- (2002) He was the scenic designer for David Mamet's play, "Glengarry Glen Ross," at the Steppenwolf Theatre Company in Chicago, Illinois. Amy Morton was director.
- (August 7, 2011 - October 2, 2011) He was the set designer for Stephen Sondheim's musical, "Follies," at the Marriott Marquis Theatre on Broadway in New York City with Bernadette Peters, Jan Maxwell, Danny Burstein, Ron Raines, Elaine Paige (played Carlotta), Christian Delcroix, Rosalind Elias, Colleen Fitzpatrick, Lora Lee Gayer, Michael Hayes, Florence Lacey, David Sabin, Kirsten Scott, Frederick Strother, Nick Verina, Susan Watson, Terri White, Lawrence Alexander, Brandon Bieber, John Carroll, Sara Edwards, Leslie Donna Fleshner, Jenifer Foote, Leah Horowitz, Suzanne Hylenski, Danielle Jordan, Amanda Kloots-Larsen, Joseph Kolinski, Brittany Marcin, Erin N. Moore, Pamela Otterson, Clifton Samuel, Kiira Schmidt, Brian Shepard, Amos Wolff, and Ashley Yeater in the cast. The Book was written by James Goldman. Gregg Barnes was costume designer. Natasha Katz was lighting designer. Kai Harada was sound designer. David Brian Brown was hair designer. James Moore was musical director. Warren Carlyle was choreographer. Eric Schaeffer was director. Music and lyrics written by Stephen Sondheim.
- (May 10 to June 7, 2009) He was scenic designer for Rajiv Joseph's play, "Bengal Tiger at the Baghdad Zoo," in world premiere at the Kirk Douglas Theatre in Los Angeles, California with Kevin Tighe in the cast. Moises Kaufman was director. David Lander was lighting designer.
- (2010 - 2011) He was set designer for Rajiv Joseph's play, "Bengal Tiger at the Baghdad Zoo," on Broadway in New York City with Arian Moayed in the cast. David Lander was lighting designer. Acme Sound Partners and Cricket S. Myers were sound designers. Moises Kaufman was director. Kathryn Bostic was composer.
- (November 25 to December 20, 2016) He was set designer for William Shakespeare's play, "Measure for Measure," in a Fiasco Theater and Long Wharf Theatre production on Claire Tow Stage in the C. Newton Schenck III Theatre in New Haven, Connecticut. Noah Brady and Ben Steinfeld were directors. Whitney Locher was costume designer. Christopher Akerlind was lighting designer. Matthew Melchiorre was production stage manager. Amy Patricia Stern was assistant stage manager.
- (May 4 to 29, 2016) He was set designer for new musical, "My Paris," at the Long Wharf Theatre (Claire Tow Stage in the C. Newton Schenck III Theatre) in New Haven, Connecticut. Charles Aznavour was composer and lyricist. Alfred Uhry wrote the book. Jason Robert Brown was English lyric adapter and musical adapter. Kathleen Marshall was director and choreographer. Paul Tazewell was costume designer. Leah Loukas was wig designer. Donald Holder was lighting designer. Brian Ronan was sound designer. Olivia Sebesky was projection designer. David Chase was music and orchestra supervisor. Chris Zaccardi was production stage manager. Amy Patricia Stern was assistant stage manager. Craig Burns from Telsey & Company was casting director.
- (1989 to 1990 season) He was set designer for John Webster's play, "The Duchess of Malfi," was performed at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Michael Kahn was director. Martin Pakledinaz was costume designer. Frances Aronson was lighting designer.
- (1992 to 1993 season) He was set designer for Noel Coward's play, "Private Lives," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Michael Engler was director. Stephen Earle was also set designer. Robert Wojewodski was costume designer. Peter Maradudin was lighting designer.
- (May 27, 1988) He was set designer for John Ford's play, "Tis Pity, She's A Whore," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Michael Kahn was director. Catherine Zuber was costume designer. Frances Aronson was lighting designer. Stephen D. Santomenna was sound designer. David S. Leong was fight director. Robert Brustein was artistic director.
