After languishing in development for years, the immensely popular “Halo” gaming franchise made the giant leap to streaming television earlier this year, exceeding expectations by shattering records and satiating millions of fans worldwide, who were eager to revisit their beloved characters and storylines.
“As a fan of the series, and having played the games for the last 20 years, it’s an incredibly daunting task to be put into the position of visual effects supervisor,” admits Dominic Remane, who was tasked with creating the expansive galaxy inhabited by the warring factions at the center of the “Halo” story with his army of visual artisans and technicians. For our recent discussion, he adds, “Working on the creative design of the characters and creatures and trying to stay faithful to what the audience is expecting to see, but still have a slight twist and create our own canon to a degree, gives us...
“As a fan of the series, and having played the games for the last 20 years, it’s an incredibly daunting task to be put into the position of visual effects supervisor,” admits Dominic Remane, who was tasked with creating the expansive galaxy inhabited by the warring factions at the center of the “Halo” story with his army of visual artisans and technicians. For our recent discussion, he adds, “Working on the creative design of the characters and creatures and trying to stay faithful to what the audience is expecting to see, but still have a slight twist and create our own canon to a degree, gives us...
- 6/10/2022
- by Rob Licuria
- Gold Derby
Exclusive: UTA has signed almost a dozen senior production figures to its Production Arts division in the wake of the Oscar telecast snub to several major categories, including those who’ve worked on Dune, You and Bombshell.
The likes of Oscar-winning Dune VFX supervisor duo Brian Conner and Tristan Myles have been snapped up in the past few weeks alongside Bombshell hair designer Anne Morgan, Kings Man producer David Reid and Pennyworth/You exec producer Matthew Patnick.
UTA clients won four Oscars this year including The Eyes of Tammy Faye’s Justin Raleigh for Makeup and Hairstyling, Dune’s Greig Fraser for Best Cinematography and the same film’s Patrice Vermette for Achievement in Production Design. Many were influenced by UTA-repped Paul Lambert, the Oscar-winning Dune visual effects supervisor, to join UTA, according to the agency.
Speaking exclusively to Deadline, UTA Head of Production Pete Franciosa, who oversees the L.
The likes of Oscar-winning Dune VFX supervisor duo Brian Conner and Tristan Myles have been snapped up in the past few weeks alongside Bombshell hair designer Anne Morgan, Kings Man producer David Reid and Pennyworth/You exec producer Matthew Patnick.
UTA clients won four Oscars this year including The Eyes of Tammy Faye’s Justin Raleigh for Makeup and Hairstyling, Dune’s Greig Fraser for Best Cinematography and the same film’s Patrice Vermette for Achievement in Production Design. Many were influenced by UTA-repped Paul Lambert, the Oscar-winning Dune visual effects supervisor, to join UTA, according to the agency.
Speaking exclusively to Deadline, UTA Head of Production Pete Franciosa, who oversees the L.
- 4/28/2022
- by Max Goldbart
- Deadline Film + TV
It’s truly a measure of the pandemic that the 19th annual Ves Awards (to be held virtually on April 6) was dominated by Disney+’s “The Mandalorian” with 13 nominations (topped by photoreal episode). Like the Oscar shortlist, there was an absence of big budget, VFX-intensive studio films. But, truth be told, Season 2 of Jon Favreau’s engaging “Star Wars” bounty hunter series offered the industry’s most innovative tech (wrapped around Industrial Light & Magic’s improved StageCraft virtual production system).
Pixar’s “Soul” was the top animation contender with five nominations, while the feature competition was split between “Project Power,” the Netflix superhero film, Robert Zemeckis’ “The Witches” (which streamed on HBO Max), and Disney’s live-action “Mulan” (which streamed on Disney+), each garnering three nominations.
Joining “Project Power” and “The Witches” in the top photoreal feature category were Netflix’s “Jingle Jangle: A Christmas Journey” and “The Midnight Sky...
Pixar’s “Soul” was the top animation contender with five nominations, while the feature competition was split between “Project Power,” the Netflix superhero film, Robert Zemeckis’ “The Witches” (which streamed on HBO Max), and Disney’s live-action “Mulan” (which streamed on Disney+), each garnering three nominations.
Joining “Project Power” and “The Witches” in the top photoreal feature category were Netflix’s “Jingle Jangle: A Christmas Journey” and “The Midnight Sky...
- 3/2/2021
- by Bill Desowitz
- Indiewire
The nominations for the 19th Annual Visual Effects Society Awards have been announced with “The Mandalorian” and “Soul” leading.
“The Mandalorian” leads with 13 nominations including outstanding visual effects in a photoreal episode. “Soul” was next with five nominations, followed by “The Witches” and “Project Power.”
The Ves awards will be handed out in a virtual ceremony and will stream worldwide on April 6.
“Traditions find a way to persist,” said Lisa Cooke, Ves Board Chair. “With vision and a lot of hard work, we are proud to host our annual celebration of the artistry, ingenuity and passion of visual effects practitioners around the world – virtually. We are seeing best in class work that elevates the art of storytelling and engages the audience in new and innovative ways. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of all our nominees!
