addio (The Demise Of Luigi Pirandello); Laura Bispuri’s The Peacock’s Paradise (Il Paradiso Del Pavone) starring Dominique Sanda, Alba Rohrwacher, Carlo Cerciello, and Maya Sansa; Chiara Bellosi’s Swing Ride (Calcinculo) with Gaia Di Pietro and Andrea Carpenzano; Nanni Moretti’s Three Floors with Margherita Buy, Adriano Giannini, Elena Lietti, Riccardo Scamarcio, Paolo Graziosi, and Rohrwacher, and Gabriele Mainetti’s Freaks Out, co-written with Nicola Guaglianone, starring Franz Rogowski, Aurora Giovinazzo, Pietro Castellitto, Giancarlo Martini, Claudio Santamaria, and Giorgio Tirabassi are six highlights of Film at Lincoln Center and Cinecittà’s 21st edition of Open Roads: New Italian Cinema.
Giuseppe Bonito’s A Girl Returned; Paolo Taviani’s Leonora Addio (The Demise Of Luigi Pirandello); Laura Bispuri’s The Peacock’s Paradise (Il Paradiso Del Pavone) starring Dominique Sanda, Alba Rohrwacher, Carlo Cerciello, and Maya Sansa; Chiara Bellosi’s Swing Ride (Calcinculo) with Gaia Di Pietro and Andrea Carpenzano; Nanni Moretti’s Three Floors with Margherita Buy, Adriano Giannini, Elena Lietti, Riccardo Scamarcio, Paolo Graziosi, and Rohrwacher, and Gabriele Mainetti’s Freaks Out, co-written with Nicola Guaglianone, starring Franz Rogowski, Aurora Giovinazzo, Pietro Castellitto, Giancarlo Martini, Claudio Santamaria, and Giorgio Tirabassi are six highlights of Film at Lincoln Center and Cinecittà’s 21st edition of Open Roads: New Italian Cinema.
- 6/9/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Some creatures waste away when they’re domesticated, pining for the freedom of the outdoors. That seems to be the case not only for the immensely improbable, leadenly symbolic peacock at the center of Laura Bispuri’s “The Peacock’s Paradise,” but also for Bispuri’s flair for characterization and absorbingly grounded melodrama, which comes tamely indoors after the vibrant, windblown elementalism of “Sworn Virgin” and “Daughter of Mine,” and vanishes.
In the stultifying environment of a small coastal apartment, “The Peacock’s Paradise” follows a family of unbearably self-involved secret-keepers at a reunion that precipitates an entire telenovela’s worth of soapy revelation in the space of a single afternoon. Long-term same-sex affairs are discovered; dormant passions are reawakened; new lovers are betrayed; a history of institutionalization is dredged up; financial petitions are broached; and a clinically mute character speaks, delivering one single, loaded comment that scriptwriters Bispuri and...
In the stultifying environment of a small coastal apartment, “The Peacock’s Paradise” follows a family of unbearably self-involved secret-keepers at a reunion that precipitates an entire telenovela’s worth of soapy revelation in the space of a single afternoon. Long-term same-sex affairs are discovered; dormant passions are reawakened; new lovers are betrayed; a history of institutionalization is dredged up; financial petitions are broached; and a clinically mute character speaks, delivering one single, loaded comment that scriptwriters Bispuri and...
- 10/29/2021
- by Jessica Kiang
- Variety Film + TV
“The Peacock’s Paradise” is one of the worst types of films to watch and review. Ineffectual in its style, but inoffensive in its content and execution, Laura Bispuri’s most recent directorial effort fails to move beyond the rudimentary elements that comprise the average movie.
Read More: Venice Film Festival 2021 Preview: 12 Must-See Films To Watch
The narrative centers on an estranged family gathering to celebrate the birthday of Nena (Dominique Sanda), its matriarch.
Continue reading ‘The Peacock’s Paradise’: Laura Bispuri Crafts A Masterclass In Mediocre Filmmaking [Venice Review] at The Playlist.
Read More: Venice Film Festival 2021 Preview: 12 Must-See Films To Watch
The narrative centers on an estranged family gathering to celebrate the birthday of Nena (Dominique Sanda), its matriarch.
Continue reading ‘The Peacock’s Paradise’: Laura Bispuri Crafts A Masterclass In Mediocre Filmmaking [Venice Review] at The Playlist.
- 9/5/2021
- by Jonathan Christian
- The Playlist
The country’s box office is still sputtering but Italian cinema is instead “in a state of grace,” as Venice chief Alberto Barbera put it recently as he announced the five features from Italy that are competing for the fest’s Golden Lion. It’s the most he’s ever selected from Italy.
And Barbera is adamant that he didn’t allocate almost one-fourth of Venice’s 21 competition slots to Cinema Italiano “to support our colors at a difficult time.”
“Some years he selects very little from Italy,” notes Barbara Salabè, who is the top Warner Bros. exec in Italy. “But this year Alberto told me: ‘the [Italian] films are good.’”
The Italian contingent on the Lido spans a wide range of cinematic styles, from “Il Buco,” an eclectic film with no dialogue or music about a group of speleologists who, in 1961, discover the world’s second-deepest cave — directed by underground helmer Michelangelo Frammartino,...
And Barbera is adamant that he didn’t allocate almost one-fourth of Venice’s 21 competition slots to Cinema Italiano “to support our colors at a difficult time.”
“Some years he selects very little from Italy,” notes Barbara Salabè, who is the top Warner Bros. exec in Italy. “But this year Alberto told me: ‘the [Italian] films are good.’”
The Italian contingent on the Lido spans a wide range of cinematic styles, from “Il Buco,” an eclectic film with no dialogue or music about a group of speleologists who, in 1961, discover the world’s second-deepest cave — directed by underground helmer Michelangelo Frammartino,...
