The Creator won big at the 22nd annual Visual Effects Society Awards Wednesday night.
The awards were handed out during a ceremony, hosted by actor-comedian Jay Pharoah, at the Beverly Hilton in Los Angeles.
The Creator took home five awards in the feature competition, including outstanding visual effects in a photoreal feature. The Last of Us was also a top winner in the series categories, scoring four awards, and Spider-Man: Across the Spider-Verse led the animation competition with four wins.
Other winners of the night included Guardians of the Galaxy Vol. 3, Oppenheimer, Nyad, The Mandalorian and The Flash.
It was previously announced that producer Joyce Cox, who produced VFX on movies including Avatar and The Dark Knight, received the Society’s Lifetime Achievement Award during the ceremony.
Actor-producer-director William Shatner was also previously revealed as the recipient of the award for Creative Excellence in “recognition of his valuable contributions...
The awards were handed out during a ceremony, hosted by actor-comedian Jay Pharoah, at the Beverly Hilton in Los Angeles.
The Creator took home five awards in the feature competition, including outstanding visual effects in a photoreal feature. The Last of Us was also a top winner in the series categories, scoring four awards, and Spider-Man: Across the Spider-Verse led the animation competition with four wins.
Other winners of the night included Guardians of the Galaxy Vol. 3, Oppenheimer, Nyad, The Mandalorian and The Flash.
It was previously announced that producer Joyce Cox, who produced VFX on movies including Avatar and The Dark Knight, received the Society’s Lifetime Achievement Award during the ceremony.
Actor-producer-director William Shatner was also previously revealed as the recipient of the award for Creative Excellence in “recognition of his valuable contributions...
- 2/22/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
Gareth Edwards’ “The Creator” was the big winner at the 22nd Visual Effects Society Awards (held February 21 at the Beverly Hilton Hotel). The AI-themed, sci-fi actioner earned five awards, including the top photoreal feature VFX prize. The other awards were for modeling (Nomad), created environment (Floating Village), effects simulations, and compositing & lighting (Bar).
“The Creator” utilized an innovative streamlining process in post, in which Ilm designed and placed the naturalistic VFX over the actors playing AI simulants and the photographic plates as set extensions. This made the $80 million indie look like a $200 million blockbuster, with director Edwards shooting the entire film guerilla-style in 80 locations throughout Southeast Asia as the primary camera operator with a small crew and natural light.
Meanwhile, “Spider-Man: Across the Spider-Verse,” the animated feature Oscar favorite (snubbed by the Academy’s VFX branch), took home four awards, including the top animated VFX prize. Sony Pictures Imageworks innovated...
“The Creator” utilized an innovative streamlining process in post, in which Ilm designed and placed the naturalistic VFX over the actors playing AI simulants and the photographic plates as set extensions. This made the $80 million indie look like a $200 million blockbuster, with director Edwards shooting the entire film guerilla-style in 80 locations throughout Southeast Asia as the primary camera operator with a small crew and natural light.
Meanwhile, “Spider-Man: Across the Spider-Verse,” the animated feature Oscar favorite (snubbed by the Academy’s VFX branch), took home four awards, including the top animated VFX prize. Sony Pictures Imageworks innovated...
- 2/22/2024
- by Bill Desowitz
- Indiewire
As had been generally expected, Gareth Edwards’ futuristic sci-fi film “The Creator” proved to be the favorite among visual effects practitioners. The film topped the feature competition at the 22nd Visual Effects Society Awards, claiming five wins including one in the leading category for outstanding VFX in a photoreal feature.
Wednesday night at the Beverly Hilton, it also won the categories for created environment, model, compositing and lighting and effects simulations. Also, in the feature competition, “Guardians of the Galaxy Vol. 3” collected two awards for the digital character (the emotive Rocket) and virtual cinematography. “Oppenheimer” grabbed the trophy for practical effects, and “Nyad” took home the award for supporting VFX. Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” was the big winner among the animated features, collecting four awards.
“The Creator,” whose VFX was led by Industrial Light + Magic, and Guardians 3, whose work was shared by roughly 10 VFX companies,...
Wednesday night at the Beverly Hilton, it also won the categories for created environment, model, compositing and lighting and effects simulations. Also, in the feature competition, “Guardians of the Galaxy Vol. 3” collected two awards for the digital character (the emotive Rocket) and virtual cinematography. “Oppenheimer” grabbed the trophy for practical effects, and “Nyad” took home the award for supporting VFX. Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” was the big winner among the animated features, collecting four awards.
“The Creator,” whose VFX was led by Industrial Light + Magic, and Guardians 3, whose work was shared by roughly 10 VFX companies,...
