Exclusive: Magnolia Pictures has acquired North American rights to The Stones and Brian Jones, a documentary about the “lost creative genius” who launched – and named – The Rolling Stones.
Acclaimed filmmaker Nick Broomfield directed the documentary, which Magnolia plans to release in theaters later this year.
“Featuring revealing interviews with all the main players and unseen archive released for the first time, The Stones and Brian Jones explores the creative musical genius of Jones, the key to the success of the band,” a release about the film notes, “and uncovers how the founder of what became the greatest rock’n’roll band in the world was left behind in the shadows of history.”
The Rolling Stones in London, May 4, 1963. L-r: Mick Jagger, Brian Jones, Bill Wyman, Keith Richards and Charlie Watts.
Jones assembled the Stones in 1962 as a blues-infused unit, playing rhythm and lead guitar alongside Keith Richards,...
Acclaimed filmmaker Nick Broomfield directed the documentary, which Magnolia plans to release in theaters later this year.
“Featuring revealing interviews with all the main players and unseen archive released for the first time, The Stones and Brian Jones explores the creative musical genius of Jones, the key to the success of the band,” a release about the film notes, “and uncovers how the founder of what became the greatest rock’n’roll band in the world was left behind in the shadows of history.”
The Rolling Stones in London, May 4, 1963. L-r: Mick Jagger, Brian Jones, Bill Wyman, Keith Richards and Charlie Watts.
Jones assembled the Stones in 1962 as a blues-infused unit, playing rhythm and lead guitar alongside Keith Richards,...
- 5/10/2023
- by Matthew Carey
- Deadline Film + TV
In the new Whitney Houson biopic I Wanna Dance with Somebody, Houston’s mother has police escort her daughter from her home (in front of her young daughter, Bobbi Kristina) after finding Houston in a drug-fueled stupor following her father’s death. We next see Houston in tranquil recovery at a rehab center, and later, a recreation of her emotional comeback performance on The Oprah Winfrey Show in 2009. The film excises most of the 2000s from Houston’s story, including her starring role in 2005’s disturbing reality series Being Bobby Brown.
- 1/1/2023
- by Mankaprr Conteh
- Rollingstone.com
Gravitas Ventures has secured the U.S. rights to Nick Broomfield’s documentary “Last Man Standing: Suge Knight and the Murders of Biggie & Tupac.”
The distributor will release the film, which is a sequel of sorts to the British filmmaker’s notorious 2002 docu “Biggie & Tupac,” in U.S. theaters this fall before seeking a home on a major streaming platform. The doc is currently slated to hit cinemas on Aug. 20.
“Last Man Standing” presents a comprehensive history of the tragic rap feud some 25 years on, while also examining more recent allegations made by former LAPD detective Russel Poole that the murder of 24-year-old Christopher Wallace — who is better known as Biggie Smalls or The Notorious B.I.G. — was commissioned by Knight, with the help of corrupt LAPD officers.
Wallace died in March 1997 after being shot four times in a Los Angeles drive-by shooting, six months after the...
The distributor will release the film, which is a sequel of sorts to the British filmmaker’s notorious 2002 docu “Biggie & Tupac,” in U.S. theaters this fall before seeking a home on a major streaming platform. The doc is currently slated to hit cinemas on Aug. 20.
“Last Man Standing” presents a comprehensive history of the tragic rap feud some 25 years on, while also examining more recent allegations made by former LAPD detective Russel Poole that the murder of 24-year-old Christopher Wallace — who is better known as Biggie Smalls or The Notorious B.I.G. — was commissioned by Knight, with the help of corrupt LAPD officers.
Wallace died in March 1997 after being shot four times in a Los Angeles drive-by shooting, six months after the...
- 7/28/2021
- by Adam Benzine
- Variety Film + TV
Roadside Attractions has acquired North American rights to Nick Broomfield’s documentary “Marianne & Leonard: Words of Love,” which premiered last month at the Sundance Film Festival.
Broomfield’s film focuses on the love story between the late Canadian folk singer Leonard Cohen and his Norwegian muse, Marianne Ihlen. The announcement was made Thursday by Roadside co-founders Howard Cohen and Eric d’Arbeloff with a planned release date later this year. The deal was brokered by Kew Media Distribution.