- 9/4/2021
- by Nick Vivarelli
- Variety Film + TV
The programme for the 2021 Venice Film Festival has been unveiled, and includes new films from Pedro Almodóvar, Jane Campion, Maggie Gyllenhaal, Michelangelo Frammartino, Pablo Larraín, Paul Schrader, Ridley Scott, and more.Parallel MothersCOMPETITIONParallel Mothers (Pedro Almodóvar)Mona Lisa and the Blood Moon (Ana Lily Amirpour)Un Autre Monde (Stephane Brize)The Power of the Dog (Jane Campion)America LatinaL’Evenement (Audrey Diwan)Official CompetitionThe Hole (Michelangelo Frammartino)Sundown (Michel Franco)Lost Illusions (Xavier Giannoli)The Lost Daughter (Maggie Gyllenhaal)Spencer (Pablo Larrain)Freaks Out (Gabriele Mainetti)Qui Rido Io (Mario Martone)On The Job: The Missing 8 (Erik Matti)Leave No Traces (Jan P. Matuszyński)Captain Volkonogov EscapedThe Card Counter (Paul Schrader)The Hand of God (Paolo Sorrentino)Reflection (Valentyn Vasyanovych)The Box (Lorenzo Vigas)Out Of COMPETITIONFeaturesDune (Denis Villeneuve)Il Bambino Nascosto (Roberto Andò)Les Choses Humaines (Yvan Attal)Ariaferma (Leonardo Di Costanzo)Halloween Kills (David Gordon Green...
- 8/3/2021
- MUBI
Dina Amer’s debut feature takes in the relationship between two sisters.
Germany’s The Match Factory has boarded international sales on Dina Amer’s You Resemble Me, which was announced today in the selection for Venice sidebar Giornate degli Autori.
CAA is handling North American sales on the film, which is produced by US companies The Othrs and Vice Studios/Ryot Films, in association with Quiet and Level Forward. France’s Dartagnan and Egypt’s Hameda’s Stories are co-producers.
In the film, when a bond is broken between two sisters, one of them transforms into someone new in...
Germany’s The Match Factory has boarded international sales on Dina Amer’s You Resemble Me, which was announced today in the selection for Venice sidebar Giornate degli Autori.
CAA is handling North American sales on the film, which is produced by US companies The Othrs and Vice Studios/Ryot Films, in association with Quiet and Level Forward. France’s Dartagnan and Egypt’s Hameda’s Stories are co-producers.
In the film, when a bond is broken between two sisters, one of them transforms into someone new in...
- 7/28/2021
- by Ben Dalton
- ScreenDaily
Taking place September 1 through 11, the Venice Film Festival has now unveiled its lineup, after a few teases of what it contains (the opening night selection of Madres Paralelas by Pedro Almodovar and Denis Villeneuve’s Dune). Among the selections are Jane Campion’s The Power of a Dog, Paul Schrader’s The Card Counter, Pablo Larrain’s Spencer, Ana Lily Amirpour’s Mona Lisa and the Blood Moon.
Maggie Gyllenhaal’s directorial debut The Lost Daughter, Ridley Scott’s The Last Duel, Paolo Sorrentino’s The Hand of God, and Edgar Wright’s The Last Night in Soho will premiere there, along with new shorts by Radu Jude and Tsai Ming-liang.
Check out the line below for the festival that will feature 50% capacity at screenings.
Venezia 78 – Competition
Madres Paralelas, dir: Pedro Almodovar
Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour
Un Autre Monde, dir: Stéphane Brizé
The Power Of The Dog,...
Maggie Gyllenhaal’s directorial debut The Lost Daughter, Ridley Scott’s The Last Duel, Paolo Sorrentino’s The Hand of God, and Edgar Wright’s The Last Night in Soho will premiere there, along with new shorts by Radu Jude and Tsai Ming-liang.
Check out the line below for the festival that will feature 50% capacity at screenings.
Venezia 78 – Competition
Madres Paralelas, dir: Pedro Almodovar
Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour
Un Autre Monde, dir: Stéphane Brizé
The Power Of The Dog,...
- 7/26/2021
- by Jordan Raup
- The Film Stage
The 2021 Cannes Film Festival brought the international film circuit back to life in roaring fashion earlier this month (French filmmaker Julia Ducournau became the second woman director to win the Palme d’Or thanks to Neon release “Titane”), and next up are the trio of major fall film festivals in September: the Venice Film Festival, Telluride Film Festival, and Toronto International Film Festival. Venice is first out of the gate by launching its 78th edition Wednesday, September 1. The lineup for Venice 2021 has now been revealed.
As previously announced, Pedro Almodóvar will kick off the 2021 Venice Film Festival with the world premiere of his new drama “Parallel Mothers.” The film will debut in competition and vie for the festival’s top prize, the Golden Lion. “Parallel Mothers” is written and directed by Almodóvar, and stars both regular and new collaborators, including Penélope Cruz, Milena Smit, Israel Elejalde, Aitana Sánchez-Gijón, Julieta Serrano,...
As previously announced, Pedro Almodóvar will kick off the 2021 Venice Film Festival with the world premiere of his new drama “Parallel Mothers.” The film will debut in competition and vie for the festival’s top prize, the Golden Lion. “Parallel Mothers” is written and directed by Almodóvar, and stars both regular and new collaborators, including Penélope Cruz, Milena Smit, Israel Elejalde, Aitana Sánchez-Gijón, Julieta Serrano,...
- 7/26/2021
- by Zack Sharf
- Indiewire
This year’s line-up includes five female directors in competition.
The line-up of the 78th Venice Film Festival (September 1-11) has been announced by festival president Roberto Cicutto and artistic director Alberto Barbera.
Scroll down for the full line-up
This year’s selection saw the festival take a backward step for gender balance, with five female directors selected in the main competition, down from last year’s eight. 26% of films in the overall line-up are directed by women, down from 28% in 2020.
The high-profile titles picked for competition this year include Pablo Larrain’s Spencer; Paolo Sorrentino’s The Hand Of God...
The line-up of the 78th Venice Film Festival (September 1-11) has been announced by festival president Roberto Cicutto and artistic director Alberto Barbera.
Scroll down for the full line-up
This year’s selection saw the festival take a backward step for gender balance, with five female directors selected in the main competition, down from last year’s eight. 26% of films in the overall line-up are directed by women, down from 28% in 2020.
The high-profile titles picked for competition this year include Pablo Larrain’s Spencer; Paolo Sorrentino’s The Hand Of God...
