Lee Yong-Kwan, president and co-founder of the prestigious Busan International Film Festival (South Korea), the Cannes of Asia, will be the president of the jury of the 29th Vesoul International Film Festival of Asian Cinema (February 28 – March 7, 2023)
The International Jury :
The 29th Festival International des Cinémas d’Asie de Vesoul will take place from February 28 to March 7, 2023. It will be chaired by Korean Lee Yong-kwan, co-founder and president of the prestigious Biff (Busan International Film Festival), the Cannes of Asia. He is a brilliant academic with many roles including president of the Busan Film Library.
The other members of the international jury are Emily Jane Hoe, director of the Singapore International Film Festival (Sgiff) and an advocate for Singaporean independent cinema, Southeast Asia and new voices from Asia;
Yerlan Nurmukhambetov, Kazakh director, a regular at Fica, who came to Vesoul in 2002 to present In Paris, to receive in...
The International Jury :
The 29th Festival International des Cinémas d’Asie de Vesoul will take place from February 28 to March 7, 2023. It will be chaired by Korean Lee Yong-kwan, co-founder and president of the prestigious Biff (Busan International Film Festival), the Cannes of Asia. He is a brilliant academic with many roles including president of the Busan Film Library.
The other members of the international jury are Emily Jane Hoe, director of the Singapore International Film Festival (Sgiff) and an advocate for Singaporean independent cinema, Southeast Asia and new voices from Asia;
Yerlan Nurmukhambetov, Kazakh director, a regular at Fica, who came to Vesoul in 2002 to present In Paris, to receive in...
- 2/2/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Twice Academy Award-nominated writer-director Hany Abu-Assad is teaming with Abbout Productions, Lebanon’s top indie shingle, on TV series project “The King’s Wives.”
The six-episode fiction, pitched Feb. 25 at the 2020 Berlinale Co-Pro Series, is set to be the first TV drama produced by Abbout, a Beirut-set production house run by Georges Schoucair, best known to date for films with a distinctly Arab voice.
Scheduled to shoot from fall 2021 in Morocco or Turkey, “The King’s Wives” is conceived as a multicultural project, with Palestinian-Dutch Abu-Assad as co-creator and showrunner, production by a Lebanese team, with a cast coming from all over the Arab world and international heads of departments.
A TV drama with humorous elements, set in a modern unnamed Arab monarchy, “The King’s Wives” follows Zein, a revolutionary princess who wants to challenge the monarchy and improve women’s rights.
She aligns with her progressive husband, Prince Malik,...
The six-episode fiction, pitched Feb. 25 at the 2020 Berlinale Co-Pro Series, is set to be the first TV drama produced by Abbout, a Beirut-set production house run by Georges Schoucair, best known to date for films with a distinctly Arab voice.
Scheduled to shoot from fall 2021 in Morocco or Turkey, “The King’s Wives” is conceived as a multicultural project, with Palestinian-Dutch Abu-Assad as co-creator and showrunner, production by a Lebanese team, with a cast coming from all over the Arab world and international heads of departments.
A TV drama with humorous elements, set in a modern unnamed Arab monarchy, “The King’s Wives” follows Zein, a revolutionary princess who wants to challenge the monarchy and improve women’s rights.
She aligns with her progressive husband, Prince Malik,...
- 2/25/2020
- by Emiliano De Pablos
- Variety Film + TV
Vatche Boulghourjian was selected for Cannes’ Critics’ Week for this meandering mystery about a blind musician who discovers that his childhood was a lie
Tramontane can mean “northern wind”, but is also the name of the lead character; in Arabic it is Rabih. The blind Lebanese singer and musician Barakat Jabbour takes the lead role in this interesting and distinctive if undeveloped feature debut, a kind of road-movie mystery. It is written and directed by Vatche Boulghourjian, the Lebanese film-maker whose career developed through the Cinéfondation at Cannes, and who was selected for Critics’ Week with this film.
Jabbour plays Rabih, a young man who is – like the actor himself – blind and a talented musician. He is the adopted son of Samar (Julia Kassar) and by that token the nephew of Julia’s brother Hisham (Toufic Barakat), a shady businessman. When Rabih is invited to tour Europe with his group,...
Tramontane can mean “northern wind”, but is also the name of the lead character; in Arabic it is Rabih. The blind Lebanese singer and musician Barakat Jabbour takes the lead role in this interesting and distinctive if undeveloped feature debut, a kind of road-movie mystery. It is written and directed by Vatche Boulghourjian, the Lebanese film-maker whose career developed through the Cinéfondation at Cannes, and who was selected for Critics’ Week with this film.
