The unholy union of rock music and horror is alive and well in Art of a Hit, a psychological horror movie set to begin production soon according to Deadline.
Formerly titled Excelsis, Art of a Hit is set in 2003 and “follows a bygone rock band as they journey to a 1000-year-old French chateau to record with a reclusive super-producer in hopes of rebooting their career. But as tensions rise and tempers flare, they realize they are up against more than just the pressure to succeed.”
Deadline reports that “Indie rock pioneer Adam Lasus is music directing the ’90s alternative-heavy soundtrack alongside music supervisor Linda Cohen (Licorice Pizza).”
That exciting tidbit not only highlights that music will be prominent to this rock horror story, but it’s 2003 eschews the conventional ’80s hair metal movement frequently explored in this niche subgenre. I suppose the real question at this point is just how...
Formerly titled Excelsis, Art of a Hit is set in 2003 and “follows a bygone rock band as they journey to a 1000-year-old French chateau to record with a reclusive super-producer in hopes of rebooting their career. But as tensions rise and tempers flare, they realize they are up against more than just the pressure to succeed.”
Deadline reports that “Indie rock pioneer Adam Lasus is music directing the ’90s alternative-heavy soundtrack alongside music supervisor Linda Cohen (Licorice Pizza).”
That exciting tidbit not only highlights that music will be prominent to this rock horror story, but it’s 2003 eschews the conventional ’80s hair metal movement frequently explored in this niche subgenre. I suppose the real question at this point is just how...
- 9/15/2023
- by Meagan Navarro
- bloody-disgusting.com
Exclusive: Ryan Donowho (The O.C.) is set to topline Art of a Hit (fka Excelsis), an indie psychological horror film directed by Gaelan Draper that will begin shooting in France this month under a SAG Interim Agreement. Rounding out the cast are Rob Raco (Riverdale), Charlie Saxton (Hung), Tim Jo (This Is Us), Allie MacDonald (Under the Silver Lake), James Earl (White Men Can’t Jump), and David Valdes (Speechless). Draper and Saxton co-wrote and are co-producing under their Dewey & Bug banner.
Set in 2003, the movie follows a bygone rock band as they journey to a 1000-year-old French chateau to record with a reclusive super-producer in hopes of rebooting their career. But as tensions rise and tempers flare, they realize they are up against more than just the pressure to succeed. Indie rock pioneer Adam Lasus is music directing the ’90s alternative-heavy soundtrack alongside music supervisor Linda Cohen (Licorice Pizza...
Set in 2003, the movie follows a bygone rock band as they journey to a 1000-year-old French chateau to record with a reclusive super-producer in hopes of rebooting their career. But as tensions rise and tempers flare, they realize they are up against more than just the pressure to succeed. Indie rock pioneer Adam Lasus is music directing the ’90s alternative-heavy soundtrack alongside music supervisor Linda Cohen (Licorice Pizza...
- 9/15/2023
- by Matt Grobar
- Deadline Film + TV
When it comes to cultural impact, mega-sales and drama, this year’s Best Original Song category at the Academy Awards is going to have an awfully difficult time competing with last year’s category.
The 2013 winner, you might remember, was “Let It Go,” the anthem from “Frozen” that became a hit around the world and spawned a zillion amateur YouTube renditions.
See photos: 15 Movies You Already Forgot About: TheWrap’s Best & Worst 2014 (Photos)
And “Let It Go” was joined as a nominee by another song that was so ubiquitous that most sentient human beings got sick of hearing it before the Oscars – Pharrell Williams’ “Happy,...
The 2013 winner, you might remember, was “Let It Go,” the anthem from “Frozen” that became a hit around the world and spawned a zillion amateur YouTube renditions.
See photos: 15 Movies You Already Forgot About: TheWrap’s Best & Worst 2014 (Photos)
And “Let It Go” was joined as a nominee by another song that was so ubiquitous that most sentient human beings got sick of hearing it before the Oscars – Pharrell Williams’ “Happy,...
- 12/23/2014
- by Steve Pond
- The Wrap
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