- 7/26/2021
- by Orlando Parfitt
- ScreenDaily
The Venice film festival runs September 1-11.
The line-up for the 78th Venice Film Festival (September 1-11) is being unveiled this morning at around 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera.
The press conference will be live-streamed here below, and the story will be updated with the films as they are announced.
As previously announced, Pedro Almodóvar’s Parallel Mothers will open the festival in competition. Denis Villeneuve’s Dune will also have its world premiere at the festival out of competition on September 3.
Bong Joon Ho will preside over the competition jury that also includes Chloé Zhao,...
The line-up for the 78th Venice Film Festival (September 1-11) is being unveiled this morning at around 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera.
The press conference will be live-streamed here below, and the story will be updated with the films as they are announced.
As previously announced, Pedro Almodóvar’s Parallel Mothers will open the festival in competition. Denis Villeneuve’s Dune will also have its world premiere at the festival out of competition on September 3.
Bong Joon Ho will preside over the competition jury that also includes Chloé Zhao,...
- 7/26/2021
- by Orlando Parfitt
- ScreenDaily
Despite Italy having been among countries hardest hit by the pandemic, film production almost never stopped. So there is a backlog of new titles ready to hit global festivals and markets starting from Cannes, as well as newer projects.
Below is a compendium of hot Cinema Italiano titles in various stages of production.
“Bones and All”
Luca Guadagnino started shooting this U.S.-set film in May, marking his first collaboration with Timothée Chalamet since “Call Me by Your Name.” Pic is adapted from the eponymous novel by Camille DeAngelis and tells the story of first love between Maren, a young woman learning how to survive on the margins of society, and Lee, a disenfranchised drifter, as they meet and join forces for a road trip through Ronald Reagan’s America.
“La Chimera”
Alice Rohrwacher will soon shoot her fourth feature revolving around the black market of stolen archaeological artifacts.
Below is a compendium of hot Cinema Italiano titles in various stages of production.
“Bones and All”
Luca Guadagnino started shooting this U.S.-set film in May, marking his first collaboration with Timothée Chalamet since “Call Me by Your Name.” Pic is adapted from the eponymous novel by Camille DeAngelis and tells the story of first love between Maren, a young woman learning how to survive on the margins of society, and Lee, a disenfranchised drifter, as they meet and join forces for a road trip through Ronald Reagan’s America.
“La Chimera”
Alice Rohrwacher will soon shoot her fourth feature revolving around the black market of stolen archaeological artifacts.
- 7/9/2021
- by Nick Vivarelli
- Variety Film + TV
Dominique Sanda, Alba Rohrwacher and Maya Sansa star in the director’s new film, the story of an impossible love that will throw into question the feelings of an entire family. Filming on Il paradiso del pavone, the latest film from Laura Bispuri, has just wrapped in Ostia. The film comes three years after Sworn Virgin and Daughter of Mine (selected in competition at the 2018 Berlinale). This story of an impossible love that will throw into question the feelings of an entire family will be told by actors Dominique Sanda (recently seen in Saint Laurent), Alba Rohrwacher (seen last year in The Ties and shortly in Tre piani), Maya Sansa (last year in Lasciami andare), Carlo Cerciello, Fabrizio Ferracane, Leonardo Lidi, Tihana Lazović (the Croatian actress...
Leading arthouse outfit The Match Factory is continuing its successful partnership with Laura Bispuri as it boards sales on her latest film, “The Peacock’s Paradise.” The film stars Cannes best actress winner Dominique Sanda and Venice best actress winner Alba Rohrwacher, Bispuri’s long-time collaborator.
The Match Factory previously represented the director’s “Sworn Virgin,” which played in Berlinale Competition in 2015, and “Daughter of Mine,” which was in Berlinale Competition in 2018.
“The Peacock’s Paradise” follows Nena’s family, who reunite in their house by the sea to celebrate her birthday. Everybody is there: her husband Umberto, their children Vito and Caterina, cousin Isabella, their daughter-in-law Adelina, Caterina’s ex Manfredi with his new girlfriend Joana, their granddaughter Alma, and Lucia, the maid, with her daughter Grazia. Finally, there is Paco, Alma’s peacock, who surprisingly falls in love with a little painted dove: an impossible love that will...
The Match Factory previously represented the director’s “Sworn Virgin,” which played in Berlinale Competition in 2015, and “Daughter of Mine,” which was in Berlinale Competition in 2018.
“The Peacock’s Paradise” follows Nena’s family, who reunite in their house by the sea to celebrate her birthday. Everybody is there: her husband Umberto, their children Vito and Caterina, cousin Isabella, their daughter-in-law Adelina, Caterina’s ex Manfredi with his new girlfriend Joana, their granddaughter Alma, and Lucia, the maid, with her daughter Grazia. Finally, there is Paco, Alma’s peacock, who surprisingly falls in love with a little painted dove: an impossible love that will...
- 3/3/2021
- by Leo Barraclough
- Variety Film + TV
Ali is Gianfranco Rosi’s silent anchor in Notturno (Nocturne)
Gianfranco Rosi’s Notturno (Nocturne), screening in the Main Slate of the New York Film Festival and the Journey section in London, comes nestled at the abyss. The chaotic, unstable border regions of Lebanon, Iraq, Kurdistan, and Syria are where this arresting important documentary was shot by Rosi during the past three years. He has had a longtime collaboration with editor Jacopo Quadri that began with his first documentary, Boatman (1993) and continued successfully on to Below Sea Level (2008), the frightening El Sicario, Room 164 (2010), his vigilant Sacro Gra (2013), and the masterful Fire At Sea (2016). Fabrizio Federico is the third member of the brilliant editing team for Notturno. Federico is also the editor for Pietro Marcello’s Martin Eden (opening virtually at Film at Lincoln Center on October 16). Quadri has edited Laura Bispuri’s Sworn Virgin and <a...