Jabbour plays Rabih, a young man who is – like the actor himself – blind and a talented musician. He is the adopted son of Samar (Julia Kassar) and by that token the nephew of Julia’s brother Hisham (Toufic Barakat), a shady businessman. When Rabih is invited to tour Europe with his group,...
- 9/22/2017
- by Peter Bradshaw
- The Guardian - Film News
The Arab Cinema Center is launching the Critics Awards to promote and support Arab cinema internationally. The winners will be for Best Film, Best Director, Best Screenplay, Best Actress and Best Actor.
The 26 member jury includes prominent Arab and foreign critics from 15 countries from around the world. Egyptian film critic Ahmed Shawky is serving as manager of the Critics Awards.
Film analyst Alaa Karkouti, CEO of Mad Solutions, the company in charge of organizing the Arab Cinema Center’s events and also the first Pan Arab independent distributor and PR company of Arabic content to and from the Arab world, said: “The Critics Awards marks a first-time initiative that encompasses film critics from all over the world dedicated to Arab films within the strategy of Arab Cinema Center to add initiatives and events to every large-scale international film festival around the world.”
He added: “This is the first new addition...
The 26 member jury includes prominent Arab and foreign critics from 15 countries from around the world. Egyptian film critic Ahmed Shawky is serving as manager of the Critics Awards.
Film analyst Alaa Karkouti, CEO of Mad Solutions, the company in charge of organizing the Arab Cinema Center’s events and also the first Pan Arab independent distributor and PR company of Arabic content to and from the Arab world, said: “The Critics Awards marks a first-time initiative that encompasses film critics from all over the world dedicated to Arab films within the strategy of Arab Cinema Center to add initiatives and events to every large-scale international film festival around the world.”
He added: “This is the first new addition...
- 4/16/2017
- by Sydney Levine
- Sydney's Buzz
Halfway through the Cannes Film Festival, buzz is hearing about “Jackie”, now in post-production, an account of the days of First Lady Jacqueline Kennedy in the immediate aftermath of John F. Kennedy's assassination in 1963, directed by Pablo Larraín whose Directors’ Fortnight contender “Neruda” is receiving raves here. Another hot Directors’ Fortnight film “Mean Dreams” with Bill Paxton is praised by one important film buyer as “Mud” meets “Cold in July” in a tense coming-of-age drama about a 15-year-old boy. And Sony Pictures Classics has snatched U.S. rights to the German Competition comedy, “Toni Erdmann”.
This year in the Cannes Film Festival’s Official Competition Section, there are no first time film directors, only established masters, some praised and some panned. However, Cannes Official Un Certain Regard specifically shows emerging filmmakers who are considered to be the next generation of master auteurs of cinema. Out of its 17 films, seven were first features from Romania, France, Israel, USA, Argentina, Finland and the Netherlands. Three of the seven are by women: Stéphanie Di Giusto’s “La Danseuse” (“The Dancer”) is about Loïe Fuller, the toast of the Folies Bergères at the turn of the 20th century and an inspiration for Toulouse-Lautrec and the Lumière Brothers.
Maha Haj From Israel debuted on the first day with “Personal Affairs”, about an old couple in Nazareth and their son and daughter who live on the other side of the border. Other first films are the much-anticipated “The Red Turtle”, a dialogue-free animated feature from Studio Ghibli but made in France and directed by Dutch-born, London-based animator Michael Dudok de Wit, the Finnish-German-Swedish “The Happiest Day In The Life Of Olli Mäki” and Bogdan Mirica’s “Dogs”. The debut So. Korean film, “Train to Busan”, showed in the Official Midnight Screening section and featured a zombie-virus breaking out in South Korea, and a couple of passengers struggling to survive on the train from Seoul to Busan – enough to make me want to stop traveling.
“Fool Moon” by France’s Gregoire Leprinr-Foret had a Special Screening within the Official selection and received mixed reviews. In Critics Week, three of ten films selected and judged bycritics as the best films of the year thus far are first features: K. Rajapal’s drama “A Yellow Bird” from Singapore and France about a Singaporean Indian man trying to reconnect with his estranged family after he is released from prison, Mehmet Can Mertoglu’s “Albüm” from Turkey, France and Romania (See the trailer here) and Alessandro Comidin’s “Happy Times Will Come Soon” from Italy. The Acid sidebar of eight very independent features has two first films.