“Marianne & Leonard: Words of Love” starts on the Greek island of Hydra in 1960, where Cohen and Ihlen became part of a community of expat artists, writers, and musicians, captured in never-before-seen footage shot by Broomfield and documentarian D.A. Pennebaker. Cohen and Ihlen died in 2016.
“Any Leonard Cohen fan can tell you that there’s something profoundly romantic about his music,” said Cohen and d’Arbeloff. “While it’s hard to know what inspires great art,...
Broomfield’s film focuses on the love story between the late Canadian folk singer Leonard Cohen and his Norwegian muse, Marianne Ihlen. The announcement was made Thursday by Roadside co-founders Howard Cohen and Eric d’Arbeloff with a planned release date later this year. The deal was brokered by Kew Media Distribution.
“Marianne & Leonard: Words of Love” starts on the Greek island of Hydra in 1960, where Cohen and Ihlen became part of a community of expat artists, writers, and musicians, captured in never-before-seen footage shot by Broomfield and documentarian D.A. Pennebaker. Cohen and Ihlen died in 2016.
“Any Leonard Cohen fan can tell you that there’s something profoundly romantic about his music,” said Cohen and d’Arbeloff. “While it’s hard to know what inspires great art,...
- 2/7/2019
- by Dave McNary
- Variety Film + TV
Roadside Attractions has acquired domestic rights to Nick Broomfield’s Sundance Film Festival documentary Marianne & Leonard: Words of Love, which follows the enduring love story between legendary Canadian folk singer Leonard Cohen and his Norwegian muse, Marianne Ihlen. A release is planned for later this year. The documentary starts on the Greek island of Hydra in 1960, where Cohen, then a struggling and unknown fiction writer, and Marianne, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia. It was on Hydra in 1968 that Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Broomfield to make his first film. His career would spawn many iconic music legend docs about Whitney Houston, Tupac Shakur and Biggie Smalls, Kurt Cobain and Courtney Love.
- 2/7/2019
- by Anthony D'Alessandro
- Deadline Film + TV
Indie distributor Roadside Attractions announced on Thursday that it has picked up the North American rights to director Nick Broomfield’s documentary, “Marianne & Leonard: Words of Love,” following its world premiere at the 2019 Sundance Film Festival.
The film, which was in the Documentary Premieres section at the festival, follows the enduring love story between legendary Canadian folk singer Leonard Cohen and his Norwegian muse, Marianne Ihlen.
“Marianne & Leonard: Words of Love” is billed as one of Broomfield’s most personal and romantic films. The documentary begins on the Greek island of Hydra in 1960, where Cohen, then a struggling and unknown fiction writer, and Ihlen, a single mother with a young son, became part of a community of ex-pat artists, writers and musicians. The never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker give a glimpse of an idyllic 1960s bohemia. It was a time that left a lasting imprint on both the duo,...
The film, which was in the Documentary Premieres section at the festival, follows the enduring love story between legendary Canadian folk singer Leonard Cohen and his Norwegian muse, Marianne Ihlen.
“Marianne & Leonard: Words of Love” is billed as one of Broomfield’s most personal and romantic films. The documentary begins on the Greek island of Hydra in 1960, where Cohen, then a struggling and unknown fiction writer, and Ihlen, a single mother with a young son, became part of a community of ex-pat artists, writers and musicians. The never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker give a glimpse of an idyllic 1960s bohemia. It was a time that left a lasting imprint on both the duo,...
- 2/7/2019
- by Trey Williams
- The Wrap
Kew Media Distribution handles worldwide sales.
Roadside Attractions has picked up North American rights to Nick Broomfield’s documentary Marianne & Leonard: Words Of Love, following its world premiere at Sundance.
Broomfield’s film tells of the enduring love story between Canadian folk singer Leonard Cohen and his Norwegian muse, Marianne Ihlen.
The documentary starts on the Greek island of Hydra in 1960, where Cohen, then a struggling fiction writer, and Ihlen, a single mother with a young son, became part of community of expat artists.
They became lovers in the Sixties and their friendship would last another 50 years until their...
Roadside Attractions has picked up North American rights to Nick Broomfield’s documentary Marianne & Leonard: Words Of Love, following its world premiere at Sundance.
Broomfield’s film tells of the enduring love story between Canadian folk singer Leonard Cohen and his Norwegian muse, Marianne Ihlen.