Gianfranco Rosi’s Notturno (Nocturne), screening in the Main Slate of the New York Film Festival and the Journey section in London, comes nestled at the abyss. The chaotic, unstable border regions of Lebanon, Iraq, Kurdistan, and Syria are where this arresting important documentary was shot by Rosi during the past three years. He has had a longtime collaboration with editor Jacopo Quadri that began with his first documentary, Boatman (1993) and continued successfully on to Below Sea Level (2008), the frightening El Sicario, Room 164 (2010), his vigilant Sacro Gra (2013), and the masterful Fire At Sea (2016). Fabrizio Federico is the third member of the brilliant editing team for Notturno. Federico is also the editor for Pietro Marcello’s Martin Eden (opening virtually at Film at Lincoln Center on October 16). Quadri has edited Laura Bispuri’s Sworn Virgin and <a...
- 10/9/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Berlinale in recent years has been a prime launching pad for Italian films directed by women, which though fewer in number to their male counterparts, make up a considerable portion of the country’s representation on the festival circuit — Alice Rohrwacher (“Happy as Lazzaro”) at Cannes, Susanna Nicchiarelli (“Nico”) at Venice, and Berlin regular Laura Bispuri (“Daughter of Mine”) are all festival faves.
Here is a compendium of new and upcoming Italian films and TV series directed by women including two (out of nine Italian titles overall) in Berlin this year.
“Ordinary Justice”
This first feature by Chiara Bellosi, who previously made several docs, looks at a day in a Turin courthouse where the lives of two women and a young girl on opposite sides of a murder case intersect. In Berlin, Generation 14Plus.
“Faith”
An observational doc by Valentina Pedicini is about a reclusive spiritual sect of kung...
Here is a compendium of new and upcoming Italian films and TV series directed by women including two (out of nine Italian titles overall) in Berlin this year.
“Ordinary Justice”
This first feature by Chiara Bellosi, who previously made several docs, looks at a day in a Turin courthouse where the lives of two women and a young girl on opposite sides of a murder case intersect. In Berlin, Generation 14Plus.
“Faith”
An observational doc by Valentina Pedicini is about a reclusive spiritual sect of kung...
- 2/22/2020
- by Nick Vivarelli
- Variety Film + TV
Vivo Film, the Italian shingle at Berlin with Abel Ferrara’s “Siberia,” has a robust slate in various stages including the next drama by Laura Bispuri, whose “Sworn Virgin” and “Daughter of Mine” both launched from the Berlinale.
Bispuri later this year will shoot her third feature, which is currently titled “Di Lotta e D’Amore” (“Of Battle and Love”), a love story between two teen girls set against the backdrop of squatters’ houses and other spaces occupied by both Italians and immigrants on Rome’s outskirts. She is working with her regular writer Laura Manieri.
The Rome-based indie headed by Marta Donzelli and Gregorio Paonessa — which has the distinction of being the Italian company that landed the most Berlin lineup slots in recent years — has several other new pics by emerging Italian directors in the pipeline.
They include:
“Miss Marx” — Susanna Nicchiarelli, whose “Nico, 1988,” about the late German chanteuse...
Bispuri later this year will shoot her third feature, which is currently titled “Di Lotta e D’Amore” (“Of Battle and Love”), a love story between two teen girls set against the backdrop of squatters’ houses and other spaces occupied by both Italians and immigrants on Rome’s outskirts. She is working with her regular writer Laura Manieri.
The Rome-based indie headed by Marta Donzelli and Gregorio Paonessa — which has the distinction of being the Italian company that landed the most Berlin lineup slots in recent years — has several other new pics by emerging Italian directors in the pipeline.
They include:
“Miss Marx” — Susanna Nicchiarelli, whose “Nico, 1988,” about the late German chanteuse...
- 2/21/2020
- by Nick Vivarelli
- Variety Film + TV
Marco Bellocchio with Pierfrancesco Favino on The Traitor (Il Traditore): “The whole world is really tied together by the moon.”
Marco Bellocchio’s The Traitor (Il Traditore), co-written with Valia Santella, Ludovica Rampoldi, Francesco Piccolo, and Francesco La Licata, shot by Vladan Radovic is a film of breathtaking beauty with costumes by Daria Calvelli. Pierfrancesco Favino gives a career-defining performance in his portrayal of real-life Mafia boss Tommaso Buscetta.
Judge Falcone (Fausto Russo Alesi) with Tommaso Buscetta (Pierfrancesco Favino)
There is nothing alluring about the lifestyle of his family, when Marco Bellocchio takes it on, because the director never lets us forget the threat of violence, lurking around every corner, in every scene. A count-up warns of assassinations to come and music soothes and heightens, in a way only Bellocchio knows how to combine.
Buscetta, after his extradition from exile in Brazil in the Eighties, and the murderous rampage by rivalling factions of.
Marco Bellocchio’s The Traitor (Il Traditore), co-written with Valia Santella, Ludovica Rampoldi, Francesco Piccolo, and Francesco La Licata, shot by Vladan Radovic is a film of breathtaking beauty with costumes by Daria Calvelli. Pierfrancesco Favino gives a career-defining performance in his portrayal of real-life Mafia boss Tommaso Buscetta.
Judge Falcone (Fausto Russo Alesi) with Tommaso Buscetta (Pierfrancesco Favino)
There is nothing alluring about the lifestyle of his family, when Marco Bellocchio takes it on, because the director never lets us forget the threat of violence, lurking around every corner, in every scene. A count-up warns of assassinations to come and music soothes and heightens, in a way only Bellocchio knows how to combine.
Buscetta, after his extradition from exile in Brazil in the Eighties, and the murderous rampage by rivalling factions of.
- 1/17/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Ginevra Elkann with Alba Rohrwacher at the Museum of Modern Art premiere of Magari (If Only) Photo: Anne-Katrin Titze
At the Istituto Luce Cinecittà opening night reception for The Wonders: Alice and Alba Rohrwacher at the Museum of Modern Art in New York, while Julian Schnabel circulated through the crowd and Sony Pictures Classics Michael Barker and Rome Film Festival Artistic Director and Le Conversazioni founder Antonio Monda held court, Ginevra Elkann, the director of Magari (If Only) joined me for a conversation on her debut feature film, co-written with Chiara Barzini.