Also noticeable this year is the high number of films co-financed by the Doha Film Institute. Asgaard Farhadi's " The Salesman" will have its world premiere in the Festival’s Official Competition where it competes for the coveted Palme d’Or. “The Salesman” is about a couple who is forced out of their apartment due to dangerous works on a neighboring building. It is one of two Iranian films this year. The other, “Inversion” will play in Un Certain Regard.” Newly established Doha Film Institute lent financial support to two films showing in Un Certain Regard section – “Apprentice” (Singapore, Germany, France, Hong Kong, Qatar) written and directed by Boo Junfeng; and debut feature “Dogs” (Romania, France, Bulgaria, Qatar). Directors’ Fortnight is screens “Divines” (Morocco, France, Qatar) and three Dfi grantee films compete for top honors in the Critics Week: “Mimosas” (Spain, Morocco, France, Qatar) by Oliver Laxe; “Tramontane” (Lebanon, France, UAE, Qatar) by Vatche Boulghourjian; and “Diamond Island” (Cambodia, France, Germany, Qatar) by Davy Chou touted as poetic and beautiful, a part of what might be a Cambodian New Wave. This New Wave from Cambodia is being helped along by the Doha Film Institute whose CEO, Fatma Al Remaihi says:
“At the very core of Dfi’s film funding mandate is to contribute to World Cinema and ensure that great stories continue to be told. These projects will also inspire the young Qatari film professionals to create compelling content that will gain international acclaim.”
Shahrbanoo Sadat’s debut feature “Wolf and Sheep”, in Directors’ Fortnight, is about Sadat herself, who lives in Kabul and Denmark. It takes place in the isolated village in Central Afghanistan where she grew up and where young boys and girls are shepherds. International coproductions are the engine driving the film business today and this one, a Denmark-France-Sweden-Afghanistan coproduction is a prime example. Sadat was spotted previously when her 2011 short “Vice Versa One” screened at Directors’ Fortnight and was invited to develop “Wolf And Sheep” at Cannes Cinefondation Residency in 2010, which mentors emerging talent. Virginie Devesa of the international sales company Alpha Violet picked up the film here in Cannes. Alpha Violet is also selling ”A Yellow Bird” in Critics’ Week and is representing “Luxembourg”, the newest film by Myroslav Slaboshpytskiy, whose first film “The Tribe” played in Sundance and other top fests.
This year in the Cannes Film Festival’s Official Competition Section, there are no first time film directors, only established masters, some praised and some panned. However, Cannes Official Un Certain Regard specifically shows emerging filmmakers who are considered to be the next generation of master auteurs of cinema. Out of its 17 films, seven were first features from Romania, France, Israel, USA, Argentina, Finland and the Netherlands. Three of the seven are by women: Stéphanie Di Giusto’s “La Danseuse” (“The Dancer”) is about Loïe Fuller, the toast of the Folies Bergères at the turn of the 20th century and an inspiration for Toulouse-Lautrec and the Lumière Brothers.
Maha Haj From Israel debuted on the first day with “Personal Affairs”, about an old couple in Nazareth and their son and daughter who live on the other side of the border. Other first films are the much-anticipated “The Red Turtle”, a dialogue-free animated feature from Studio Ghibli but made in France and directed by Dutch-born, London-based animator Michael Dudok de Wit, the Finnish-German-Swedish “The Happiest Day In The Life Of Olli Mäki” and Bogdan Mirica’s “Dogs”. The debut So. Korean film, “Train to Busan”, showed in the Official Midnight Screening section and featured a zombie-virus breaking out in South Korea, and a couple of passengers struggling to survive on the train from Seoul to Busan – enough to make me want to stop traveling.
“Fool Moon” by France’s Gregoire Leprinr-Foret had a Special Screening within the Official selection and received mixed reviews. In Critics Week, three of ten films selected and judged bycritics as the best films of the year thus far are first features: K. Rajapal’s drama “A Yellow Bird” from Singapore and France about a Singaporean Indian man trying to reconnect with his estranged family after he is released from prison, Mehmet Can Mertoglu’s “Albüm” from Turkey, France and Romania (See the trailer here) and Alessandro Comidin’s “Happy Times Will Come Soon” from Italy. The Acid sidebar of eight very independent features has two first films.
