Luma Pictures recently worked on ‘Black Panther’.
Film Victoria and Creative Victoria have teamed to offer 12 early career Victorian VFX practitioners a six-month paid placement at either Method Studios or Luma Pictures in Melbourne.
Recent projects worked on by Luma include Captain Marvel and Black Panther, while Method has worked on Game of Thrones, Aquaman and Christopher Robin.
In its first year, the placement program will include work on projects such as Peter Rabbit 2, the untitled Jumanji: Welcome to the Jungle sequel and Terminator: Dark Fate.
Method Studios head of VFX Simon Rosenthal said: “Nurturing home-grown talent is pivotal to our business as we continue to expand. This is an outstanding opportunity for both Method Studios and those starting a career in the wonderful world of VFX and animation.”
Luma Pictures vice president/head of culture Jamy Zink: “We are lucky to have fostered junior talent throughout Luma’s...
Film Victoria and Creative Victoria have teamed to offer 12 early career Victorian VFX practitioners a six-month paid placement at either Method Studios or Luma Pictures in Melbourne.
Recent projects worked on by Luma include Captain Marvel and Black Panther, while Method has worked on Game of Thrones, Aquaman and Christopher Robin.
In its first year, the placement program will include work on projects such as Peter Rabbit 2, the untitled Jumanji: Welcome to the Jungle sequel and Terminator: Dark Fate.
Method Studios head of VFX Simon Rosenthal said: “Nurturing home-grown talent is pivotal to our business as we continue to expand. This is an outstanding opportunity for both Method Studios and those starting a career in the wonderful world of VFX and animation.”
Luma Pictures vice president/head of culture Jamy Zink: “We are lucky to have fostered junior talent throughout Luma’s...
- 5/14/2019
- by jkeast
- IF.com.au
Fox International Productions (Fip) has acquired an original serial killer screenplay from White Horse Pictures that the parties will jointly finance.
The companies are out to directors and have earmarked a 2017 production start on the atmospheric WWII thriller. Fip will distribute worldwide.
Historian and first-time screenwriter James Luckard wrote the screenplay inspired by true events.
The action takes place in 1941 Berlin where a serial killer is preying on women. The Nazi hierarchy brings in homicide detective Alex Lang, who is forced to team up with the only authority on serial killers, Jewish criminal psychologist Simon Rosenthal.
“James’ script is incredible, pulling me in from page one with its moody, mysterious setting and unexpected twists,” said Fip president Tomas Jegeus (pictured). “It’s set in one of the most disturbing periods in history, which only adds more intrigue and suspense.”
White Horse Pictures’ Nigel Sinclair and Nicholas Ferrall will produce with Peter Dealbert of Pacific View Management. White...
The companies are out to directors and have earmarked a 2017 production start on the atmospheric WWII thriller. Fip will distribute worldwide.
Historian and first-time screenwriter James Luckard wrote the screenplay inspired by true events.
The action takes place in 1941 Berlin where a serial killer is preying on women. The Nazi hierarchy brings in homicide detective Alex Lang, who is forced to team up with the only authority on serial killers, Jewish criminal psychologist Simon Rosenthal.
“James’ script is incredible, pulling me in from page one with its moody, mysterious setting and unexpected twists,” said Fip president Tomas Jegeus (pictured). “It’s set in one of the most disturbing periods in history, which only adds more intrigue and suspense.”
White Horse Pictures’ Nigel Sinclair and Nicholas Ferrall will produce with Peter Dealbert of Pacific View Management. White...
- 10/13/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
CG Spectrum, a new College of Digital Arts and Animation, is collaborating with local feature film studio Iloura, the VFX company behind that wayward and rebellious bear, Ted.
CG Spectrum and Iloura will invest up to $1 million to secure the future of Australia.s best animation and VFX artists through scholarships and the opportunity to work with Iloura through paid internships.
CG Spectrum, which is contributing $500,000 of the investment into scholarships, has identified through its advisory board five key areas of growth for the Australian Film Industry..
It will address these by offering new specialised diplomas, opening the door for more Australians to get jobs in the animation and VFX industry.