Riccardo Scamarcio as Carlo with Alba Rohrwacher as Benedetta in Magari (If Only)
Magari, shot by Vladan Radovic, stars Oro De Commarque, Alba Rohrwacher, Céline Sallette, Brett Gelman, and Riccardo Scamarcio with Ettore Giustiniani, Milo Roussel, and Benjamin Baroche. After viewing If Only, I thought of my Babsi, Isabella Rossellini’s Nando, and Thom Browne’s Hector with Andrew Bolton,...
At the Istituto Luce Cinecittà opening night reception for The Wonders: Alice and Alba Rohrwacher at the Museum of Modern Art in New York, while Julian Schnabel circulated through the crowd and Sony Pictures Classics Michael Barker and Rome Film Festival Artistic Director and Le Conversazioni founder Antonio Monda held court, Ginevra Elkann, the director of Magari (If Only) joined me for a conversation on her debut feature film, co-written with Chiara Barzini.
Riccardo Scamarcio as Carlo with Alba Rohrwacher as Benedetta in Magari (If Only)
Magari, shot by Vladan Radovic, stars Oro De Commarque, Alba Rohrwacher, Céline Sallette, Brett Gelman, and Riccardo Scamarcio with Ettore Giustiniani, Milo Roussel, and Benjamin Baroche. After viewing If Only, I thought of my Babsi, Isabella Rossellini’s Nando, and Thom Browne’s Hector with Andrew Bolton,...
- 12/17/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Rajendra Roy, the Celeste Bartos Chief Curator of Film at the Museum of Modern Art with Istituto Luce Cinecittà’s Camilla Cormanni, Alice Rohrwacher, and Alba Rohrwacher Photo: Anne-Katrin Titze
At the Istituto Luce Cinecittà opening night reception for The Wonders: Alice and Alba Rohrwacher at the Museum of Modern Art in New York, Julian Schnabel circulated through the crowd, Sony Pictures Classics Michael Barker chatted with Magari (If Only) director Ginevra Elkann and Rome Film Festival Artistic Director and Le Conversazioni founder Antonio Monda held court.
Alba Rohrwacher on Alice Rohrwacher’s The Wonders: “I can say it's my life, but from her point of view.” Photo: Anne-Katrin Titze
There is only one actress linked to Gianni Zanasi’s Troppa Grazia (Lucia’s Grace); Giorgio Diritti’s L’Uomo Che Verrà (The Man Who Will Come); Luca Guadagnino’s Lo Sono L’Amore (I Am Love) and Part...
At the Istituto Luce Cinecittà opening night reception for The Wonders: Alice and Alba Rohrwacher at the Museum of Modern Art in New York, Julian Schnabel circulated through the crowd, Sony Pictures Classics Michael Barker chatted with Magari (If Only) director Ginevra Elkann and Rome Film Festival Artistic Director and Le Conversazioni founder Antonio Monda held court.
Alba Rohrwacher on Alice Rohrwacher’s The Wonders: “I can say it's my life, but from her point of view.” Photo: Anne-Katrin Titze
There is only one actress linked to Gianni Zanasi’s Troppa Grazia (Lucia’s Grace); Giorgio Diritti’s L’Uomo Che Verrà (The Man Who Will Come); Luca Guadagnino’s Lo Sono L’Amore (I Am Love) and Part...
- 12/8/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Alba Rohrwacher on Adam Driver and Saverio Costanzo during the filming of Hungry Hearts in New York: “We were like dancers, because the director was also the Dp. He was always with us. And we dance in this kind of nightmare where the characters are.” Photo: Anne-Katrin Titze
Before I met with Alice Rohrwacher, the director of Happy as Lazzaro (Lazzaro Felice), The Wonders (Le Meravigile) and Corpo Celeste (Heavenly Body) which are all screening in The Wonders: Alice and Alba Rohrwacher retrospective at the Museum of Modern Art, Alba Rohrwacher the director’s sister and star, joined me for a lively conversation on her career.
Isabella Rossellini cracks up Saverio Costanzo and Alba Rohrwacher Photo: Anne-Katrin Titze
First up was her starring role opposite Adam Driver in Saverio Costanzo’s comedy of metaphors, Hungry Hearts, which takes a Roman Polanski Rosemary’s Baby turn. Next up, Arnaud Desplechin, whose...
Before I met with Alice Rohrwacher, the director of Happy as Lazzaro (Lazzaro Felice), The Wonders (Le Meravigile) and Corpo Celeste (Heavenly Body) which are all screening in The Wonders: Alice and Alba Rohrwacher retrospective at the Museum of Modern Art, Alba Rohrwacher the director’s sister and star, joined me for a lively conversation on her career.
Isabella Rossellini cracks up Saverio Costanzo and Alba Rohrwacher Photo: Anne-Katrin Titze
First up was her starring role opposite Adam Driver in Saverio Costanzo’s comedy of metaphors, Hungry Hearts, which takes a Roman Polanski Rosemary’s Baby turn. Next up, Arnaud Desplechin, whose...
- 12/6/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Italian director Andrea De Sica, who has been helming the bulk of Netflix teen series “Baby,” is set to shoot a horror film based on a bestselling Gothic novel, “Non Mi Uccidere,” geared towards the same youth demographic as the show.
The book – written by late cult author Chiara Palazzolo, with a title that translates as “Don’t Kill Me” – is about a 19-year-old named Mirta, who, with her older lover, Robin, dies of a drug overdose. She then resuscitates alone to find out that in order to continue living, and cherishing the memory of Robin’s love, she must eat living humans.
Prior to directing “Baby,” which is about teen prostitution in Rome, De Sica made his directorial debut with “Children of the Night,” a coming-of-age story, set at an upper-crust boarding school, that flirted with horror elements.
De Sica described “Uccidere” as “not a full-fledged horror film but...
The book – written by late cult author Chiara Palazzolo, with a title that translates as “Don’t Kill Me” – is about a 19-year-old named Mirta, who, with her older lover, Robin, dies of a drug overdose. She then resuscitates alone to find out that in order to continue living, and cherishing the memory of Robin’s love, she must eat living humans.
Prior to directing “Baby,” which is about teen prostitution in Rome, De Sica made his directorial debut with “Children of the Night,” a coming-of-age story, set at an upper-crust boarding school, that flirted with horror elements.