Also noticeable this year is the high number of films co-financed by the Doha Film Institute. Asgaard Farhadi's " The Salesman" will have its world premiere in the Festival’s Official Competition where it competes for the coveted Palme d’Or. “The Salesman” is about a couple who is forced out of their apartment due to dangerous works on a neighboring building. It is one of two Iranian films this year. The other, “Inversion” will play in Un Certain Regard.” Newly established Doha Film Institute lent financial support to two films showing in Un Certain Regard section – “Apprentice” (Singapore, Germany, France, Hong Kong, Qatar) written and directed by Boo Junfeng; and debut feature “Dogs” (Romania, France, Bulgaria, Qatar). Directors’ Fortnight is screens “Divines” (Morocco, France, Qatar) and three Dfi grantee films compete for top honors in the Critics Week: “Mimosas” (Spain, Morocco, France, Qatar) by Oliver Laxe; “Tramontane” (Lebanon, France, UAE, Qatar) by Vatche Boulghourjian; and “Diamond Island” (Cambodia, France, Germany, Qatar) by Davy Chou touted as poetic and beautiful, a part of what might be a Cambodian New Wave. This New Wave from Cambodia is being helped along by the Doha Film Institute whose CEO, Fatma Al Remaihi says:
“At the very core of Dfi’s film funding mandate is to contribute to World Cinema and ensure that great stories continue to be told. These projects will also inspire the young Qatari film professionals to create compelling content that will gain international acclaim.”
Shahrbanoo Sadat’s debut feature “Wolf and Sheep”, in Directors’ Fortnight, is about Sadat herself, who lives in Kabul and Denmark. It takes place in the isolated village in Central Afghanistan where she grew up and where young boys and girls are shepherds. International coproductions are the engine driving the film business today and this one, a Denmark-France-Sweden-Afghanistan coproduction is a prime example. Sadat was spotted previously when her 2011 short “Vice Versa One” screened at Directors’ Fortnight and was invited to develop “Wolf And Sheep” at Cannes Cinefondation Residency in 2010, which mentors emerging talent. Virginie Devesa of the international sales company Alpha Violet picked up the film here in Cannes. Alpha Violet is also selling ”A Yellow Bird” in Critics’ Week and is representing “Luxembourg”, the newest film by Myroslav Slaboshpytskiy, whose first film “The Tribe” played in Sundance and other top fests.
- 5/27/2016
- by Sydney Levine
- Sydney's Buzz
"The Salesman" written and directed by celebrated filmmaker Asghar Farhadi, and co-financed by the Doha Film Institute, had its world premiere in the official competition of the 2016 Cannes Film Festival. Six other films supported by the Doha Film Institute Grants program have been screening in key sections at the prestigious global film event.
"The Salesman" is produced by Memento Films Production and Asghar Farhadi Production, in coproduction with Arte France Cinéma and in association with Doha Film Institute, Memento Films Distribution and Arte France. Amazon and Cohen Media Group have recently picked up North American rights.
Forced out of their apartment due to dangerous works on a neighboring building, Emad and Rana move into a new flat in the center of Tehran. An incident linked to the previous tenant will dramatically change the young couple’s life. "The Salesman" stars Shahab Hosseini ("A Separation") and Taraneh Alidoosti ("About Elly"). Farhadi won the 2012 Academy Award for Best Foreign Language Film for "A Separation" and the Best Actress Award at Cannes 2013 for his last film "The Past."
Fatma Al Remaihi, Chief Executive Officer of the Doha Film Institute, said: “We are delighted that seven films supported by the Institute have been officially selected at Cannes this year. The selection of 'The Salesman' in the Festival’s official competition section is an achievement we are all very excited about, as it adds to our pride in partnering with international productions that set new benchmarks in excellence in filmmaking. Asghar Farhadi is one of the most recognized filmmakers working today, someone we have long admired for his talent and commitment to making films that tackle strong subject matters with enduring humanity.
“I would like to thank the entire team behind the film for sharing their vision with us and making us a part of their incredible journey, and wish them the very best. This has been a passion project for all involved and we look forward to audiences discovering this latest masterpiece”.
Among the six Dfi grantee films, two have been selected to the Un Certain Regard section - "Apprentice" (Singapore, Germany, France, Hong Kong, Qatar) written and directed by Boo Junfeng; and "Dogs" (Romania, France, Bulgaria, Qatar) by Bogdan Florian Mirica.
Showcased in the Directors’ Fortnight is "Divines" (Morocco, France, Qatar), directed by Houda Benyamina. The remaining three Dfi grantee films will compete for top honours in the Critics Week including: "Mimosas" (Spain, Morocco, France, Qatar) by Oliver Laxe; "Tramontane" (Lebanon, France, UAE, Qatar) by Vatche Boulghourjian; and "Diamond Island" (Cambodia, France, Germany, Qatar) by Davy Chou.