“The Mandalorian” leads with 13 nominations including outstanding visual effects in a photoreal episode. “Soul” was next with five nominations, followed by “The Witches” and “Project Power.”
The Ves awards will be handed out in a virtual ceremony and will stream worldwide on April 6.
“Traditions find a way to persist,” said Lisa Cooke, Ves Board Chair. “With vision and a lot of hard work, we are proud to host our annual celebration of the artistry, ingenuity and passion of visual effects practitioners around the world – virtually. We are seeing best in class work that elevates the art of storytelling and engages the audience in new and innovative ways. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of all our nominees!
- 3/2/2021
- by Jazz Tangcay
- Variety Film + TV
The Visual Effects Society today announced the nominees for its 19th annual Ves Awards, which recognize VFX artistry in 25 categories spanning film, TV, animation, commercials and video games. Winners will be announced during a virtual ceremony on Tuesday, April 6.
Disney+’s The Mandalorian leads all TV shows and films with 13 noms, and Disney/Pixar’s animated Soul tops the film side with five. Project Power and The Witches tied for second among movies with three noms apiece in a decidedly strange year for VFX-heavy projects.
Vying for the Visual Effects in a Photoreal Feature prize are Jingle Jangle: A Christmas Journey, The Midnight Sky, Project Power, Tenet and The Witches. The films up for
Supporting Visual Effects in a Photoreal Feature are Da 5 Bloods, Extraction, Mank, News of the World and Welcome to Chechnya.
Soul will battle it out for the Visual Effects in an Animated Feature trophy against fellow Pixar pic Onward,...
Disney+’s The Mandalorian leads all TV shows and films with 13 noms, and Disney/Pixar’s animated Soul tops the film side with five. Project Power and The Witches tied for second among movies with three noms apiece in a decidedly strange year for VFX-heavy projects.
Vying for the Visual Effects in a Photoreal Feature prize are Jingle Jangle: A Christmas Journey, The Midnight Sky, Project Power, Tenet and The Witches. The films up for
Supporting Visual Effects in a Photoreal Feature are Da 5 Bloods, Extraction, Mank, News of the World and Welcome to Chechnya.
Soul will battle it out for the Visual Effects in an Animated Feature trophy against fellow Pixar pic Onward,...
- 3/2/2021
- by Erik Pedersen
- Deadline Film + TV
The Visual Effects Society has unveiled nominations for its 18th annual Ves Awards, which honor VFX work in film, animation, TV, commercials and video games. Winners will be revealed at a ceremony January 29 at the Beverly Hilton.
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
- 1/7/2020
- by Patrick Hipes
- Deadline Film + TV
Announcing the nominees for their 16th annual Ves Awards, the Visual Effects Society brought welcome news for Denis Villeneuve’s “Blade Runner 2049” and Matt Reeves’s “War for the Planet of the Apes,” each up for seven statuettes. “Despicable Me 3” is the most-nominated animated film of the year (5), while the most-honored title overall is “Game of Thrones” (11).
The 21-year-old organization consists of 3,400-plus members in 35 nations. Each year, it recognizes visual effects innovators in film, animation, television, commercials, and video games.
In 2017, Disney’s “The Jungle Book” remake claimed five Ves trophies, more than any other feature (nominations leader “Rogue One: A Star Wars Story” was shutout). It’s director-producer, Jon Favreau, will receive this year’s Lifetime Achievement Award; Weta Digital director and four-time Oscar winner Joe Letteri will accept the Georges Méliès Award, named for the late French illusionist and filmmaker. Letteri is also a nominee...
The 21-year-old organization consists of 3,400-plus members in 35 nations. Each year, it recognizes visual effects innovators in film, animation, television, commercials, and video games.
In 2017, Disney’s “The Jungle Book” remake claimed five Ves trophies, more than any other feature (nominations leader “Rogue One: A Star Wars Story” was shutout). It’s director-producer, Jon Favreau, will receive this year’s Lifetime Achievement Award; Weta Digital director and four-time Oscar winner Joe Letteri will accept the Georges Méliès Award, named for the late French illusionist and filmmaker. Letteri is also a nominee...
- 1/16/2018
- by Jenna Marotta
- Indiewire
Visual effects supervisor Dominic Remane recently scored his second Emmy nomination for his work on "Vikings," which airs on the History Channel. During our recent video chat (watch it below), he walked us through his line of work, explaining that shows approach visual effects in two ways. Some create things "that you wouldn't expect to see in real life," whereas Remane and his "Vikings" crew "try and achieve invisible effects, which is mainly enhancing environments" and includes tasks such as converting hills and mountains filmed in Dublin to the fjords that are more characteristic of the series's Norwegian setting. -Break- Travis Fimmel: Why fans forgive us for 'heinous' acts on 'Vikings' (Exclusive Video) Remane also discussed how the visual effects industry has changed since he entered it a decade ago: "Even four or five years ago, we might have spent five or six hours on ..."...
- 7/23/2014
- Gold Derby
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