De Sica described “Uccidere” as “not a full-fledged horror film but...
- 10/4/2019
- by Nick Vivarelli
- Variety Film + TV
American director returns to festival for fifth time.
American director Oliver Stone will attend this year’s Zurich Film Festival (September 26 – October 6) as president of the jury.
He will be joined on the International Competition jury by Colombian director Ciro Guerra, Italian director Laura Bispuri, German actor Sebastian Koch, and Swiss producer Tiziana Soudani.
Zurich’s International Documentary Film Competition will this year be chaired by British producer Simon Chinn. He will be joined by American producer Stephen Nemeth, Swiss director Anja Kofmel, French director Maryam Goormaghtigh, and Swiss documentary filmmaker Christian Frei.
The Focus Competition, which selects first, second or third features from Switzerland,...
American director Oliver Stone will attend this year’s Zurich Film Festival (September 26 – October 6) as president of the jury.
He will be joined on the International Competition jury by Colombian director Ciro Guerra, Italian director Laura Bispuri, German actor Sebastian Koch, and Swiss producer Tiziana Soudani.
Zurich’s International Documentary Film Competition will this year be chaired by British producer Simon Chinn. He will be joined by American producer Stephen Nemeth, Swiss director Anja Kofmel, French director Maryam Goormaghtigh, and Swiss documentary filmmaker Christian Frei.
The Focus Competition, which selects first, second or third features from Switzerland,...
- 8/29/2019
- by Tom Grater
- ScreenDaily
Oliver Stone will serve as the jury president of the international competition at this year’s Zurich Film Festival, it was announced Thursday. The Oscar-winning filmmaker will also present his Showtime documentary series “The Putin Interviews” and the restored version of his 1991 film “The Doors” at the festival.
“Oliver Stone is an edgy Hollywood auteur who continues to create epoch-making masterpieces and manages to broach explosive issues with brilliance,” said festival co-directors Nadja Schildknecht and Karl Spoerri. “We are delighted that [he] has accepted our invitation.”
The international competition jury also comprises Colombian filmmaker Ciro Guerra, Italian director Laura Bispuri, German actor Sebastian Koch, and Swiss producer Tiziana Soudani.
Double Oscar-winning documentary producer Simon Chinn has been tapped to chair the festival’s documentary film competition. German producer Thomas Kufus heads the Focus Competition, which is for Swiss, German or Austrian productions from a director making his or her first, second or third feature.
“Oliver Stone is an edgy Hollywood auteur who continues to create epoch-making masterpieces and manages to broach explosive issues with brilliance,” said festival co-directors Nadja Schildknecht and Karl Spoerri. “We are delighted that [he] has accepted our invitation.”
The international competition jury also comprises Colombian filmmaker Ciro Guerra, Italian director Laura Bispuri, German actor Sebastian Koch, and Swiss producer Tiziana Soudani.
Double Oscar-winning documentary producer Simon Chinn has been tapped to chair the festival’s documentary film competition. German producer Thomas Kufus heads the Focus Competition, which is for Swiss, German or Austrian productions from a director making his or her first, second or third feature.
- 8/29/2019
- by Robert Mitchell
- Variety Film + TV
Oscar-winning director Oliver Stone will lead the jury of the upcoming Zurich Film Festival's international competition.
Stone will also present a restored version of his 1991 biopic The Doors and his documentary series The Putin Interviews at the 15th edition of the Swiss film fest.
He will preside over a jury that includes Colombian director Ciro Guerra (Waiting for the Barbarians), Italian director Laura Bispuri (Figlia Mia), German actor Sebastian Koch (Werk Ohne Autor) and Swiss producer Tiziana Soudani (Lazzaro Felice).
"Stone has been a friend of our festival for 12 years now. He was recipient of ...
Stone will also present a restored version of his 1991 biopic The Doors and his documentary series The Putin Interviews at the 15th edition of the Swiss film fest.
He will preside over a jury that includes Colombian director Ciro Guerra (Waiting for the Barbarians), Italian director Laura Bispuri (Figlia Mia), German actor Sebastian Koch (Werk Ohne Autor) and Swiss producer Tiziana Soudani (Lazzaro Felice).
"Stone has been a friend of our festival for 12 years now. He was recipient of ...
- 8/29/2019
- The Hollywood Reporter - Film + TV
Oscar-winning director Oliver Stone will lead the jury of the upcoming Zurich Film Festival's international competition.
Stone will also present a restored version of his 1991 biopic The Doors and his documentary series The Putin Interviews at the 15th edition of the Swiss film fest.
He will preside over a jury that includes Colombian director Ciro Guerra (Waiting for the Barbarians), Italian director Laura Bispuri (Figlia Mia), German actor Sebastian Koch (Werk Ohne Autor) and Swiss producer Tiziana Soudani (Lazzaro Felice).
"Stone has been a friend of our festival for 12 years now. He was recipient of ...
Stone will also present a restored version of his 1991 biopic The Doors and his documentary series The Putin Interviews at the 15th edition of the Swiss film fest.
He will preside over a jury that includes Colombian director Ciro Guerra (Waiting for the Barbarians), Italian director Laura Bispuri (Figlia Mia), German actor Sebastian Koch (Werk Ohne Autor) and Swiss producer Tiziana Soudani (Lazzaro Felice).
"Stone has been a friend of our festival for 12 years now. He was recipient of ...
- 8/29/2019
- The Hollywood Reporter - Movie News
Michela Occhipinti on June Carter and Ring Of Fire in Flesh Out (Il Corpo Della Sposa): "She fell in love with Johnny Cash and she dedicated this song to him." Photo: Anne-Katrin Titze
In the second half of my conversation with Flesh Out (Il Corpo Della Sposa) director Michela Occhipinti at the Park South Hotel in New York, we discussed her work with Paolo Sorrentino's longtime editor Cristiano Travaglioli, Johnny Cash and June Carter's Ring of Fire, and Christophe Lambert in Marco Ferreri's I Love You.
Michela Occhipinti on Verida's (Verida Beitta Ahmed Deiche) heart-shaped lamp in Flesh Out: "It's an homage to Marco Ferreri, the great director [of I Love You]."