The documentary starts on the Greek island of Hydra in 1960, where Cohen, then a struggling fiction writer, and Ihlen, a single mother with a young son, became part of community of expat artists.
They became lovers in the Sixties and their friendship would last another 50 years until their...
- 2/7/2019
- by Jeremy Kay
- ScreenDaily
Kew Media Group boards feature documentary about Cohen’s relationship with Marianne Ihlen.
Kew Media Group has picked up international rights to Nick Broomfield’s Sundance-bound documenatry Marianne & Leonard – Words Of Love, about the relationship between Leonard Cohen and his Norwegian muse Marianne Ihlen.
The world premiere of the film was announced as part of the Sundance Film Festival’s documentary line-up last night.
Broomfield’s credits include Whitney Houston doc Whitney, Can I Be Me? and Kurt Kobain and Courtney Love doc Kurt & Courtney.
Marianne & Leonard follows the pair’s relationship, which began when they met in 1960 at a bohemian community of foreign artists,...
Kew Media Group has picked up international rights to Nick Broomfield’s Sundance-bound documenatry Marianne & Leonard – Words Of Love, about the relationship between Leonard Cohen and his Norwegian muse Marianne Ihlen.
The world premiere of the film was announced as part of the Sundance Film Festival’s documentary line-up last night.
Broomfield’s credits include Whitney Houston doc Whitney, Can I Be Me? and Kurt Kobain and Courtney Love doc Kurt & Courtney.
Marianne & Leonard follows the pair’s relationship, which began when they met in 1960 at a bohemian community of foreign artists,...
- 11/29/2018
- by Tom Grater
- ScreenDaily
Author: Zehra Phelan
A legend in her own right, Whitney Houston simply was the princess of pop, but we are all aware the trappings of fame ended her career and her life way before her time. To celebrate her life, a new documentary will be released called Whitney Can I Be Me which you can watch the first trailer for below.
The trailer for Whitney Can I Be Me is a melancholy affair as it takes us on a less than two minute journey of her life as a young, fresh faced talent all the way up until the height o her legendary fame. Accompanied by the one song that will be tied to her memory (even if it was a cover), I will always love you, people from her world of fame and celebrity and even herself, narrate the trailer with their own memories in describing her life and talent.
A legend in her own right, Whitney Houston simply was the princess of pop, but we are all aware the trappings of fame ended her career and her life way before her time. To celebrate her life, a new documentary will be released called Whitney Can I Be Me which you can watch the first trailer for below.
The trailer for Whitney Can I Be Me is a melancholy affair as it takes us on a less than two minute journey of her life as a young, fresh faced talent all the way up until the height o her legendary fame. Accompanied by the one song that will be tied to her memory (even if it was a cover), I will always love you, people from her world of fame and celebrity and even herself, narrate the trailer with their own memories in describing her life and talent.
- 5/19/2017
- by Zehra Phelan
- HeyUGuys.co.uk
Long before her death in 2012 at age 48, Whitney Houston had become a cultural icon as recognized for her personal downfall as her success. The dazzling yet tender new documentary Whitney: Can I Be Me — which is receiving its world premiere on April 26 at the Tribeca Film Festival — reconciles both her tragic spiral and her astonishing talent. Co-directed by veteran documentarians Nick Broomfield (Kurt & Courtney) and Rudi Dolezal (Freddie Mercury, The Untold Story), the film combines spectacular, sing-your-heart-out concert footage of Houston with intimate private videos of the singer and testimonials from those who knew her.
The result is an experience that,...
The result is an experience that,...
- 4/26/2017
- by Joe McGovern
- PEOPLE.com
Exclusive: Dogwoof nabs Nick Broomfield feature set to premiere at Tribeca next month.
Whitney Houston documentary Whitney: Can I Be Me has been picked up by UK documentary specialists Dogwoof for release in early summer 2017.
Co-directed by Nick Broomfield and Rudi Dolezal, the film is set to have its world premiere at New York’s Tribeca Film Festival next month.
Featuring new footage and live recordings, the documentary chronicles the life of American pop princess Houston, one of the best-selling artists of all time, who died suddenly at the age of 48 in 2012.
Alongside her glittering music career, she also had roles in films including The Bodyguard and The Preacher’s Wife.
Dogwoof struck the deal with Us outfit Content Media, which is representing world sales.