- 2/22/2024
- by Carolyn Giardina and Diego Ramos Bechara
- Variety Film + TV
“Oppenheimer,” “Spider-Man: Across the Spider-Verse” and “The Last of Us” are among the nominees for the Visual Effects Society (Ves) Awards.
Gareth Edwards’ “The Creator” leads the feature film field with seven nominations. “Spider-Man: Across the Spider-Verse” is the top animated contender with seven nominations and 24-time Emmy-nominated drama “The Last of Us” leads the episodic field with six nominations.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” Ves chair Kim Davidson said. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of our nominees.”
The Ves is a global honorary society dedicated to “advancing the arts, sciences and applications of visual effects and to upholding...
Gareth Edwards’ “The Creator” leads the feature film field with seven nominations. “Spider-Man: Across the Spider-Verse” is the top animated contender with seven nominations and 24-time Emmy-nominated drama “The Last of Us” leads the episodic field with six nominations.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” Ves chair Kim Davidson said. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of our nominees.”
The Ves is a global honorary society dedicated to “advancing the arts, sciences and applications of visual effects and to upholding...
- 1/16/2024
- by Diego Ramos Bechara
- Variety Film + TV
The Visual Effects Society has composited the nominees for its 22nd annual Ves Awards, which will be handed out next month. Disney’s The Creator and Sony’s Spider-Man: Across the Spider-Verse lead the field with seven noms apiece, and HBO’s The Last of Us tops TV with six. See the full list below.
The annual Ves Awards will be handed out during the group’s 22nd annual ceremony February 21 at the Beverly Hilton. They recognize outstanding visual effects artistry and innovation in 25 categories spanning features, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” said Kim Davidson, newly elected Ves Chair. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation.
The annual Ves Awards will be handed out during the group’s 22nd annual ceremony February 21 at the Beverly Hilton. They recognize outstanding visual effects artistry and innovation in 25 categories spanning features, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” said Kim Davidson, newly elected Ves Chair. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation.
- 1/16/2024
- by Erik Pedersen
- Deadline Film + TV
The Spider-Society has webbed in a few honors. The Visual Effects Society has announced their nominations for the 22nd annual Ves Awards, with “Spider-Man: Across the Spider-Verse” leading the pack.
Held every winter, the Ves Awards honor the best achievements in visual effects artistry over the previous calendar year, with VFX professionals in film, television, video games, and commercials receiving recognition. Nominees in 25 categories are selected by Ves members through a process of 39 in-person and virtual nomination events, held worldwide and conducted during a 36-hour period. A minimum of three judging panels review each submission for the awards, looking at “Before and Afters” for each prospective nominee. Ves judging panels this year included members of the society from 25 different countries.
“Spider-Man: Across the Spider-Verse” was the top animated film to receive nominations this year, gaining seven nominations including Outstanding Effects in an Animated Feature and specific nods for modeling, character animation,...
Held every winter, the Ves Awards honor the best achievements in visual effects artistry over the previous calendar year, with VFX professionals in film, television, video games, and commercials receiving recognition. Nominees in 25 categories are selected by Ves members through a process of 39 in-person and virtual nomination events, held worldwide and conducted during a 36-hour period. A minimum of three judging panels review each submission for the awards, looking at “Before and Afters” for each prospective nominee. Ves judging panels this year included members of the society from 25 different countries.
“Spider-Man: Across the Spider-Verse” was the top animated film to receive nominations this year, gaining seven nominations including Outstanding Effects in an Animated Feature and specific nods for modeling, character animation,...
- 1/16/2024
- by Wilson Chapman
- Indiewire
The "Fast and Furious" series has never shied away from using CGI, mostly because its increasingly extravagant stunts can't all be done practically. Believe it or not, Vin Diesel and Paul Walker didn't actually drive a Lykan Hypersport out the 50th-floor window of a skyscraper in "Fast and Furious 7." And if you've seen the behind-the-scenes footage from the scene in "Fast X" where Jason Momoa's Dante blows up the armored truck carrying Diesel's Dom Toretto, you'll have seen plenty of blue screens all over the place.
But that doesn't mean everything in the "Fast" franchise is a digital fabrication. In fact, the series has used practical effects whenever possible, causing a hell of a lot of damage along the way. With "Fast X," director Louis Leterrier wanted things to be relatively grounded, especially after "F9" sent Chris "Ludacris" Bridges and Tyrese Gibson into space. This is why you'll...