“At the very core of Dfi’s film funding mandate is to contribute to World Cinema and ensure that great stories continue to be told. We are committed to celebrating high-calibre talents, both emerging and established, to contribute to a growing roster of quality world cinema. Through our Dfi Grantee program, we are underling our commitment to support emerging talent and create a body of work that reflects the cinematic ambitions of the next generation. These projects will also inspire the young Qatari film professionals to create compelling content that will gain international acclaim,” added Al Remaihi.
As part of Qatar’s presence in Cannes, the Doha Film Institute is also presenting a special Made in Qatar showcase of short films at the Cannes’ Short Film Corner, a section of the festival dedicated to showcasing films from more than 90 countries to thousands of accredited industry guests, festival selectors and short film industry specialists.
The line-up includes winners of the Best Documentary Film and Best Narrative Film at Ajyal 2015, "The Palm Tree" by Jassim al Remaihi and "Asfoora" by Mayar Hamdan respectively, "Good as New" by Jasser Alagha, "Yellow Nights" by Abdullah Al Mulla, "The Notebook" by Amna Al-Binali, "Light Sounds" by Karem Kamel, "Veganize it" by Khalid Salim, "To My Mother" by Amina Ahmed Al Bloshi and "Inside Out" by Fahad Al-Obaidly.
Since premiering at Ajyal in 2015 the Miq package screened at Clermont Ferrand and Berlinale, and is also scheduled to screen in Sarajevo and several other festivals on the international circuit later this year.
"The Salesman" is produced by Memento Films Production and Asghar Farhadi Production, in coproduction with Arte France Cinéma and in association with Doha Film Institute, Memento Films Distribution and Arte France. Amazon and Cohen Media Group have recently picked up North American rights.
Forced out of their apartment due to dangerous works on a neighboring building, Emad and Rana move into a new flat in the center of Tehran. An incident linked to the previous tenant will dramatically change the young couple’s life. "The Salesman" stars Shahab Hosseini ("A Separation") and Taraneh Alidoosti ("About Elly"). Farhadi won the 2012 Academy Award for Best Foreign Language Film for "A Separation" and the Best Actress Award at Cannes 2013 for his last film "The Past."
Fatma Al Remaihi, Chief Executive Officer of the Doha Film Institute, said: “We are delighted that seven films supported by the Institute have been officially selected at Cannes this year. The selection of 'The Salesman' in the Festival’s official competition section is an achievement we are all very excited about, as it adds to our pride in partnering with international productions that set new benchmarks in excellence in filmmaking. Asghar Farhadi is one of the most recognized filmmakers working today, someone we have long admired for his talent and commitment to making films that tackle strong subject matters with enduring humanity.
“I would like to thank the entire team behind the film for sharing their vision with us and making us a part of their incredible journey, and wish them the very best. This has been a passion project for all involved and we look forward to audiences discovering this latest masterpiece”.
Among the six Dfi grantee films, two have been selected to the Un Certain Regard section - "Apprentice" (Singapore, Germany, France, Hong Kong, Qatar) written and directed by Boo Junfeng; and "Dogs" (Romania, France, Bulgaria, Qatar) by Bogdan Florian Mirica.
Showcased in the Directors’ Fortnight is "Divines" (Morocco, France, Qatar), directed by Houda Benyamina. The remaining three Dfi grantee films will compete for top honours in the Critics Week including: "Mimosas" (Spain, Morocco, France, Qatar) by Oliver Laxe; "Tramontane" (Lebanon, France, UAE, Qatar) by Vatche Boulghourjian; and "Diamond Island" (Cambodia, France, Germany, Qatar) by Davy Chou.
“At the very core of Dfi’s film funding mandate is to contribute to World Cinema and ensure that great stories continue to be told. We are committed to celebrating high-calibre talents, both emerging and established, to contribute to a growing roster of quality world cinema. Through our Dfi Grantee program, we are underling our commitment to support emerging talent and create a body of work that reflects the cinematic ambitions of the next generation. These projects will also inspire the young Qatari film professionals to create compelling content that will gain international acclaim,” added Al Remaihi.
As part of Qatar’s presence in Cannes, the Doha Film Institute is also presenting a special Made in Qatar showcase of short films at the Cannes’ Short Film Corner, a section of the festival dedicated to showcasing films from more than 90 countries to thousands of accredited industry guests, festival selectors and short film industry specialists.
The line-up includes winners of the Best Documentary Film and Best Narrative Film at Ajyal 2015, "The Palm Tree" by Jassim al Remaihi and "Asfoora" by Mayar Hamdan respectively, "Good as New" by Jasser Alagha, "Yellow Nights" by Abdullah Al Mulla, "The Notebook" by Amna Al-Binali, "Light Sounds" by Karem Kamel, "Veganize it" by Khalid Salim, "To My Mother" by Amina Ahmed Al Bloshi and "Inside Out" by Fahad Al-Obaidly.