Broomfield’s Lafayette Films produced the feature with Marc Hoeferlin. Executive producers were John Battsek, Shani Hinton, Charles Finch, Ben Silverman and Patrick Holland.
Us TV network Showtime holds North American distribution...
Whitney Houston documentary Whitney: Can I Be Me has been picked up by UK documentary specialists Dogwoof for release in early summer 2017.
Co-directed by Nick Broomfield and Rudi Dolezal, the film is set to have its world premiere at New York’s Tribeca Film Festival next month.
Featuring new footage and live recordings, the documentary chronicles the life of American pop princess Houston, one of the best-selling artists of all time, who died suddenly at the age of 48 in 2012.
Alongside her glittering music career, she also had roles in films including The Bodyguard and The Preacher’s Wife.
Dogwoof struck the deal with Us outfit Content Media, which is representing world sales.
Broomfield’s Lafayette Films produced the feature with Marc Hoeferlin. Executive producers were John Battsek, Shani Hinton, Charles Finch, Ben Silverman and Patrick Holland.
Us TV network Showtime holds North American distribution...
- 3/27/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Documentary set to premiere at the Tribeca Film Festival.
The company has come on board to handle worldwide sales on the latest documentary from Nick Broomfield, who directed with Rudi Dolezal
The filmmakers use previously unseen footage and recordings Whitney Can I Be Me to to recount the life and tragic death of the late music superstar Whitney Houston through those closest to her.
According to band members, “Can I Be Me” was her most used expression, so much so they sampled it and would play it at the start of rehearsals.
Broomfield produced through his Lafayette Films with Marc Hoeferlin. John Battsek, Shani Hinton, Charles Finch, Ben Silverman and the BBC’s Patrick Holland serve as executive producers.
Showtime and BBC Two financed the feature and own North American rights and UK rights (TV), respectively.
“We are excited to be working on Nick’s hard-hitting and revealing first ever film about Whitney Houston that will certainly...
The company has come on board to handle worldwide sales on the latest documentary from Nick Broomfield, who directed with Rudi Dolezal
The filmmakers use previously unseen footage and recordings Whitney Can I Be Me to to recount the life and tragic death of the late music superstar Whitney Houston through those closest to her.
According to band members, “Can I Be Me” was her most used expression, so much so they sampled it and would play it at the start of rehearsals.
Broomfield produced through his Lafayette Films with Marc Hoeferlin. John Battsek, Shani Hinton, Charles Finch, Ben Silverman and the BBC’s Patrick Holland serve as executive producers.
Showtime and BBC Two financed the feature and own North American rights and UK rights (TV), respectively.
“We are excited to be working on Nick’s hard-hitting and revealing first ever film about Whitney Houston that will certainly...
- 3/2/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
We're winding down the year-in-review game here at HitFix as 2014 draws to a close. For whatever reason I took a year off of the ballot/superlatives posts, but I'm back with those personal assessments of the best of the year, beginning today with my top picks across the Academy's 24 categories. Check back in tomorrow for a list of winners from this lot, as well as others in a slew of peripheral categories. And of course, feel free to let us know what your Oscar ballot would look like in the comments section below. (Oh, and naturally it goes without saying this post is living in a parallel reality where I'm not confined to a specific branch for nominations and reign supreme over all categories with selections for each.) We'll find out if the Academy agrees with any of this when the 87th annual Oscar nominations are announced on Jan. 15. *** Best...
- 12/30/2014
- by Kristopher Tapley
- Hitfix
Exclusive: Nick Broomfield is lining up a 2015 shoot near Lake Victoria in Tanzania for his BBC four-parter The Catastrophist.
Broomfield has been attached to the project for several years, but the elements are now lining up with Downton Abbey’s Dan Stevens set to take the lead role.
The director has already met with Tanzania President Jakaya Kikwete, who is keen to boost the film industry in the country.
Broomfield and Marc Hoeferlin are writing the script, which is based on Ronan Bennett’s 1960, Belgian Congo-set novel about the love affair between a jaded writer and a young idealistic journalist who are forced to take sides when a violent civil war breaks out.
Broomfield admits he isn’t a typical TV drama director, and says “I like telling stories in a different way,,,it has to be something I can bring something to.”
He said he was drawn to The Catastrophist because it’s “incredibly subjective...