But that doesn't mean everything in the "Fast" franchise is a digital fabrication. In fact, the series has used practical effects whenever possible, causing a hell of a lot of damage along the way. With "Fast X," director Louis Leterrier wanted things to be relatively grounded, especially after "F9" sent Chris "Ludacris" Bridges and Tyrese Gibson into space. This is why you'll...
- 5/29/2023
- by Joe Roberts
- Slash Film
Fans of the “Fast and the Furious” franchise have grown accustomed to the series’ increasingly elaborate and outrageous set pieces. Given that “F9” climaxed with a scene in which characters literally drove a car into outer space, the pressure was on for “Fast X” director Louis Leterrier and screenwriters Dan Mazeau, Justin Lin, and Zach Dean to open their film with one of the best action sequences yet. The solution: A thrilling chase through the streets of Rome as bad guy Dante (Jason Momoa) sets loose a 10-ton bomb, and Dom Toretto (Vin Diesel) and his team try to maneuver it away from the crowded city. The sequence consists of 554 shots, nearly all of which are a sophisticated combination of stunt driving, practical effects, and computer-generated imagery that are seamlessly blended into perhaps the most spectacular “Fast and Furious” sequence yet.
The process of designing the set piece began with the location scout,...
The process of designing the set piece began with the location scout,...
- 5/24/2023
- by Jim Hemphill
- Indiewire
James Cameron’s juggernaut Avatar: The Way of Water swept the awards in the feature competition at the 21st annual Visual Effects Society Awards on Wednesday night at the Beverly Hilton.
Its nine wins included one for the top category of outstanding VFX in a photoreal feature. The movie also collected trophies for animated character (for Kiri, played by Sigourney Weaver), practical effects (for the current machine and wave pool), compositing and lighting (water integration), effects simulations (water), model (the sea dragon), environments (the reef) and virtual cinematography. Additionally, its water toolset won the new Ves award for emerging technology. The movie entered the evening with a record 14 noms (it earned multiple nominations in some of the categories that it won).
Guillermo del Toro’s Pinocchio was a big winner in the feature animation field, winning a trio of prizes including one for outstanding VFX in an animated feature. Meanwhile...
Its nine wins included one for the top category of outstanding VFX in a photoreal feature. The movie also collected trophies for animated character (for Kiri, played by Sigourney Weaver), practical effects (for the current machine and wave pool), compositing and lighting (water integration), effects simulations (water), model (the sea dragon), environments (the reef) and virtual cinematography. Additionally, its water toolset won the new Ves award for emerging technology. The movie entered the evening with a record 14 noms (it earned multiple nominations in some of the categories that it won).
Guillermo del Toro’s Pinocchio was a big winner in the feature animation field, winning a trio of prizes including one for outstanding VFX in an animated feature. Meanwhile...
- 2/16/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
To the surprise of no one, James Cameron’s dazzling Avatar: The Way of Water dominated the 21st annual Visual Effects Society Award nominations, which were announced on Tuesday. The juggernaut earned 14 Ves noms, a record number for a feature film or any single project in the society’s awards history.
That includes a nomination in the top category for outstanding VFX in a photoreal feature. Alongside The Way of Water, the category nominees are Fantastic Beasts: The Secrets of Dumbledore, Jurassic World: Dominion, The Batman and Top Gun: Maverick. Nominees in the category for supporting VFX are Death on the Nile, I Wanna Dance With Somebody, The Fabelmans, The Gray Man, The Pale Blue Eye and Thirteen Lives.
Guillermo del Toro’s Pinocchio leads the animated contenders, with six nominations including one for outstanding VFX in an animated feature. Meanwhile The Lord of the Rings: The Rings of Power...
That includes a nomination in the top category for outstanding VFX in a photoreal feature. Alongside The Way of Water, the category nominees are Fantastic Beasts: The Secrets of Dumbledore, Jurassic World: Dominion, The Batman and Top Gun: Maverick. Nominees in the category for supporting VFX are Death on the Nile, I Wanna Dance With Somebody, The Fabelmans, The Gray Man, The Pale Blue Eye and Thirteen Lives.
Guillermo del Toro’s Pinocchio leads the animated contenders, with six nominations including one for outstanding VFX in an animated feature. Meanwhile The Lord of the Rings: The Rings of Power...
- 1/17/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
“Avatar: The Way of Water” has made history once more.
As James Cameron’s long-gestating sequel continues its climb up the all-time box-office charts, “The Way of Water” set a new record for the most nominations for a single project from the Visual Effects Society Awards, announced this morning. The film’s 14 nods highlight achievements that range from VFX to character animation to emerging technology, where it accounts for three of the category’s five nominees. This tally surpasses the previous records set by the 11 nominations for the original “Avatar” in 2010 and the 13 nominations for “The Mandalorian” in 2021.