Since premiering at Ajyal in 2015 the Miq package screened at Clermont Ferrand and Berlinale, and is also scheduled to screen in Sarajevo and several other festivals on the international circuit later this year.
- 5/19/2016
- by Sydney Levine
- Sydney's Buzz
Finding political resonance within the intimate story of a blind man, his past, and the Lebanese countryside, Tramontane is the debut feature of filmmaker Vatche Boulghourjian. Based in Beirut, Boulghourjian studied at Nyu Film School, and his filmmaking draws upon the community he found in both his home and place of study. Premiering in Critics’ Week at the 2016 Cannes Film Festival, Tramontane also received early development support from the Venice Biennale College Cinema, where I was one of its mentors several years ago. At the time, I was struck by Boulghourjian’s intelligence, empathy and ability to articulate the larger […]...
- 5/16/2016
- by Scott Macaulay
- Filmmaker Magazine - Blog
Cinephiles across the globe collectively held their breaths last week wondering whether the new Olivier Assayas or Lucretia Martel would make it onto the 2016 Croisette – his did, hers didn’t – as Cannes Film Festival director Thierry Frémaux unspooled the Competition, Un Certain Regard, Midnight Screenings, and Outside Competition line-ups. As if the promise of new adventures with Almodóvar, Dolan, and Park Chan-Wook weren’t enough, the recent announcements of the Critics’ Week and Cannes Classics sidebars present a whole host of new gems and old treasures to discover.
Let’s start with Critics’ Week, where a coterie of freshmen and sophomore directors compete for their own Nespresso Grand Prize. That would make this the branded stadium for spring-boarding international talents, such as Iñárritu (Amores Perros), Wong Kar-Wai (As Tears Go By), as well as Andrea Arnold and Jeff Nichols who are contending in the Main Competition this year with American Honey and Loving,...
Let’s start with Critics’ Week, where a coterie of freshmen and sophomore directors compete for their own Nespresso Grand Prize. That would make this the branded stadium for spring-boarding international talents, such as Iñárritu (Amores Perros), Wong Kar-Wai (As Tears Go By), as well as Andrea Arnold and Jeff Nichols who are contending in the Main Competition this year with American Honey and Loving,...
- 4/21/2016
- by Daniel Crooke
- FilmExperience
Following the unveiling of the 2016 Cannes Film Festival line-up, the Critics’ Week sidebar has now revealed their slate. As usual, there are a lot of discoveries to be had, with six of main selection being first features and four sophomore effort. Notably, Nadav Lapid (The Kindergarten Teacher) will screen his new short From the Diary of a Wedding Photographer while Chloë Sevigny will premiere her new film Kitty. Check out the full line-up, along with the trailer for the Un Certain Regard title Apprentice.
Feature Films In Competition
ALBÜM Mehmet Can Mertoğlu (Turkey)
Diamond Island Davy Chou (Cambodia/France)
Raw (Grave) Julia Ducournau (France)
Mimosas Oliver Laxe (Spain)
One Week And A Day (Shavua Ve Yom) Asaph Polonsky (Israel)
Tramontane Vatche Boulghourjian (Lebanon)
A Yellow Bird K. Rajagopal (Singapore)
Special Screenings
Opening Film
In Bed With Victoria (Victoria) Justine Triet (France)
Closing Films
Smile (Bonne Figure) Sandrine Kiberlain (France)
En...
Feature Films In Competition
ALBÜM Mehmet Can Mertoğlu (Turkey)
Diamond Island Davy Chou (Cambodia/France)
Raw (Grave) Julia Ducournau (France)
Mimosas Oliver Laxe (Spain)
One Week And A Day (Shavua Ve Yom) Asaph Polonsky (Israel)
Tramontane Vatche Boulghourjian (Lebanon)
A Yellow Bird K. Rajagopal (Singapore)
Special Screenings
Opening Film
In Bed With Victoria (Victoria) Justine Triet (France)
Closing Films
Smile (Bonne Figure) Sandrine Kiberlain (France)
En...