Flesh Out, co-written with Simona Coppini, shot by Daria D'Antonio, and produced by Gregorio Paonessa and Marta Donzelli stars Verida Beitta Ahmed Deiche as a Mauritanian girl who is going through the customary three-month preparation for her arranged marriage,...
In the second half of my conversation with Flesh Out (Il Corpo Della Sposa) director Michela Occhipinti at the Park South Hotel in New York, we discussed her work with Paolo Sorrentino's longtime editor Cristiano Travaglioli, Johnny Cash and June Carter's Ring of Fire, and Christophe Lambert in Marco Ferreri's I Love You.
Michela Occhipinti on Verida's (Verida Beitta Ahmed Deiche) heart-shaped lamp in Flesh Out: "It's an homage to Marco Ferreri, the great director [of I Love You]."
Flesh Out, co-written with Simona Coppini, shot by Daria D'Antonio, and produced by Gregorio Paonessa and Marta Donzelli stars Verida Beitta Ahmed Deiche as a Mauritanian girl who is going through the customary three-month preparation for her arranged marriage,...
- 7/19/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Combat Obscura (Miles Lagoze)
One of the very best documentaries we saw on the festival circuit last year was Combat Obscura, which premiered at last year’s True/False Film Festival. The film comes from Miles Lagoze, who took footage he shot as a Marine combat camera operator in Afghanistan, as well as videos taken by his comrades, and edited it all into a brisk, intense hour of war vignettes. Dan Schindel said in his review, “Combat Obscura sinks deeper into darkness as it progresses, as the utter pointlessness and futility of America’s presence in Afghanistan overwhelms the troops. While we are initially invited to empathize with the Marines,...
Combat Obscura (Miles Lagoze)
One of the very best documentaries we saw on the festival circuit last year was Combat Obscura, which premiered at last year’s True/False Film Festival. The film comes from Miles Lagoze, who took footage he shot as a Marine combat camera operator in Afghanistan, as well as videos taken by his comrades, and edited it all into a brisk, intense hour of war vignettes. Dan Schindel said in his review, “Combat Obscura sinks deeper into darkness as it progresses, as the utter pointlessness and futility of America’s presence in Afghanistan overwhelms the troops. While we are initially invited to empathize with the Marines,...
- 3/15/2019
- by Jordan Raup
- The Film Stage
Touch Me Not director Adina Pintilie: "Einstürzende Neubauten and Blixa Bargeld it's very important. It has always been. In particular the piece that you hear in the film. Melancholia speaks about the subconscious of the city." Photo: Anne-Katrin Titze
At the 68th Berlin Film Festival, the jury, led by Tom Tykwer, with Cécile de France, Ryuichi Sakamoto, Stephanie Zacharek, Chema Prado, and Oscar-winning producer Adele Romanski of Barry Jenkins' Moonlight and Independent Spirit winner If Beale Street Could Talk, gave the Golden Bear to Adina Pintilie's Touch Me Not, produced by Philippe Avril, and Bianca Oana.
Adina Pintilie: "I think you can find an emotional mirror of what happens within the characters." Photo: Anne-Katrin Titze
Pintilie's début feature, shot by George Chiper, bested such films as Wes Anderson's Isle of Dogs, David Zellner and Nathan Zellner's Damsel, Christian Petzold's Transit, Benoît Jacquot's Eva, Cédric Kahn...
At the 68th Berlin Film Festival, the jury, led by Tom Tykwer, with Cécile de France, Ryuichi Sakamoto, Stephanie Zacharek, Chema Prado, and Oscar-winning producer Adele Romanski of Barry Jenkins' Moonlight and Independent Spirit winner If Beale Street Could Talk, gave the Golden Bear to Adina Pintilie's Touch Me Not, produced by Philippe Avril, and Bianca Oana.
Adina Pintilie: "I think you can find an emotional mirror of what happens within the characters." Photo: Anne-Katrin Titze
Pintilie's début feature, shot by George Chiper, bested such films as Wes Anderson's Isle of Dogs, David Zellner and Nathan Zellner's Damsel, Christian Petzold's Transit, Benoît Jacquot's Eva, Cédric Kahn...
- 2/28/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Luca Guadagnino is quickly becoming one of the film world’s most exciting (and unpredictable) filmmakers. Now, it seems the director of “Suspiria” and “Call Me By Your Name” is looking to bring his work to television for a change. Observer is reporting that Guadagnino is working on an eight-episode series, directing the first two episodes (at least) and writing scripts with a pair of co-writers. The series has the tentative title “We Are Who We Are” (not to be confused with Jim Mickle’s 2013 English-language remake “We Are What We Are”). Set in Italy, “We Are Who We Are” reportedly centers on Fraser and Caitlin, a pair of teenagers discovering themselves while living on a military base.
Francesca Manieri, who co-wrote the 2015 Berlin title “Sworn Virgin” along with director Laura Bispuri, is also working on the scripts for the series, as is Italian writer Paolo Giordano. This news comes with no casting yet,...
Francesca Manieri, who co-wrote the 2015 Berlin title “Sworn Virgin” along with director Laura Bispuri, is also working on the scripts for the series, as is Italian writer Paolo Giordano. This news comes with no casting yet,...
- 2/26/2019
- by Steve Greene
- Indiewire
Miss Mom: Bispuri Challenges Family Symmetry in Captivating Sophomore Pic
With her sensory filled coming-of-age sophomore feature, Laura Bispuri navigates the sweet and sour voyage of self-discovery via her diminutive protagonist with a film text that is full of warmth. As found in her debut transgender-themed film The Sworn Virgin, the Italian filmmaker’s concerns lie in exploring all the subtle implications of the identitarian twist. By emphasizing conciliation and acceptance over division and exception, Daughter of Mine challenges established family roles and clichéd perceptions of emotional immaturity found in pre-adolescents.
Skinny, freckle-faced pre-teen Vittoria (Sara Casu) feels alienated from her family and mates because of her eccentric physical appearance, namely her redheadedness.…...