Through this advisory board five new advanced diploma programs will be available from October.
These new diplomas include: concept design, 3D modelling, animation, composition and lighting and .visual effects.
Further to the $500,000 scholarships offered by CG Spectrum, Iloura will...
CG Spectrum and Iloura will invest up to $1 million to secure the future of Australia.s best animation and VFX artists through scholarships and the opportunity to work with Iloura through paid internships.
CG Spectrum, which is contributing $500,000 of the investment into scholarships, has identified through its advisory board five key areas of growth for the Australian Film Industry..
It will address these by offering new specialised diplomas, opening the door for more Australians to get jobs in the animation and VFX industry.
Through this advisory board five new advanced diploma programs will be available from October.
These new diplomas include: concept design, 3D modelling, animation, composition and lighting and .visual effects.
Further to the $500,000 scholarships offered by CG Spectrum, Iloura will...
- 9/28/2015
- by Inside Film Correspondent
- IF.com.au
This article first appeared in If Magazine Issue #147
There are only a handful of Australian companies capable of creating visual effects (VFX) at a standard acceptable to the Us studios but a year ago they were struggling because the strength of the Australian dollar had eaten away at their ability to compete financially with other highly skilled service providers worldwide.
The Federal Government responded to their plight last May and increased the Pdv (post, digital and visual effects) offset from 15 to 30 per cent, allowing international players to claim back nearly one-third of what they spend in Australia when they put in their tax returns.
.If it had not been for the doubling of the Pdv offset, Australia.s VFX sector would have contracted drastically and I.m not overstating that,. says Zareh Nalbandian, Sydney-based co-founder and chief executive of Animal Logic. He is adamant that he would not currently be...
There are only a handful of Australian companies capable of creating visual effects (VFX) at a standard acceptable to the Us studios but a year ago they were struggling because the strength of the Australian dollar had eaten away at their ability to compete financially with other highly skilled service providers worldwide.
The Federal Government responded to their plight last May and increased the Pdv (post, digital and visual effects) offset from 15 to 30 per cent, allowing international players to claim back nearly one-third of what they spend in Australia when they put in their tax returns.
.If it had not been for the doubling of the Pdv offset, Australia.s VFX sector would have contracted drastically and I.m not overstating that,. says Zareh Nalbandian, Sydney-based co-founder and chief executive of Animal Logic. He is adamant that he would not currently be...
- 2/4/2013
- by Sandy George
- IF.com.au
Looks like the Australian VFX industry is getting some even more business, the company Iloura announced that they have been brought on to finish up the work on Nic Cage's newest film 'Ghost Rider Spirit of Vengeance'. Here's a list of some of the productions that Iloura has done work for: - Sanctum - Don't Be Afraid of the Dark - The Bank Job - Australia - Where the Wild Things Are - Charlotte's Web - House of Flying Daggers Iloura Secures Ghost RiderTM: Spirit of Vengeance In another win for Australia’s talented VFX industry, Iloura today announced it had been appointed as one of the VFX studios on Ghost RiderTM: Spirit of Vengeance. Iloura’s executive producer, Simon Rosenthal, said that this project would see the studio’s continued growth in capacity as more artists join the studio to complete the 500 plus shots on the film and...
- 2/26/2011
- ComicBookMovie.com
Award-winning visual effects and animation studio Iloura has secured work on Columbia Pictures. sequel to 2007 superhero movie Ghost Rider. Touted as .the state.s biggest ever visual effects package., Iloura will work with other VFX.vendors on more than 500 shots for Ghost Rider: Spirit of Vengeance, scheduled to be released next year. .Being appointed as one of the studios is an acknowledgement of Iloura.s growing reputation in delivering high-quality visual effects,. Iloura executive producer Simon Rosenthal said in a statement. .Ghost Rider: Spirit of Vengeance presents us with another tremendous opportunity to work on a complex, Hollywood CG project.. The original, also starring Nicolas Cage, was filmed in Melbourne...
- 2/24/2011
- by Sam Dallas
- IF.com.au
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