- 4/18/2016
- by Jordan Raup
- The Film Stage
The lineup for the 2016 Cannes Critics' Week has been announced.Opening FilmIn Bed with Victoria (Justine Triet): Victoria Spick, a criminal lawyer in a total sentimental void, meets at a wedding her friend Vincent and Sam, a former drug dealer she got out business. The next day, Vincent is accused of attempted murder by his girlfriend. The victim's dog is the only witness. Reluctantly, Victoria accepts to defend Vincent, while she hires Sam as an au pair. This is just the beginning of troubled times for Victoria.CompetitionAlbüm (Mehmet Can Mertoğlu): A couple in their late 30’s sets out to prepare a fake photo album of a pseudo pregnancy period in order to prove their biological tie to the baby they’re planning adopt.Diamond Island (Davy Chou): Bora, an 18-year-old, leaves his village to work on the construction sites of Diamond Island, a project for an...
- 4/18/2016
- by Notebook
- MUBI
Justine Triet’s In Bed With Victoria to open Critics’ Week; Chloë Sevigny’s Kitty one of three closing films. Scroll down for full list
Cannes Critics’ Week, devoted to first and second features, has unveiled the line-up for its 55th edition (May 12-20), following the announcement of the festival’s Official Selection last week.
The parallel section will open with Justine Triet’s comedy-drama In Bed With Victoria, which centres on a beautiful Parisian criminal lawyer in her late 30s who is a self-centred workaholic and sex addict, played by Virginie Efira.
It marks the second feature from French filmmaker Triet, whose Cesar-nominated Age of Panic opened in the Acid section in 2013, and is handled by Indie Sales with French distribution by Le Pacte.
In total, 1,100 features were submitted for consideration.
The seven features chosen to play in competition represent a mix of titles from Turkey, France and Spain to Cambodia, Israel, Lebanon...
Cannes Critics’ Week, devoted to first and second features, has unveiled the line-up for its 55th edition (May 12-20), following the announcement of the festival’s Official Selection last week.
The parallel section will open with Justine Triet’s comedy-drama In Bed With Victoria, which centres on a beautiful Parisian criminal lawyer in her late 30s who is a self-centred workaholic and sex addict, played by Virginie Efira.
It marks the second feature from French filmmaker Triet, whose Cesar-nominated Age of Panic opened in the Acid section in 2013, and is handled by Indie Sales with French distribution by Le Pacte.
In total, 1,100 features were submitted for consideration.
The seven features chosen to play in competition represent a mix of titles from Turkey, France and Spain to Cambodia, Israel, Lebanon...
- 4/18/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
La Semaine de la Critique, the oldest parallel competitive section of the Cannes Film Festival known to most as Critics' Week, has announced the lineup for its 55th edition running from May 12 through 20. Valérie Donzelli heads up this year's jury, whose other members are Alice Winocour, Nadav Lapid, David Robert Mitchell and Santiago Mitre. Among the features in the Competition are Vatche Boulghourjian's Tramontane, Davy Chou's Diamond Island, Julia Ducourneau's Raw (Grave), Oliver Laxe's Mimosas, Mehmet Can Mertoğlu's Albüm, Asaph Polonsky's One Week and a Day, and K. Rajagopal's A Yellow Bird. And this year's edition will close with an intriguing trio: Laetitia Casta's En Moi, Sandrine Kiberlain's Smile and Chloë Sevigny's Kitty. » - David Hudson...
- 4/18/2016
- Keyframe
La Semaine de la Critique, the oldest parallel competitive section of the Cannes Film Festival known to most as Critics' Week, has announced the lineup for its 55th edition running from May 12 through 20. Valérie Donzelli heads up this year's jury, whose other members are Alice Winocour, Nadav Lapid, David Robert Mitchell and Santiago Mitre. Among the features in the Competition are Vatche Boulghourjian's Tramontane, Davy Chou's Diamond Island, Julia Ducourneau's Raw (Grave), Oliver Laxe's Mimosas, Mehmet Can Mertoğlu's Albüm, Asaph Polonsky's One Week and a Day, and K. Rajagopal's A Yellow Bird. And this year's edition will close with an intriguing trio: Laetitia Casta's En Moi, Sandrine Kiberlain's Smile and Chloë Sevigny's Kitty. » - David Hudson...
- 4/18/2016
- Fandor: Keyframe
Mexican feature Perpetual Sadness and Israeli drama Next to Her take top prizes at Greek festival.Scroll down for full list of winners
Mexican director Jorge Perez Solorzano’s Perpetual Sadness (La Tirisia) was named best film at the 55th Thessaloniki International Film Festival (Oct 31 - Nov 9) winning the Golden Alexander.
It beat competition from 13 other first and second films screened in this year’s international competition section.
The film deals with the stoicism and the sadness shared by women in a remote village facing the departure of their sons in search of work. World sales are handled by Media Luna.
It marks the second consecutive year that a Mexican production has won top honours at Thessaloniki. Last year, Diego Quemada-Diez’s Golden Dream (La jaula de oro) scooped the top award as well as best director.