- (May 12, 1989) He was set designer for Moliere's play, "The Miser," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Andrei Serban was director. Albert Bermel was translator. Judith Anne Dolan was costume designer. Howell Binkley was lighting designer. Stephen D. Santomenna was sound designer. Thom Molinaro was movement coach. Robert Brustein was artistic director.
- (March 29, 1989) He was set designer for Anton Chekhov's play, "In Twlight: Tales from Chekhov," in an 1989 New Stages Series production at the American Repertory Theatre in Cambridge, Massachusetts. Tina Landau was director and stage adapter. Christine Joly De Lotbiniere was costume designer. John R. Malinowski was lighting designer. Scott Frankel was composer and performer. Robert Brustein was artistic director.
- (April 12, 1989) He was set designer for Howard Korder's play, "Two by Korder: Fun and Nobody," in an 1989 New Stages Series production at the American Repertory Theatre in Cambridge, Massachusetts. David Wheeler was director. Karen Eister was costume designer. Peter West was lighting designer. Stephen D. Santomenna was sound designer. Robert Brustein was artistic director.
- (December 8, 1989) He was set designer for William Shakespeare's play, "Twelfth Night," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Diane Lane (Olivia) and Cherry Jones (Viola) in the cast. Andrei Serban was director. Mel Marvin was music composer. Catherine Zuber was costume designer. Howell Binkley was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (February 9, 1990) He was set designer for August Strindberg's play, "The Father," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Christopher Lloyd (Captain) in the cast. Robert Brustein was adapter, artistic director and director. Dunya Ramicova was costume designer. Richard Riddell was lighting designer. Maribeth Back was sound designer.
- (November 23, 1990) He was set designer for Harold Pinter's play, "The Homecoming," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. David Wheeler was director. Catherine Zuber was costume designer. Frances Aronson was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (January 17, 1992) He was set designer for George Bernard Shaw's play, "Misalliance," in the American Repertory Theatre production at Loeb Stage in Cambridge, Massachusetts. David Wheeler was director. Catherine Zuber was costume designer. Christopher Ackerlind was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (May 1, 1992) He was set designer for Henrik Ibsen's play, "Hedda Gabler," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Candy Buckley and Stephen Skybell in the cast. Adrian Hall was director. Catherine Zuber was costume designer. Natasha Katz was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (January 2, 1993) He was set designer for George Bernard Shaw's play, "Heartbreak House," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Jeremy Geidt in the cast. David Wheeler was director. Catherine Zuber was costume designer. Howell Binkley was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (March 17, 1993) He was set designer for Harold Pinter's play, "The Caretaker," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Jack Willis and Jeremy Geidt in the cast. David Wheeler was director. Catherine Zuber and Kenneth Mooney were costume designers. John Ambrosone was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (January 7, 1994) He was set designer for Joe Orton's play, "What the Butler Saw," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. David Wheeler was director. Catherine Zuber was costume designer. John Ambrosone was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (March 4, 1994) He was set designer for Eugene O'Neill's play, "A Touch of the Poet," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Joe Dowling was director. Catherine Zuber was costume designer. Frances Aronson was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (January 13, 1995) He was set designer for Samuel Beckett's play, "Waiting for Godot," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Jeremy Geidt (Didi); Alvin Epstein (Gogo); Remo Airaldi (Pozzo) and Ben Evett (Lucky) in the cast. David Wheeler was director. Catherine Zuber was costume designer. John Ambrosone was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (May 10, 1996) He was set designer for Paul Rudnick's play, "The Naked Eye," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Christopher Ashley was director. Catherine Zuber was costume designer. Don Holder was lighting designer. Christopher Walker was sound designer. Wendall K. Harrington was projections designer. Mark Bennett was composer and music coordinator. Robert Brustein was artistic director.
- (May 14, 1999) He was set designer for Martin McDonagh's play, "The Cripple of Inishmaan," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Scott Zigler was director. Catherine Zuber was costume designer. John Ambrosone was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
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