Joining “The Way of Water” on the Ves leaderboard are “Guillermo del Toro’s Pinocchio” and “The Lord of the Rings: The Rings of Power,” which respectively top the animation and TV fields with six and seven nominations. The 21st annual Visual Effects Society Awards will take place February 15 at the Beverly Hilton,...
As James Cameron’s long-gestating sequel continues its climb up the all-time box-office charts, “The Way of Water” set a new record for the most nominations for a single project from the Visual Effects Society Awards, announced this morning. The film’s 14 nods highlight achievements that range from VFX to character animation to emerging technology, where it accounts for three of the category’s five nominees. This tally surpasses the previous records set by the 11 nominations for the original “Avatar” in 2010 and the 13 nominations for “The Mandalorian” in 2021.
Joining “The Way of Water” on the Ves leaderboard are “Guillermo del Toro’s Pinocchio” and “The Lord of the Rings: The Rings of Power,” which respectively top the animation and TV fields with six and seven nominations. The 21st annual Visual Effects Society Awards will take place February 15 at the Beverly Hilton,...
- 1/17/2023
- by Erik Adams
- Indiewire
James Cameron’s “Avatar: The Way of Water” leads the feature competition at the 21st Annual Ves Awards.
The film earned a total of 14 Ves Awards nominations, setting a new record for record nominations for a feature film. The original “Avatar” was the previous record holder when it received 11 nominations at the 8th Annual Ves Awards held in 2010.
“Guillermo Del Toro’s Pinocchio” received six nominations in the animation category making it the top animated contender.
Ves members selected nominees in 25 categories at 27 in-person and virtual nomination events conducted worldwide. The winners will be announced on Feb. 15 at the Beverly Hilton Hotel in Los Angeles.
This year marks the presentation of the first Ves Emerging Technology Award, which celebrates the creators of the technology behind the visuals and honors the inventors of a novel and uniquely innovative tool, device, software or methodology of outstanding value to the art and science of visual effects,...
The film earned a total of 14 Ves Awards nominations, setting a new record for record nominations for a feature film. The original “Avatar” was the previous record holder when it received 11 nominations at the 8th Annual Ves Awards held in 2010.
“Guillermo Del Toro’s Pinocchio” received six nominations in the animation category making it the top animated contender.
Ves members selected nominees in 25 categories at 27 in-person and virtual nomination events conducted worldwide. The winners will be announced on Feb. 15 at the Beverly Hilton Hotel in Los Angeles.
This year marks the presentation of the first Ves Emerging Technology Award, which celebrates the creators of the technology behind the visuals and honors the inventors of a novel and uniquely innovative tool, device, software or methodology of outstanding value to the art and science of visual effects,...
- 1/17/2023
- by Jazz Tangcay
- Variety Film + TV
Suffice it to say that Avatar: The Way of Water commanded the Visual Effects Society’s attention. James Cameron box office-smash sequel scored a record 14 nominations for the 2023 Ves Awards, which were announced today.
Helped by three noms in the Emerging Technology category, Disney’s The Way of Water topped the single-year noms haul by Disney+’s The Mandalorian in 2021. It also shattered the old high-water mark for films, set by — no big surprise here — the original Avatar, which amassed 11 noms in 2010.
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The hardware will be doled out at the 21st annual Ves Awards on Wednesday,...
Helped by three noms in the Emerging Technology category, Disney’s The Way of Water topped the single-year noms haul by Disney+’s The Mandalorian in 2021. It also shattered the old high-water mark for films, set by — no big surprise here — the original Avatar, which amassed 11 noms in 2010.
Related Story 2022-23 Awards Season Calendar – Dates For The Oscars, Grammys, Guilds & More Related Story Moviegoing Happens Over MLK: 'Avatar 2' Soars With 40M 4-day, 'M3GAN' Moves 21M+, 'Puss In Boots 2' Hits 112M, 'Otto' Bright At 15M+ – Update Related Story C'mon Voters: The Oscars Could Use A Little Sequel-itis
The hardware will be doled out at the 21st annual Ves Awards on Wednesday,...
- 1/17/2023
- by Erik Pedersen
- Deadline Film + TV
Alistair Williams, assistant director of the Mason Gross Extension Division at Rutgers University, launches 'Random or Relevant' interview web series via Google Hangouts. Broadway's Kyle Dean Massey is featured as the first guest. The interview series aims to support young, budding artists looking to excel in the professional world of musical theater with vital industry advice from performers and executives. Click below for Massey's interview...
- 6/24/2013
- by Stage Tube
- BroadwayWorld.com
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