Some 10 Mexican features have played in competition at the festival since 2000, winning cropping 12 principal awards.
Israeli feature...
Mexican director Jorge Perez Solorzano’s Perpetual Sadness (La Tirisia) was named best film at the 55th Thessaloniki International Film Festival (Oct 31 - Nov 9) winning the Golden Alexander.
It beat competition from 13 other first and second films screened in this year’s international competition section.
The film deals with the stoicism and the sadness shared by women in a remote village facing the departure of their sons in search of work. World sales are handled by Media Luna.
It marks the second consecutive year that a Mexican production has won top honours at Thessaloniki. Last year, Diego Quemada-Diez’s Golden Dream (La jaula de oro) scooped the top award as well as best director.
Some 10 Mexican features have played in competition at the festival since 2000, winning cropping 12 principal awards.
Israeli feature...
- 11/10/2014
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
There was enormous surprise Sunday evening at the 63rd Cannes Film Festival where the Palme d’Or was awarded to Thai director Apichatpong Weerasethakul’s captivating Uncle Boonmee Who Can Recall His Past Lives. This film was co-produced by the UK, France, Germany and Spain. At 39, the director confirms his original talent previously lauded at Cannes with the Un Certain Regard Prize in 2002 for Blissfully Yours and the Jury Prize in 2004 for Tropical Malady.
With triple success for France and honours for Italy and Spain, Europe is also well-represented in a prize list that was apparently the subject of intense discussions. The Grand Prize went to Of Gods and Men by French director Xavier Beauvois , while his compatriot Juliette Binoche scooped Best Actress for Abbas Kiarostami’s Certified Copy. Mathieu Amalric completes the French haul with Best Director for On Tour (co-produced with Germany).
Best Actor was shared by Spain...
With triple success for France and honours for Italy and Spain, Europe is also well-represented in a prize list that was apparently the subject of intense discussions. The Grand Prize went to Of Gods and Men by French director Xavier Beauvois , while his compatriot Juliette Binoche scooped Best Actress for Abbas Kiarostami’s Certified Copy. Mathieu Amalric completes the French haul with Best Director for On Tour (co-produced with Germany).
Best Actor was shared by Spain...
- 5/24/2010
- by Cineuropa
- DearCinema.com
The Palme d’Or isn’t given out until Sunday but awards are starting to come in from Cannes. The Un Certain Regard award, created in 1998, was chaired this year by director Clair Denis and this year’s winner is Hahaha by Hong Sangsoo. The film beat out such competition as the Ryan Gosling and Michelle Williams film Blue Valentine and the new film by Jean-Luc Godard. The biggest surprise, however, came from the International Federation of Film Critics who awarded theirFIPRESCI prize to Tournee (“On Tour”) by Mathieu Amalric, a film that opened the first day of Cannes and was largely derided in most quarters as inconsequential fluff.
Un Certain Regard: Hahaha by Hong Sangsoo
Cinefoundation Awards:
1st Prize: Taulukauppiatt (“The Painting Sellers”) by Juho Kuosmanen
2nd Prize: Coucou-Les-Nuages (“Anywhere Out of the World”) by Vincent Cardona
3rd Prize (tie): Hinkerort Zorasune (“The Fifth Column”) by Vatche Boulghourjian...
Un Certain Regard: Hahaha by Hong Sangsoo
Cinefoundation Awards:
1st Prize: Taulukauppiatt (“The Painting Sellers”) by Juho Kuosmanen
2nd Prize: Coucou-Les-Nuages (“Anywhere Out of the World”) by Vincent Cardona
3rd Prize (tie): Hinkerort Zorasune (“The Fifth Column”) by Vatche Boulghourjian...
- 5/23/2010
- by keithsim
- IMDb Blog - All the Latest
Finnish filmmaker Juho Kuosmanen’s Taulukauppiaat / The Painting Sellers (above) topped the Cinéfondation Awards at the 2010 edition of the Cannes Film Festival. The Painting Sellers follows a trio of salespeople on the road and out of luck even though it’s Christmastime. Worse yet, they have to come to terms with their budding friendship. Runners-up were Vincent Cardona’s Coucou-les-nuages / Anywhere Out of the World, followed by Vatche Boulghourjian’s The Fifth Column tied with Dane Komljem’s I Already Am Everything I Want to Have. Cinéfondation was created in 1998 "to inspire and support the next generation of international filmmakers." Photo: Cannes Film Festival...
- 5/23/2010
- by Steve Montgomery
- Alt Film Guide
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