Broomfield has been attached to the project for several years, but the elements are now lining up with Downton Abbey’s Dan Stevens set to take the lead role.
The director has already met with Tanzania President Jakaya Kikwete, who is keen to boost the film industry in the country.
Broomfield and Marc Hoeferlin are writing the script, which is based on Ronan Bennett’s 1960, Belgian Congo-set novel about the love affair between a jaded writer and a young idealistic journalist who are forced to take sides when a violent civil war breaks out.
Broomfield admits he isn’t a typical TV drama director, and says “I like telling stories in a different way,,,it has to be something I can bring something to.”
He said he was drawn to The Catastrophist because it’s “incredibly subjective...
- 11/13/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
HBO Documentary Films closes first deal with Sky Atlantic following Toronto screening.
HBO Documentary Films has acquired Us rights to Nick Broomfield’s Tales of the Grim Sleeper, currently screening at the Toronto International Film Festival.
Review: Tales of the Grim Sleeper
HBO will broadcast the film in 2015. The doc explores the case of a notorious serial killer known as the Grim Sleeper, who terrorized South Central Los Angeles over a span of 25 years.
The deal was negotiated by Josh Braun and David Koh of New York-based distributor Submarine on behalf of UK broadcaster Sky Atlantic, which originally commissioned the film.
It marks Broomfield’s latest documentary for HBO, following Aileen: Life And Death Of A Serial Killer, Kurt & Courtney, and Heidi Fleiss: Hollywood Madam.
The film was produced by Marc Hoeferlin in association with BSkyB, which is handling international sales. Celia Taylor is executive producer.
Taylor, Sky’s head of non-scripted commissioning, said: “I’m delighted...
HBO Documentary Films has acquired Us rights to Nick Broomfield’s Tales of the Grim Sleeper, currently screening at the Toronto International Film Festival.
Review: Tales of the Grim Sleeper
HBO will broadcast the film in 2015. The doc explores the case of a notorious serial killer known as the Grim Sleeper, who terrorized South Central Los Angeles over a span of 25 years.
The deal was negotiated by Josh Braun and David Koh of New York-based distributor Submarine on behalf of UK broadcaster Sky Atlantic, which originally commissioned the film.
It marks Broomfield’s latest documentary for HBO, following Aileen: Life And Death Of A Serial Killer, Kurt & Courtney, and Heidi Fleiss: Hollywood Madam.
The film was produced by Marc Hoeferlin in association with BSkyB, which is handling international sales. Celia Taylor is executive producer.
Taylor, Sky’s head of non-scripted commissioning, said: “I’m delighted...
- 9/10/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
TORONTO -- After directing documentaries for the past quarter-century, Nick Broomfield (Aileen Wuornos: The Selling of a Serial Killer, Kurt & Courtney, Biggie and Tupac) has taken on his first dramatic narrative with Battle for Haditha.
Portraying the events leading to the Nov. 19, 2005 massacre of 24 Iraqi noncombatants at the hands of U.S. Marines, the film retains many of the cinema verite qualities of Broomfield's previous works, lending it a powerful, devastating immediacy.
Part recreation, part speculation, formulated from hundreds of interviews, the docudrama has set out to put a personal face on the war in Iraq, and no matter the vantage point, that human cost on both sides is inexorably tragic.
One of the most affecting of the recent rash of similarly themed films, the British production should have no trouble courting North American distributors following its Toronto International Film Festival premiere.
Shot in Jordan, Battle for Haditha makes an effort to spend as much time with those young American soldiers (several of whom are played here by actual ex-Marines) as it does with the Iraqi families living in constant fear of terrorists, and a middle-aged man and another not much younger than those Marines, who would at first appear to be a father and son, but turn out to be insurgents.
After establishing the parallel day-to-day existence, Broomfield then ratchets up the tension as those insurgents patiently for a Marine convoy to pass over a roadside IED (Improvised Explosive Device).
When the moment arrives, one of the men activates the bomb with his cell phone, literally blowing one Marine apart and badly injuring two others.
Seeking vengeance and hopped up on a diet of caffeine and death metal, the surviving Marines retaliate by conducting a violent house-to-house search for the perpetrators.
By the time the smoke clears, two dozen Iraqis civilians, many of them women and children, are dead.