With her sensory filled coming-of-age sophomore feature, Laura Bispuri navigates the sweet and sour voyage of self-discovery via her diminutive protagonist with a film text that is full of warmth. As found in her debut transgender-themed film The Sworn Virgin, the Italian filmmaker’s concerns lie in exploring all the subtle implications of the identitarian twist. By emphasizing conciliation and acceptance over division and exception, Daughter of Mine challenges established family roles and clichéd perceptions of emotional immaturity found in pre-adolescents.
Skinny, freckle-faced pre-teen Vittoria (Sara Casu) feels alienated from her family and mates because of her eccentric physical appearance, namely her redheadedness.…...
- 2/1/2019
- by Nicholas Bell
- IONCINEMA.com
Day 4 at the Berlinale provided a gem of a film in provenance of the Mediterranean Sea’s second largest island. The focal point of Laura Bispuri‘s second feature film (and second oeuvre presented at the fest) is the role of the matriarch, and how we can interpret the significance of motherhood within contemporary society. Vittoria, played by Sara Casu, is the centerpiece in a three-way relationship with a natural birthmother (Valeria Golino) and a sort of adoptive one (Alba Rohrwacher). Dealing with issues of identity, and perhaps ownership, Daughter of Mine embraces and magnifies the faults, flaws, the nurture factor found in its complex character set.…...
- 2/1/2019
- by Amir Ganjavie
- IONCINEMA.com
Strand Releasing has unveiled the trailer for “Daughter of Mine,” Laura Bispuri’s follow-up to her debut feature “Sworn Virgin.” The filmmaker’s sophomore effort finds her reteaming with Alba Rohrwacher, sister of director Alice, for another story about a young woman in a difficult situation. Watch the trailer below.
Here’s the premise: “10-year-old Vittoria’s summer will be one of two mothers to challenge, to hate, to love and to forgive. Shy Vittoria has a close relationship with her loving good mother Tina. But their quiet Sardinian life will be upset when the young girl discovers that local party girl Angelica is her birth mother. When Angelica is forced to move away because of financial troubles, she asks to become acquainted with Vittoria. Tina agrees, comforted by the idea that the woman will soon be leaving town. Searching for something deep and inexplicable, Vittoria and Angelica spend more...
Here’s the premise: “10-year-old Vittoria’s summer will be one of two mothers to challenge, to hate, to love and to forgive. Shy Vittoria has a close relationship with her loving good mother Tina. But their quiet Sardinian life will be upset when the young girl discovers that local party girl Angelica is her birth mother. When Angelica is forced to move away because of financial troubles, she asks to become acquainted with Vittoria. Tina agrees, comforted by the idea that the woman will soon be leaving town. Searching for something deep and inexplicable, Vittoria and Angelica spend more...
- 1/13/2019
- by Michael Nordine
- Indiewire
After her acclaimed debut Sworn Virgin, director Laura Bispuri returned last year with Daughter of Mine, which stars a trio of actresses: Valeria Golino, Alba Rorwacher, and impressive newcomer Sara Casu in an exploration of nature of motherhood in a variety of forms. One of the best 2019 films we’ve already seen, the U.S. trailer has now arrived via Strand Releasing ahead of a February release.
Ed Frankl said in his review, “While Daughter of Mine, unlike Bispuri’s previous work, isn’t what haughty critics would call an Lgbt text, it does consider a how a family of two mothers operates –with largely absent male figures–and comes to nuanced and unexpected conclusions.’
See the trailer and poster below.
10-year-old Vittoria’s summer will be one of two mothers to challenge, to hate, to love and to forgive. Shy Vittoria has a close relationship with her loving good mother Tina.
Ed Frankl said in his review, “While Daughter of Mine, unlike Bispuri’s previous work, isn’t what haughty critics would call an Lgbt text, it does consider a how a family of two mothers operates –with largely absent male figures–and comes to nuanced and unexpected conclusions.’
See the trailer and poster below.
10-year-old Vittoria’s summer will be one of two mothers to challenge, to hate, to love and to forgive. Shy Vittoria has a close relationship with her loving good mother Tina.
- 1/7/2019
- by Jordan Raup
- The Film Stage
We don’t want to overwhelm you, but while you’re catching up with our top 50 films of 2018, more cinematic greatness awaits in 2019. Ahead of our 100 most-anticipated films (all of which have yet to premiere), we’re highlighting 50 titles we’ve enjoyed on the festival circuit this last year (and beyond) that either have confirmed 2018 release dates or are awaiting a debut date from its distributor. There’s also a handful seeking distribution that we hope will arrive in the next 12 months. U.S. distributors: take note!
The Image Book (Jean-Luc Godard; Jan. 25)
Another miraculous, meticulously feat of cinematic collage, The Image Book finds the French New Wave icon continuing his boundary-pushing editing techniques, both in video and sound (to see this at Alice Tully Hall during New York Film Festival was something truly special). Rory O’Connor said in his Cannes review, “Split into five sections of various lengths titled Remakes,...
The Image Book (Jean-Luc Godard; Jan. 25)
Another miraculous, meticulously feat of cinematic collage, The Image Book finds the French New Wave icon continuing his boundary-pushing editing techniques, both in video and sound (to see this at Alice Tully Hall during New York Film Festival was something truly special). Rory O’Connor said in his Cannes review, “Split into five sections of various lengths titled Remakes,...
- 1/7/2019
- by The Film Stage
- The Film Stage
"Were you there when I was born, Daddy?" Strand Releasing has debuted a new official Us trailer for the Italian indie drama Daughter of Mine, which first premiered in competition at the Berlin Film Festival earlier this year, and stopped by a number of other festivals around the world. The coming-of-age film tells the story of a young girl torn between two mothers, one who raised her with love and her careless biological mother, who tries to claim her back. A story of imperfect motherhood and inextricable bonds, struggling with overwhelming feelings and dealing with wounds. Valeria Golino stars as Tina, with a cast including Alba Rohrwacher, Sara Casu, Udo Kier, and Michele Carboni. It's a very moving film about a young girl growinf up fast by deciding what's best for her, with rave reviews from a few critics. Check it out below. Here's the official Us trailer (+ poster) for...
- 12/14/2018
- by Alex Billington
- firstshowing.net
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