With its dialogue largely improvised by many who had seen extensive combat in Iraq, Battle for Haditha has a gripping authenticity lacking in other similarly themed dramas.
One of those individuals is Elliot Ruiz, a former U.S. Marine Corporal who had been told by doctors that he may never be able to walk unassisted again after badly damaging his leg during an insurgent attack in Tikrit.
Having since taking up acting, his performance, as the conflicted Cpl. Ramirez, lends the film a particular poignancy.
Back in the real world, the Haditha trials are about to get underway at Camp Pendleton, almost two full years after the incident.
BATTLE FOR HADITHA
Lafayette Film Ltd./Channel 4 UK
Credits:
Director: Nick Broomfield
Writers: Nick Broomfield, Marc Hoeferlin, Anna Telford
Producer: Nick Broomfield
Executive producers: Peter Dale, Charles Finch
Director of photography: Mark Wolf
Production designer: David Bryan
Music: Nick Laid-Clowes
Co-producer: Anna Telford
Editors: Ash Jenkins, Stuart Gazzard
Cast:
Cpl. Ramirez: Elliot Ruiz
Ahmad: Falah Flayeh
Hiba: Yasmine Hanani
Capt. Sampson: Andrew McClaren
Sgt. Ross: Eric Mehalacopoulos
Rashied: Duraid A Ghaieb
Jafar: Oliver Bytrus
Safa: Aya Abbas
Running time -- 93 minutes
No MPAA rating...
Portraying the events leading to the Nov. 19, 2005 massacre of 24 Iraqi noncombatants at the hands of U.S. Marines, the film retains many of the cinema verite qualities of Broomfield's previous works, lending it a powerful, devastating immediacy.
Part recreation, part speculation, formulated from hundreds of interviews, the docudrama has set out to put a personal face on the war in Iraq, and no matter the vantage point, that human cost on both sides is inexorably tragic.
One of the most affecting of the recent rash of similarly themed films, the British production should have no trouble courting North American distributors following its Toronto International Film Festival premiere.
Shot in Jordan, Battle for Haditha makes an effort to spend as much time with those young American soldiers (several of whom are played here by actual ex-Marines) as it does with the Iraqi families living in constant fear of terrorists, and a middle-aged man and another not much younger than those Marines, who would at first appear to be a father and son, but turn out to be insurgents.
After establishing the parallel day-to-day existence, Broomfield then ratchets up the tension as those insurgents patiently for a Marine convoy to pass over a roadside IED (Improvised Explosive Device).
When the moment arrives, one of the men activates the bomb with his cell phone, literally blowing one Marine apart and badly injuring two others.
Seeking vengeance and hopped up on a diet of caffeine and death metal, the surviving Marines retaliate by conducting a violent house-to-house search for the perpetrators.
By the time the smoke clears, two dozen Iraqis civilians, many of them women and children, are dead.
With its dialogue largely improvised by many who had seen extensive combat in Iraq, Battle for Haditha has a gripping authenticity lacking in other similarly themed dramas.
One of those individuals is Elliot Ruiz, a former U.S. Marine Corporal who had been told by doctors that he may never be able to walk unassisted again after badly damaging his leg during an insurgent attack in Tikrit.
Having since taking up acting, his performance, as the conflicted Cpl. Ramirez, lends the film a particular poignancy.
Back in the real world, the Haditha trials are about to get underway at Camp Pendleton, almost two full years after the incident.
BATTLE FOR HADITHA
Lafayette Film Ltd./Channel 4 UK
Credits:
Director: Nick Broomfield
Writers: Nick Broomfield, Marc Hoeferlin, Anna Telford
Producer: Nick Broomfield
Executive producers: Peter Dale, Charles Finch
Director of photography: Mark Wolf
Production designer: David Bryan
Music: Nick Laid-Clowes
Co-producer: Anna Telford
Editors: Ash Jenkins, Stuart Gazzard
Cast:
Cpl. Ramirez: Elliot Ruiz
Ahmad: Falah Flayeh
Hiba: Yasmine Hanani
Capt. Sampson: Andrew McClaren
Sgt. Ross: Eric Mehalacopoulos
Rashied: Duraid A Ghaieb
Jafar: Oliver Bytrus
Safa: Aya Abbas
Running time -- 93 minutes
No MPAA rating...
- 9/11/2007
- The Hollywood Reporter - Movie News
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